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Chaucerian conflict
languages of antagonism in late fourteenth-century London -
Medieval go-betweens and Chaucer's Pandarus
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Classical imitation and interpretation in Chaucer's Troilus
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Critical essays on Geoffrey Chaucer
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Chaucer and war
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Chaucer
Symbole der Initiation im Troilus-Roman -
The Song of Troilus
Lyric Authority in the Medieval Book -
Chaucerian conflict
languages of antagonism in late fourteenth-century London -
Troilus and Criseyde
the poem and the frame -
Chaucer's Ovidian arts of love
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Disembodied laughter
Troilus and the apotheosis tradition, a reexamination of narrative and thematic contexts -
Courtly letters in the age of Henry VIII
literary culture and the arts of deceit -
Critical essays on Geoffrey Chaucer
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Chaucer's Troilus and Criseyde and the critics
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Chaucer and war
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The reputation of Criseyde, 1155-1500 /Gretchen Mieszkowski
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Men and masculinities in Chaucer's Troilus and Criseyde
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Chaucer from prentice to poet
the metaphor of love in dream visions and "Troilus and Criseyde" -
Love, history and emotion in Chaucer and Shakespeare
Troilus and Criseyde and Troilus and Cressida -
Reading Chaucer in time
literary formation in England and Italy -
Approaches to teaching Chaucer's Troilus and Criseyde and the shorter poems
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The structure of Chaucer's ambiguity
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A double sorrow
Troilus and Criseyde -
Chaucerotics
uncloaking the language of sex in The Canterbury Tales and Troilus and Criseyde -
The genre of Troilus and Criseyde