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  1. Calderón y el barroco
    exaltación y engaño de los sentidos
    Erschienen: 1990
    Verlag:  John Benjamins Pub. Co., Amsterdam

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Spanisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1556190735; 9027217475; 9027217483; 9027278156; 9781556190735; 9789027217479; 9789027278159
    Schriftenreihe: Purdue University monographs in Romance languages ; v. 31
    Schlagworte: Théâtre espagnol / 1500-1700 (Période classique) / Histoire et critique; Théâtre espagnol / Influence italienne; Littérature baroque / Histoire et critique; Théâtre / Espagne / Histoire; DRAMA / Continental European; Toneelstukken; Barok; Spaans; Baroque literature; Spanish drama / Classical period; Spanish drama / Italian influences; Theater; Drama; Geschichte; Spanisch; Spanish drama; Spanish drama; Baroque literature; Theater; Literatur; Drama; Spanisch; Barock
    Weitere Schlagworte: Calderón de la Barca, Pedro / 1600-1681 / Critique et interprétation; Calderón de la Barca, Pedro / 1600-1681; Calderón de la Barca, Pedro / 1600-1681; Calderón de la Barca, Pedro (1600-1681); Calderón de la Barca, Pedro (1600-1681)
    Umfang: 1 Online-Ressource (xi, 221 pages, [35] pages of plates)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 213-221)

  2. Social justice in Spanish Golden Age theatre
    Erschienen: [2021]
    Verlag:  University of Toronto Press, Toronto ; Buffalo ; London

    "This collection of original new essays focuses on the many ways in which early modern Spanish plays engaged their audiences in a dialogue about abuse, injustice, and inequality. Far from the traditional monolithic view of theatrical works as tools... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This collection of original new essays focuses on the many ways in which early modern Spanish plays engaged their audiences in a dialogue about abuse, injustice, and inequality. Far from the traditional monolithic view of theatrical works as tools for expanding ideology, these essays each recognize the power of theatre in reflecting on issues related to social justice. The first section of the book focuses on textual analysis, taking into account legal, feminist, and collective bargaining theory. The second section explores issues surrounding theatricality, performativity, and intellectual property laws through an analysis of contemporary adaptations. The final section reflects on social justice from the practitioners' point of view, including actors and directors. Social Justice in Spanish Golden Age Theatre reveals how adaptations of classical theatre portray social justice and how throughout history the writing and staging of comedias has been at the service of a wide range of political agendas."--

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Cowling, Erin Alice (Hrsg.); Miguel Magro, Tania de (Hrsg.); Jordán, Mina García (Hrsg.); Nieto Cuebas, Glenda Yael (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781487525286; 9781487507657
    Schriftenreihe: Toronto Iberic series ; 54
    Schlagworte: Drama; Siglo de oro; Soziale Gerechtigkeit <Motiv>; Spanisch
    Weitere Schlagworte: Spanish drama / Classical period, 1500-1700 / History and criticism; Social justice in literature; Social history in literature; Theater / Spain / History; Drama / 15th and 16th centuries; Théâtre espagnol / 16e siècle / Histoire et critique; Théâtre espagnol / 17e siècle / Histoire et critique; Justice sociale dans la littérature; Histoire sociale dans la littérature; Théâtre / Espagne / Histoire; Théâtre (Genre littéraire) / 15e et 16e siècles; Theater; Social history in literature; Social justice in literature; Spanish drama / Classical period; Drama; Spain; 1400-1700; History; Criticism, interpretation, etc
    Umfang: xiii, 273 Seiten, Illustrationen
    Bemerkung(en):

    Foreword: Theatre for justice / Fernando Villa Proal -- Introduction / Erin Alice Cowling, Tania de Miguel Magro, Mina García Jordán, and Glenda Y. Nieto-Cuebas -- Part One: Readings of comedias. The poetics of tragedy and justice in Vélez de Guevara's La serrana de la Vera / Harrison Meadows -- Utopian divorce : El descasamentero by Salas Barbadillo / Tania de Miguel Magro -- The voice of the voiceless : towards equality and social justice in Sor Juana's El divino Narciso / Francisco López-Martín -- Staging strikes, depicting merchants, and the Morisco problem in Valencia / Melissa Figueroa -- Notes on an ethics of theatricality in Cervantes : El gallardo español and La Numancia / Moisés R. Castillo -- Using shame and guilt to impose social injustice in Ana Caro's El Conde Partinuplés / Jaclyn Cohen-Steinberg -- Part Two. Adaptations. A social justice framing of the Comedia : EFE TRES Teatro's El príncipe ynocente adaptation / Erin Alice Cowling --

    Systemic oppression in Morfeo Teatro's adaptation and production of El coloquio de los perros / Glenda Y. Nieto-Cuebas -- El Trato de Argel and the immigrant crisis / Mina García Jordán -- Chirinos and Chanfalla go to America : social justice in adaptations of El retablo de las maravillas / Charles Patterson -- Social networks, social justice, and the people's right to the Golden Age canon : the SGAE or the Comedia villain of the digital age? / Elena García Martín -- Part Three. Interviews. Ben Gunter (dramaturg and director), theater with a mission, Tallahassee, Florida -- Harley Erdman (university professor, director, adapter, and translator of early modern theatre) and Gina Kaufmann (university professor, director), University of Massachusetts, Amherst -- Sandra Arpa and Paula Rodríguez (founders, actors, and directors), Teatro Inverso, Spain -- Fernando Villa Proal and Allan Flores (founders and directors), EFE TRES Teatro, Mexico City --

    Ian Borden (associate professor of theatre studies), Johnny Carson School of Theatre and Film, University of Nebraska -- Natalia Menéndez (director, actor, dramaturg), former director of Almagro Festival, Spain

  3. Social justice in Spanish Golden Age theatre
    Beteiligt: Cowling, Erin Alice (Herausgeber)
    Erschienen: [2021]
    Verlag:  University of Toronto Press, London

    "This collection of original new essays focuses on the many ways in which early modern Spanish plays engaged their audiences in a dialogue about abuse, injustice, and inequality. Far from the traditional monolithic view of theatrical works as tools... mehr

    Universitätsbibliothek Duisburg-Essen
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This collection of original new essays focuses on the many ways in which early modern Spanish plays engaged their audiences in a dialogue about abuse, injustice, and inequality. Far from the traditional monolithic view of theatrical works as tools for expanding ideology, these essays each recognize the power of theatre in reflecting on issues related to social justice. The first section of the book focuses on textual analysis, taking into account legal, feminist, and collective bargaining theory. The second section explores issues surrounding theatricality, performativity, and intellectual property laws through an analysis of contemporary adaptations. The final section reflects on social justice from the practitioners’ point of view, including actors and directors. Social Justice in Spanish Golden Age Theatre reveals how adaptations of classical theatre portray social justice and how throughout history the writing and staging of comedias has been at the service of a wide range of political agendas."-- "This collection of original new essays focuses on the many ways in which early modern Spanish plays engaged their audiences in a dialogue about abuse, injustice, and inequality. Far from the traditional monolithic view of theatrical works as tools for expanding ideology, these essays each recognize the power of theatre in reflecting on issues related to social justice. The first section of the book focuses on textual analysis, taking into account legal, feminist, and collective bargaining theory. The second section explores issues surrounding theatricality, performativity, and intellectual property laws through an analysis of contemporary adaptations. The final section reflects on social justice from the practitioners' point of view, including actors and directors. Social Justice in Spanish Golden Age Theatre reveals how adaptations of classical theatre portray social justice and how throughout history the writing and staging of comedias has been at the service of a wide range of political agendas."--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Cowling, Erin Alice (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781487525286; 1487525281; 1487507658; 9781487507657
    RVK Klassifikation: IO 2255
    DDC Klassifikation: Spanische, portugiesische Literaturen (860)
    Schriftenreihe: Toronto Iberic series ; 54
    Schlagworte: Spanisch; Drama; Siglo de oro; Soziale Gerechtigkeit <Motiv>; Social justice in literature; Social history in literature; Spanish drama; Social history in literature; Social justice in literature; Spanish drama ; Classical period; Criticism, interpretation, etc
    Weitere Schlagworte: Spanish drama / Classical period, 1500-1700 / History and criticism; Social justice in literature; Social history in literature; Theater / Spain / History; Drama / 15th and 16th centuries; Théâtre espagnol / 16e siècle / Histoire et critique; Théâtre espagnol / 17e siècle / Histoire et critique; Justice sociale dans la littérature; Histoire sociale dans la littérature; Théâtre / Espagne / Histoire; Théâtre (Genre littéraire) / 15e et 16e siècles; Theater; Spanish drama / Classical period; Drama; Spain; 1400-1700; History; Criticism, interpretation, etc
    Umfang: xiii, 273 Seiten
    Bemerkung(en):

    Includes bibliographical references and index

    Issued also in electronic formats

    Foreword: Theatre for justice / Fernando Villa Proal -- Introduction / Erin Alice Cowling, Tania de Miguel Magro, Mina García Jordán, and Glenda Y. Nieto-Cuebas -- Part One: Readings of comedias. The poetics of tragedy and justice in Vélez de Guevara's La serrana de la Vera / Harrison Meadows -- Utopian divorce : El descasamentero by Salas Barbadillo / Tania de Miguel Magro -- The voice of the voiceless : towards equality and social justice in Sor Juana's El divino Narciso / Francisco López-Martín -- Staging strikes, depicting merchants, and the Morisco problem in Valencia / Melissa Figueroa -- Notes on an ethics of theatricality in Cervantes : El gallardo español and La Numancia / Moisés R. Castillo -- Using shame and guilt to impose social injustice in Ana Caro's El Conde Partinuplés / Jaclyn Cohen-Steinberg -- Part Two. Adaptations. A social justice framing of the Comedia : EFE TRES Teatro's El príncipe ynocente adaptation / Erin Alice Cowling --

    Systemic oppression in Morfeo Teatro's adaptation and production of El coloquio de los perros / Glenda Y. Nieto-Cuebas -- El Trato de Argel and the immigrant crisis / Mina García Jordán -- Chirinos and Chanfalla go to America : social justice in adaptations of El retablo de las maravillas / Charles Patterson -- Social networks, social justice, and the people's right to the Golden Age canon : the SGAE or the Comedia villain of the digital age? / Elena García Martín -- Part Three. Interviews. Ben Gunter (dramaturg and director), theater with a mission, Tallahassee, Florida -- Harley Erdman (university professor, director, adapter, and translator of early modern theatre) and Gina Kaufmann (university professor, director), University of Massachusetts, Amherst -- Sandra Arpa and Paula Rodríguez (founders, actors, and directors), Teatro Inverso, Spain -- Fernando Villa Proal and Allan Flores (founders and directors), EFE TRES Teatro, Mexico City --

    Ian Borden (associate professor of theatre studies), Johnny Carson School of Theatre and Film, University of Nebraska -- Natalia Menéndez (director, actor, dramaturg), former director of Almagro Festival, Spain