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  1. Complex TV
    The Poetics of Contemporary Television Storytelling
    Autor*in: Mittell, Jason
    Erschienen: [2015]; © 2015
    Verlag:  New York University Press, New York, NY

    Over the past two decades, new technologies, changing viewer practices, and the proliferation of genres and channels has transformed American television. One of the most notable impacts of these shifts is the emergence of highly complex and elaborate... mehr

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    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

    Standort:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Over the past two decades, new technologies, changing viewer practices, and the proliferation of genres and channels has transformed American television. One of the most notable impacts of these shifts is the emergence of highly complex and elaborate forms of serial narrative, resulting in a robust period of formal experimentation and risky programming rarely seen in a medium that is typically viewed as formulaic and convention bound. Complex TV offers a sustained analysis of the poetics of television narrative, focusing on how storytelling has changed in recent years and how viewers make sense of these innovations. Through close analyses of key programs, including The Wire, Lost, Breaking Bad, The Sopranos, Veronica Mars, Curb Your Enthusiasm, and Mad Men the book traces the emergence of this narrative mode, focusing on issues such as viewer comprehension, transmedia storytelling, serial authorship, character change, and cultural evaluation. Developing a television-specific set of narrative theories, Complex TV argues that television is the most vital and important storytelling medium of our time

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780814744963
    Weitere Identifier:
    Schlagworte: PERFORMING ARTS / Television / Screenwriting; Television authorship
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  2. Screenwriting for dummies
    Autor*in: Schellhardt, Laura
    Erschienen: 2008
    Verlag:  [John Wiley, distributor], New York

    Write a great script and get it into the hands of the Hollywood players! So you want to be a screenwriter? Whether you want to write a feature film or a TV script or adapt your favorite book, this friendly guide gives you expert advice in everything... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
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    keine Fernleihe

     

    Write a great script and get it into the hands of the Hollywood players! So you want to be a screenwriter? Whether you want to write a feature film or a TV script or adapt your favorite book, this friendly guide gives you expert advice in everything from creating your story and developing memorable characters to formatting your script and selling it to the studios. You get savvy industry tips and strategies for getting your screenplay noticed!The screenwriting process from A to Z -- from developing a concept and thinking visually to plotline, conflicts, pacing, and the conclusionCraft living

     
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    Volltext (Connect to MyiLibrary resource)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0470345403; 1282367978; 9781282367975; 9780470406434; 9780470345405
    Auflage/Ausgabe: 2nd ed
    Schriftenreihe: --For dummies
    Schlagworte: Motion picture authorship; Television authorship
    Umfang: Online-Ressource (xv, 342 p), ill
    Bemerkung(en):

    Includes index

    Previous ed.: 2003

    Screenwriting for Dummies, 2nd Edition; About the Author; Dedication; Author's Acknowledgments; Contents at a Glance; Table of Contents; Foreword; Introduction; About This Book; Conventions Used in This Book; Foolish Assumptions; How This Book Is Organized; Icons Used in This Book; Where to Go from Here; Part I: So You Want to Write for Pictures; Chapter 1: Introducing the Art of Screenwriting; Thinking Visually; Developing the Writer's Mind; Approaching Screenwriting as a Craft; Finding Your Screenplay's Story; Working through the Writing Process; Formatting Your Screenplay

    Constructing Your First DraftRewriting Your Script; Adapting Your Screenplay from an Outside Source; Selling Your Screenplay to Show Business; Chapter 2: Preparing to Think Visually; Exploring Other Mediums; The Visual Life of a Screenplay; Chapter 3: Diving In to the Screenwriter's Mind; Learning from Other Writers; Art and Life: What's the Difference?; Developing an Artistic Sensibility; Recognizing a Story When You See One; Chapter 4: Approaching Screenwriting as a Craft; A Look at the Creative Process; Imagination: Your Creative Arsenal; Craft: A Vehicle for Your Imagination

    Part II: Breaking Down the Elements of a StoryChapter 5: Unpacking Your Idea; I Have This Great Idea. Now What?; Getting to Know Your Audience; Knowing What Happened Before Your Story Began: Creating the Backstory; Identifying the Tone of Your Piece; Establishing Your Story's Time Clock; Deciding When to Start Your Story; Getting to Know Aristotle: A Dramatist's Best Friend; What's It All About? Writing a Nutshell Synopsis; Chapter 6: Plot Part I: Beginnings; Enhancing Your Opening Images; Tracking Success: Three Compelling ( and Contrasting) Movie Beginnings; Chapter 7: Plot Part II: Middles

    Deciding What Comes NextFrom Lights to Camera to . . . ACTION!; Status: Where's the Upper Hand?; What's Your Problem? Introducing Conflicts and Obstacles; Exposition: From Clunky to Creative; Determining What to Write from What You've Already Written; Continuing Success: Tracking Three Successful Movie Middles; Chapter 8: Plot Part III: Endings; How Do You Know When You're Done?; Danger Will Robinson: Threats to an Otherwise Healthy Plot; Ultimate Success: Tracking Three Movies through Their Triumphant Conclusions; Chapter 9: Character Building

    Portrait of a Person: Constructing a Physical WorldThe Good, the Bad, and the Ugly: Constructing an Internal World; From the Inside Out: Making the Inner World Visible; Chapter 10: Say What? Constructing Dynamic Dialogue; Diction: What's in a Word?; Name That Tune: Crafting Your Character's Music; Listening: The Other Half of Conversation; Putting It Together: Letting Your Characters Speak; Chapter 11: The Nontraditional Film; Breaking with Tradition - Other Ways to Get the Job Done; Thinking Out of Time; Song and Dance: The Movie Musical; Chapter 12: Maintaining an Audience's Trust

    Screenwriting and Ethics

    Electronic reproduction; Available via World Wide Web
  3. Inside the TV writer's room
    practical advice for succeeding in television
    Erschienen: 2010
    Verlag:  Syracuse University Press, Syracuse, N.Y

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
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    keine Fernleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 081563241X; 9780815632412
    Auflage/Ausgabe: 1st ed
    Schriftenreihe: Television and popular culture
    Schlagworte: Television authorship
    Umfang: Online-Ressource (xii, 198 p)
    Bemerkung(en):

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    How to break in; or, Why it's all so randomHow to be a TV staff writer; or, Why there is no I in team -- How to make your writing personal; or, Why you must take the "me" out of it -- How to be a better writer; or, Why that college degree matters -- How to find your voice; or, Why theme is important -- How to embrace or ignore your past; or, Why you must say yes -- How to start writing; or, Why writer's block is bunk -- How to really write a teleplay; or, Why it's about process, not product -- How to run a show; or, Why you should be careful what you wish for -- Case study : Tim Kring and Heroes.
  4. Writing for the Medium
    Television in transition
    Erschienen: 1994
    Verlag:  Amsterdam Univ. Press, Amsterdam

    This collection of essays, by well known writers on the subject of writing for television, is divided into three sections, with the first one devoted to the debates on quality television. The second one focuses on literature and television. The final... mehr

     

    This collection of essays, by well known writers on the subject of writing for television, is divided into three sections, with the first one devoted to the debates on quality television. The second one focuses on literature and television. The final section examines 'Science on television', with series editors from Britain and Germany giving first-hand accounts of the scope for serious science reporting on television

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789053560549
    Schriftenreihe: Film culture in transistion
    Schlagworte: Television authorship
    Umfang: Online-Ressource (211 p)
    Bemerkung(en):

    All rights reserved

    Writing for the Medium: Television in Transition; CONTENTS; General Introduction; Part 1 - Quality Television; Introduction; Television in the Age of Consensus without Sense; 'Quality' Television; Quality Television in The Netherlands: Some Hopeful Reflections on Breaking the Taboo; On the Quality of Soap; Zapping One's Way into Quality: Arts Programmes on TV; Definitions of Quality; Questionable Quality or the Undiscoverable Quality of Television; Part 2 - Literature on Television; Introduction; The Novelist and Television Drama; On Achieving Good Television; Speaking to Nations

    Television and LiteratureLiterature after Television: Author, Authority, Authenticity; Unwritable Films, Unfilmable Texts?; Part 3 - Science on Television; Introduction; Gee-Wizards of the Box?; Science on Television; On Being God and Darwin; Citizen Scientist or A Dinosaur for All Seasons?; Science and Technology on TV: Four European Countries Compared; Selected Bibliography; The Contributors; The Editors; Film Culture in Transition: on the series
  5. Storytelling for film and television
    from first word to last frame
    Autor*in: Dancyger, Ken
    Erschienen: 2019
    Verlag:  Routledge, Taylor & Francis, London ; New York

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780815371793; 9780815371786
    RVK Klassifikation: AP 50600
    Schlagworte: Drehbuch; Erzählen; Filmeditor; Fernsehen; ; Film; Sprache; ; Film; Erzähltechnik; ; Fernsehen; Erzähltechnik;
    Weitere Schlagworte: Motion picture authorship; Television authorship; Motion pictures / Production and direction; Television / Production and direction
    Umfang: ix, 198 Seiten, 25 cm
    Bemerkung(en):

    "A Focal Press book."

    Includes indexes
  6. Writing for television
    Autor*in: Wylie, Max
    Erschienen: 1970
    Verlag:  Cowles, New York, NY

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0402125819
    Schlagworte: Television authorship; Creative writing
    Umfang: 456 S.
  7. Write to TV
    out of your head and onto the screen
    Autor*in: Cook, Martie
    Erschienen: 2007
    Verlag:  Focal Press, Oxford

    Learn to craft smart, original scripts and teleplays for a variety of television formats, including comedy, animation, drama, movies of the week, pilots, reality television, TV news magazine, and children's programming. Using the tools the author... mehr

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Learn to craft smart, original scripts and teleplays for a variety of television formats, including comedy, animation, drama, movies of the week, pilots, reality television, TV news magazine, and children's programming. Using the tools the author provides: checklists, sample outlines and treatments for each format, sample script pages, war stories from writers and executives, and a sample query letter to introduce finished script pages to agents, you'll avoid common pitfalls and come across as an industry veteran. Benefit from the experience of pros: 45 luminaries contribute their experience and wisdom, including Jay Leno, Mike Wallace, Norman Lear, Paul Haggis, writers for "Grey's Anaatomy," "Desperate Housewives," and more! With twenty-five years of industry experience as a television writer and producer, Martie Cook teaches you not only how to hone your craft but also how to break into the industry. Guiding you through the often confusing television hierarchy, Write to TV offers practical advice on important issues such as how to get an agent, how to write a query letter, how to network, even how to "do lunch". By learning how to craft smart scripts for a variety of television formats and how to get your foot in the door and keep it there, this invaluable book will help you get that big idea out of your head, onto the page, and then to the top of the heap. Learn how to craft smart scripts for a variety of television formats and break into the business through: * Examples: In addition to examples of common pitfalls, book includes sample outlines for various formats. * Industry wisdom: Benefit from the advice of an experienced writer. But you don't have to take her word for it--the book is filled with advice, stories, and examples from people currently working in the TV industry. * Practical advice: Business section offers practical advice on important issues like getting an agent, how to write a query letter, and how to network your way into a job

     
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    Volltext (An electronic book accessible through the World Wide Web; click for information)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780240808765; 0080468365; 9780080468365
    Schlagworte: Television authorship
    Umfang: Online-Ressource (xxiv, 323 p.)
    Bemerkung(en):

    Includes index

    Electronic reproduction; Mode of access: World Wide Web

    An overview of the TV industryGetting your scripts read -- Situational comedies -- Developing your sitcom story -- Sitcom structure -- Outlining your sitcom story -- Scripting your sitcom -- Other kinds of TV comedy -- Plot-driven dramas -- Character-driven drama -- Formatting for prime time drama -- The television pilot -- Finding an original premise -- Made-for-TV movies -- Creating compelling characters -- Writing dialogue that dances on the page -- How to get a pitch meeting -- Writing for TV magazine shows -- A mock assignment -- The shoot -- Writing the script -- In the edit bay and beyond ... -- Writing for reality television -- Writing for munchkins and rugrats -- How to get an agent -- The Writers Guild of America -- Writing teams -- How to get work as a television writer -- Getting the interview -- Congratulations, you've got the job ... now what? -- The power of networking -- Other things that can help you succeed.

    PART ONEHOW HOLLYWOOD WORKS; PART TWO -- COMEDY; PART THREE -- PRIMETIME DRAMA; PART FOUR -- TELEVISION MOVIES; PART FIVE -- CREATING ORIGINAL SERIES; PART SIX -- CHARACTERS; PART SEVEN --DIALOGUE; PART EIGHT -HOW TO PITCH YOUR COMEDY, DRAMA OR MOW; PART NINE -- TV NEWS MAGAZINE SHOWS; PART TEN -- REALITY TELEVSION; PART ELEVEN -- CHILDREN'S TELEVISION; PART TWELVE -- THE BUSINESS SIDE OF TELEVISION; PART THIRTEEN -- HOW TO GET YOUR FOOT IN THE DOOR.
  8. Inside the writers' room
    conversations with American TV writers
    Erschienen: 2014
    Verlag:  Palgrave Macmillan, Basingstoke

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    L 6.2 15
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    keine Fernleihe

    Standort:
    Universitätsbibliothek Hildesheim
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    TFF 636 : I51
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781137338105; 9781137338112
    RVK Klassifikation: AP 50700
    Schlagworte: Television authorship; Television writers
    Umfang: VIII, 184 S., 23 cm
  9. On Story—The Golden Ages of Television
    Autor*in: Austin Film Festival, Austin Film Festival
    Erschienen: [2021]
    Verlag:  University of Texas Press, Austin

    Frontmatter -- Contents -- Foreword -- Acknowledgments -- Biographies -- Introduction -- 1 Comedies -- Up Close with Garry Shandling 2004 -- Up Close with Greg Daniels 2008 -- Arrested Development: A Conversation with Mitchell Hurwitz Moderated by... mehr

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    Hochschule für Gesundheit, Hochschulbibliothek
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    Initiative E-Books.NRW
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    Standort:
    Universitätsbibliothek Braunschweig
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    HafenCity Universität Hamburg, Bibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Technische Universität Hamburg, Universitätsbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
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    Universitätsbibliothek Osnabrück
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    Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft
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    eBook de Gruyter
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    Universitätsbibliothek der Eberhard Karls Universität
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
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    Frontmatter -- Contents -- Foreword -- Acknowledgments -- Biographies -- Introduction -- 1 Comedies -- Up Close with Garry Shandling 2004 -- Up Close with Greg Daniels 2008 -- Arrested Development: A Conversation with Mitchell Hurwitz Moderated by Paul Feig 2009 -- Moderated by Paul Feig 2009 -- Orange Is the New Black: Up Close with Jenji Kohan 2013 -- Web Series to HBO: Up Close with Issa Rae 2015 -- A Conversation with Carl Reiner Moderated by Barry Josephson 2015 -- A Conversation with Marta Kauff man Moderated by Barbara Morgan 2016 -- New Girl: A Conversation with Elizabeth Meriwether Moderated by Beau Willimon 2016 -- Up Close with Paula Pell 2016 -- Up Close with Alan Yang 2017 -- 2 Dramas -- Oz: Up Close with Tom Fontana 2003 -- The X-Files : A Conversation with Chris Carter Moderated by Damon Lindelof 2012 -- A Conversation with David Chase Moderated by Barry Josephson 2012 -- Lost: Up Close with Damon Lindelof 2012 -- Up Close with Marti Noxon 2012 -- Breaking Bad: A Conversation with Vince Gilligan Moderated by Barry Josephson -- A Conversation with Vince Gilligan Moderated by Álvaro Rodríguez 2013 -- Rectify : A Conversation with Ray McKinnon Moderated by Barbara Morgan 2013 -- House : Up Close with David Shore 2013 -- Justifi ed: Up Close with Wendy Calhoun 2014 -- The 10-Hour Movie: A Conversation with Cary Fukunaga and Noah Hawley 2014 -- Mad Men: A Conversation with Matthew Weiner Moderated by Robert Draper 2014 -- Better Call Saul: A Conversation with Peter Gould Moderated by Barbara Morgan 2015 “On Story is film school in a box, a lifetime’s worth of filmmaking knowledge squeezed into half-hour packages.”—Kenneth Turan, film critic for the Los Angeles Times Austin Film Festival (AFF) is the first organization to focus on writers’ creative contributions to film and television. Its annual Film Festival and Conference offers screenings, panels, workshops, and roundtable discussions that help new writers and filmmakers connect with mentors and gain advice and insight from masters, as well as reinvigorate veterans with new ideas. To extend the Festival’s reach, AFF produces On Story, a television series currently airing on PBS-affiliated stations and streaming online that presents high-caliber artists talking candidly and provocatively about the art and craft of screenwriting and filmmaking, often using examples from their own work. On Story—The Golden Ages of Television explores the transformation of television’s narrative content over the past several decades through interviews with some of TV’s best creators and writers, including Garry Shandling (The Larry Sanders Show), Carl Reiner (The Dick Van Dyke Show), Issa Rae (Insecure), Vince Gilligan (Breaking Bad), Greg Daniels (The Office), Paula Pell (Saturday Night Live), Noah Hawley (Fargo), Liz Meriwether (New Girl), David Chase (The Sopranos), Alan Yang (Master of None), Marta Kauffman (Friends), Jenji Kohan (Orange Is the New Black), and many more. Their insights, behind-the-scenes looks at the creative process, production tales, responses to audiences’ reactions, and observations on how both TV narratives and the industry have changed make this book ideal for TV lovers, pop culture fans, students taking screenwriting courses, and filmmakers and writers seeking information and inspiration

     
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  10. Writing the comedy pilot script
    a step-by-step guide to creating an original TV series
    Autor*in: Basanese, Manny
    Erschienen: 2022
    Verlag:  Routledge,, Abingdon, Oxon

    Introduction: The serious business of comedy : why laughing matters -- What is a pilot and why write one? -- Getting started : turning your idea into a comic pilot premise -- Single-cam vs multi-cam? Workplace or family comedy? Decisions, decisions!... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Introduction: The serious business of comedy : why laughing matters -- What is a pilot and why write one? -- Getting started : turning your idea into a comic pilot premise -- Single-cam vs multi-cam? Workplace or family comedy? Decisions, decisions! -- Rise of the dramedy -- The animated comedy pilot -- The" tween" comedy pilot -- Choose your platform : network, cable or streaming -- Comic characters : finding the funny -- Finding your pilot story -- Sitcom structure : it's no joke! -- Crafting your pilot logline -- Pilot outline : blueprint for success -- Your plot device toolbox -- Your cold open : grab us! -- Your pilot's beginning : setting up your series "world" -- "Middle magic" : obstacles, complications and escalation -- Your pilot ending : begin where you finish! -- Your 2nd draft : making a good thing better -- A note about notes -- The power of punch-up : mining the laughs -- Your polished draft : is it ready to show? -- Pilot pitch prep -- Breaking in : marketing your comedy pilot (and yourself!).

     
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  11. Writing subtext
    what lies Beneath
    Erschienen: 2011
    Verlag:  Michael Wiese Productions, Studio City, CA

    Subtext: a definition and exploration -- Expressing subtext through words: character information and backstory -- Techniques for expressing subtext through words -- Expressing subtext through gestures and action -- Creating subtext through images and... mehr

    Standort:
    Macromedia Library Berlin
    Signatur:
    AP 5600
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    Standort:
    Commerzbibliothek der Handelskammer Hamburg
    Signatur:
    2016/712
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Macromedia Library Hamburg
    Signatur:
    AP 50600
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    Standort:
    Macromedia Library Köln
    Signatur:
    AP 50600
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    Standort:
    Macromedia Library
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    AP 50600
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    Macromedia Library Stuttgart
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    Subtext: a definition and exploration -- Expressing subtext through words: character information and backstory -- Techniques for expressing subtext through words -- Expressing subtext through gestures and action -- Creating subtext through images and metaphors -- Expressing subtext through the genre -- Writer Alvin Sargent ruminates about subtext -- Afterword

     
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    Verlag (Inhaltsverzeichnis)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781932907964; 1932907963
    RVK Klassifikation: AP 50600
    Schlagworte: Subtext (Drama, novel, etc.); Motion picture authorship; Television authorship
    Umfang: IX, 163 S., Ill.
    Bemerkung(en):

    Includes filmography

    Subtext: a definition and exploration -- Expressing subtext through words: character information and backstory -- Techniques for expressing subtext through words -- Expressing subtext through gestures and action -- Creating subtext through images and metaphors -- Expressing subtext through the genre -- Writer Alvin Sargent ruminates about subtext -- Afterword.
  12. Television and screen writing
    from concept to contract
    Autor*in: Blum, Richard A.
    Erschienen: 2001
    Verlag:  Focal Pr., Boston [u.a.]

    Standort:
    Hochschule der Medien, Bibliothek Standort Nobelstr.
    Signatur:
    Sel 8
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0240803973
    Auflage/Ausgabe: 4th ed
    Schlagworte: Television authorship; Motion picture authorship
    Umfang: XVII, 413 S.
  13. Writing Hollywood
    the work and professional culture of television writers
    Autor*in: Phalen, Patricia F.
    Erschienen: [2018]; © 2018
    Verlag:  Routledge, New York

    Standort:
    Universitätsbibliothek Leipzig
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781138229815; 9781138229822
    RVK Klassifikation: AP 37520 ; AP 50600
    Schlagworte: Television authorship
    Umfang: xi, 110 Seiten, 23 cm
    Bemerkung(en):

    Includes bibliographical references
  14. Writing and producing for television and film
    Autor*in: De Fossard, Esta
    Erschienen: c2005
    Verlag:  Sage, New Delhi[u.a.]

    Standort:
    Universitätsbibliothek Leipzig
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0761934006; 8178295512
    RVK Klassifikation: AP 50600
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Communication for behavior change ; v. 2
    Schlagworte: Television authorship; Television; Motion picture authorship; Motion pictures
    Umfang: 278 S., Ill.
  15. Playwrights on television
    conversations with dramatists
    Beteiligt: Miller, Hillary (InterviewerIn)
    Erschienen: 2020
    Verlag:  Routledge, New York

    Introduction: Naming -- Tanya Barfield -- Jocelyn Bioh -- Sheila Callaghan -- Kristoffer Diaz -- Bash Doran -- Laura Eason -- Madeleine George -- Jason Grote -- Jordan Harrison -- David Henry Hwang -- MJ Kaufman -- Itamar Moses -- Janine Nabers --... mehr

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    Introduction: Naming -- Tanya Barfield -- Jocelyn Bioh -- Sheila Callaghan -- Kristoffer Diaz -- Bash Doran -- Laura Eason -- Madeleine George -- Jason Grote -- Jordan Harrison -- David Henry Hwang -- MJ Kaufman -- Itamar Moses -- Janine Nabers -- Christopher Oscar Peña -- Adam Rapp -- Tanya Saracho -- Diana Son -- Tracey Scott Wilson -- Afterword: Renaming. "Playwrights on Television features interviews with writers of award-winning stage plays and celebrated television shows reflecting on the successes and challenges of being a playwright in the post-network television era. In these conversations, eighteen dramatists consider their professional paths and creative choices, from training and education to thoughts on craft and technique, and discuss a range of issues relevant to the development of dramatic writing today. Theatregoers and TV aficionados alike will find new perspectives on the journeys travelled by some of their favorite plays and series, such as The Affair, The Americans, Boardwalk Empire, GLOW, House of Cards, Insecure, Mad Men, Orange is the New Black, Shameless, She's Gotta Have It, Vida, The West Wing. A valuable resource for aspiring stage and television writers, as well as theatre and media scholars investigating the works of these dramatists, Playwrights on Television sheds light on the role of the contemporary playwright in the latest Golden Age of TV"--

     
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    Quelle: Verbundkataloge
    Beteiligt: Miller, Hillary (InterviewerIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780815352242; 9780815352235
    Schlagworte: Dramatists, American; Television writers; Dramatists, American; Television writers; Television authorship; Television series
    Umfang: xi, 273 Seiten, Illustrationen, Porträts, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  16. Storytelling for Film and Television
    From First Word to Last Frame
    Autor*in: Dancyger, Ken
    Erschienen: 2019; ©2019
    Verlag:  Routledge, Milton

    Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- SECTION I NARRATIVE -- Chapter 1 Introduction -- Chapter 2 The narrative tools -- Chapter 3 The technical dimension -- Chapter 4 The creative possibilities --... mehr

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    Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- SECTION I NARRATIVE -- Chapter 1 Introduction -- Chapter 2 The narrative tools -- Chapter 3 The technical dimension -- Chapter 4 The creative possibilities -- Chapter 5 Three case studies of excellence -- SECTION II DIRECTING -- Chapter 6 The directing tools -- Chapter 7 The technical dimension -- Chapter 8 The creative possibilities -- Chapter 9 Three case studies of excellence -- SECTION III EDITING -- Chapter 10 The editing tools -- Chapter 11 The technical dimension -- Chapter 12 The creative possibilities -- Chapter 13 Three case studies of excellence -- SECTION IV THE STORYTELLING EXPERIENCE FROM BEGINNING TO END -- Chapter 14 Elia Kazan's Splendor in the Grass -- Chapter 15 Sidney Lumet's Daniel -- Chapter 16 Laszlo Nemes' Son of Saul -- Chapter 17 Conclusion -- Glossary -- Index.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781351245975
    Schlagworte: Motion picture authorship; Television authorship; Motion pictures-Production and direction; Television-Production and direction; Motion picture authorship.; Television authorship.; Motion pictures-Production and direction.; Television-Production and direction; Electronic books
    Umfang: 1 online resource (209 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  17. Genre
    a guide to writing for stage and screen
    Autor*in: Tidmarsh, Andrew
    Erschienen: [2018]
    Verlag:  Bloomsbury Publishing, [London]

    What makes tragedy tragic? What makes comedy comic? What does 'Henry V' have in common with 'The Sopranos'? 'Seneca' with 'Desperate Housewives'? 'Goldoni' with 'Frasier'? In 'Genre', Andrew Tidmarsh explores these questions and more in an... mehr

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    What makes tragedy tragic? What makes comedy comic? What does 'Henry V' have in common with 'The Sopranos'? 'Seneca' with 'Desperate Housewives'? 'Goldoni' with 'Frasier'? In 'Genre', Andrew Tidmarsh explores these questions and more in an entertaining and accessible book aimed at explaining the parameters of each form

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781472535184
    Weitere Identifier:
    Schriftenreihe: RADA guides
    Schlagworte: Literary form; Television authorship; Motion picture authorship; Drama
    Umfang: 1 Online-Ressource (104 pages)
    Bemerkung(en):

    Includes bibliographical references

    Previously issued in print: London: Bloomsbury Methuen Drama, 2014. Digital resource published 2018
  18. Screenwriting for film and television
    Autor*in: Miller, William Charles
    Erschienen: 1998
    Verlag:  Allyn and Bacon, Boston

    Standort:
    Universitätsbibliothek Leipzig
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0205272991
    RVK Klassifikation: AP 36320 ; AP 50400
    Schlagworte: Motion picture authorship; Television authorship
    Umfang: XII, 276 S.
    Bemerkung(en):

    Rev. ed. of: Screenwriting for narrative film and television. c 1980 - Includes bibliographical references
  19. A Quick Guide to Television Writing.
    Autor*in: Morton, Ray
    Erschienen: 2013; ©2013
    Verlag:  Limelight, Milwaukee

    QUICK GUIDE TO TELEVISION WRITING. Intro -- Contents -- Introduction -- 1. Dramatic Storytelling -- 2. Dramatic Storytelling for Television -- 3. The Teleplay Writing Process -- 4. The Television Writing Process -- 5. Script Format, Structure, and... mehr

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    QUICK GUIDE TO TELEVISION WRITING. Intro -- Contents -- Introduction -- 1. Dramatic Storytelling -- 2. Dramatic Storytelling for Television -- 3. The Teleplay Writing Process -- 4. The Television Writing Process -- 5. Script Format, Structure, and Length for Single-Camera Shows -- 6. Script Format, Structure, and Length for Multi-Camera Sitcoms -- 7. Script Format, Structure, and Length for Multi-Camera Shows Shot on Video -- 8. A Few Tips -- 9. Jobs for Television Writers -- 10. Creating a Television Series -- 11. Writing Other Forms of Television -- 12. The Business of Television Writing -- Acknowledgments.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780879108946
    Schlagworte: Television authorship; Television authorship; Electronic books
    Umfang: 1 online resource (74 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  20. TV writing on demand
    creating great content in the digital era
    Autor*in: Landau, Neil
    Erschienen: 2018
    Verlag:  Routledge,, New York

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Standort:
    Palucca-Hochschule für Tanz Dresden, Bibliothek
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  21. Breaking in
    tales from the screenwriting trenches
    Autor*in: Jessup, Lee Zahavi.
    Erschienen: 2017
    Verlag:  Routledge,, New York

    1. Understanding the industry -- 2. Your craft -- 3. So. how do you break in? -- 4. Getting representation -- 5. Winning a screenwriting competition -- 6. Acceptance into a TV writing program -- 7. Receiving a feature writing fellowship or lab... mehr

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    1. Understanding the industry -- 2. Your craft -- 3. So. how do you break in? -- 4. Getting representation -- 5. Winning a screenwriting competition -- 6. Acceptance into a TV writing program -- 7. Receiving a feature writing fellowship or lab placement -- 8. Selling a spec screenplay -- 9. Television : getting staffed -- 10. Selling your television pilot -- 11. General meetings and writing assignments -- 12. Additional paths to breaking in -- 13. Everything you can do for your screenwriting career today -- 14. The kitchen sink : insights, guidance and advice -- 15. Final thoughts.

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781315558561; 9781317194156
    Weitere Identifier:
    Schlagworte: Motion picture authorship; Television authorship; Screenwriters; Motion picture authorship; Television authorship; Screenwriters ; Interviews
    Umfang: 1 online resource
  22. The heart of the film
    writing love stories in screenplays
    Autor*in: Whitcomb, Cynthia.
    Erschienen: 2017
    Verlag:  Routledge,, New York

    pt. I. The meet (cute and otherwise) -- pt. II. The crack -- pt. III. Why you? -- pt. IV. The obstacle -- pt. V. Putting it all together -- pt. VI. Styles and miscellany. mehr

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    pt. I. The meet (cute and otherwise) -- pt. II. The crack -- pt. III. Why you? -- pt. IV. The obstacle -- pt. V. Putting it all together -- pt. VI. Styles and miscellany.

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781315513218; 9781315513188
    Weitere Identifier:
    Schlagworte: Motion picture authorship; Television authorship; Romance fiction; Motion picture authorship; Television authorship; Romance fiction ; Authorship
    Umfang: 1 online resource (xi, 204 pages)
  23. Writing Hollywood
    the work and professional culture of television writers
    Autor*in: Phalen, Patricia F.
    Erschienen: 2017
    Verlag:  Routledge, Taylor & Francis Group,, New York and London

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781315203676; 9781351788717
    Weitere Identifier:
    Schlagworte: Television authorship; Television authorship ; United States
    Umfang: 1 online resource
    Bemerkung(en):

    Includes bibliographical references
  24. A masterclass in dramatic writing
    theater, film, and television
    Autor*in: Neipris, Janet.
    Erschienen: 2017
    Verlag:  Routledge,, Abingdon, Oxon

    week 1. Beginnings -- week 2. Creating complex characters -- week 3. Dialogue -- week 4. Escalating conflicts -- week 5. Sixty questions to ask when writing a dramatic piece -- week 6. Putting it all together -- week 7. Endings -- week 8. Checkpoints... mehr

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    week 1. Beginnings -- week 2. Creating complex characters -- week 3. Dialogue -- week 4. Escalating conflicts -- week 5. Sixty questions to ask when writing a dramatic piece -- week 6. Putting it all together -- week 7. Endings -- week 8. Checkpoints -- week 9. Rewriting -- week 10. Adapting from fact, fiction, and further -- week 11. Comedy -- week 12. The habits of successful dramatic writers -- week 13. Lessons from master teachers and students -- week 14. To be a writer.

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781315688435; 9781317421115; 9781317421122
    Weitere Identifier:
    Auflage/Ausgabe: Fully Revised and extended Second ed of To be a playwright.
    Schlagworte: Drama; Playwriting; Television authorship; Motion picture authorship; Drama ; Technique; Playwriting; Television authorship; Motion picture authorship
    Umfang: 1 online resource (xxii, 167 pages)
  25. Script partners
    how to succeed at co-writing for film & TV
    Autor*in: Johnson, Claudia
    Erschienen: 2016
    Verlag:  Routledge,, New York and London

    ch. 1. Why collaborate? The top ten reasons to write with a partner -- ch. 2. A film school survival kit or how collaboration helps you get in, get along, and get ahead -- ch. 3. Finding the right writing partner -- ch. 4. Making the creative... mehr

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    ch. 1. Why collaborate? The top ten reasons to write with a partner -- ch. 2. A film school survival kit or how collaboration helps you get in, get along, and get ahead -- ch. 3. Finding the right writing partner -- ch. 4. Making the creative relationship work -- ch. 5. Solving the space-time conundrum -- ch. 6. Choosing the right project -- ch. 7. Co-creating character -- ch. 8. Co-creating story and structure -- ch. 9. Co-drafting the script -- ch. 10. Co-writing the rewrite -- ch. 11. Making the business relationship work.

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Stevens, Matt (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781315687360; 9781317417903; 9781317417910
    Weitere Identifier:
    Auflage/Ausgabe: Second edition.
    Schlagworte: Motion picture authorship; Television authorship; Authorship; Motion picture authorship; Television authorship; Authorship ; Collaboration
    Umfang: 1 online resource (xviii, 255 pages)