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  1. Picturing reform in Victorian Britain
    Erschienen: 2012
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    "How did Victorians, as creators and viewers of images, visualize the politics of franchise reform? This study of Victorian art and parliamentary politics, specifically in the 1840s and 1860s, answers that question by viewing the First and Second... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "How did Victorians, as creators and viewers of images, visualize the politics of franchise reform? This study of Victorian art and parliamentary politics, specifically in the 1840s and 1860s, answers that question by viewing the First and Second Reform Acts from the perspectives offered by Ruskin's political theories of art and Bagehot's visual theory of politics. Combining subjects and approaches characteristic of art history, political history, literary criticism and cultural critique, Picturing Reform in Victorian Britain treats both paintings and wood engravings, particularly those published in Punch and the Illustrated London News. Carlisle analyzes unlikely pairings - a novel by Trollope and a painting by Hayter, an engraving after Leech and a high-society portrait by Landseer - to argue that such conjunctions marked both everyday life in Victorian Britain and the nature of its visual politics as it was manifested in the myriad heterogeneous and often incongruous images of illustrated journalism"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780521868365; 052186836X
    RVK Klassifikation: LO 50090 ; NP 5700
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 79
    Schlagworte: Suffrage in art; Painting, Victorian; Magazine illustration; Art; Art and society
    Weitere Schlagworte: Array; Array; Array; Array
    Umfang: XII, 272 S., Ill., 25 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note: Introduction; 1. Art as politics: lines in theory and practice; 2. Pictures on display; 3. Redrawing the franchise in the 1860s: lines around the Constitution; 4. Within the pale; Conclusion.

  2. Women's suffrage in word, image, music, stage and screen
    the making of a movement
    Beteiligt: Wiley, Christopher (HerausgeberIn, VerfasserIn); Rose, Lucy Ella (HerausgeberIn, VerfasserIn)
    Erschienen: 2021
    Verlag:  Routledge, Taylor & Francis Group, London

    "This collection of essays explores the myriad ways in which the women's suffrage movement in Britain in the nineteenth century and twentieth century engaged with, and was expressed through literature, art and craft, music, drama and cinema.... mehr

    Hochschule für Musik, Theater und Medien Hannover, Bibliothek
    inventarisiert mit Zg.-Nr. 2024/10034
    keine Fernleihe
    Universitätsbibliothek Heidelberg
    2022 C 1763
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    KoM 196.128
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Germanisches Nationalmuseum, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    soz 686 3ke DK 1599
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This collection of essays explores the myriad ways in which the women's suffrage movement in Britain in the nineteenth century and twentieth century engaged with, and was expressed through literature, art and craft, music, drama and cinema. Uniquely, this anthology places developments in the constituent arts side by side, and in dialogue, rather than focusing on a single field in isolation. In so doing, it illustrates how creative endeavours in different artforms converged in support of women's suffrage. Topics encompassed range from the artistic output of such household names as Sylvia Pankhurst and Ethel Smyth, to the recent feature film Suffragette. It also brings to light under-represented figures and neglected works related to the suffrage movement. A wide variety of material is explored, from poems, diaries and newspapers to posters, dress and artefacts to songs, opera, plays and film. Published in the wake of the centenary of many women receiving the parliamentary vote in the UK, this book will appeal to scholars, undergraduate and graduate students, and members of the public interested in the broad areas of women's history and the women's suffrage movement, as well as across the arts disciplines"--

     

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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Wiley, Christopher (HerausgeberIn, VerfasserIn); Rose, Lucy Ella (HerausgeberIn, VerfasserIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780367361983; 9781032024929
    Schriftenreihe: Interdisciplinary research in gender
    Schlagworte: Women and the arts; Suffrage in art; Women; Arts; Arts
    Umfang: xxxv, 288 Seiten, Illustrationen
    Bemerkung(en):

    Literaturangaben

  3. Suffrage and the arts
    visual culture, politics and enterprise
    Erschienen: 2020
    Verlag:  Bloomsbury Visual Arts, London

    Universitätsbibliothek Würzburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781350128675
    RVK Klassifikation: MS 3155
    Schlagworte: Frauenwahlrecht <Motiv>; Medien; Künste; Kunst; Frauenbewegung; Suffragette <Motiv>; Politik
    Weitere Schlagworte: Women / Suffrage / Great Britain / History / 20th century; Suffrage in art; Suffrage in art; Women / Suffrage; Great Britain; 1900-1999; History
    Umfang: xxxiii, 281 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen, Karte
  4. Picturing reform in Victorian Britain
    Erschienen: 2012
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    "How did Victorians, as creators and viewers of images, visualize the politics of franchise reform? This study of Victorian art and parliamentary politics, specifically in the 1840s and 1860s, answers that question by viewing the First and Second... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2012:4796:
    keine Fernleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 B 149856
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Freiburg, Bibliothek im KG IV, Bereiche Geschichte, Osteuropäische Geschichte, Politik, Soziologie
    Frei 31b: Ti 840 / 1
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2012 B 1696
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Heidelberg
    2012 C 2254
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    LH 60230 C283
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "How did Victorians, as creators and viewers of images, visualize the politics of franchise reform? This study of Victorian art and parliamentary politics, specifically in the 1840s and 1860s, answers that question by viewing the First and Second Reform Acts from the perspectives offered by Ruskin's political theories of art and Bagehot's visual theory of politics. Combining subjects and approaches characteristic of art history, political history, literary criticism and cultural critique, Picturing Reform in Victorian Britain treats both paintings and wood engravings, particularly those published in Punch and the Illustrated London News. Carlisle analyzes unlikely pairings - a novel by Trollope and a painting by Hayter, an engraving after Leech and a high-society portrait by Landseer - to argue that such conjunctions marked both everyday life in Victorian Britain and the nature of its visual politics as it was manifested in the myriad heterogeneous and often incongruous images of illustrated journalism"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780521868365; 052186836X
    RVK Klassifikation: LO 50090 ; NP 5700
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 79
    Schlagworte: Suffrage in art; Painting, Victorian; Magazine illustration; Art; Art and society
    Weitere Schlagworte: Array; Array; Array; Array
    Umfang: XII, 272 S., Ill., 25 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note: Introduction; 1. Art as politics: lines in theory and practice; 2. Pictures on display; 3. Redrawing the franchise in the 1860s: lines around the Constitution; 4. Within the pale; Conclusion.