Includes bibliographical references
Anna Westerstahl StenportStockholm-Berlin-Moscow: Strindberg and avant-garde performance in the 1920s / Eszter Szalczer: Introduction: the international Strindberg
Anna Westerstahl Stenport: Introduction: the international Strindberg
Mads Bunch: Castration anxiety and traumatic encounters with the real in the works of August Strindberg and Lars von Trier
Maxime Abolgassemi: Reconsidering the place of Strindberg in surrealism: André Breton and the light of the objective chance encounter
Linda Haverty Rugg: Standing at the bourne of the modern: Strindberg's ecological subject in By the open sea and his archipelago paintings
Sylvain Briens: Paris, laboratory of modernity: modernist experimentation and August Strindberg's search for "The equation" in Paris
Freddie Rokem: Voices and visions in Fingal's cave: Plato and Strindberg
Anna Westerståhl Stenport: Money metaphors and rhetoric of resource depletion: creditors and late-nineteenth-century European economics
Massimo Ciaravolo: A nineteenth-century long poem meets modernity: sleepwalking nights
Tobias Dahlkvist: By the open sea-a decadent novel? Reconsidering relationships between Nietzsche, Strindberg, and fin-de-siecle culture
Anne-Charlotte Hanes Harvey: "The spoken word is all"-"ordet det talade ar allt": translating Strindberg for the international stage
Leonardo F. Lisi.: The art of doubt: form, genre, history in Miss Julie
Eszter Szalczer: Stockholm-Berlin-Moscow: Strindberg and avant-garde performance in the 1920s
Mads Bunch: Castration anxiety and traumatic encounters with the real in the works of August Strindberg and Lars von Trier
Maxime Abolgassemi: Reconsidering the place of Strindberg in surrealism: André Breton and the light of the objective chance encounter
Linda Haverty Rugg: Standing at the bourne of the modern: Strindberg's ecological subject in By the open sea and his archipelago paintings
Sylvain Briens: Paris, laboratory of modernity: modernist experimentation and August Strindberg's search for "The equation" in Paris
Freddie Rokem: Voices and visions in Fingal's cave: Plato and Strindberg
Anna Westerståhl Stenport: Money metaphors and rhetoric of resource depletion: creditors and late-nineteenth-century European economics
Massimo Ciaravolo: A nineteenth-century long poem meets modernity: sleepwalking nights
Tobias Dahlkvist: By the open sea-a decadent novel? Reconsidering relationships between Nietzsche, Strindberg, and fin-de-siecle culture
Anne-Charlotte Hanes Harvey: "The spoken word is all"-"ordet det talade ar allt": translating Strindberg for the international stage
Leonardo F. Lisi.: The art of doubt: form, genre, history in Miss Julie
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