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  1. Allen Tate
    Orphan of the South
    Erschienen: [2021]; ©2000
    Verlag:  Princeton University Press, Princeton, NJ

    Despite his celebrity and his fame, a series of literary feuds and the huge volume of sources have, until now, precluded a satisfying biography of Allen Tate. Anyone interested in the literature and history of the American South, or in modern... mehr

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Technische Universität Hamburg, Universitätsbibliothek
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    Despite his celebrity and his fame, a series of literary feuds and the huge volume of sources have, until now, precluded a satisfying biography of Allen Tate. Anyone interested in the literature and history of the American South, or in modern letters, will be fascinated by his life. Poetry readers recognize Tate, whom T. S. Eliot once called the best poet writing in America, as the author of some of the twentieth century's most powerful modernist verse. Others know him as a founder of The Fugitive, the first significant poetry journal to emerge from the South. Tate joined William Faulkner and others in launching what came to be known as the Southern Literary Renaissance. In 1930, he became a leader of the Southern Agrarian movement, perhaps America's final potent critique of industrial capitalism. By 1938, Tate had departed politics and written The Fathers, a critically acclaimed novel about the dissolution of the antebellum South. He went on to earn almost every honor available to an American poet. His fatherly mentoring of younger poets, from Robert Penn Warren to Robert Lowell, and of southern novelists--including his first wife, Caroline Gordon--elicited as much rebellion as it did loyalty. Long-awaited and based on the author's unprecedented access to Tate's personal papers and surviving relatives, Orphan of the South brings Tate to 1938. It explores his attempt, first through politics and then through art, to reconcile his fierce talent and ambition with the painful history of his family and of the South. Tate was subjected to, and also perpetuated, fictional interpretations of his ancestry. He alternately abandoned and championed Southern culture. Viewing himself as an orphan from a region where family history is identity, he developed a curious blend of spiritual loneliness and ideological assuredness. His greatest challenge was transforming his troubled genealogy into a meaningful statement about himself and Southern culture as a whole. It was this problem that consumed Tate for the first half of his life, the years recorded here. This portrait of a man who both made and endured American literary history depicts the South through the story of one of its treasured, ambivalent, and sometimes wayward sons. Readers will gain a fertile understanding of the Southern upbringing, education, and literary battles that produced the brilliant poet who was Allen Tate

     

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  2. Poets in the Public Sphere
    The Emancipatory Project of American Women's Poetry, 1800-1900
    Erschienen: [2021]; ©2003
    Verlag:  Princeton University Press, Princeton, NJ

    Based entirely on archival research, Poets in the Public Sphere traces the emergence of the "New Woman" by examining poetry published by American women in newspapers and magazines between 1800 and 1900. Using sources like the Kentucky Reporter, the... mehr

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    Universitätsbibliothek Braunschweig
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    Staats- und Universitätsbibliothek Bremen
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    Zentrale Hochschulbibliothek Flensburg
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    Universitätsbibliothek Greifswald
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    HafenCity Universität Hamburg, Bibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Technische Universität Hamburg, Universitätsbibliothek
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    Universitätsbibliothek Hildesheim
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    Thüringer Universitäts- und Landesbibliothek
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    Based entirely on archival research, Poets in the Public Sphere traces the emergence of the "New Woman" by examining poetry published by American women in newspapers and magazines between 1800 and 1900. Using sources like the Kentucky Reporter, the Cherokee Phoenix, the Cincinnati Israelite, and the Atlantic Monthly, Bennett is able to track how U.S. women from every race, class, caste, region, and religion exploited the freedom offered by the nation's periodical press, especially the poetry columns, to engage in heated debate with each other and with men over matters of mutual concern. Far from restricting their poems to the domestic and personal, these women addressed a significant array of political issues--abolition, Indian removals, economic and racial injustice, the Civil War, and, not least, their own changing status as civil subjects. Overflowing with a wealth of heretofore untapped information, their poems demonstrate conclusively that "ordinary" nineteenth-century women were far more influenced by the women's rights movement than historians have allowed. In showing how these women turned the sentimental and ideologically saturated conventions of the period's verse to their own ends, Bennett argues passionately and persuasively for poetry's power as cultural and political discourse. As much women's history as literary history, this book invites readers to rethink not only the role that nineteenth-century women played in their own emancipation but the role that poetry plays in cultural life

     

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  3. Poets in the public sphere
    the emancipatory project of American women's poetry, 1800-1900
    Autor*in: Bennett, Paula
    Erschienen: ©2003
    Verlag:  Princeton University Press, Princeton, N.J

    Literary sentimentality and the genteel lyric -- High sentimentality and the politics of reform -- The politics and poetics of difference -- Harper, Parnell, Lazarus, and Johnson -- Domestic gothic and sentimental parody -- Irony's edge: Sarah Piatt... mehr

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    Literary sentimentality and the genteel lyric -- High sentimentality and the politics of reform -- The politics and poetics of difference -- Harper, Parnell, Lazarus, and Johnson -- Domestic gothic and sentimental parody -- Irony's edge: Sarah Piatt and the postbellum speaker -- Sex, sexualities, and female erotic discourse -- Making it new in the fin de siècle. Publisher's description: Based entirely on archival research, Poets in the Public Sphere traces the emergence of the "New Woman" by examining poetry published by American women in newspapers and magazines between 1800 and 1900. Using sources like the Kentucky Reporter, the Cherokee Phoenix, the Cincinnati Israelite, and the Atlantic Monthly, Bennett is able to track how U.S. women from every race, class, caste, region, and religion exploited the freedom offered by the nation's periodical press, especially the poetry columns, to engage in heated debate with each other and with men over matters of mutual concern. Far from restricting their poems to the domestic and personal, these women addressed a significant array of political issues--abolition, Indian removals, economic and racial injustice, the Civil War, and, not least, their own changing status as civil subjects. Overflowing with a wealth of heretofore untapped information, their poems demonstrate conclusively that "ordinary" nineteenth-century women were far more influenced by the women's rights movement than historians have allowed. In showing how these women turned the sentimental and ideologically saturated conventions of the period's verse to their own ends, Bennett argues passionately and persuasively for poetry's power as cultural and political discourse. As much women's history as literary history, this book invites readers to rethink not only the role that nineteenth-century women played in their own emancipation but the role that poetry plays in cultural life

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780691227702; 0691227705
    RVK Klassifikation: EC 2230 ; HT 1760 ; HT 1769
    Schlagworte: American poetry; Feminism and literature; Women and literature; American poetry; Feminist poetry, American; Social problems in literature; Sentimentalism in literature; Sex role in literature; Irony in literature; Sex in literature; Frauenemanzipation; Frauenlyrik; Geschlechterrolle; Lyrik; Schriftstellerin; American poetry; American poetry ; Women authors; Feminism and literature; Feminist poetry, American; Irony in literature; Sentimentalism in literature; Sex in literature; Sex role in literature; Social problems in literature; Women and literature; American poetry ; Women authors ; History and criticism; Feminism and literature ; United States ; 19th century; Women and literature ; United States ; 19th century; American poetry ; 19th century ; History and criticism; Feminist poetry, American ; History and criticism; Social problems in literature; Sentimentalism in literature; Sex role in literature; Sex in literature; Irony in literature; LITERARY CRITICISM / Poetry; Criticism, interpretation, etc; History; Sexualité dans la littérature; Ironie dans la littérature; Rôle selon le sexe dans la littérature; Problèmes sociaux dans la littérature; Poésie américaine - 19e siècle - Histoire et critique; Femmes et littérature - États-Unis - Histoire - 19e siècle; Poésie féministe américaine - Histoire et critique
    Weitere Schlagworte: Piatt, Sarah M. B (1836-1919); Piatt, Sarah M. B (1836-1919); Piatt, Sarah M. B; Piatt, Sarah M. B ; Criticism and interpretation; Piatt, Sarah M. B - 1836-1919; Piatt, Sarah M. B - 1836-1919 - Criticism and interpretation; Antinous; Boston, Massachusetts; Brattleborough Reporter; Broadway Journal; Canticles; Chap-Book; Cherokee Phoenix; Cincinnati Israelite; Continent; Declaration of Sentiments; Densmore, Frances; Dubrow, Heather; Ebony and Topaz; Eliot, Thomas Stearns; Fraser, Nancy; German Romanticism; Gramsci, Antonio; Hampton Institute; Harvard University; Huyssen, Andreas; Independent; Irish World; Jeremiad; Judaism; Judea; Knickerbocker; Lanier, Stephen; Markiewicz, Constance; National Enquirer; New Varieties; New York Ledger; Oedipus; Overland Monthly; Parnell, Fanny; Phillips, Wendell; Queen of Sheba; Schumann, Robert; Scribners Monthly; Southern Review; abolitionists; agency; apostrophe; coverture; free thought; hegemony; imagism; irony; keepsake tradition; mock epitaphs; quatrain craze; temperance
    Umfang: 1 Online-Ressource (xii, 264 pages), illustrations
    Bemerkung(en):

    Includes bibliographical references (pages 217-252) and index