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  1. Elizabeth Smart
    a fugue essay on women and creativity
    Autor*in: Echlin, Kim
    Erschienen: 2004
    Verlag:  Women's Press, Toronto

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1417588691; 9780889614420; 9781417588695
    RVK Klassifikation: HU 9800
    Schriftenreihe: Women who rock series
    Schlagworte: Écrivains canadiens / 20e siècle / Biographies; BIOGRAPHY & AUTOBIOGRAPHY / Literary; LITERARY CRITICISM / American / General; Authors, Canadian; Authors, Canadian
    Weitere Schlagworte: Smart, Elizabeth / 1913-1986 / Biographie; Smart, Elizabeth; Smart, Elizabeth / 1913-1986; Smart, Elizabeth / 1913-; Smart, Elizabeth (1913-1986); Smart, Elizabeth (1913-1986)
    Umfang: 1 Online-Ressource (vii, 237 p.)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    "Elizabeth Smart, author of the classic By Grand Central Station I Sat Down and Wept, has long been seen as a woman determined by "Romantic" love. In this new look at her life, Kim Echlin shows that another - powerful - source of her creativity was rooted in her fearless exploration of the female body and psyche - as daughter, lover of men and women, an single mother raising four children fathered by a British poet." "Women's creativity and relationships are the preoccupation of Elizabeth Smart's Writing. Echlin shows how Elizabeth Smart's determined embrace of her own unconventional experience in her art belongs to a literary tradition of writers who create female characters with a will toward individuality. To the last pages of Elizabeth Smart's life-long diaries, she never stopped challenging herself to stop doubting, to live and speak her truth, even though it put her on the margins throughout her life." "Echlin brings new material to bear on this reflection, including over one hundred interviews and a collection of never before published letters in which Smart reflects on birth, childrearing, and female creativity."--Jacket

  2. Daily modernism
    the literary diaries of Virginia Woolf, Antonia White, Elizabeth Smart, and Anaïs Nin
    Erschienen: 2000
    Verlag:  McGill-Queen's University Press, Montreal [Que.]

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 077352021X; 0773568247; 9780773520219; 9780773568242
    Schlagworte: Journaux intimes anglais / Histoire et critique; Journaux intimes canadiens-anglais / Histoire et critique; Écrivaines américaines / Journaux intimes / Histoire et critique; Écrivaines anglaises / Journaux intimes / Histoire et critique; Écrivaines canadiennes-anglaises / Journaux intimes / Histoire et critique; Écrits de femmes anglais / Histoire et critique; Écrits de femmes canadiens-anglais / Histoire et critique; Écrits de femmes américains / Histoire et critique; Authors, English / 20th century / Diaries / History and criticism; Authors, American / 20th century / Diaries / History and criticism; Authors, Canadian / 20th century / Diaries / History and criticism; Women and literature / English-speaking countries / History / 20th century; Diaries / Women authors / History and criticism; Modernism (Literature) / Great Britain; Modernism (Literature) / United States; Modernism (Literature) / Canada; Dagboeken; Vrouwelijke auteurs; Engels; Amerikaans; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; LITERARY CRITICISM / Women Authors; American diaries / Women authors; English diaries / Women authors; Englisch; Geschichte; Schriftstellerin; English diaries; American diaries; Englisch; Frauenliteratur; Tagebuch
    Weitere Schlagworte: Woolf, Virginia / 1882-1941 / Journal intime; Nin, Anaïs / 1903-1977 / Journal intime; Smart, Elizabeth / 1913-1986 / Journal intime; White, Antonia / 1899-1980 / Journal intime; Woolf, Virginia / 1882-1941; Smart, Elizabeth / 1913-; Nin, Anaèis / 1903-1977; White, Antonia / 1899-1980; White, Antonia (1899-1980); Woolf, Virginia (1882-1941); White, Antonia (1899-1979); Nin, Anaïs (1903-1977); Smart, Elizabeth (1913-1986)
    Umfang: 1 Online-Ressource (x, 407 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    Blurring Boundaries: Mapping the Diary as Autobiography and Fiction -- - "That profoundly female, and feminist, genre" -- - Life Writing a Modernist Text -- - Virginia Woolf's Diary: "the proper stuff of fiction" -- - "Still waiting for revelation: key to unlock": The Diaries of Antonia White, A Literary Case Study -- - "Keep out / Keep out / Your snooting snout": The Irresistible Diaries of Elizabeth Smart -- - "I was born to hear applause": Self-Promotion and Performance in the Diaries of Anais Nin

    "In contrast to autobiography, which is intended for a public audience, diaries have traditionally been thought of as a private record of an individual's life. In Daily Modernism Elizabeth Podnieks shows that the diary can and should be read as both autobiography and fiction. She makes it clear that Virginia Woolf, Antonia White, Elizabeth Smart, and Anais Nin wrote their diaries under the pretence that they were private, while always intending them to be published. Redrawing established boundaries between genres, Podnieks details how diaries inscribe the aesthetics of literary modernism. Drawing on feminist theory, literary history, biography, and anecdotes, she argues that the diary is an especially subversive genre for women writers."--BOOK JACKET.