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  1. Shakespearean subversions
    the trickster and the play-text
    Autor*in: Hillman, Richard
    Erschienen: 1992
    Verlag:  Routledge, London u.a.

    This book traces manifestations of trickery and subversion across the Shakespearean canon in such a way as to bring together several diverse strands of critical thought. By isolating a principle of subversiveness that cuts across the standard... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book traces manifestations of trickery and subversion across the Shakespearean canon in such a way as to bring together several diverse strands of critical thought. By isolating a principle of subversiveness that cuts across the standard categories, Richard Hillman shows a relation amongst otherwise disparate aspects of the plays and delineates broad patterns of development. In Shakespearean Subversions discussion of such obviously subversive character-types as the Clown, the Fool and the Machiavellian villain is incorporated into a broader concern with disruptive energy, not as a thematic motif, but as a generative influence on textual production. Hillman suggests that this influence may be exercised, paradoxically, through the counter-claims of social order. The book situates this central idea in relation to a number of theoretical positions, including New Historicism, Cultural Materialism, and Bakhtin's concept of the carnivalesque. The primary conceptual anchor is supplied by recent anthropological interpretations of the folklore figure known as the Trickster. The subsequent plan of the book is wide-ranging: there is discussion of almost every play, with some unusual associations across boundaries of genre and a number of radically unconventional specific interpretations. Shakespearean Subversions will appeal to specialists and to any reader with a serious interest in Shakespearean drama.

     
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  2. Shakespearean subversions
    the trickster and the play-text
    Autor*in: Hillman, Richard
    Erschienen: 1992
    Verlag:  Routledge, London u.a.

    This book traces manifestations of trickery and subversion across the Shakespearean canon in such a way as to bring together several diverse strands of critical thought. By isolating a principle of subversiveness that cuts across the standard... mehr

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book traces manifestations of trickery and subversion across the Shakespearean canon in such a way as to bring together several diverse strands of critical thought. By isolating a principle of subversiveness that cuts across the standard categories, Richard Hillman shows a relation amongst otherwise disparate aspects of the plays and delineates broad patterns of development. In Shakespearean Subversions discussion of such obviously subversive character-types as the Clown, the Fool and the Machiavellian villain is incorporated into a broader concern with disruptive energy, not as a thematic motif, but as a generative influence on textual production. Hillman suggests that this influence may be exercised, paradoxically, through the counter-claims of social order. The book situates this central idea in relation to a number of theoretical positions, including New Historicism, Cultural Materialism, and Bakhtin's concept of the carnivalesque. The primary conceptual anchor is supplied by recent anthropological interpretations of the folklore figure known as the Trickster. The subsequent plan of the book is wide-ranging: there is discussion of almost every play, with some unusual associations across boundaries of genre and a number of radically unconventional specific interpretations. Shakespearean Subversions will appeal to specialists and to any reader with a serious interest in Shakespearean drama.

     
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  3. Mythe et littérature
    Shakespeare et ses contemporains
    Erschienen: 2003
    Verlag:  Presses Univ. du Mirail, Toulouse-Le-Mirail

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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