Ergebnisse für *

Zeige Ergebnisse 1 bis 4 von 4.

  1. Bill Brandt, Henry Moore
    Beteiligt: Droth, Martina (Hrsg.); Messier, Paul (Hrsg.); Brandt, Bill; Moore, Henry (Hrsg.)
    Erschienen: [2020]
    Verlag:  Yale Center for British Art, New Haven ; Yale University Press, New Haven ; London

    "The camera," said Orson Welles, "is a medium via which messages reach us from another world." It was the camera and the circumstances of the Second World War that first brought together Henry Moore (1898-1986) and Bill Brandt (1904-1983). During the... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The camera," said Orson Welles, "is a medium via which messages reach us from another world." It was the camera and the circumstances of the Second World War that first brought together Henry Moore (1898-1986) and Bill Brandt (1904-1983). During the Blitz, both artists produced images depicting civilians sheltering in the London Underground. These "shelter pictures" were circulated to millions via popular magazines and today rank as iconic works of their time. This book begins with these wartime works and examines the artists' intersecting paths in the postwar period. Key themes include war, industry, and the coal mine; landscape and Britain's great megalithic sites; found objects; and the human body. Special photographic reproduction captures the materiality of the print as a three-dimensional object rather than a flat, disembodied image on the page

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Droth, Martina (Hrsg.); Messier, Paul (Hrsg.); Brandt, Bill; Moore, Henry (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780300251050
    RVK Klassifikation: AP 94100 ; LI 60950
    Schlagworte: Notunterkunft; Fotografie; Zeichnung; London <Motiv>; Plastik
    Weitere Schlagworte: Brandt, Bill (1904-1983); Moore, Henry (1898-1986); Brandt, Bill / Friends and associates / Exhibitions; Moore, Henry / 1898-1986 / Friends and associates / Exhibitions; Moore, Henry / 1898-1986 / Criticism and interpretation; Moore, Henry / 1898-1986 / Themes, motives; Art and photography / Exhibitions; Photography, Artistic / Exhibitions; Prints, English / 20th century / Exhibitions; Sculpture / Exhibitions; Brandt, Bill; Moore, Henry / 1898-1986; Themes, motives; Criticism, interpretation, etc; Exhibition catalogs
    Umfang: 255 Seiten, 34 cm
    Bemerkung(en):

    Impressum: This publication accompanies the exhibitions "Bill Brandt | Henry Moore", organized by the Yale Center for British Art in partnership with The Hepworth Wakefield, on view at The Hepworth Wakefield, February 7-May 3, 2020; Yale Center for British Art, New Haven, June 25-September 13, 2020; and Sainsbury Centre, University of East Anglia, Norwich, November 22-February 28, 2021

  2. Shonky
    the aesthetics of awkwardness
    Erschienen: [2017]
    Verlag:  Hayward Publishing, London

    In this compact but highly original publication, artist John Walter identifies a 'shonky' tendency in art that has previously gone under the radar, bringing into focus artworks that are hand-made but not well crafted, that push the boundaries of good... mehr

    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    In this compact but highly original publication, artist John Walter identifies a 'shonky' tendency in art that has previously gone under the radar, bringing into focus artworks that are hand-made but not well crafted, that push the boundaries of good taste and orderliness. Walter illustrates his theory with examples of awkward, funny, exuberant art from across the past forty years, ranging from sculpture and performance to painting and architecture. Novelists Zoë Strachan and Louise Welsh broaden this exploration of the shonky into the world of literature in their 'Letter from Monkswood', while in 'The Shonky Factor' Walter assesses a list of artists for their shonkiness levels

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Walter, John (Hrsg.); Strachan, Zoë; Welch, Louise
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781853323560
    RVK Klassifikation: LH 65827 ; LH 65880
    Schlagworte: Ästhetik; Kunst
    Weitere Schlagworte: Aesthetics; Sculpture / Exhibitions; Installations (Art) / Exhibitions / Great Britain; Clumsiness
    Umfang: 79 Seiten, 23 cm
  3. Bill Brandt, Henry Moore
    Beteiligt: Droth, Martina (Hrsg.); Messier, Paul (Hrsg.); Brandt, Bill; Moore, Henry (Hrsg.)
    Erschienen: [2020]
    Verlag:  Yale Center for British Art, New Haven ; Yale University Press, New Haven ; London

    "The camera," said Orson Welles, "is a medium via which messages reach us from another world." It was the camera and the circumstances of the Second World War that first brought together Henry Moore (1898-1986) and Bill Brandt (1904-1983). During the... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "The camera," said Orson Welles, "is a medium via which messages reach us from another world." It was the camera and the circumstances of the Second World War that first brought together Henry Moore (1898-1986) and Bill Brandt (1904-1983). During the Blitz, both artists produced images depicting civilians sheltering in the London Underground. These "shelter pictures" were circulated to millions via popular magazines and today rank as iconic works of their time. This book begins with these wartime works and examines the artists' intersecting paths in the postwar period. Key themes include war, industry, and the coal mine; landscape and Britain's great megalithic sites; found objects; and the human body. Special photographic reproduction captures the materiality of the print as a three-dimensional object rather than a flat, disembodied image on the page

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Droth, Martina (Hrsg.); Messier, Paul (Hrsg.); Brandt, Bill; Moore, Henry (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780300251050
    RVK Klassifikation: AP 94100 ; LI 60950
    Schlagworte: Notunterkunft; Fotografie; Zeichnung; London <Motiv>; Plastik
    Weitere Schlagworte: Brandt, Bill (1904-1983); Moore, Henry (1898-1986); Brandt, Bill / Friends and associates / Exhibitions; Moore, Henry / 1898-1986 / Friends and associates / Exhibitions; Moore, Henry / 1898-1986 / Criticism and interpretation; Moore, Henry / 1898-1986 / Themes, motives; Art and photography / Exhibitions; Photography, Artistic / Exhibitions; Prints, English / 20th century / Exhibitions; Sculpture / Exhibitions; Brandt, Bill; Moore, Henry / 1898-1986; Themes, motives; Criticism, interpretation, etc; Exhibition catalogs
    Umfang: 255 Seiten, 34 cm
    Bemerkung(en):

    Impressum: This publication accompanies the exhibitions "Bill Brandt | Henry Moore", organized by the Yale Center for British Art in partnership with The Hepworth Wakefield, on view at The Hepworth Wakefield, February 7-May 3, 2020; Yale Center for British Art, New Haven, June 25-September 13, 2020; and Sainsbury Centre, University of East Anglia, Norwich, November 22-February 28, 2021

  4. The Histories
    Beteiligt: Hartt, David; Akers, Cole (Hrsg.)
    Erschienen: [2022]
    Verlag:  Inventory Press, Los Angeles

    With a rich, immersive design, this clothbound monograph reveals the fault lines of race, colonialism, and empire that haunt the present. Borrowing its title from Herodotus' foundational work, this publication documents a cycle of three works... mehr

    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    With a rich, immersive design, this clothbound monograph reveals the fault lines of race, colonialism, and empire that haunt the present. Borrowing its title from Herodotus' foundational work, this publication documents a cycle of three works collectively titled The Histories by artist David Hartt. Focusing on the Americas and the Caribbean during the 19th century, Hartt explores real and imagined landscapes informed by Martin Johnson Heade, Robert S. Duncanson, Michel-Jean Cazabon, and Frederic Church. His contemporary interpretations use video, tapestries and sculpture alongside musical collaborations with Girma Yifrashewa, Van Dyke Parks, and Stefan Betke. The first work, Le Mancenillier, commissioned by and sited in the Frank Lloyd Wright designed Beth Sholom Synagogue, was filmed and photographed in Haiti and New Orleans. The second, Old Black Joe, in Trinidad and Ohio, and the final work Crépuscule, commissioned by the Philadelphia Museum of Art was made in Jamaica and Newfoundland. With an extended photo essay, documentation of the installations, and essays by Cole Akers, Solveig Nelson, Michael Veal, and Mabel O. Wilson, The Histories reveals the complex entanglement of peoples and cultures as place is explored

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Hartt, David; Akers, Cole (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 1941753434; 9781941753439
    Schlagworte: Fotografie; Natur <Motiv>
    Weitere Schlagworte: Hartt, David (1967-); Hartt, David / 1967- / Exhibitions; Art, Modern / 21st century; Video art / Exhibitions; Tapestry / Exhibitions; Sculpture / Exhibitions; Artists' books
    Umfang: 143 Seiten, 31 cm