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  1. Stravinsky, God, and time
    Autor*in: Sills, Helen
    Erschienen: [2022]
    Verlag:  Brill, Leiden ; Boston

    "If, as Robert Craft remarked, 'religious beliefs were at the core of Stravinsky's life and work', why have they not figured more prominently in discussions of his works? Stravinsky's coordination of the listener with time is central to the unity of... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "If, as Robert Craft remarked, 'religious beliefs were at the core of Stravinsky's life and work', why have they not figured more prominently in discussions of his works? Stravinsky's coordination of the listener with time is central to the unity of his compositional style. This ground-breaking study looks at his background in Russian Orthodoxy, at less well-known writings of Arthur Lourié and Pierre Souvtchinsky and at the Catholic philosophy of Jacques Maritain, that shed light on the crucial link between Stravinsky's spirituality and his restoration of time in music. Recent neuroscience research supports Stravinsky's eventual adoption of serialism as the natural and logical outcome of his spiritual and musical quest."

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004518537
    Weitere Identifier:
    RVK Klassifikation: LP 94889
    Schriftenreihe: Consciousness, literature and the arts ; volume 59
    Schlagworte: Zeit <Motiv>; Spiritualität; Komposition <Musik>
    Weitere Schlagworte: Stravinsky, Igor (1882-1971); Stravinsky, Igor / 1882-1971 / Criticism and interpretation; Stravinsky, Igor / 1882-1971 / Religion; Music / 20th century / History and criticism; Sacred music / 20th century / History and criticism; Time in music
    Umfang: 1 Online-Ressource (IX, 358 Seiten), Notenbeispiele
  2. Stravinsky, God, and time
    Autor*in: Sills, Helen
    Erschienen: [2022]
    Verlag:  Brill, Leiden ; Boston

    "If, as Robert Craft remarked, 'religious beliefs were at the core of Stravinsky's life and work', why have they not figured more prominently in discussions of his works? Stravinsky's coordination of the listener with time is central to the unity of... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "If, as Robert Craft remarked, 'religious beliefs were at the core of Stravinsky's life and work', why have they not figured more prominently in discussions of his works? Stravinsky's coordination of the listener with time is central to the unity of his compositional style. This ground-breaking study looks at his background in Russian Orthodoxy, at less well-known writings of Arthur Lourié and Pierre Souvtchinsky and at the Catholic philosophy of Jacques Maritain, that shed light on the crucial link between Stravinsky's spirituality and his restoration of time in music. Recent neuroscience research supports Stravinsky's eventual adoption of serialism as the natural and logical outcome of his spiritual and musical quest."

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9789004518247
    RVK Klassifikation: LP 94889
    Schriftenreihe: Consciousness, literature and the arts ; volume 59
    Schlagworte: Zeit <Motiv>; Spiritualität; Komposition <Musik>
    Weitere Schlagworte: Stravinsky, Igor (1882-1971); Stravinsky, Igor / 1882-1971 / Criticism and interpretation; Stravinsky, Igor / 1882-1971 / Religion; Music / 20th century / History and criticism; Sacred music / 20th century / History and criticism; Time in music
    Umfang: IX, 358 Seiten, Notenbeispiele
    Bemerkung(en):

    Includes bibliographical references and index
  3. Stravinsky, God, and time
    Autor*in: Sills, Helen
    Erschienen: [2022]
    Verlag:  Brill, Leiden ; Boston

    "If, as Robert Craft remarked, 'religious beliefs were at the core of Stravinsky's life and work', why have they not figured more prominently in discussions of his works? Stravinsky's coordination of the listener with time is central to the unity of... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatliches Institut für Musikforschung - Preußischer Kulturbesitz, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "If, as Robert Craft remarked, 'religious beliefs were at the core of Stravinsky's life and work', why have they not figured more prominently in discussions of his works? Stravinsky's coordination of the listener with time is central to the unity of his compositional style. This ground-breaking study looks at his background in Russian Orthodoxy, at less well-known writings of Arthur Lourié and Pierre Souvtchinsky and at the Catholic philosophy of Jacques Maritain, that shed light on the crucial link between Stravinsky's spirituality and his restoration of time in music. Recent neuroscience research supports Stravinsky's eventual adoption of serialism as the natural and logical outcome of his spiritual and musical quest."

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9789004518247
    RVK Klassifikation: LP 94889
    Schriftenreihe: Consciousness, literature and the arts ; volume 59
    Schlagworte: Zeit <Motiv>; Spiritualität; Komposition <Musik>
    Weitere Schlagworte: Stravinsky, Igor (1882-1971); Stravinsky, Igor / 1882-1971 / Criticism and interpretation; Stravinsky, Igor / 1882-1971 / Religion; Music / 20th century / History and criticism; Sacred music / 20th century / History and criticism; Time in music
    Umfang: IX, 358 Seiten, Notenbeispiele
    Bemerkung(en):

    Includes bibliographical references and index