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  1. Forced Migration in the Feminist Imagination
    transcultural movements
    Autor*in: Ball, Anna
    Erschienen: 2022
    Verlag:  Routledge, Abingdon, Oxon

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780429325403; 9781000459173; 9781000459104
    Weitere Identifier:
    Schriftenreihe: Interdisciplinary research in gender
    Schlagworte: Refugees in literature; Feminist literature; Women refugees in art; Feminism in art; Art, Modern; Women refugees; Electronic books; SOCIAL SCIENCE / Feminism & Feminist Theory; SOCIAL SCIENCE / Women's Studies
    Umfang: 1 Online-Ressource (xix, 201 Seiten)
  2. Masquerade and Gender
    Disguise and Female Identity in Eighteenth-Century Fictions by Women
    Erschienen: [2021]; © 1993
    Verlag:  Penn State University Press, University Park, PA

    Terry Castle's recent study of masquerade follows Bakhtin's analysis of the carnivalesque to conclude that, for women, masquerade offered exciting possibilities for social and sexual freedom. Castle's interpretation conforms to the fears expressed by... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Terry Castle's recent study of masquerade follows Bakhtin's analysis of the carnivalesque to conclude that, for women, masquerade offered exciting possibilities for social and sexual freedom. Castle's interpretation conforms to the fears expressed by male writers during the period-Addison, Steele, and Fielding all insisted that masquerade allowed women to usurp the privileges of men. Female authors, however, often mistrusted these claims, perceiving that masquerade's apparent freedoms were frequently nothing more than sophisticated forms of oppression. Catherine Craft-Fairchild's work provides a useful corrective to Castle's treatment of masquerade. She argues that, in fictions by Aphra Behn, Mary Davys, Eliza Haywood, Elizabeth Inchbald, and Frances Burney, masquerade is double-sided. It is represented in some cases as a disempowering capitulation to patriarchal strictures that posit female subordination. Often within the same text, however, masquerade is also depicted as an empowering defiance of the dominant norms for female behavior. Heroines who attempt to separate themselves from the image of womanhood they consciously construct escape victimization. In both cases, masquerade is the condition of femininity: gender in the woman's novel is constructed rather than essential.Craft-Fairchild examines the guises in which womanhood appears, analyzing the ways in which women writers both construct and deconstruct eighteenth-century cultural conceptions of femininity. She offers a careful and engaging textual analysis of both canonical and noncanonical eighteenth-century texts, thereby setting lesser-read fictions into a critical dialogue with more widely known novels. Detailed readings are informed throughout by the ideas of current feminist theorists, including Luce Irigaray, Julia Kristeva, Mary Ann Doane, and Kaja Silverman. Instead of assuming that fictions about women were based on biological fact, Craft-Fairchild stresses the opposite: the domestic novel itself constructs the domestic woman

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780271074863
    Weitere Identifier:
    Schlagworte: SOCIAL SCIENCE / Women's Studies; Disguise in literature; English fiction; English fiction; Femininity in literature; Identity (Psychology) in literature; Sex role in literature; Women and literature
    Umfang: 1 Online-Ressource (204 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021)

  3. Spectacular Girls
    Media Fascination and Celebrity Culture
    Erschienen: [2014]; © 2014
    Verlag:  New York University Press, New York, NY

    Winner of the 2015 Bonnie Ritter Book Award from the National Communication Association As an omnipresent figure of the media landscape, girls are spectacles. They are ubiquitous visual objects on display at which we are incessantly invited to look.... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Winner of the 2015 Bonnie Ritter Book Award from the National Communication Association As an omnipresent figure of the media landscape, girls are spectacles. They are ubiquitous visual objects on display at which we are incessantly invited to look. Investigating our cultural obsession with both everyday and high-profile celebrity girls, Sarah Projanskyuses a queer, anti-racist feminist approach to explore the diversity of girlhoods in contemporary popular culture.The book addresses two key themes: simultaneous adoration and disdain for girls and the pervasiveness of whiteness and heteronormativity. While acknowledging this context, Projansky pushes past the dichotomy of the "can-do" girl who has the world at her feet and the troubled girl who needs protection and regulation to focus on the variety of alternative figures who appear in media culture, including queer girls, girls of color, feminist girls, active girls, and sexual girls, all of whom are present if we choose to look for them.Drawing on examples across film, television, mass-market magazines and newspapers, live sports TV, and the Internet, Projansky combines empirical analysis with careful, creative, feminist analysis intent on centering alternative girls. She undermines the pervasive "moral panic" argument that blames media itself for putting girls at risk by engaging multiple methodologies, including, for example, an ethnographic study of young girls who themselves critique media. Arguing that feminist media studies needs to understand the spectacularization of girlhood more fully, she places active, alternative girlhoods right in the heart of popular media culture

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780814764794
    Weitere Identifier:
    Schlagworte: SOCIAL SCIENCE / Women's Studies; Celebrities in mass media; Mass media and girls; Women in mass media; Berühmte Persönlichkeit; Massenmedien; Mädchen; Geschlechterforschung
    Umfang: 1 online resource, 18 black and white illustrations
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jun 2020)

  4. Queer(y)ing bodily norms in Francophone culture
    Beteiligt: Galis, Polly (Hrsg.); Tomlinson, Maria (Hrsg.); Wimbush, Antonia (Hrsg.)
    Erschienen: [2021]
    Verlag:  Peter Lang, Oxford

    Queer(y)ing Bodily Norms in Francophone Culture questions how a wide selection of restrictive norms come to bear on the body, through a close analysis of a range of texts, media and genres originating from across the francophone world and spanning... mehr

     

    Queer(y)ing Bodily Norms in Francophone Culture questions how a wide selection of restrictive norms come to bear on the body, through a close analysis of a range of texts, media and genres originating from across the francophone world and spanning the twentieth and twenty-first centuries. Each essay troubles hegemonic, monolithic perceptions and portrayals of racial, class, gender, sexual and/or national identity, rethinking bodily norms as portrayed in literature, film, theatre and digital media specifically from a queer and querying perspective. The volume thus takes «queer(y)ing» as its guiding methodology, an approach to culture and society which examines, questions and challenges normativity in all of its guises. The term «queer(y)ing» retains the celebratory tone of the term «queer» but avoids appropriating the identity of the LGBTQ+ community, a group which remains marginalized to this day. The publication reveals that evaluating the bodily norms depicted in francophone culture through a queer and querying lens allows us to fragment often oppressive and restrictive norms, and ultimately transform them.

     

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    Quelle: Verbundkataloge
    Beteiligt: Galis, Polly (Hrsg.); Tomlinson, Maria (Hrsg.); Wimbush, Antonia (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781789975154; 9781789975161; 9781789975178
    RVK Klassifikation: EC 1876 ; MS 2850
    DDC Klassifikation: Romanische Sprachen; Französisch (440)
    Schriftenreihe: Modern French identities ; volume 140
    Schlagworte: Französisches Sprachgebiet; Leiblichkeit; Körperkultur; Queer-Theorie;
    Weitere Schlagworte: SOCIAL SCIENCE / Women's Studies; SOCIAL SCIENCE / Gender Studies; SOCIAL SCIENCE / Media Studies; Literature & literary studies; Media studies; women; Antonia; Antonia Wimbush; Bodily; Body; Culture; Francophone; Francophone culture; Galis; Jean; Khalfa; Maria; Maria Tomlinson; Norms; Polly
    Umfang: 1 Online-Ressource (x, 279 Seiten)
    Bemerkung(en):

    Enthält Literaturangaben nach den Beiträgen

  5. Transgressive utopianism
    essays in honor of Lucy Sargisson
  6. FORCED MIGRATION IN THE FEMINIST IMAGINATION
    transcultural movements
    Autor*in: Ball, Anna
    Erschienen: 2021
    Verlag:  ROUTLEDGE, [S.l.]

    Forced Migration in the Feminist Imagination explores how feminist acts of imaginative expression, community-building, scholarship, and activism create new possibilities for women experiencing forced migration in the twenty-first century. Drawing on... mehr

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Forced Migration in the Feminist Imagination explores how feminist acts of imaginative expression, community-building, scholarship, and activism create new possibilities for women experiencing forced migration in the twenty-first century. Drawing on literature, film, and art from a range of transnational contexts including Europe, the Middle East, Central America, Australia, and the Caribbean, this volume reveals the hitherto unrecognised networks of feminist alliance being formulated across borders, while reflecting carefully on the complex politics of cross-cultural feminist solidarity. The book presents a variety of cultural case-studies that each reveal a different context in which the transcultural feminist imagination can be seen to operate - from the maternal feminism' of literary journalism confronting the European refugee crisis' to Iran's female film directors building creative collaborations with displaced Afghan women; and from artists employing sonic creativities in order to listen to women in U.K. and Australian detention, to LGBTQ+ poets and video artists articulating new forms of queer feminist community against the backdrop of the hostile environment. This is an essential read for scholars in Women's and Gender Studies, Feminist and Postcolonial Literary and Cultural Studies, and Comparative Literary Studies, as well as for those operating in the fields of Gender and Development Studies and Forced Migration Studies

     

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  7. Female Criminality and "Fake News" in Early Modern Spanish Pliegos Sueltos
    Erschienen: 2021
    Verlag:  Routledge,, [Place of publication not identified]

    Introduction to the Pliegos SueltosWomen as Bandits and Highway RobbersWomen as Murderers: Mariticide and InfanticideWomen as Prostitutes, Libertines, (and Actors)Women as Christian RenegadesWomen as Enslaved IndividualsWomen as Witches and... mehr

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    Introduction to the Pliegos SueltosWomen as Bandits and Highway RobbersWomen as Murderers: Mariticide and InfanticideWomen as Prostitutes, Libertines, (and Actors)Women as Christian RenegadesWomen as Enslaved IndividualsWomen as Witches and SorceressesWomen as MiscegenationistsWomen Punished (and Transformed into Hybrids)Conclusion

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781003212027; 1003212026; 9781000510324; 1000510328; 9781000510348; 1000510344
    Auflage/Ausgabe: First edition.
    Schriftenreihe: Routledge studies in Latin American and Iberian literature
    Schlagworte: Chapbooks, Spanish; Broadsides; Female offenders in literature; Women in literature; Popular literature; Spanish literature; LITERARY CRITICISM / European / Spanish & Portuguese; SOCIAL SCIENCE / Women's Studies
    Umfang: 1 online resource (248 pages).
  8. Embroidering the Scarlet A
    unwed mothers and illegitimate children in American fiction and film
    Erschienen: [2015]; © 2015
    Verlag:  University of Michigan Press, Ann Arbor

    "Embroidering the Scarlet A traces the evolution of the "fallen woman" from the earliest novels to recent representations in fiction and film, including The Scarlet Letter, The Sound and the Fury, The Color Purple, and Love Medicine, and the films... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    "Embroidering the Scarlet A traces the evolution of the "fallen woman" from the earliest novels to recent representations in fiction and film, including The Scarlet Letter, The Sound and the Fury, The Color Purple, and Love Medicine, and the films Juno and Mother and Child. Interweaving her own experience as a pregnant teen forced to surrender her daughter and pledge secrecy for decades, Ellerby interrogates "out-of-wedlock" motherhood, mapping the ways archetypal scarlet women and their children have been exiled as social pariahs, pardoned as blameless pawns, and transformed into empowered women. Drawing on narrative, feminist, and autobiographical theory, the book examines the ways that the texts have affirmed, subverted, or challenged dominant thinking and the prevailing moral standards as they have shifted over time. Using her own life experience and her uniquely informed perspective, Ellerby assesses the effect these stories have on the lives of real women and children. By inhabiting the space where ideology meets narrative, Ellerby questions the constricting historical, cultural, and social parameters of female sexuality and permissible maternity. As a feminist cultural critique, a moving autobiographical journey, and an historical investigation that addresses both fiction and film, Embroidering the Scarlet A will appeal to students and scholars of literature, history, sociology, psychology, women's and gender studies, and film studies. The book will also interest general readers, as it relates the experience of surrendering a child to adoption at a time when birthmothers were still exiled, birth records were locked away, and secrecy was still mandatory. It will also appeal to those concerned with adoption or the cultural shifts that have changed our thinking about illegitimacy"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780472072637; 9780472052639
    Weitere Identifier:
    9780472052639
    RVK Klassifikation: HT 5405 ; HR 1704
    Schlagworte: American fiction; American fiction; Unmarried mothers in literature; Illegitimate children in literature; Unmarried mothers in motion pictures; Illegitimate children in motion pictures; SOCIAL SCIENCE / Women's Studies; LITERARY COLLECTIONS / American / General; American fiction; Unmarried mothers in literature; Illegitimate children in literature; Unmarried mothers in motion pictures; Illegitimate children in motion pictures; American fiction
    Weitere Schlagworte: Ellerby, Janet Mason; Ellerby, Janet Mason
    Umfang: XII, 277 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 261-272) and index

    IntroductionThe unwed mothers of the early American Novel -- Theodore Dreiser's all-giving angel: Jennie Gerhardt -- Edith Wharton's female enforcers -- The scarlet women of William Faulkner's The sound and the fury -- The unwed mother triumphant: Celie and Alice Walker's The color purple -- Illegitimacy and sexual violence -- Birthmothers in exile -- Fathering iIllegitimacy -- The legacy of secrets -- Birthmothers in the adoption triangle: Caroline Leavitt's Girls in trouble and Tim Kirkman's Loggerheads -- Comedy and the unwed mother -- Bearing sorrow -- Conclusion.

  9. Women & power
    a manifesto
    Autor*in: Beard, Mary
    Erschienen: 2017
    Verlag:  Liveright Publishing Corporation, a Division of W.W. Norton & Company, New York, N.Y

    Two essays connect the past with the present, tracing the history of misogyny to its ancient roots and examining the pitfalls of gender mehr

    Bibliothek der Pädagogischen Hochschule Freiburg/Breisgau
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    500 EC 1874 B368 W872
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    Two essays connect the past with the present, tracing the history of misogyny to its ancient roots and examining the pitfalls of gender

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1631494759; 9781631494758
    RVK Klassifikation: EC 1874 ; MS 3100
    Auflage/Ausgabe: First American edition
    Schlagworte: Feminism; Women; Sexism; Power (Social sciences); Feminism; Power (Social sciences); Sexism; Women; Feminism; Women; HISTORY / Women; SOCIAL SCIENCE / Women's Studies; Women; Sexism; Women; Leadership in women; Women
    Umfang: xi, 115 Seiten, Illustrationen, 20 cm
    Bemerkung(en):

    "A version of 'The Public voice of women' first appeared in the London Review of Books, 20 March 2014; 'Women in power' was published, also in the London Review of Books, 16 March 2017. Both were lectures presented by Mary Beard in the LRB Winter Lecture series."--Title page verso. - Includes bibliographical references (pages 99-104) and index

  10. Mismatched women
    the siren's song through the machine
    Erschienen: [2014]; © 2014
    Verlag:  Oxford University Press, Oxford

    Machine generated contents note: -- Introduction -- Chapter 1: Literary Divas: Trilby, Christine, and the Phantom of Phonography -- Chapter 2: Metropolitan Women: Geraldine Farrar and Marion Talley Silence Opera on Screen -- Chapter 3: Opera in... mehr

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    Machine generated contents note: -- Introduction -- Chapter 1: Literary Divas: Trilby, Christine, and the Phantom of Phonography -- Chapter 2: Metropolitan Women: Geraldine Farrar and Marion Talley Silence Opera on Screen -- Chapter 3: Opera in Synch: Deanna Durbin and Musical Playback -- Chapter 4: The Disney Princess: Animation and Real Girls -- Chapter 5: Kate Smith: The Variety "Femcee" on Radio and Television -- Chapter 6: Susan Boyle: The Amateur in the Age of Auto-Tune -- Conclusion -- Bibliography "In 2009, Susan Boyle's debut roused Simon Cowell from his grumbling slumber on the television show "Britain's Got Talent" and viewers across the world rallied to the side of the unemployed, older woman with the voice of a trained Broadway star. In Mismatched Women, author Jennifer Fleeger argues that the shock produced when Boyle began to sing belies cultural assumptions about how particular female bodies are supposed to sound. Boyle is not an anomaly, but instead belongs to a lineage of women whose voices do not "match" their bodies by conventional expectations, from George Du Maurier's literary Trilby to Metropolitan Opera singer Marion Talley, from Snow White and Sleeping Beauty to Kate Smith and Deanna Durbin. Mismatched Women tells a new story about female representation in film by theorizing a figure regularly dismissed as an aberration. The mismatched woman is a stumbling block for both sound and feminist theory, argues Fleeger, because she has been synchronized yet seems to have been put together incorrectly, as if her body could not possibly house the voice that the camera insists belongs to her. Fleeger broadens the traditionally cinematic context of feminist psychoanalytic film theory to account for literary, animated, televisual, and virtual influences. This approach bridges gaps between disciplinary frameworks, showing that studies of literature, film, media, opera, and popular music pose common questions about authenticity, vocal and visual realism, circulation, and reproduction. The book analyzes the importance of the mismatched female voice in historical debates over the emergence of new media and unravels the complexity of female representation in moments of technological change"-- "Mismatched Women tells the history of sound machines through singers whose bodies and voices do not match. Jennifer Fleeger explores this phenomenon, moving from the fictional Trilby to the real-life Youtube star Susan Boyle, and demonstrating along the way that singers with voices that do not match their bodies are essential to the success of technologies for preserving and sharing music"--

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780199936892; 9780199936915
    RVK Klassifikation: EC 2440
    Schlagworte: Popular music; Women singers; Femininity in music; Body image in women; MUSIC / History & Criticism; PERFORMING ARTS / Film & Video / History & Criticism; SOCIAL SCIENCE / Women's Studies; Popular music; Women singers; Femininity in music; Body image in women
    Umfang: xi, 241 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 221-228) and index

    Machine generated contents note:Introduction -- Chapter 1: Literary Divas: Trilby, Christine, and the Phantom of Phonography -- Chapter 2: Metropolitan Women: Geraldine Farrar and Marion Talley Silence Opera on Screen -- Chapter 3: Opera in Synch: Deanna Durbin and Musical Playback -- Chapter 4: The Disney Princess: Animation and Real Girls -- Chapter 5: Kate Smith: The Variety "Femcee" on Radio and Television -- Chapter 6: Susan Boyle: The Amateur in the Age of Auto-Tune -- Conclusion -- Bibliography.

  11. Routledge handbook of gender and feminist geographies
    Beteiligt: Datta, Anindita (HerausgeberIn); Hopkins, Peter (HerausgeberIn); Johnston, Lynda (HerausgeberIn); Olson, Elizabeth (HerausgeberIn); Silva, Joseli Maria (HerausgeberIn)
    Erschienen: [2020]
    Verlag:  Routledge,, Milton Park, Abingdon, Oxon

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  12. Women's and gender studies in India
    crossings
    Beteiligt: Aneja, Anu (HerausgeberIn)
    Erschienen: 2019
    Verlag:  Routledge,, Abingdon, Oxon

    Introduction : women's and gender studies at the crossroads / Anu Aneja -- Part I. Stirrings, across time and place -- (How) 'to be or not to be' : women's and gender studies in India today / Sharon Pillai -- Feminist crossings in time and space :... mehr

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    Introduction : women's and gender studies at the crossroads / Anu Aneja -- Part I. Stirrings, across time and place -- (How) 'to be or not to be' : women's and gender studies in India today / Sharon Pillai -- Feminist crossings in time and space : the question of culture / Mary E. John -- Dynamics of the women's movement and women's studies in India : an evolutionary perspective / Vibhuti Patel -- Intersections of gender, caste and class : agenda building in the Indian women's movement / Mangala Subramaniam and Preethi Krishnan -- Beyond essentialism : ecofeminism and the 'friction' between gender and ecology / Anindita Majumdar -- Locating disability in the Indian women's movement / Anita Ghai -- Part II. Interleaves : conceiving theories, theorizing identities -- Feminist theory and the aesthetic re-turn / Anu Aneja -- Masculinity, sexuality and culture : entangled narratives / Sanjay Srivastava -- Pride and prejudice : intersectional perspectives on identity formation through Indian pride events / Namita Paul -- (Dis)ability, gender and identity : crossing boundaries / Shubhangi Vaidya -- Gender, caste and Indian feminism : the case of the Women's Reservation Bill / Vrinda Marwah -- Bharat Mata, melodrama and the mediation of the national subject / Karen Gabriel -- Part III. In-disciplinarities -- Feminism across disciplines : from Plato's Academy to the streets of Delhi / Deepti Priya Mehrotra -- Reconfiguring the disciplinary boundaries of women's and gender studies through the genre of lifewritings / Meenakshi Malhotra -- Transgender studies in India : locating folklore and autobiographies as transgressive sites / Akshaya K. Rath -- Crafting spaces at new intersections : in search of psychoanalytic feminism for India / Rachana Johri -- (Dis)respectable selfies : honour, surveillance and undisciplined girl / Sujatha Subramanian -- Part IV. Entwining feminism and pedagogy : inside the institution -- Working through the women's and gender studies teaching machine : notes on the way forward / Sharon Pillai -- Blending in : reconciling feminist pedagogy and distance education across cultures / Anu Aneja -- Disrupting the gender binary : queering feminist pedagogy / Leena Pujari -- Part V. Conversations across borders -- Transnational feminist crossings : on neo-liberalism and radical critique / Chandra Talpade Mohanty -- Globalization and Third Way theories : the beleaguered family and the marginalization of women / Taisha Abraham -- When feminists sidestep the nation state : transnational feminist journeys / Krishna Menon -- Queer and now : a roundtable form with Dipikia Jain, Akhil Kang, Sheena Malhotra, Hoshang Merchant, Shakthi Nataraj, Chayanika Shah, Nishant Shahani, Oishik Sircar and Ruth Vanita / Aneil Rallin.

     

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  13. Aesthetics of excess
    the art and politics of Black and Latina embodiment
    Erschienen: 2020
    Verlag:  Duke University Press, Durham

    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- INTERLUDE ONE -- ONE. READING BLACK AND LATINA EMBODIMENT IN MIAMI -- TWO. SEXUAL-AESTHETIC EXCESS: Or, How Chonga Girls Make Class Burn -- THREE. “FINE AS HELL”: The Aesthetic Erotics of... mehr

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    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- INTERLUDE ONE -- ONE. READING BLACK AND LATINA EMBODIMENT IN MIAMI -- TWO. SEXUAL-AESTHETIC EXCESS: Or, How Chonga Girls Make Class Burn -- THREE. “FINE AS HELL”: The Aesthetic Erotics of Masculinity -- INTERLUDE TWO -- FOUR. ROCOCO PINK: The Power of Nicki Minaj’s Aesthetics of Fakery -- INTERLUDE THREE -- FIVE. ENCOUNTERS WITH EXCESS: Girls Creating Art, Theory, and Sexual Bodies -- INTERLUDE FOUR -- EPILOGUE -- NOTES -- REFERENCES -- INDEX Heavy makeup, gaudy jewelry, dramatic hairstyles, and clothes that are considered cheap, fake, too short, too tight, or too masculine: working-class Black and Latina girls and women are often framed as embodying "excessive" styles that are presumed to indicate sexual deviance. In Aesthetics of Excess Jillian Hernandez examines how middle class discourses of aesthetic value racialize the bodies of women and girls of color. At the same time their style can be a source of cultural capital when appropriated by the contemporary art scene. Drawing on her community arts work with Black and Latina girls Miami, Florida, Hernandez analyzes the art and self-image of these girls alongside works produced by contemporary artists and pop musicians such as Wangechi Mutu, Kara Walker, and Nicki Minaj. Through these relational readings, Hernandez shows how notions of high and low culture are complicated when women and girls of color engage in cultural production and how they challenge the policing of their bodies and sexualities through artistic authorship

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781478012634
    Weitere Identifier:
    Schlagworte: Aesthetics; African American women in art; Art and race; Body image in art; Body image in girls; Body image in women; Body image; Hispanic American women; Human body in popular culture; SOCIAL SCIENCE / Women's Studies
    Umfang: 1 Online-Ressource (xii, 303 Seiten), Illustrationen
  14. Light in the Dark/Luz en lo Oscuro
    Rewriting Identity, Spirituality, Reality
    Erschienen: [2015]; © 2015
    Verlag:  Duke University Press, Durham

    Light in the Dark is the culmination of Gloria E. Anzaldúa's mature thought and the most comprehensive presentation of her philosophy. Focusing on aesthetics, ontology, epistemology, and ethics, it contains several developments in her many important... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Light in the Dark is the culmination of Gloria E. Anzaldúa's mature thought and the most comprehensive presentation of her philosophy. Focusing on aesthetics, ontology, epistemology, and ethics, it contains several developments in her many important theoretical contributions

     

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    Quelle: Verbundkataloge
    Beteiligt: Ana Louise, Keating (Hrsg.); Keating, AnaLouise (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822375036
    Weitere Identifier:
    Schriftenreihe: Latin America otherwise : languages, empires, nations
    Schlagworte: SOCIAL SCIENCE / Women's Studies; Anzaldaua, Gloria; Creation (Literary, artistic, etc.); Creation (Literary, artistic, etc.); Identity (Psychology); Identity (Psychology); Mexican American women
    Umfang: 1 online resource (312 pages), 10 illustrations
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  15. Holy Terrors
    Latin American Women Perform
    Erschienen: [2003]; © 2003
    Verlag:  Duke University Press, Durham

    Holy Terrors presents exemplary original work by fourteen of Latin America's foremost contemporary women theatre and performance artists. Many of the pieces-including one-act plays, manifestos, and lyrics-appear in English for the first time. From... mehr

    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Holy Terrors presents exemplary original work by fourteen of Latin America's foremost contemporary women theatre and performance artists. Many of the pieces-including one-act plays, manifestos, and lyrics-appear in English for the first time. From Griselda Gambaro, Argentina's most widely recognized playwright, to such renowned performers as Brazil's Denise Stoklos and Mexico's Jesusa Rodríguez, these women are involved in some of Latin America's most important aesthetic and political movements. Of varied racial and ethnic backgrounds, they come from across Latin America-Argentina, Brazil, Mexico, Chile, Colombia, Puerto Rico, Peru, and Cuba. This volume is generously illustrated with over seventy images. A number of the performance pieces are complemented by essays providing context and analysis.The performance pieces in Holy Terrors are powerful testimonies to the artists' political and personal struggles. These women confront patriarchy, racism, and repressive government regimes and challenge brutality and corruption through a variety of artistic genres. Several have formed theatre collectives-among them FOMMA (a Mayan women's theatre company in Chiapas) and El Teatro de la máscara in Colombia. Some draw from cabaret and 'frivolous' theatre traditions to create intense and humorous performances that challenge church and state. Engaging in self-mutilation and abandoning traditional dress, others use their bodies as the platforms on which to stage their defiant critiques of injustice. Holy Terrors is a unique English-language presentation of some of Latin America's fiercest, most provocative art.ContributorsSabina BermanTania BrugueraPetrona de la Cruz CruzDiamela EltitGriselda GambaroAstrid HadadTeresa HernándezRosa Luisa MárquezTeresa RalliDiana RaznovichJesusa RodríguezDenise StoklosKatia TiradoEma Villanueva

     

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    Beteiligt: Adam, Versenyi (Hrsg.); Antonio, Stambaugh (Hrsg.); Costantino, Roselyn (Hrsg.); Denise, Stoklos (Hrsg.); Diana, Taylor (Hrsg.); José, Muñoz (Hrsg.); José, Watanabe (Hrsg.); Leslie, Damasceno (Hrsg.); Lorna, Scott (Hrsg.); Margaret, Carson (Hrsg.); Marguerite, Feitlowitz (Hrsg.); Marlène, Cancio (Hrsg.); Miguel, Villefañe (Hrsg.); Robert, Neustadt (Hrsg.); Ronald, Christ (Hrsg.); Roselyn, Costantino (Hrsg.); Shanna, Lorenz (Hrsg.); Taylor, Diana (Hrsg.); Teresa, Marrero (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822385325
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    Schlagworte: SOCIAL SCIENCE / Women's Studies; Latin American drama; Latin American drama
    Umfang: 1 online resource (464 pages), 58 b&w photos, 19 figures
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  16. Home and Harem
    Nation, Gender, Empire and the Cultures of Travel
    Erschienen: [1996]; © 1996
    Verlag:  Duke University Press, Durham

    Moving across academic disciplines, geographical boundaries, and literary genres, Home and Harem examines how travel shaped ideas about culture and nation in nineteenth-century imperialist England and colonial India. Inderpal Grewal's study of the... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Moving across academic disciplines, geographical boundaries, and literary genres, Home and Harem examines how travel shaped ideas about culture and nation in nineteenth-century imperialist England and colonial India. Inderpal Grewal's study of the narratives and discourses of travel reveals the ways in which the colonial encounter created linked yet distinct constructs of nation and gender and explores the impact of this encounter on both English and Indian men and women. Reworking colonial discourse studies to include both sides of the colonial divide, this work is also the first to discuss Indian women traveling West as well as English women touring the East.In her look at England, Grewal draws on nineteenth-century aesthetics, landscape art, and debates about women's suffrage and working-class education to show how all social classes, not only the privileged, were educated and influenced by imperialist travel narratives. By examining diverse forms of Indian travel to the West and its colonies and focusing on forms of modernity offered by colonial notions of travel, she explores how Indian men and women adopted and appropriated aspects of European travel discourse, particularly the set of oppositions between self and other, East and West, home and abroad.Rather than being simply comparative, Home and Harem is a transnational cultural study of the interaction of ideas between two cultures. Addressing theoretical and methodological developments across a wide range of fields, this highly interdisciplinary work will interest scholars in the fields of postcolonial and cultural studies, feminist studies, English literature, South Asian studies, and comparative literature

     

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    Beteiligt: Fish, Stanley (Hrsg.); Jameson, Fredric (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822382003
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: SOCIAL SCIENCE / Women's Studies; Culture conflict in literature; East and West in literature; Feminism and literature; Imperialism; Intercultural communication; Literature and society; Literature and society; Sex role in literature; Travel writing; Travelers' writings, English; Women; Women
    Umfang: 1 online resource (296 pages)
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  17. The Postcolonial Careers of Santha Rama Rau
    Erschienen: [2007]; © 2007
    Verlag:  Duke University Press, Durham

    Santha Rama Rau was one of the best known South Asian writers in postwar America. Born into India's elite in 1923, Rama Rau has lived in the United States since the 1940s. Although she is no longer well known, she was for several decades a popular... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Santha Rama Rau was one of the best known South Asian writers in postwar America. Born into India's elite in 1923, Rama Rau has lived in the United States since the 1940s. Although she is no longer well known, she was for several decades a popular expert on India. She provided an insider's view of Indian cultures, traditions, and history to an American public increasingly aware of the expanded role of the United States on the world stage. Between 1945 and 1970, Rama Rau published half a dozen books, including travelogues, novels, a memoir, and a Time-Life cookbook; she was a regular contributor to periodicals such as the New Yorker, the New York Times, McCall's, and Reader's Digest.Drawing on archival research and interviews with Rama Rau, historian Antoinette Burton opens Rama Rau's career into an examination of orientalism in the postwar United States, the changing idioms of cosmopolitanism in the postcolonial era, and the afterlife of British colonialism in the American public sphere. Burton describes how Rama Rau's career was shaped by gendered perceptions of India and "the East" as well as by the shifting relationships between the United States, India, Pakistan, and Great Britain during the Cold War. Exploring how Rama Rau positioned herself as an expert on both India and the British empire, Burton analyzes the correspondence between Rama Rau and her Time-Life editors over the contents of her book The Cooking of India (1969), and Rama Rau's theatrical adaptation of E. M. Forster's A Passage to India, which played on Broadway in 1961 and was the basis for David Lean's 1985 film. Burton assesses the critical reception of Rama Rau's play as well as her correspondence with Forster and Lean

     

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    Beteiligt: Grewal, Inderpal (Hrsg.); Kaplan, Caren (Hrsg.); Wiegman, Robyn (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822390503
    Weitere Identifier:
    Schriftenreihe: Next Wave: New Directions in Women's Studies
    Schlagworte: SOCIAL SCIENCE / Women's Studies; East Indian Americans; Women authors, Indic
    Umfang: 1 online resource (216 pages), 6 illustrations
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  18. A Xicana Codex of Changing Consciousness
    Writings, 2000-2010
    Erschienen: [2011]; © 2011
    Verlag:  Duke University Press, Durham

    A Xicana Codex of Changing Consciousness features essays and poems by Cherríe L. Moraga, one of the most influential figures in Chicana/o, feminist, queer, and indigenous activism and scholarship. Combining moving personal stories with trenchant... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    A Xicana Codex of Changing Consciousness features essays and poems by Cherríe L. Moraga, one of the most influential figures in Chicana/o, feminist, queer, and indigenous activism and scholarship. Combining moving personal stories with trenchant political and cultural critique, the writer, activist, teacher, dramatist, mother, daughter, comadre, and lesbian lover looks back on the first ten years of the twenty-first century. She considers decade-defining public events such as 9/11 and the campaign and election of Barack Obama, and she explores socioeconomic, cultural, and political phenomena closer to home, sharing her fears about raising her son amid increasing urban violence and the many forms of dehumanization faced by young men of color. Moraga describes her deepening grief as she loses her mother to Alzheimer's; pays poignant tribute to friends who passed away, including the sculptor Marsha Gómez and the poets Alfred Arteaga, Pat Parker, and Audre Lorde; and offers a heartfelt essay about her personal and political relationship with Gloria Anzaldúa.Thirty years after the publication of Anzaldúa and Moraga's collection This Bridge Called My Back, a landmark of women-of-color feminism, Moraga's literary and political praxis remains motivated by and intertwined with indigenous spirituality and her identity as Chicana lesbian. Yet aspects of her thinking have changed over time. A Xicana Codex of Changing Consciousness reveals key transformations in Moraga's thought; the breadth, rigor, and philosophical depth of her work; her views on contemporary debates about citizenship, immigration, and gay marriage; and her deepening involvement in transnational feminist and indigenous activism. It is a major statement from one of our most important public intellectuals

     

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    ISBN: 9780822393962
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    Schlagworte: SOCIAL SCIENCE / Women's Studies; American literature; Hispanic American feminists; Mexican American authors; Mexican American lesbians; Mexican American women authors
    Umfang: 1 online resource (280 pages), 9 illustrations
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020)

  19. Aesthetics of Excess
    the Art and Politics of Black and Latina Embodiment
    Erschienen: [2020]; © 2020
    Verlag:  Duke University Press, Durham

    Heavy makeup, gaudy jewelry, dramatic hairstyles, and clothes that are considered cheap, fake, too short, too tight, or too masculine: working-class Black and Latina girls and women are often framed as embodying "excessive" styles that are presumed... mehr

    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Heavy makeup, gaudy jewelry, dramatic hairstyles, and clothes that are considered cheap, fake, too short, too tight, or too masculine: working-class Black and Latina girls and women are often framed as embodying "excessive" styles that are presumed to indicate sexual deviance. In Aesthetics of Excess Jillian Hernandez examines how middle class discourses of aesthetic value racialize the bodies of women and girls of color. At the same time their style can be a source of cultural capital when appropriated by the contemporary art scene. Drawing on her community arts work with Black and Latina girls Miami, Florida, Hernandez analyzes the art and self-image of these girls alongside works produced by contemporary artists and pop musicians such as Wangechi Mutu, Kara Walker, and Nicki Minaj. Through these relational readings, Hernandez shows how notions of high and low culture are complicated when women and girls of color engage in cultural production and how they challenge the policing of their bodies and sexualities through artistic authorship

     

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  20. Light in the Dark/Luz en lo Oscuro
    Rewriting Identity, Spirituality, Reality
    Erschienen: [2015]; © 2015
    Verlag:  Duke University Press, Durham

    Light in the Dark is the culmination of Gloria E. Anzaldúa's mature thought and the most comprehensive presentation of her philosophy. Focusing on aesthetics, ontology, epistemology, and ethics, it contains several developments in her many important... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Light in the Dark is the culmination of Gloria E. Anzaldúa's mature thought and the most comprehensive presentation of her philosophy. Focusing on aesthetics, ontology, epistemology, and ethics, it contains several developments in her many important theoretical contributions

     

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    Quelle: Verbundkataloge
    Beteiligt: Ana Louise, Keating (Hrsg.); Keating, AnaLouise (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822375036
    Weitere Identifier:
    Schriftenreihe: Latin America otherwise : languages, empires, nations
    Schlagworte: SOCIAL SCIENCE / Women's Studies; Anzaldaua, Gloria; Creation (Literary, artistic, etc.); Creation (Literary, artistic, etc.); Identity (Psychology); Identity (Psychology); Mexican American women
    Umfang: 1 online resource (312 pages), 10 illustrations
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020)

  21. Memoirs of Halide Edib
    New Introduction by Hulya Adak
    Erschienen: [2004]; © 2004
    Verlag:  Gorgias Press, Piscataway, NJ

    A prominent novelist, social activist, journalist, and nationalist, Halide Edib Adivar (1882-1964) was one of Turkey's leading feminists in the Young Turk and early Republican period. Memoirs is the first book in her two volume English-language... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    A prominent novelist, social activist, journalist, and nationalist, Halide Edib Adivar (1882-1964) was one of Turkey's leading feminists in the Young Turk and early Republican period. Memoirs is the first book in her two volume English-language autobiography, published in 1926, while she and her second husband Dr. Adnan were in exile in London and Paris having fallen out of favor with Mustafa Kemal's one-party regime. Edib describes her childhood, her confrontation with her first husband's polygyny, her divorce, and her entry into political and literary writing. Edib's account of her private life provides a unique example of a woman's individual and personal struggle for emancipation and gender equality

     

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    ISBN: 9781463210090
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    Schriftenreihe: Cultures in Dialogue: First Series
    Schlagworte: SOCIAL SCIENCE / Women's Studies
    Umfang: 1 Online-Ressource (560 pages)
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  22. Telling Women's Lives
    Subject/Narrator/Reader/Text
    Autor*in: Long, Judy
    Erschienen: [1999]; © 1999
    Verlag:  New York University Press, New York, NY

    For centuries, the "great man" format and masculine discourse of biography and autobiography have eclipsed women. If we accept this history, we remain ignorant of "Lady Sarashina," a Japanese woman of the Han period, whose book survives from the 11th... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    For centuries, the "great man" format and masculine discourse of biography and autobiography have eclipsed women. If we accept this history, we remain ignorant of "Lady Sarashina," a Japanese woman of the Han period, whose book survives from the 11th century. We overlook Margaret Cavendish and Dame Julian, two early English autobiographers. And we fail to consider sufficiently slave narratives, oral histories, or lesbian "coming out" stories. Telling Women's Lives assesses existing traditions of autobiography and biography in search of a method capable of conveying the distinctive content of women's lives while retaining the tenor of feminine subjectivity. Drawing on feminist research methodologies of the past two decades as well as anthropology and sociology, Long paves the way for the formulation of an emergent feminist methodology for telling women's lives. This highly original study seeks to revise and recreate the genre so as to accommodate a feminine discourse, narrator, reader, and subject. The "messiness" of women's lives-the daily work and detail that men have programmatically excluded-acquires new meaning as Long develops here an innovative theory of sociobiography

     

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    ISBN: 9780814765227
    Weitere Identifier:
    Schriftenreihe: Feminist Crosscurrents ; 5
    Schlagworte: SOCIAL SCIENCE / Women's Studies
    Umfang: 1 online resource
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Feb 2021)

  23. The Gloria Anzaldúa Reader
    Erschienen: [2009]; © 2009
    Verlag:  Duke University Press, Durham

    Born in the Río Grande Valley of south Texas, independent scholar and creative writer Gloria Anzaldúa was an internationally acclaimed cultural theorist. As the author of Borderlands / La Frontera: The New Mestiza, Anzaldúa played a major role in... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Born in the Río Grande Valley of south Texas, independent scholar and creative writer Gloria Anzaldúa was an internationally acclaimed cultural theorist. As the author of Borderlands / La Frontera: The New Mestiza, Anzaldúa played a major role in shaping contemporary Chicano/a and lesbian/queer theories and identities. As an editor of three anthologies, including the groundbreaking This Bridge Called My Back: Writings by Radical Women of Color, she played an equally vital role in developing an inclusionary, multicultural feminist movement. A versatile author, Anzaldúa published poetry, theoretical essays, short stories, autobiographical narratives, interviews, and children's books. Her work, which has been included in more than 100 anthologies to date, has helped to transform academic fields including American, Chicano/a, composition, ethnic, literary, and women's studies.This reader-which provides a representative sample of the poetry, prose, fiction, and experimental autobiographical writing that Anzaldúa produced during her thirty-year career-demonstrates the breadth and philosophical depth of her work. While the reader contains much of Anzaldúa's published writing (including several pieces now out of print), more than half the material has never before been published. This newly available work offers fresh insights into crucial aspects of Anzaldúa's life and career, including her upbringing, education, teaching experiences, writing practice and aesthetics, lifelong health struggles, and interest in visual art, as well as her theories of disability, multiculturalism, pedagogy, and spiritual activism. The pieces are arranged chronologically; each one is preceded by a brief introduction. The collection includes a glossary of Anzaldúa's key terms and concepts, a timeline of her life, primary and secondary bibliographies, and a detailed index

     

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    Beteiligt: Keating, AnaLouise (Hrsg.); Mignolo, Walter D. (Hrsg.); Saldívar-Hull, Sonia (Hrsg.); Silverblatt, Irene (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822391272
    Weitere Identifier:
    Schriftenreihe: Latin America otherwise : languages, empires, nations
    Schlagworte: SOCIAL SCIENCE / Women's Studies
    Umfang: 1 online resource (375 pages), 10 illustrations
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Feb 2021)

  24. Gender and Immortality
    Heroines in Ancient Greek Myth and Cult
    Autor*in: Lyons, Deborah
    Erschienen: 1996; ©1996
    Verlag:  Princeton University Press, Princeton, N.J.

    In recent years, the topic of ancient Greek hero cult has been the focus of considerable discussion among classicists. Little attention, however, has been paid to female heroized figures. Here Deborah Lyons argues for the heroine as a distinct... mehr

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    In recent years, the topic of ancient Greek hero cult has been the focus of considerable discussion among classicists. Little attention, however, has been paid to female heroized figures. Here Deborah Lyons argues for the heroine as a distinct category in ancient Greek religious ideology and daily practice. The heroine, she believes, must be located within a network of relations between male and female, mortal and immortal. Using evidence ranging from Homeric epic to Attic vase painting to ancient travel writing, she attempts to re-integrate the feminine into our picture of Greek notions of the hero. According to Lyons, heroines differ from male heroes in several crucial ways, among which is the ability to cross the boundaries between mortal and immortal. She further shows that attention to heroines clarifies fundamental Greek ideas of mortal/immortal relationships.The book first discusses heroines both in relation to heroes and as a separate religious and mythic phenomenon. It examines the cultural meanings of heroines in ritual and representation, their use as examples for mortals, and their typical "biographies." The model of "ritual antagonism," in which two mythic figures represented as hostile share a cult, is ultimately modified through an exploration of the mythic correspondences between the god Dionysos and the heroines surrounding him, and through a rethinking of the relationship between Iphigeneia and Artemis. An appendix, which identifies more than five hundred heroines, rounds out this lively work.Originally published in 1996.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     

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  25. Las novelas argentinas del siglo 21
    nuevos modos de producción, circulación y recepción
    Erschienen: [2019]; © 2019
    Verlag:  Peter Lang, New York ; Bern ; Berlin ; Brussels ; Vienna ; Oxford ; Warsaw

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