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  1. Acts of narrative
    textual strategies in modern German fiction
    Autor*in: O'Neill, Patrick
    Erschienen: c1996
    Verlag:  University of Toronto Press, Toronto [Ont.]

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0802009824; 1442670606; 9780802009821; 9781442670600
    Schriftenreihe: Theory/culture series
    Schlagworte: Roman allemand / 20e siècle / Histoire et critique; Narration; Literatur; Narrativität; LITERARY CRITICISM / European / German; German fiction; Narration (Rhetoric); German fiction; Narration (Rhetoric); Erzähltechnik; Literatur; Deutsch; Prosa
    Umfang: 1 Online-Ressource (x, 205 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    Death in Venice : narrative situations in Thomas Mann's Der Tod in Venedig -- - Trial : paradigms of indeterminacy in Franz Kafka's Der Prozess -- - Harry Haller's records : the ludic imagination in Hermann Hesse's Steppenwolf -- - Auto da fé : reading misreading in Elias Canetti's Die Blendung -- - Tin Drum : implications of unrealibility in Günter Grass's Die Blechtrommel -- - Two views : the authority of discourse in Uwe Johnson's Zwei Ansichten -- - Goalie's anxiety : signs and semiosis in Peter Handke's Die Angst des Tormanns beim Elfmeter -- - Lime works : narrative and noise in Thomas Bernhard's Das Kalkwerk

    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Johnson, Handke, and Bernhard

    O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system
  2. Hétköznapok és csodák
    francia, angol, amerikai, német regények a világháború után
    Autor*in: Szerb, Antal
    Erschienen: [1936?]
    Verlag:  Révai kiadás, [Budapest]

    Standort:
    Bibliothek des Ungarischen Instituts im Wissenschaftszentrum Ost- und Südosteuropa
    Fernleihe:
    keine Fernleihe
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