Ergebnisse für *

Zeige Ergebnisse 1 bis 11 von 11.

  1. Rituels en image - images de rituel
    iconographie - histoire des religions - archéologie
  2. Forskarskolan FRAM – lärare forskar i de främmande språkens didaktik
    Beteiligt: Bardel, Camilla (Hrsg.); Erickson, Gudrun (Hrsg.); Granfeldt, Jonas (Hrsg.); Rosén, Christina (Hrsg.)
    Erschienen: 2021
    Verlag:  Stockholm University Press, Stockholm

    In recent years, several investments have been made in graduate schools for teachers, with the aim of building up the school's knowledge base and increasing the number of teachers in the school with postgraduate education. The content of this book is... mehr

     

    In recent years, several investments have been made in graduate schools for teachers, with the aim of building up the school's knowledge base and increasing the number of teachers in the school with postgraduate education. The content of this book is based on the results from the national graduate school for language teachers The didactics of foreign languages ​​(FRAM) which was conducted with support from the Swedish Research Council during the period 2012-2015. The graduate school enabled a unique exchange of knowledge between active teachers who found interesting study objects in their current teaching context and the academy's researchers who saw the relevance of the project ideas in the background of the research field. This type of collaboration in research and education fulfilled the overall purpose of the graduate school. A synergy effect was that language didactic research in Sweden received an important addition of classroom-related research projects in a wide range of specializations. Based on the graduate school's three main areas, namely language learning, digital resources in language teaching and language assessment, projects were carved out on multilingualism, motivation, language and subject-integrated teaching, feedback, (co) assessment and much more. Participating authors are ten teachers who have researched the learning, teaching and assessment of English and modern languages. Their work is presented in separate chapters. In the introduction, the book's editors provide an insight into how a graduate school for teachers can be set up and how FRAM has contributed to the expanding and multifaceted research field Language Didactics.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  3. Image and the office of the dead in late medieval Europe
    regular, repellant, and redemptive death
    Autor*in: Schell, Sarah
    Erschienen: [2023]; © 2023
    Verlag:  Amsterdam University Press, Amsterdam

    <Cite>Image and the Office of the Dead in Late Medieval Europe</cite> explores the Office of the Dead as a site of interaction between text, image, and experience in the culture of commemoration that thrived in the fourteenth and fifteenth centuries.... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Image and the Office of the Dead in Late Medieval Europe explores the Office of the Dead as a site of interaction between text, image, and experience in the culture of commemoration that thrived in the fourteenth and fifteenth centuries. The Office of the Dead was a familiar liturgical ritual, and its perceived importance and utility are evident in its regular inclusion in devotional compilations, which crossed the boundaries between lay and religious readers. The Office was present in all medieval deaths: as a focus for private contemplation, a site of public performance, a reassuring ritual, and a voice for the bereaved. Examining the images at the Office of the Dead and related written, visual, and material evidence, this book explores the relationship of these images to the text in which they are embedded and to the broader experiences of and aspirations for death

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Verlag (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9463722114; 9789463722117
    Schriftenreihe: Visual and Material Culture, 1300-1700 ; 50
    Schlagworte: Art and religion; Death in art; Death; Death; Art, Medieval; History of art and design styles: c 1400 to c 1600; Religious subjects depicted in art; ART / History / Renaissance; RELIGION / Christian Church / History; SOCIAL SCIENCE / Sociology of Religion; Art and religion; Art, Medieval; Death; Death in art; Death - Religious aspects - Christianity; History of art; Religious and ceremonial art; Religious issues and debates; History
    Umfang: 239 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Figures Introduction The Office of the Dead in Christian Liturgy The Office of the Dead in Devotional Books Regular Death: Reading the Funeral and Imaginative Practice Seeing into the Office: Imagining Reader as Body Hearing Community: Image and Liturgy Repellent Death: Time, Rot and the Death of the Body Death-tide: Time and decay of the body 'Nothing more base and abominable': The Corpse Disruption: The Lively Corpse Dry Bones: Death in Life The Redemptive Death: Job, Lazarus and Death Undone Living Death: Job as the Social Body The Undead: Lazarus and the Promise of Resurrection Conclusions Bibliography Bibliography: Manuscripts

    Includes bibliographical references and index

  4. Image and the office of the dead in Late Medieval Europe
    regular, repellant, and redemptive death
    Autor*in: Schell, Sarah
    Erschienen: [2023]; © 2023
    Verlag:  Amsterdam University Press, Amsterdam

    "Image and the Office of the Dead in Late Medieval Europe" explores the Office of the Dead as a site of interaction between text, image, and experience in the culture of commemoration that thrived in the fourteenth and fifteenth centuries. The Office... mehr

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "Image and the Office of the Dead in Late Medieval Europe" explores the Office of the Dead as a site of interaction between text, image, and experience in the culture of commemoration that thrived in the fourteenth and fifteenth centuries. The Office of the Dead was a familiar liturgical ritual, and its perceived importance and utility are evident in its regular inclusion in devotional compilations, which crossed the boundaries between lay and religious readers. The Office was present in all medieval deaths: as a focus for private contemplation, a site of public performance, a reassuring ritual, and a voice for the bereaved. Examining the images at the Office of the Dead and related written, visual, and material evidence, this book explores the relationship of these images to the text in which they are embedded and to the broader experiences of and aspirations for death

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9789463722117
    Schriftenreihe: Visual and material culture
    Schlagworte: Illuminierte Handschrift; Totengedächtnis; Visualisierung; Gebet; Tod <Motiv>; Andacht
    Weitere Schlagworte: Commemoration, devotional practice, manuscripts, funeral, Book of Hours; Art and religion / Europe / History / To 1500; Death in art; Death / Europe / History / To 1500; Death / Religious aspects / Christianity; Art, Medieval / Europe / History; History of art and design styles: c 1400 to c 1600; Religious subjects depicted in art; ART / History / Renaissance; RELIGION / Christian Church / History; SOCIAL SCIENCE / Sociology of Religion
    Umfang: 239 Seiten, Illustrationen
    Bemerkung(en):

    Figures Introduction The Office of the Dead in Christian Liturgy The Office of the Dead in Devotional Books Regular Death: Reading the Funeral and Imaginative Practice Seeing into the Office: Imagining Reader as Body Hearing Community: Image and Liturgy Repellent Death: Time, Rot and the Death of the Body Death-tide: Time and decay of the body 'Nothing more base and abominable': The Corpse Disruption: The Lively Corpse Dry Bones: Death in Life The Redemptive Death: Job, Lazarus and Death Undone Living Death: Job as the Social Body The Undead: Lazarus and the Promise of Resurrection Conclusions Bibliography Bibliography: Manuscripts

  5. Von der Frühaufklärung zur Empfindsamkeit
    Autor*in: Rohls, Jan
    Erschienen: 2024
    Verlag:  De Gruyter, Berlin/Boston

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783111389882
    Weitere Identifier:
    DDC Klassifikation: Christentum, Christliche Theologie (230)
    Schriftenreihe: Kunst und Religion im Jahrhundert der Aufklärung ; Band 1
    Schlagworte: Aufklärung; Religion; Kunst; Literatur
    Weitere Schlagworte: Array
    Umfang: 1 Online-Ressource (593 Seiten), 8 Illustrationen, 27 Illustrationen
  6. Von der Aufklärung zur Klassik
    Autor*in: Rohls, Jan
    Erschienen: 2024
    Verlag:  De Gruyter, Berlin/Boston

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783111389868
    Weitere Identifier:
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schriftenreihe: Kunst und Religion im Jahrhundert der Aufklärung ; Band 2
    Schlagworte: Aufklärung; Religion; Kunst; Kultur; Rezeption; Ästhetik
    Weitere Schlagworte: Lessing, Gotthold Ephraim (1729-1781); Array
    Umfang: 1 Online-Ressource (742 Seiten), 7 Illustrationen, 28 Illustrationen
  7. Tanz auf dem Vulkan
    Leben und Glauben im Schatten des Vesuv
    Beteiligt: Kürzeder, Christoph (Hrsg.); Mensch, Steffen (Hrsg.); Richter, Dieter (Hrsg.)
    Erschienen: 2022
    Verlag:  Deutscher Kunstverlag, Berlin ; Diözesanmuseum Freising, Freising

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Kürzeder, Christoph (Hrsg.); Mensch, Steffen (Hrsg.); Richter, Dieter (Hrsg.)
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783422988545
    Weitere Identifier:
    9783422988545
    DDC Klassifikation: Künste; Bildende und angewandte Kunst (700); Christentum, Christliche Theologie (230); Geografie, Reisen (910)
    Schriftenreihe: Kataloge und Schriften des Diözesanmuseums für christliche Kunst des Erzbistums München und Freising ; Band 79
    Schlagworte: Vesuv; Neapel; Bedrohung; Kunst; Religion; Anfänge-1800; ; Vesuv; Ikonographie; Reisebericht; Geschichte; ; Dom Neapel <Neapel>; Ausstattung; Domschatz; ; Januarius; Ikonographie; Reliquie; Geschichte;
    Weitere Schlagworte: ART006000 ART / Collections, Catalogs, Exhibitions / General; ART015000 ART / History / General; ART015090 ART / History / Baroque & Rococo; ART035000 ART / Subjects & Themes / Religious; ART050020 ART / Subjects & Themes / Landscapes & Seascapes; general issues; Conservation, restoration & care of artworks; c 1600 to c 1800; c 1800 to c 1900; Exhibition catalogues & specific collections; Animals & nature in art (still life, landscapes & seascapes, etc); Religious subjects depicted in art; Naturkatastrophe (Motiv); Italien / Kunst; Neapel; religiöse Kunst; Frömmigkeit; Silberschmiedekunst; religious art, piety, natural disasters in the arts, Naples, Italian art; Hardcover, Softcover / Kunst/Kunstgeschichte
    Umfang: 411 Seiten, Illustrationen, 27 cm x 20 cm, 1584 g
    Bemerkung(en):

    Erscheint anlässlich der gleichnamigen Ausstellung im Diözesanmuseum Freising, vom 01.10.2022 bis 29.01.2023

  8. Visions of salvation
    Chinese Christian posters in an age of revolution
    Beteiligt: Ireland, Daryl R. (HerausgeberIn)
    Erschienen: [2023]
    Verlag:  Baylor University Press, Waco, Texas

    Between the May Fourth Movement of 1919 and the Communist Revolution of 1949, Chinese Christians had to compete with Nationalist and Communist ideologies over how best to save the nation. They, along with China's political parties, adopted propaganda... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 B 206568
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Heidelberg
    2024 A 2944
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Between the May Fourth Movement of 1919 and the Communist Revolution of 1949, Chinese Christians had to compete with Nationalist and Communist ideologies over how best to save the nation. They, along with China's political parties, adopted propaganda posters and relied on their eye-catching colors and potent symbolism to win the hearts of the masses. Because these images were meant to attract the public, we can look at the posters and ask, What did Christian artists and evangelists believe would appeal to viewers? How did they choose to present the gospel to a Chinese audience? The answers may come as a surprise, as Jesus is scarcely present. Instead, playful children, the Chinese flag, lotus flowers, clean teeth, and other images became the vehicles Christians used to address the felt needs and aspirations of a nation struggling to survive. Unpacking the significance of these and other visual cues, Visions of Salvation offers a fresh look at Chinese history and theology. Drawing on a landmark collection of more than 200 color prints, assembled and analyzed here for the first time, leading scholars in Chinese Studies, mission history, Chinese Christianity, and visual culture reassess various facets of Chinese life in the second quarter of the twentieth century. In an age of revolution, political activists were not the only ones advancing prescriptions for change. Chinese Christians also pursued a New China, as one poster explicitly put it. Though later suppressed and largely forgotten, Christian posters placarded the country for thirty years with an alternative vision of national salvation

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Ireland, Daryl R. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781481316248
    Schlagworte: ART / Subjects & Themes / Religious; Asian history; Asiatische Geschichte; Geschichte der Religion; HISTORY / Asia / China; History of religion; RELIGION / Christianity / History; Religious subjects depicted in art; Religiöse und zeremonielle Motive in der Kunst
    Umfang: xxvi, 277 Seiten, Illustrationen, 26 cm
    Bemerkung(en):

    Introduction, by Daryl R. Ireland1. Social Reform: The Role of Christianity, by Peter Zarrow2. Nationalism: The Great Convergence, by Zexi Sun3. Women: Public Health, Hygiene, and Nurses, by Connie Shemo4. Childhood: The Foundation for True Health, by Margaret Mih Tillman5. Evangelism: The China Inland Mission and the Use of "Gospel Posters," 1925-1935, by Dana L. Robert6. Theology: The Cross in Popular Chinese Christianity, by Daryl R. Ireland and David Li7. Biblical Interpretation: The Art of Scripture, by Chloe Starr8. Roman Catholicism: Painting, Printing, and Selling Morality in Modern China, by Stephanie M. Wong9. Fine Art: Images of Beauty, by James He Qi10. Visual Culture: The Convergence of Transnational Images, by Joseph W. Ho

  9. Manuscripts and Performances in Religions, Arts, and Sciences
    Beteiligt: Brita, Antonella (Herausgeber); Karolewski, Janina (Herausgeber); Husson, Matthieu (Herausgeber); Miolo, Laure (Herausgeber); Wimmer, Hanna (Herausgeber)
    Erschienen: 2024
    Verlag:  De Gruyter, Berlin/Boston ; OAPEN FOUNDATION, The Hague

    Throughout history, manuscripts have been made and used for religious, artistic, and scientific performances, and this practice continues in most cultures today. By focusing on the role manuscripts have in different kinds of performances, this volume... mehr

    Zugang:
    Verlag (kostenfrei)
    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
    keine Fernleihe
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    keine Fernleihe
    Bibliothek der Frankfurt University of Applied Sciences
    keine Fernleihe
    Hessisches BibliotheksInformationsSystem hebis
    keine Fernleihe
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    keine Fernleihe
    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
    keine Fernleihe
    Universitätsbibliothek Gießen
    keine Fernleihe
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    keine Fernleihe
    Akademie der Wissenschaften und der Literatur, Bibliothek
    keine Fernleihe
    Martinus-Bibliothek, Wissenschaftliche Diözesanbibliothek
    keine Fernleihe
    Universität Mainz, Zentralbibliothek
    keine Fernleihe
    Evangelische Hochschule Tabor, Bibliothek
    keine Fernleihe
    Universität Marburg, Universitätsbibliothek
    keine Fernleihe
    Hochschul- und Landesbibliothek RheinMain, Rheinstraße
    keine Fernleihe

     

    Throughout history, manuscripts have been made and used for religious, artistic, and scientific performances, and this practice continues in most cultures today. By focusing on the role manuscripts have in different kinds of performances, this volume contributes to the evolving field of investigating written artefacts and their functions. The collected essays regard manuscripts as points of intersection where textual, material, and performative aspects converge. The contributors analyse manuscripts in their forms and functions as well as their positioning in the performances for which they were made. These aspects unfold across the volume’s three sections, examining how manuscripts are (1) used backstage, for preparing and giving instructions for performances; (2) taken onstage, contributing to the enactment of performances; and (3) performers in their own right, producing an effect on the audience. The diversified, interdisciplinary, and innovative methodologies of the included papers carry great potential to expand the traditional approaches of manuscript studies and find application outside the contributors’ respective fields. ; Throughout history, manuscripts have been made and used for religious, artistic, and scientific performances, and this practice continues in most cultures today. By focusing on the role manuscripts have in different kinds of performances, this volume contributes to the evolving field of investigating written artefacts and their functions. The collected essays regard manuscripts as points of intersection where textual, material, and performative aspects converge. The contributors analyse manuscripts in their forms and functions as well as their positioning in the performances for which they were made. These aspects unfold across the volume’s three sections, examining how manuscripts are (1) used backstage, for preparing and giving instructions for performances; (2) taken onstage, contributing to the enactment of performances; and (3) performers in their own right, producing an effect on the audience. The diversified, interdisciplinary, and innovative methodologies of the included papers carry great potential to expand the traditional approaches of manuscript studies and find application outside the contributors’ respective fields.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Brita, Antonella (Herausgeber); Karolewski, Janina (Herausgeber); Husson, Matthieu (Herausgeber); Miolo, Laure (Herausgeber); Wimmer, Hanna (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783111343556; 9783111343884; 9783111343471
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schriftenreihe: Studies in Manuscript Cultures
    Schlagworte: History of art / art & design styles; Religious subjects depicted in art; Interdisciplinary studies; Social & cultural history; History of religion; Media studies
    Weitere Schlagworte: Handschriftenkunde; Performanz; Zeremonie; Kalkulation; handwritten artefacts; performance; ceremony; calculations
    Umfang: 1 Online-Ressource (526 p.)
  10. Trauma als Wissensarchiv
    Postkoloniale Erinnerungspraxis in der Sakralen Globalisierung am Beispiel der zeitgenössischen Umbanda im deutschsprachigen Europa
    Erschienen: 2022
    Verlag:  Büchner-Verlag, [Erscheinungsort nicht ermittelbar] ; OAPEN FOUNDATION, The Hague

    In the Brazilian religion Umbanda - which formed in the state of Rio de Janeiro at the beginning of the 20th century on the basis of African, indigenous and European religions - communication with spirit beings is central, recalling Brazilian... mehr

    Zugang:
    Verlag (kostenfrei)
    Technische Hochschule Bingen, Bibliothek
    keine Fernleihe
    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
    keine Fernleihe
    Evangelische Hochschule Darmstadt, Bibliothek
    keine Fernleihe
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    keine Fernleihe
    Bibliothek der Frankfurt University of Applied Sciences
    keine Fernleihe
    Hessisches BibliotheksInformationsSystem hebis
    keine Fernleihe
    Philosophisch-Theologische Hochschule Sankt Georgen, Bibliothek
    keine Fernleihe
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    keine Fernleihe
    Bibliothek des Bischöflichen Priesterseminars
    keine Fernleihe
    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
    keine Fernleihe
    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
    keine Fernleihe
    Universitätsbibliothek Gießen
    keine Fernleihe
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    keine Fernleihe
    Akademie der Wissenschaften und der Literatur, Bibliothek
    keine Fernleihe
    Bibliothek der Hochschule Mainz, Untergeschoss
    keine Fernleihe
    LEIZA - Leibniz-Zentrum für Archäologie, Bibliothek
    keine Fernleihe
    Leibniz-Institut für Europäische Geschichte, Bibliothek
    keine Fernleihe
    Martinus-Bibliothek, Wissenschaftliche Diözesanbibliothek
    keine Fernleihe
    Universität Mainz, Zentralbibliothek
    keine Fernleihe
    Evangelische Hochschule Tabor, Bibliothek
    keine Fernleihe
    Universität Marburg, Universitätsbibliothek
    keine Fernleihe
    Hochschul- und Landesbibliothek RheinMain, Rheinstraße
    keine Fernleihe

     

    In the Brazilian religion Umbanda - which formed in the state of Rio de Janeiro at the beginning of the 20th century on the basis of African, indigenous and European religions - communication with spirit beings is central, recalling Brazilian history. Since the 1940s, it has spread worldwide and, from about 2010, also settled in German-speaking Europe in the course of transatlantic sacred globalization. Nevertheless, its spread has hardly been researched so far. Inga Scharf da Silva fills a research gap here by addressing the spiritual community of Ilê Axé Oxum Abalô (also called Terra Sagrada) on the basis of more than five years of ethnological field research. The community locates its mother house in the Swiss mountains in the canton of Appenzell and forms a transregional network with seven offshoots in Graz and Vienna, Zurich and Bern, Berlin and Cumuruxatiba in Brazil. Each chapter of the study is framed by the portrait of a deity (Orixá) as well as narratives from mythical lore and related to text passages from Oswald de Andrade's 'Manifesto Antropófago' and Umberto Eco's 'Foucault Pendulum'. In doing so, the author illustrates how the religious practice of trance as an incorporation of structures of consciousness can contribute to the reflection of the knowledge production of her religion and, beyond that, to a decolonization of thought in Europe.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  11. Image and the office of the dead in late medieval Europe
    regular, repellant, and redemptive death
    Autor*in: Schell, Sarah
    Erschienen: [2023]; © 2023
    Verlag:  Amsterdam University Press, Amsterdam

    <Cite>Image and the Office of the Dead in Late Medieval Europe</cite> explores the Office of the Dead as a site of interaction between text, image, and experience in the culture of commemoration that thrived in the fourteenth and fifteenth centuries.... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2023:4914:
    keine Fernleihe
    Universitätsbibliothek Heidelberg
    2023 C 1556
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Germanisches Nationalmuseum, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Image and the Office of the Dead in Late Medieval Europe explores the Office of the Dead as a site of interaction between text, image, and experience in the culture of commemoration that thrived in the fourteenth and fifteenth centuries. The Office of the Dead was a familiar liturgical ritual, and its perceived importance and utility are evident in its regular inclusion in devotional compilations, which crossed the boundaries between lay and religious readers. The Office was present in all medieval deaths: as a focus for private contemplation, a site of public performance, a reassuring ritual, and a voice for the bereaved. Examining the images at the Office of the Dead and related written, visual, and material evidence, this book explores the relationship of these images to the text in which they are embedded and to the broader experiences of and aspirations for death

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Verlag (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9463722114; 9789463722117
    Schriftenreihe: Visual and Material Culture, 1300-1700 ; 50
    Schlagworte: Art and religion; Death in art; Death; Death; Art, Medieval; History of art and design styles: c 1400 to c 1600; Religious subjects depicted in art; ART / History / Renaissance; RELIGION / Christian Church / History; SOCIAL SCIENCE / Sociology of Religion; Art and religion; Art, Medieval; Death; Death in art; Death - Religious aspects - Christianity; History of art; Religious and ceremonial art; Religious issues and debates; History
    Umfang: 239 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Figures Introduction The Office of the Dead in Christian Liturgy The Office of the Dead in Devotional Books Regular Death: Reading the Funeral and Imaginative Practice Seeing into the Office: Imagining Reader as Body Hearing Community: Image and Liturgy Repellent Death: Time, Rot and the Death of the Body Death-tide: Time and decay of the body 'Nothing more base and abominable': The Corpse Disruption: The Lively Corpse Dry Bones: Death in Life The Redemptive Death: Job, Lazarus and Death Undone Living Death: Job as the Social Body The Undead: Lazarus and the Promise of Resurrection Conclusions Bibliography Bibliography: Manuscripts

    Literaturverzeichnis: Seite 211-229