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  1. Hollywood be thy name
    African American religion in American film, 1929 - 1949
    Autor*in: Weisenfeld, Judith
    Erschienen: 2007
    Verlag:  Univ. of California Press, Berkeley, Calif. [u.a.]

    "'Taint what you was, it's what you is today": Hallelujah and the politics of racial authenticity -- "'De Lawd' a natchel man": The green pastures in the American cultural imagination -- "A mighty epic of modern morals": black-audience religious... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "'Taint what you was, it's what you is today": Hallelujah and the politics of racial authenticity -- "'De Lawd' a natchel man": The green pastures in the American cultural imagination -- "A mighty epic of modern morals": black-audience religious films -- "Saturday sinners and Sunday saints": urban commercial culture and the reconstruction of black religious leadership -- "A long, long way": religion and African American wartime morale -- "Why didn't they tell me I'm a Negro?": Lost boundaries and the moral landscape of race

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0520227743; 0520251008; 9780520227743; 9780520251007
    Weitere Identifier:
    2006037488
    RVK Klassifikation: AP 59783 ; BL 9700
    Schriftenreihe: A George Gund Foundation imprint in African American studies
    Schlagworte: African Americans in motion pictures; Religion in motion pictures; Motion pictures
    Umfang: XIII, 341 S., Ill., 24 cm
    Bemerkung(en):

    Includes bibliographical references and index

    "'Taint what you was, it's what you is today": Hallelujah and the politics of racial authenticity -- "'De Lawd' a natchel man": The green pastures in the American cultural imagination -- "A mighty epic of modern morals": black-audience religious films -- "Saturday sinners and Sunday saints": urban commercial culture and the reconstruction of black religious leadership -- "A long, long way": religion and African American wartime morale -- "Why didn't they tell me I'm a Negro?": Lost boundaries and the moral landscape of race
  2. Kino der Irritation
    Lars von Triers theologische und ästhetische Herausforderung
    Autor*in: Martig, Charles
    Erschienen: c 2008
    Verlag:  Schüren, Marburg

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Standort:
    Universität Potsdam, Universitätsbibliothek
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Deutsch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9783894725327; 389472532X
    Weitere Identifier:
    9783894725327
    RVK Klassifikation: AP 51348
    Schriftenreihe: Film und Theologie ; 10
    Schlagworte: Motion picture producers and directors; Religion in motion pictures; Theology
    Weitere Schlagworte: Trier, Lars von <1956->
    Umfang: 156 S., Ill., 200 mm x 150 mm
    Bemerkung(en):

    Zugl.: Freiburg (Schweiz), Univ., Diss., 2007
  3. Paradise now!?
    Politik - Religion - Gewalt im Spiegel des Films
    Beteiligt: Regensburger, Dietmar (Hrsg.)
    Erschienen: 2009
    Verlag:  Schüren-Verl., Marburg

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Regensburger, Dietmar (Hrsg.)
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783894725310
    Weitere Identifier:
    9783894725310
    RVK Klassifikation: AP 47000 ; AP 47100
    Schriftenreihe: Film & Theologie ; Bd. 9
    Schlagworte: Politics in motion pictures; Religion in motion pictures; Violence in motion pictures
    Umfang: 303 S., Ill., 20 cm
    Bemerkung(en):

    Literaturverz. S. 288 - 300
  4. Celluloid saints
    [images of sanctity in film
    Autor*in: Sanders, Theresa
    Erschienen: 2002
    Verlag:  Mercer Univ. Press, Macon, Ga.

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0865547505; 0865547750
    Auflage/Ausgabe: 1. ed.
    Schlagworte: Religion in motion pictures; Array
    Umfang: XIV, 237 S.
    Bemerkung(en):

    Literaturangaben
  5. Wicked cinema
    sex and religion on screen
    Autor*in: Cutrara, Daniel S.
    Erschienen: [2014]
    Verlag:  University of Texas Press, Austin

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781477307533
    DDC Klassifikation: Christentum, Christliche Theologie (230)
    Auflage/Ausgabe: first paperback edition
    Schlagworte: Sex in motion pictures; Religion in motion pictures; Motion pictures
    Umfang: xi, 266 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 245-254
  6. Pasolini
    The Sacred Flesh
    Autor*in: Benini, Stefania
    Erschienen: [2018]; © 2015
    Verlag:  University of Toronto Press, Toronto

    Poet, novelist, dramatist, polemicist, and filmmaker Pier Paolo Pasolini continues to be one of the most influential intellectuals of post-war Italy. In Pasolini: The Sacred Flesh, Stefania Benini examines his corporeal vision of the sacred, focusing... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Poet, novelist, dramatist, polemicist, and filmmaker Pier Paolo Pasolini continues to be one of the most influential intellectuals of post-war Italy. In Pasolini: The Sacred Flesh, Stefania Benini examines his corporeal vision of the sacred, focusing on his immanent interpretation of the Christian doctrine of the Incarnation and the "sacred flesh" of Christ in both Passion and Death as the subproletarian flesh of the outcast at the margins of capitalism.By investigating the many crucifixions within Pasolini’s poems, novels, films, cinematic scripts and treatments, as well as his subversive hagiographies of criminal or crazed saints, Benini illuminates the radical politics embedded within Pasolini’s adoption of Christian themes. Drawing on the work of theorists such as Ernesto De Martino, Mircea Eliade, Jean-Luc Nancy, Alain Badiou, Giorgio Agamben, and Slavoj Žižek, she shows how Pasolini’s meditation on the disappearance of the sacred in our times and its return as a haunting revenant, a threatening disruption of capitalist society, foreshadows current debates on the status of the sacred in our postmodern world

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442669871
    Weitere Identifier:
    Schriftenreihe: Toronto Italian Studies
    Schlagworte: Religion in motion pictures; Religion <Motiv>
    Weitere Schlagworte: Pasolini, Pier Paolo (1922-1975)
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jul 2018)
  7. Confessional cinema
    religion, film, and modernity in Spain's development years, 1960-1975
    Autor*in: Pérez, Jorge
    Erschienen: [2017]
    Verlag:  University of Toronto Press, Toronto

    "In Confessional Cinema, Jorge Perez analyzes how cinema engaged the shifting role of religion during the last fifteen years of Francisco Franco's dictatorship. Perez interrogates the assumption that after 1957, when the Franco regime recast itself... mehr

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    A/723024
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    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
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    "In Confessional Cinema, Jorge Perez analyzes how cinema engaged the shifting role of religion during the last fifteen years of Francisco Franco's dictatorship. Perez interrogates the assumption that after 1957, when the Franco regime recast itself in a secular and modernizing fashion, religion vanished from the cultural field. Instead, Spanish cinema addressed the transformation within Spanish Catholicism following Vatican II and Spain's modernization processes. Confessional Cinema offers the first analysis of a neglected body of Spanish films, "nun films," which focus on the active role of religious women in the transformation of Spanish Catholicism. Perez argues that commercial films, despite being less aesthetically accomplished, delved more than oppositional, art-house films into the fluctuating zeitgeist of the development years regarding the transformations within Spanish Catholicism. This is a provocative and original analysis of the significance of religion not from a theological point of view, but rather as a socio-political force and cultural determinant in the Spanish public sphere of this period, known as desarrollismo (development years) from 1960-1975"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781487501082
    RVK Klassifikation: AP 52900 ; AP 59437 ; IP 2387
    Schriftenreihe: Toronto Iberic ; 24
    Schlagworte: Motion pictures; Religion in motion pictures; Motion pictures
    Umfang: xi, 260 Seiten, Illustrationen
  8. Religion and film
    the basics
    Autor*in: Solano, Jeanette Reedy
    Erschienen: 2022
    Verlag:  Routledge, Taylor & Francis Group, London

    "Religion and Film: The Basics is an accessible and engaging introduction to the history, diverse approaches, and ideas associated within the study of religion and film. Referencing films from around the world from the early 20th century to the... mehr

    Standort:
    Universitätsbibliothek Freiburg
    Signatur:
    GE 2022/1314
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    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    A 2021/6571
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    "Religion and Film: The Basics is an accessible and engaging introduction to the history, diverse approaches, and ideas associated within the study of religion and film. Referencing films from around the world from the early 20th century to the present day, this unique introduction includes the following topics: the history and dynamics of religion and film various methods to approach religion and film the evolution of religion and film scholarship film genre and theory world religions and film unique themes-from race and gender roles to karma and redemption A fascinating range of films are discussed, from early silent films such as Hypocrites to recent releases such as Minari. Five genres are explored, including horror in The Wicker Man (UK) and Let the Right One In (Sweden) and world religions are analysed in films such as OMG, The Big Lebowski, and Malcolm X. Tropes examined include gender in Water, karma in It's a Wonderful Life, death in Biutiful, and evil in Get Out. With helpful features including recommendations for further study and key films to view, this book is an ideal starting point for students approaching religion and film for the first time as well as those interested in learning more about the field while broadening their methods, knowledge of film, and their film canon"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780367135195; 9780367135201
    Schriftenreihe: The basics
    Schlagworte: Motion pictures; Religion in motion pictures
    Umfang: xviii, 212 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  9. Unholy trinity
    state, church, and film in Mexico
    Autor*in: Janzen, Rebecca
    Erschienen: 2021
    Verlag:  State University of New York Press, Albany

    "Examines representations of religion in Mexican film from the Golden Age to the early 21st century"-- mehr

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    Linga A/916446
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    "Examines representations of religion in Mexican film from the Golden Age to the early 21st century"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781438485317
    Schriftenreihe: Suny series in Latin American cinema
    Schlagworte: Motion pictures; Motion pictures; Religion in motion pictures; Motion pictures
    Umfang: xii, 174 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  10. Theology and horror
    explorations of the dark religious imagination
    Beteiligt: Grafius, Brandon R. (HerausgeberIn); Morehead, John (HerausgeberIn)
    Erschienen: [2021]; © 2021
    Verlag:  Lexington Books/Fortress Academic, Lanham

    "Through an exploration of theology and horror, this book explores how questions of spirituality, divinity, and religious structures are raised, complicated, and even sometimes answered (at least partially) by works of horror"-- mehr

    Standort:
    Universitätsbibliothek Freiburg
    Signatur:
    GE 2023/3064
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    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2023 A 10818
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Signatur:
    HG 674 GRA
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "Through an exploration of theology and horror, this book explores how questions of spirituality, divinity, and religious structures are raised, complicated, and even sometimes answered (at least partially) by works of horror"--

     
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    Quelle: Verbundkataloge
    Beteiligt: Grafius, Brandon R. (HerausgeberIn); Morehead, John (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781978707986; 9781978708006
    Weitere Identifier:
    9781978708006
    Schriftenreihe: Theology and pop culture
    Schlagworte: Horror tales; Horror films; Religion in literature; Religion in motion pictures; Christianity in literature; Christianity in motion pictures
    Umfang: xv, 234 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  11. Faith horror
    cinematic visions of satanism, paganism and witchcraft, 1966-1978
    Autor*in: Sheppard, LMK
    Erschienen: [2022]
    Verlag:  McFarland & Company, Jefferson, North Carolina

    "Faith horror refers to a significant outcropping of mid-1960s and 1970s films and adaptative novels that depict non-Christian communities of evil doers and their activities. Before this period, the classical horror villain was ultimately... mehr

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
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    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
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    62 A 3820
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    "Faith horror refers to a significant outcropping of mid-1960s and 1970s films and adaptative novels that depict non-Christian communities of evil doers and their activities. Before this period, the classical horror villain was ultimately ineffectual. The demonic monster was an isolated, lone individual easily vanquished by an altruistic Christian protagonist. Alternatively, the villain in faith horror is organized into identity-affirming, likeminded religious congregations that successfully overcome protagonists. Faith horror was a cinematic trend that depicted Satanism, witchcraft and paganism during a cultural deliberation over the "Death of God," which debated the legitimacy of alternative spiritualities and the value of alliance to any faith at all. Covering popular works like Rosemary's Baby, The Wicker Man and The Omen, this book regards these films and their literary sources in relation to this historical moment, providing new ways of understanding both the period and the faith horror movement more generally"--

     
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    Quelle: Verbundkataloge
    Beteiligt: Laws, Peter (VerfasserIn eines Vorworts)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781476681610
    Schlagworte: Horror films; Horror films; Satanism in motion pictures; Paganism in motion pictures; Witchcraft in motion pictures; Religion in motion pictures; Motion pictures; PERFORMING ARTS / Film / Genres / Horror; RELIGION / General
    Umfang: 261 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  12. Envisioning Black feminist voodoo aesthetics
    African spirituality in American cinema
    Autor*in: Martin, Kameelah L.
    Erschienen: 2018
    Verlag:  Lexington Books, Lanham

    Introduction: Towards a Black feminist voodoo aesthetic -- Vintage Hollywood voodoo: the Black priestess in 1930s cinema -- Mambos, chickens, and blood: disrupting visual pleasure in Alan Parker's Angel heart -- For us, by us: Black feminist... mehr

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Signatur:
    62 A 758
    Fernleihe:
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    Introduction: Towards a Black feminist voodoo aesthetic -- Vintage Hollywood voodoo: the Black priestess in 1930s cinema -- Mambos, chickens, and blood: disrupting visual pleasure in Alan Parker's Angel heart -- For us, by us: Black feminist narratives of resistance in the independent films of Julie Dash and Kasi Lemmons -- Subversion and entertainment: elegba, trickery, and Black female absence in the Skeleton key -- Voodoo in Disneyland?: spiritual appropriation by the mouse; or imagineered voodoo aesthetics -- Epilogue: "Good wickedry": Beyoncé and the Black feminist voodoo aesthetics of Lemonade

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781498523301; 9781498523288
    Schriftenreihe: Black diasporic worlds: origins and evolutions from new world slaving
    Schlagworte: Vodou in motion pictures; Motion pictures; African Americans and mass media; Feminism and motion pictures; Motion pictures; Religion in motion pictures; Feminist criticism; Motion pictures
    Umfang: xlviii, 206 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  13. Envisioning Black feminist voodoo aesthetics
    African spirituality in American cinema
    Autor*in: Martin, Kameelah L.
    Erschienen: [2016]
    Verlag:  Lexington Books, Lanham

    Introduction: Towards a Black feminist voodoo aesthetic -- Vintage Hollywood voodoo: the Black priestess in 1930s cinema -- Mambos, chickens, and blood: disrupting visual pleasure in Alan Parker's Angel heart -- For us, by us: Black feminist... mehr

    Standort:
    Universitätsbibliothek Leipzig
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction: Towards a Black feminist voodoo aesthetic -- Vintage Hollywood voodoo: the Black priestess in 1930s cinema -- Mambos, chickens, and blood: disrupting visual pleasure in Alan Parker's Angel heart -- For us, by us: Black feminist narratives of resistance in the independent films of Julie Dash and Kasi Lemmons -- Subversion and entertainment: elegba, trickery, and Black female absence in the Skeleton key -- Voodoo in Disneyland?: spiritual appropriation by the mouse; or imagineered voodoo aesthetics -- Epilogue: "Good wickedry": Beyoncé and the Black feminist voodoo aesthetics of Lemonade

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781498523301; 9781498523288
    RVK Klassifikation: AP 59783
    Schriftenreihe: Black diasporic worlds: origins and evolutions from new world slaving
    Schlagworte: Vodou in motion pictures; Motion pictures; African Americans and mass media; Feminism and motion pictures; Motion pictures; Religion in motion pictures; Feminist criticism; Motion pictures
    Umfang: xlvii, 207 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  14. Immanent frames
    postsecular cinema between Malick and von Trier
    Beteiligt: Caruana, John (HerausgeberIn); Cauchi, Mark (HerausgeberIn)
    Erschienen: 2018
    Verlag:  State University of New York Press, Albany

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Caruana, John (HerausgeberIn); Cauchi, Mark (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781438470177
    Schriftenreihe: The SUNY series, horizons of cinema
    Schlagworte: Motion pictures; Postsecularism and motion pictures; Religion in motion pictures
    Umfang: xii, 293 pages, illustrations, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  15. Transnational cinema and ideology
    representing religion, identity and cultural myths
    Autor*in: Radovic, Milja
    Erschienen: 2014
    Verlag:  Routledge, New York ; London

    "Increasingly, as the production, distribution and audience of films cross national boundaries, film scholars have begun to think in terms of 'transnational' rather than national cinema. This book is positioned within the emerging field of... mehr

    Standort:
    Englisches Seminar der Universität, Bibliothek
    Signatur:
    PAA 330:45
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Increasingly, as the production, distribution and audience of films cross national boundaries, film scholars have begun to think in terms of 'transnational' rather than national cinema. This book is positioned within the emerging field of transnational cinema, and offers a groundbreaking study of the relationship between transnational cinema and ideology. The book focuses in particular on the complex ways in which religion, identity and cultural myths interact in specific cinematic representations of ideology. Author Milja Radovic approaches the selected films as national, regional products, and then moves on to comparative analysis and discussion of their transnational aspects. This book also addresses the question of whether transnationalism reinforces the nation or not; one of the possible answers to this question may be given through the exploration of the cinema of national states and its transnational aspects. Radovic illustrates the ways in which these issues, represented and framed by films, are transmitted beyond their nation-state borders and local ideologies in which they originated - and questions whether therefore one can have an understanding of transnational cinema as a platform for political dialogue"..

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780415843997
    RVK Klassifikation: AP 50300
    Schriftenreihe: Routledge studies in religion and film ; 4
    Schlagworte: Motion pictures; Politics in motion pictures; Religion in motion pictures; PERFORMING ARTS / Film & Video / General; RELIGION / General; Religion <Motiv>; Religiöser Film; Film
    Umfang: 154 Seiten
  16. Wicked cinema
    sex and religion on screen
    Autor*in: Cutrara, Daniel S.
    Erschienen: 2015
    Verlag:  University of Texas Press, Austin

    Standort:
    Erzbischöfliche Diözesan- und Dombibliothek
    Signatur:
    Fbg 8371
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780292754720; 9781477307533
    Auflage/Ausgabe: First paperback edition
    Schlagworte: Sex in motion pictures; Religion in motion pictures; Motion pictures; Erotik <Motiv>; Film; Religion <Motiv>
    Umfang: xi, 266 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  17. Transnational cinema and ideology
    representing religion, identity and cultural myths
    Autor*in: Radovic, Milja
    Erschienen: 2018; © 2014
    Verlag:  Routledge, Taylor & Francis Group, London ; New York

    "Increasingly, as the production, distribution and audience of films cross national boundaries, film scholars have begun to think in terms of 'transnational' rather than national cinema. This book is positioned within the emerging field of... mehr

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    Erzbischöfliche Diözesan- und Dombibliothek
    Signatur:
    Fbg 7147
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Increasingly, as the production, distribution and audience of films cross national boundaries, film scholars have begun to think in terms of 'transnational' rather than national cinema. This book is positioned within the emerging field of transnational cinema, and offers a groundbreaking study of the relationship between transnational cinema and ideology. The book focuses in particular on the complex ways in which religion, identity and cultural myths interact in specific cinematic representations of ideology. Author Milja Radovic approaches the selected films as national, regional products, and then moves on to comparative analysis and discussion of their transnational aspects. This book also addresses the question of whether transnationalism reinforces the nation or not; one of the possible answers to this question may be given through the exploration of the cinema of national states and its transnational aspects. Radovic illustrates the ways in which these issues, represented and framed by films, are transmitted beyond their nation-state borders and local ideologies in which they originated - and questions whether therefore one can have an understanding of transnational cinema as a platform for political dialogue"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781138546318; 9780415843997
    RVK Klassifikation: AP 50300
    Auflage/Ausgabe: First issued in paperback
    Schriftenreihe: Routledge Studies in Religion and Film ; 4
    Schlagworte: Religion <Motiv>; Film; Religiöser Film
    Weitere Schlagworte: Motion pictures; Politics in motion pictures; Religion in motion pictures
    Umfang: 154 Seiten, 24 cm
    Bemerkung(en):

    Includes filmography. - Includes bibliographical references (pages 141-151) and index
  18. God in the movies
    Autor*in: Bergesen, Albert; Greeley, Andrew M.
    Erschienen: 2003
    Verlag:  Transaction, New Brunswick, N.J. [u.a]

    Standort:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Signatur:
    30A8929
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0765805286
    Auflage/Ausgabe: 1. paperback printing
    Schlagworte: Religion in motion pictures; Motion pictures
    Weitere Schlagworte: Film; Gott <Motiv>
    Umfang: IX, 186 S.
  19. Miyazaki's animism abroad
    the reception of Japanese religious themes by American and German audiences
    Autor*in: Ogihara-Schuck, Eriko
    Erschienen: 2014
    Verlag:  McFarland, Jefferson, NC

    Standort:
    Universitätsbibliothek Dortmund
    Signatur:
    THF 13/49
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    Standort:
    Universitätsbibliothek Dortmund
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    Standort:
    Universitätsbibliothek Dortmund
    Signatur:
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    Standort:
    Universitäts- und Landesbibliothek Düsseldorf
    Signatur:
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    Standort:
    Universitätsbibliothek Duisburg-Essen
    Signatur:
    KNMZ1311
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    Standort:
    Gemeinsame Fachbibliothek Asien / Japanologie
    Signatur:
    JAP/Pop1-11Miy6
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    keine Fernleihe

    Standort:
    Gemeinschaftsbibliothek der Katholischen-Theologischen Fakultät, Abteilung Hüfferstr.
    Signatur:
    RW:Ph-12
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    Standort:
    Universitätsbibliothek Trier
    Signatur:
    MGY/od36844
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    ISBN: 9780786472628
    Schlagworte: Motion picture audiences; Motion picture audiences; Motion pictures, Japanese; Motion pictures, Japanese; Religion in motion pictures; Animism; Animismus <Motiv>; Rezeption; Anime; Bearbeitung
    Weitere Schlagworte: Miyazaki, Hayao (1941-); Miyazaki, Hayao (1941-); Populär- und Medienkultur; Anime; Religion; Amerika; Rezeption
    Umfang: X, 230 S., Ill.
    Bemerkung(en):

    Zugl.: Dortmund, Techn. Univ., Diss., 2011
  20. Sacred space
    the quest for transcendence in science fiction film and television
    Autor*in: Cowan, Douglas E.
    Erschienen: c 2010
    Verlag:  Baylor University Press, Waco, TX

    The brightness against the black -- Pinocchio's galaxy -- First contact -- 'Intellects vast and cool and unsympathetic' -- Heeding the prophet's call: Star Trek: Deep Space Nine -- The Von Daniken paradox: Stargate SG-1 -- All alone in the night:... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    The brightness against the black -- Pinocchio's galaxy -- First contact -- 'Intellects vast and cool and unsympathetic' -- Heeding the prophet's call: Star Trek: Deep Space Nine -- The Von Daniken paradox: Stargate SG-1 -- All alone in the night: Babylon 5 -- So say we all: Battlestar Galactica -- The truth is out there: transcendence and the neverending quest

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781602582385
    Weitere Identifier:
    9781602582385
    RVK Klassifikation: AP 53900 ; AP 35160
    Schlagworte: Science fiction films; Science fiction television programs; Religion in motion pictures; Religion on television; Science fiction films; Science fiction television programs; Religion in motion pictures; Religion on television
    Umfang: XI, 314 S.
    Bemerkung(en):

    Includes bibliographical references and index

    The brightness against the black -- Pinocchio's galaxy -- First contact -- 'Intellects vast and cool and unsympathetic' -- Heeding the prophet's call: Star Trek: Deep Space Nine -- The Von Daniken paradox: Stargate SG-1 -- All alone in the night: Babylon 5 -- So say we all: Battlestar Galactica -- The truth is out there: transcendence and the neverending quest.
  21. Science fiction and the imitation of the sacred
    Autor*in: Grigg, Richard
    Erschienen: 2018
    Verlag:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    Science fiction, the sacred, and the ambiguity of technology -- Science fiction and ultimate transformation -- Science fiction, participation, and self-transcendence -- Science fiction and ultimate concern -- Science fiction as a way of world-making... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Science fiction, the sacred, and the ambiguity of technology -- Science fiction and ultimate transformation -- Science fiction, participation, and self-transcendence -- Science fiction and ultimate concern -- Science fiction as a way of world-making -- Science fiction and Apocalypse

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350065666; 9781350065642; 9781350065659
    Weitere Identifier:
    Auflage/Ausgabe: 1 [edition]
    Schlagworte: Theology in literature; Religion in literature; Science fiction films; Literature; Science fiction; Religion in motion pictures; Literature; Science fiction; Science fiction films; Religion in literature; Religion in motion pictures; Theology in literature
    Umfang: 1 Online-Ressource (viii, 151 pages)
    Bemerkung(en):

    Includes bibliographical references and index
  22. Celluloid saints
    images of sanctity in film
    Autor*in: Sanders, Theresa
    Erschienen: 2002
    Verlag:  Mercer Univ. Press, Macon, Ga.

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0865547505; 0865547750
    Auflage/Ausgabe: 1. ed
    Schlagworte: Religion in motion pictures; Motion pictures
    Umfang: XIV, 237 S, 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. [217]-229) and index
  23. Saints, clergy, and other religious figures on film and television, 1895-2003
    Autor*in: Paietta, Ann Catherine
    Erschienen: 2005
    Verlag:  McFarland, Jefferson, NC [u.a.]

    "This work details over 900 films and TV series made from the 1890s through 2003 in which a religious figure plays a prominent or recurring role, or in which a character poses as a religious figure"--Provided by publisher mehr

    Standort:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    "This work details over 900 films and TV series made from the 1890s through 2003 in which a religious figure plays a prominent or recurring role, or in which a character poses as a religious figure"--Provided by publisher

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 078642186X
    Weitere Identifier:
    9780786421862
    2005014050
    Schlagworte: Saints in motion pictures; Clergy in motion pictures; Saints on television; Clergy on television; Religion in motion pictures; Religion on television; Motion pictures; Television programs; Saints in motion pictures; Clergy in motion pictures; Saints on television; Clergy on television; Religion in motion pictures; Religion on television; Motion pictures; Television programs
    Umfang: VII, 192 S, Ill
    Bemerkung(en):

    Includes bibliographical references and indexes. - "This work details over 900 films and TV series made from the 1890s through 2003 in which a religious figure plays a prominent or recurring role, or in which a character poses as a religious figure"
  24. Transnational cinema and ideology
    representing religion, identity and cultural myths
    Autor*in: Radovic, Milja
    Erschienen: 2018
    Verlag:  Routledge, Taylor & Francis Group, London

    "Increasingly, as the production, distribution and audience of films cross national boundaries, film scholars have begun to think in terms of 'transnational' rather than national cinema. This book is positioned within the emerging field of... mehr

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    Universität Potsdam, Universitätsbibliothek
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    "Increasingly, as the production, distribution and audience of films cross national boundaries, film scholars have begun to think in terms of 'transnational' rather than national cinema. This book is positioned within the emerging field of transnational cinema, and offers a groundbreaking study of the relationship between transnational cinema and ideology. The book focuses in particular on the complex ways in which religion, identity and cultural myths interact in specific cinematic representations of ideology. Author Milja Radovic approaches the selected films as national, regional products, and then moves on to comparative analysis and discussion of their transnational aspects. This book also addresses the question of whether transnationalism reinforces the nation or not; one of the possible answers to this question may be given through the exploration of the cinema of national states and its transnational aspects. Radovic illustrates the ways in which these issues, represented and framed by films, are transmitted beyond their nation-state borders and local ideologies in which they originated - and questions whether therefore one can have an understanding of transnational cinema as a platform for political dialogue"--

     
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781138546318
    RVK Klassifikation: AP 50300
    Auflage/Ausgabe: First issued in paperback
    Schriftenreihe: Routledge Studies in Religion and Film ; 4
    Schlagworte: Motion pictures; Politics in motion pictures; Religion in motion pictures
    Umfang: 154 Seiten, 24 cm
    Bemerkung(en):

    Includes filmography

    Includes bibliographical references (pages 141-151) and index
  25. Black magic woman and narrative film
    race, sex and afro-religiosity
    Autor*in: Missouri, Montré Aza
    Erschienen: 2015
    Verlag:  Palgrave Macmillan, Basingstoke [u.a.]

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781137454171
    Schlagworte: African American women in motion pictures; Racially mixed people in motion pictures; Sex role in motion pictures; Religion in motion pictures; Folklore in motion pictures; Stereotypes (Social psychology) in motion pictures; Motion pictures; Motion pictures
    Umfang: VII, 205 pages
    Bemerkung(en):

    Includes bibliographical references and index