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  1. Queer voices in hip hop
    cultures, communities, and contemporary performance
    Autor*in: Kehrer, Lauron Jockwig
    Erschienen: 2022
    Verlag:  University of Michigan Press, Ann Arbor

    "Notions of hip hop authenticity, as expressed both within hip hop communities and in the larger American culture, rely on the construction of the rapper as a Black, masculine, heterosexual, cisgender man who enacts a narrative of struggle and... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Notions of hip hop authenticity, as expressed both within hip hop communities and in the larger American culture, rely on the construction of the rapper as a Black, masculine, heterosexual, cisgender man who enacts a narrative of struggle and success. In Queer Voices in Hip Hop, Lauron Kehrer turns our attention to openly queer and trans rappers and positions them within a longer Black queer musical lineage. Combining musical, textual, and visual analysis with reception history, this book reclaims queer involvement in hip hop by tracing the genre's beginnings within Black and Latinx queer music-making practices and spaces, demonstrating that queer and trans rappers draw on Ballroom and other cultural expressions particular to queer and trans communities of color in their work in order to articulate their subject positions. By centering the performances of openly queer and trans artists of color, Queer Voices in Hip Hop reclaims their work as essential to the development and persistence of hip hop in the United States as it tells the story of the of hip hop's queer roots"

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780472055685; 9780472075683
    RVK Klassifikation: LS 48650
    Schriftenreihe: Tracking pop
    Schlagworte: Geschlechtsidentität; Hip-Hop; Rapmusiker; LGBT; Geschlechterforschung
    Weitere Schlagworte: Rap (Music) / History and criticism; Hip-hop / History and criticism; Gay musicians / United States; Lesbian musicians / United States; Transgender musicians / United States; African American gays; African American lesbians; African American bisexuals; African American transgender people; Gender-nonconforming people / United States; Queer musicology; Gender identity in music; Queer theory
    Umfang: xi, 151 Seiten, 23 cm
    Bemerkung(en):

    Introduction. "I don't have any secrets I need kept anymore": Out in hip-hop -- Hip-hop's queer roots: Disco, house, and early hip-hop -- Queer articulations in ballroom rap -- "The bro code"" Black queer women and female masculinity in rap -- "Nice for what": New Orleans bounce and disembodied queer voices in the mainstream -- Outro. "Call me by your name": Demarginalizing queer hip-hop
  2. Street scriptures
    between God and hip-hop
    Autor*in: Nava, Alexander
    Erschienen: 2022
    Verlag:  University of Chicago Press, Chicago ; London

    "The world of hip-hop is saturated with religion, but often this element is glossed over as secondary to hip-hop's other dimensions. In Street Scriptures, Alejandro Nava focuses our attention on this relationship in a fresh way, combining his... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität der Bundeswehr München, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The world of hip-hop is saturated with religion, but often this element is glossed over as secondary to hip-hop's other dimensions. In Street Scriptures, Alejandro Nava focuses our attention on this relationship in a fresh way, combining his profound love of hip-hop, his passion for racial and social justice, and his deep theological knowledge. The result is a journey through hip-hop's deep entanglement with the sacred. Street Scriptures examines the reasons behind the rise of a religious heartbeat in hip-hop, looking at the crosscurrents of the sacred and profane in rap, reggaeton, and Latinx hip-hop today. Ranging from Nas, Kendrick Lamar, Chance the Rapper, Lauryn Hill, and Cardi B to St. Augustine and William James, Nava examines the ethical-political, aesthetic-spiritual, and prophetic in hip-hop, probing the pure sonic and aesthetic signatures of music, while also diving deep into the voices that invoke the spirit of protest"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780226819167; 9780226819143
    RVK Klassifikation: LS 48650
    Schlagworte: Hip-Hop; Rap; Religion <Motiv>
    Weitere Schlagworte: Rap (Music) / Religious aspects; Rap (Music) / History and criticism; Hip-hop / United States / Religious aspects; Popular music / Latin America / History and criticism; Musique populaire / Amérique latine / Histoire et critique; Hip-hop / Religious aspects; Popular music; Rap (Music); Latin America; United States; Criticism, interpretation, etc
    Umfang: 248 Seiten, Illustrationen (schwarz-weiß)
    Bemerkung(en):

    A street theology: between God and hip-hop -- A brief sonic history of hip-hop -- Prophets and emcees: righteous rappers -- The return of God in hip-hop: Kendrick Lamar's street theology -- The dirty Latin South: breaking, reggaeton, and the rise of the global South -- Native tongues
  3. Book of rhymes
    the poetics of Hip Hop
    Autor*in: Bradley, Adam
    Erschienen: [2017]
    Verlag:  Basic Civitas, New York

    "Rap may be the most revolutionary development in poetry over the past forty years, yet its originality is hidden in plain sight. Often overshadowed by the beat, bluster, and hype surrounding the music, lyrics are the heart of hip hop. Book of Rhymes... mehr

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Siegen
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Rap may be the most revolutionary development in poetry over the past forty years, yet its originality is hidden in plain sight. Often overshadowed by the beat, bluster, and hype surrounding the music, lyrics are the heart of hip hop. Book of Rhymes explores America's least-understood poets by unpacking their complex craft and according them the respect they deserve as lyricists. Examining the language and techniques of hip hop's most memorable artists, literary scholar Adam Bradley argues that a new world of rhythm and rhyme awaits us if we put aside preconceptions and encounter rap with new ears and new eyes. Updated to reflect nearly a decade of the genre's evolution, Book of Rhymes remains the definitive work on the poetry of hip hop"--Page 4 of cover

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780465094400
    RVK Klassifikation: HU 1761 ; LS 48650
    Auflage/Ausgabe: Second edition
    Schlagworte: Rap (Music) / History and criticism; Rap (Music) / Texts
    Weitere Schlagworte: Rap (Music; History and criticism
    Umfang: xl, 243 Seiten, Illustration
  4. Street scriptures
    between God and hip-hop
    Autor*in: Nava, Alexander
    Erschienen: 2022
    Verlag:  University of Chicago Press, Chicago ; London

    "The world of hip-hop is saturated with religion, but often this element is glossed over as secondary to hip-hop's other dimensions. In Street Scriptures, Alejandro Nava focuses our attention on this relationship in a fresh way, combining his... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The world of hip-hop is saturated with religion, but often this element is glossed over as secondary to hip-hop's other dimensions. In Street Scriptures, Alejandro Nava focuses our attention on this relationship in a fresh way, combining his profound love of hip-hop, his passion for racial and social justice, and his deep theological knowledge. The result is a journey through hip-hop's deep entanglement with the sacred. Street Scriptures examines the reasons behind the rise of a religious heartbeat in hip-hop, looking at the crosscurrents of the sacred and profane in rap, reggaeton, and Latinx hip-hop today. Ranging from Nas, Kendrick Lamar, Chance the Rapper, Lauryn Hill, and Cardi B to St. Augustine and William James, Nava examines the ethical-political, aesthetic-spiritual, and prophetic in hip-hop, probing the pure sonic and aesthetic signatures of music, while also diving deep into the voices that invoke the spirit of protest"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780226819167; 9780226819143
    RVK Klassifikation: LS 48650
    Schlagworte: Hip-Hop; Rap; Religion <Motiv>
    Weitere Schlagworte: Rap (Music) / Religious aspects; Rap (Music) / History and criticism; Hip-hop / United States / Religious aspects; Popular music / Latin America / History and criticism; Musique populaire / Amérique latine / Histoire et critique; Hip-hop / Religious aspects; Popular music; Rap (Music); Latin America; United States; Criticism, interpretation, etc
    Umfang: 248 Seiten, Illustrationen (schwarz-weiß)
    Bemerkung(en):

    A street theology: between God and hip-hop -- A brief sonic history of hip-hop -- Prophets and emcees: righteous rappers -- The return of God in hip-hop: Kendrick Lamar's street theology -- The dirty Latin South: breaking, reggaeton, and the rise of the global South -- Native tongues
  5. Queer voices in hip hop
    cultures, communities, and contemporary performance
    Autor*in: Kehrer, Lauron Jockwig
    Erschienen: 2022
    Verlag:  University of Michigan Press, Ann Arbor

    "Notions of hip hop authenticity, as expressed both within hip hop communities and in the larger American culture, rely on the construction of the rapper as a Black, masculine, heterosexual, cisgender man who enacts a narrative of struggle and... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Notions of hip hop authenticity, as expressed both within hip hop communities and in the larger American culture, rely on the construction of the rapper as a Black, masculine, heterosexual, cisgender man who enacts a narrative of struggle and success. In Queer Voices in Hip Hop, Lauron Kehrer turns our attention to openly queer and trans rappers and positions them within a longer Black queer musical lineage. Combining musical, textual, and visual analysis with reception history, this book reclaims queer involvement in hip hop by tracing the genre's beginnings within Black and Latinx queer music-making practices and spaces, demonstrating that queer and trans rappers draw on Ballroom and other cultural expressions particular to queer and trans communities of color in their work in order to articulate their subject positions. By centering the performances of openly queer and trans artists of color, Queer Voices in Hip Hop reclaims their work as essential to the development and persistence of hip hop in the United States as it tells the story of the of hip hop's queer roots"

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780472055685; 9780472075683
    RVK Klassifikation: LS 48650
    Schriftenreihe: Tracking pop
    Schlagworte: Geschlechtsidentität; Hip-Hop; Rapmusiker; LGBT; Geschlechterforschung
    Weitere Schlagworte: Rap (Music) / History and criticism; Hip-hop / History and criticism; Gay musicians / United States; Lesbian musicians / United States; Transgender musicians / United States; African American gays; African American lesbians; African American bisexuals; African American transgender people; Gender-nonconforming people / United States; Queer musicology; Gender identity in music; Queer theory
    Umfang: xi, 151 Seiten, 23 cm
    Bemerkung(en):

    Introduction. "I don't have any secrets I need kept anymore": Out in hip-hop -- Hip-hop's queer roots: Disco, house, and early hip-hop -- Queer articulations in ballroom rap -- "The bro code"" Black queer women and female masculinity in rap -- "Nice for what": New Orleans bounce and disembodied queer voices in the mainstream -- Outro. "Call me by your name": Demarginalizing queer hip-hop
  6. Dear Angel of Death
    Autor*in: White, Simone
    Erschienen: 2018
    Verlag:  Ugly Duckling Presse, Brooklyn, New York

    "Half poems, half prose, 'Dear Angel of Death' braids intimate and public thinking about forms of togetherness. Is one woman a mother, a person in an artworld, a "black"? What imaginary and real spirits are her guides? The title essay proposes... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Half poems, half prose, 'Dear Angel of Death' braids intimate and public thinking about forms of togetherness. Is one woman a mother, a person in an artworld, a "black"? What imaginary and real spirits are her guides? The title essay proposes disinvestment in the idea of the Music as the highest form of what blackness "is" and includes many forms: philosophical divergence on the problem of folds for black life, a close reading of Nathaniel Mackey's neverending novel 'From a broken bottle traces of perfume still emanate', and an impassioned defense-cum-dismissal of contemporary hip hop's convergence with capitalism."

     
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781937027674
    Auflage/Ausgabe: First edition
    Schriftenreihe: Dossier series
    Weitere Schlagworte: Mackey, Nathaniel / 1947- / From a broken bottle traces of perfume still emanate; African Americans / Aesthetics; African Americans / Songs and music; Rap (Music) / History and criticism; American poetry / African American authors; American poetry / 21st century; Rap (Music); American poetry ; African American authors; African Americans; American poetry; Songs and music; Poetry; Criticism, interpretation, etc; Creative nonfiction; Poetry; Creative nonfiction
    Umfang: 159 Seiten, Illustrationen, 22 cm
    Bemerkung(en):

    Poems and prose essays

    Includes bibliographical references (pages 155-158)