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  1. The Oxford handbook of music and queerness
    Beteiligt: Maus, Fred Everett (HerausgeberIn); Whiteley, Sheila (HerausgeberIn); Nyong'o, Tavia (HerausgeberIn); Sherinian, Zoe C. (HerausgeberIn)
    Erschienen: 2021; © 2022
    Verlag:  Oxford University Press, New York

    Part I. Kinds of Music. Whose Refuge, This House? : The Estrangement of Queers of Color in Electronic Dance Music / Luis-Manuel Garcia Mispireta ; The Queer Pleasures of Musicals / Bradley Rogers ; The Gospel According to the Gays : Queering the... mehr

    Zentrum für Populäre Kultur und Musik, Bibliothek
    Frei 99: Kul 4/127
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Hochschule für Musik, Theater und Medien Hannover, Bibliothek
    inventarisiert mit Zg.-Nr. 2022/10130
    keine Fernleihe
    Badische Landesbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Kiel, Zentralbibliothek
    Rc 8609
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Musikhochschule Lübeck, Bibliothek
    Buch m 6 Oxf 3.1
    keine Fernleihe
    Hochschule Osnabrück, Bibliothek Campus Westerberg
    KHR 198 045
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Part I. Kinds of Music. Whose Refuge, This House? : The Estrangement of Queers of Color in Electronic Dance Music / Luis-Manuel Garcia Mispireta ; The Queer Pleasures of Musicals / Bradley Rogers ; The Gospel According to the Gays : Queering the Roots of Gospel Music / E. Patrick Johnson ; Queer as Trad : LGBTQ Performers and Irish Traditional Music in the United States / Tes Slominski ; Gay Country, TransAmericana, and Queer Sincerity / Shana Goldin-Perschbacher ; Queer Hip Hop : A Brief Historiography / Shante Paradigm Smalls -- Part II. Versions. From Queer Musicology to Indecent Theology : Liberal and Liberationist Protestant Theology and Musical Queerings of the Bible / Dirk von der Horst ; Operatic Adaptations and the Representation of Non-normative Sexualities / Freya Jarman ; Queer Audiovisual Creativity : Fan-Created Music Videos from Star Trek to Bad Girls / Nina Treadwell ; Karaoke, Queer Theory, Queer Performance : Dedicated to José Esteban Muñoz / Karen Tongson -- Part III. Voices and Sounds. Free as a Bird? Thinking with the Grain of Meshell Ndegeocello's Butch Voice / Tavia Nyong'o ; Transgender Passing Guides and the Vocal Performance of Gender and Sexuality / Stephan Pennington ; Sound Desires : Auralism, the Sexual Fetishization of Music / Jodie Taylor ; Transcripts : Toward A Queer Phenomenology of the Field Recording / Drew Daniel -- Part IV. Lives. Queering Brighton / Sheila Whiteley ; (To) Queer : "A" Life to Music / Elizabeth Gould ; Endangered Tenderness : Schubert, Chopin, and Schumann / Charles Fisk ; Musical Awakenings : The Experiences of a Queer Music Therapist in the Face of HIV and AIDS / Colin Lee ; Toward a Trans* Method in Musicology / Dana Baitz ; Quare Times : An Introduction to a Queer Perspective on Afrofuturism and a Reading of Sun Ra's Space is the Place / Tim Stüttgen ; Musical Abjects : Sounds and Objectionable Sexualities / Jenny Olivia Johnson -- Part V. Histories. Music in the Margins : Queerness in the Clerical Imagination, 1200-1500 / Lisa Colton ; The Queer History of the Castrato / Emily Wilbourne ; Queering Middle Class Gender in Nineteenth-Century US Theater / Gillian M. Rodger ; Anglophone Songs about HIV/AIDS / Matthew J. Jones ; Queer Patriotism in the Eurovision Song Contest / Ivan Raykoff -- Part VI. Non-Western "Queerness"? Interdisciplinary Enqueeries from India : Moving Toward a Queer Ethnomusicology / Zoe Sherinian ; Qunqu Cross-Dressing as Artistic and/or Queer Performance / Joseph S. C. Lam ; Non-Ordinary Gender and Sexuality in Indonesian Performance / Henry Spiller ; Out in the Undercurrents : Queer Politics in Hong Kong Popular Music / Yiu Fai Chow and Jeroen de Kloet ; How to Do Things with Theory : Cultural "Transcription," "Queerness," and Ukrainian Pop / Stephen Amico. "In the 1990s, academic study of LGBTQ issues in relation to music centered on classical music, and the research topics and researchers were mostly white. The scope of the field has expanded greatly since then, with ongoing research on classical music, extensive work on white popular music, a growing literature on Black music, and recent initiatives in ethnomusicology. The term "queer" has risen as a welcome intention of inclusiveness, along with some complexity in its meanings. In The Oxford Handbook of Music and Queerness, contributors choose their relationship to the term as it relates to their work within and without the academic community. Offering a decisive departure from a Western- and Eurocentric approach to music, this Handbook reflects different rhetorics of queer musicology. Chapters look at music and queer experience across a range of venues and approaches, from gospel to electronic dance music; from Hong Kong public music to Ukrainian pop. Together, contributors illustrate the potential of queer methodologies in the musical realm, and where we go from here. Keywords: queer musicology, ethnomusicology, queer performance, popular music, queer theory, music and sexuality, LGBTQ studies"--

     

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    Quelle: Verbundkataloge
    Beteiligt: Maus, Fred Everett (HerausgeberIn); Whiteley, Sheila (HerausgeberIn); Nyong'o, Tavia (HerausgeberIn); Sherinian, Zoe C. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780199793525
    Schlagworte: Queer musicology; Homosexuality and music; Gender identity in music
    Umfang: xiii, 676 Seiten, Illustrationen, Notenbeispiele, 26 cm
  2. Queer ear
    remaking music theory
    Beteiligt: Lee, Gavin (HerausgeberIn)
    Erschienen: [2023]
    Verlag:  Oxford University Press, New York, NY

    Verlagsinfo: "Queer Ear brings together for the first time a collection of music theorists who issue queer challenges to both music theory and musicology. To queer musicology, which has often presumed that music theory has nothing valuable to... mehr

    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A 2024/333
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule für Musik, Theater und Medien Hannover, Bibliothek
    inventarisiert mit Zg.-Nr. 2024/10027
    keine Fernleihe

     

    Verlagsinfo: "Queer Ear brings together for the first time a collection of music theorists who issue queer challenges to both music theory and musicology. To queer musicology, which has often presumed that music theory has nothing valuable to contribute to queer music studies, we demonstrate how music theory can be appropriated for queer ends. We show that queerness is integral to our music-theoretical practice, and can change the field of music theory. Queers have always listened widely, repurposing straight sounds for the "queer ear," a concept which stands in contrast with queer soundings, by queer composers, who are also investigated in this volume. Privileging provisional, idiosyncratic, and nonnormative listening practices, a queer ear enables us to counter music theory's hoary and continuing tendencies towards rationality, unity, unilinearity, teleology, and logical certainty. What unites the investigation of queer ear and queer soundings is the repurposing of "hard" music-theoretical apparatuses, as well as "soft" apparatuses like narratology and cultural theory, for queer ends. These repurposings contribute to the search for general principles-or a "theory"-of queering that counters mainstream music theory's proclivities, encouraging everyone to experiment with queer ways of listening instead. But ultimately, the queer ear is an expression of what queers have always had to do, often learning from a young age to collect scraps from our families's heteronormative table, recycling and reusing bits and pieces of an often hostile world to build habitable futures for ourselves. Through the lenses of queer temporality, queer narratology, and queer music analyses, we examine a wide variety of sounds from Sun Ra to Cowell, Czernowin, and Henze, as well as Schubert and Schumann; theories ranging from Schenker to queer shame, disability studies, and posthumanism; and writings from Edward Cone to Edward Prime-Stevenson"--

     

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    Quelle: Verbundkataloge
    Beteiligt: Lee, Gavin (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780197536773; 9780197536766
    Schlagworte: Queer musicology; Music theory; Musical analysis
    Umfang: viii, 329 Seiten, Illustrationen, Diagramme, Notenbeispiele
    Bemerkung(en):

    Includes bibliographical references and index

    Inhaltsverzeichnis: Queer and Critical Race Theory, Figuring Out Music Theory / Gavin Lee, Philip Ewell, and Robert Hatten -- Queer music analysis. Music Analysis; Queer Academy / James Currie ; Queering Schubert's "Der Atlas": Reflections on Positionality and Close Reading / David Bretherton ; The Expression of Queerness in Hans Werner Henze's Music / Federica Marsico ; Multiplicities, Truth, Ethics: a queering analysis of Chaya Czernowin's Anea Crystal / Judith Lochhead -- Queer temporality. Sun Ra's Fletcher Henderson / Chris Stover ; The Chronographic Fallacy of Unilinear Music Theory, Or, Un(Re)productive Temporality in Dichterliebe / Gavin Lee ; Queering Musical Chrononormativity : Percussion Works of the West Coast Group / Bill Solomon -- Queer narratology. Queer Sexuality and Musical Narrative / Fred Everett Maus ; "Legendary In-Reading": Musical Meaning, Analysis, and Biography in Edward Prime-Stevenson's Music Criticism and Sexology / Kristin Franseen ; Animating Musical Agency / Vivian Luong.

  3. The Oxford handbook of music and queerness
    Beteiligt: Maus, Fred Everett (Hrsg.); Whiteley, Sheila (Hrsg.); Nyong'o, Tavia (Hrsg.); Sherinian, Zoe C. (Hrsg.)
    Erschienen: [2022]
    Verlag:  Oxford University Press, New York, NY

    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Würzburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Maus, Fred Everett (Hrsg.); Whiteley, Sheila (Hrsg.); Nyong'o, Tavia (Hrsg.); Sherinian, Zoe C. (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780199793525
    RVK Klassifikation: LR 56600 ; LR 56610
    Schlagworte: Queer-Theorie; Sexuelle Orientierung; Musik; Musizieren
    Weitere Schlagworte: Queer musicology; Homosexuality and music; Gender identity in music
    Umfang: xiii, 676 Seiten
  4. Queer voices in hip hop
    cultures, communities, and contemporary performance
    Erschienen: 2022
    Verlag:  University of Michigan Press, Ann Arbor

    "Notions of hip hop authenticity, as expressed both within hip hop communities and in the larger American culture, rely on the construction of the rapper as a Black, masculine, heterosexual, cisgender man who enacts a narrative of struggle and... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Notions of hip hop authenticity, as expressed both within hip hop communities and in the larger American culture, rely on the construction of the rapper as a Black, masculine, heterosexual, cisgender man who enacts a narrative of struggle and success. In Queer Voices in Hip Hop, Lauron Kehrer turns our attention to openly queer and trans rappers and positions them within a longer Black queer musical lineage. Combining musical, textual, and visual analysis with reception history, this book reclaims queer involvement in hip hop by tracing the genre's beginnings within Black and Latinx queer music-making practices and spaces, demonstrating that queer and trans rappers draw on Ballroom and other cultural expressions particular to queer and trans communities of color in their work in order to articulate their subject positions. By centering the performances of openly queer and trans artists of color, Queer Voices in Hip Hop reclaims their work as essential to the development and persistence of hip hop in the United States as it tells the story of the of hip hop's queer roots"

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780472055685; 9780472075683
    RVK Klassifikation: LS 48650
    Schriftenreihe: Tracking pop
    Schlagworte: Geschlechtsidentität; Hip-Hop; Rapmusiker; LGBT; Geschlechterforschung
    Weitere Schlagworte: Rap (Music) / History and criticism; Hip-hop / History and criticism; Gay musicians / United States; Lesbian musicians / United States; Transgender musicians / United States; African American gays; African American lesbians; African American bisexuals; African American transgender people; Gender-nonconforming people / United States; Queer musicology; Gender identity in music; Queer theory
    Umfang: xi, 151 Seiten, 23 cm
    Bemerkung(en):

    Introduction. "I don't have any secrets I need kept anymore": Out in hip-hop -- Hip-hop's queer roots: Disco, house, and early hip-hop -- Queer articulations in ballroom rap -- "The bro code"" Black queer women and female masculinity in rap -- "Nice for what": New Orleans bounce and disembodied queer voices in the mainstream -- Outro. "Call me by your name": Demarginalizing queer hip-hop

  5. Imagining musical pasts
    the queer literary musicology of Vernon Lee, Rosa Newmarch, and Edward Prime-Stevenson
    Erschienen: 2023
    Verlag:  Liverpool University Press, Liverpool

    "Imagining Musical Pasts considers the ways early twentieth-century musicologists Vernon Lee, Rosa Newmarch, and Edward Prime-Stevenson approached gender and sexuality in their scholarly and creative work. This book explores the place of musicology... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Imagining Musical Pasts considers the ways early twentieth-century musicologists Vernon Lee, Rosa Newmarch, and Edward Prime-Stevenson approached gender and sexuality in their scholarly and creative work. This book explores the place of musicology as literature, as well as the role of gossip and speculation in constructing queer music histories"--

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781638040583
    Auflage/Ausgabe: First edition
    Schlagworte: Musikkritik; Musikwissenschaft; Homosexualität; Geschlechterforschung
    Weitere Schlagworte: Newmarch, Rosa (1857-1940); Prime-Stevenson, Edward (1858-1942); Lee, Vernon (1856-1935); Lee, Vernon / 1856-1935 / Criticism and interpretation; Newmarch, Rosa / 1857-1940 / Criticism and interpretation; Prime-Stevenson, Edward / 1858-1942 / Criticism and interpretation; Queer musicology / History; Music / Historiography; Homosexuality and music; Musique / Historiographie; Homosexualité et musique; Musicologie queer / Histoire; Lee, Vernon / 1856-1935; Newmarch, Rosa / 1857-1940; Queer musicology; Sex in music
    Umfang: xvii, 258 Seiten, 5 Illustrationen, 24 cm
    Bemerkung(en):

    Introduction. The Old Queer Musicology -- I. Vernon Lee's Ghostly Musical Encounters. "The more or less remote Past" : Imagining Castrati and Overhearing the Eighteenth Century ; "A gallery of dramatis personae with whom I often feel very intimate" : Musicological Authority and Curious Intimacies in Music and its Lovers and "A Wicked Voice" -- II. Rosa Newmarch's Musical Detective Work. "An autobiographical interest for which there is no real warranty" : Gossip, Evidence, and Speculation in Newmarch's Tchaikovsky Scholarship ; "Her own song to sing" : Friendship and Romantic Ambiguity in Mary Wakefield and the Sonnets -- III. Edward Prime-Stevenson's Secret Identities and Musical Nostalgia. "The ultimate voices in a homosexual message by symphonic music" : The Intersexes and Long-Haired Iopas as Hidden Musicological Sexology ; "Once : But Not Twice"? Repertory as the Culmination of Nostalgic Wanderings -- Conclusions. Are Musicologists Human?

  6. The Oxford handbook of music and queerness
    Beteiligt: Maus, Fred Everett (Hrsg.); Whiteley, Sheila (Hrsg.); Nyong'o, Tavia (Hrsg.); Sherinian, Zoe C. (Hrsg.)
    Erschienen: [2022]
    Verlag:  Oxford University Press, New York, NY

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Maus, Fred Everett (Hrsg.); Whiteley, Sheila (Hrsg.); Nyong'o, Tavia (Hrsg.); Sherinian, Zoe C. (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780199793525
    RVK Klassifikation: LR 56600 ; LR 56610
    Schlagworte: Queer-Theorie; Sexuelle Orientierung; Musik; Musizieren
    Weitere Schlagworte: Queer musicology; Homosexuality and music; Gender identity in music
    Umfang: xiii, 676 Seiten
  7. Queer voices in hip hop
    cultures, communities, and contemporary performance
    Erschienen: 2022
    Verlag:  University of Michigan Press, Ann Arbor

    "Notions of hip hop authenticity, as expressed both within hip hop communities and in the larger American culture, rely on the construction of the rapper as a Black, masculine, heterosexual, cisgender man who enacts a narrative of struggle and... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Notions of hip hop authenticity, as expressed both within hip hop communities and in the larger American culture, rely on the construction of the rapper as a Black, masculine, heterosexual, cisgender man who enacts a narrative of struggle and success. In Queer Voices in Hip Hop, Lauron Kehrer turns our attention to openly queer and trans rappers and positions them within a longer Black queer musical lineage. Combining musical, textual, and visual analysis with reception history, this book reclaims queer involvement in hip hop by tracing the genre's beginnings within Black and Latinx queer music-making practices and spaces, demonstrating that queer and trans rappers draw on Ballroom and other cultural expressions particular to queer and trans communities of color in their work in order to articulate their subject positions. By centering the performances of openly queer and trans artists of color, Queer Voices in Hip Hop reclaims their work as essential to the development and persistence of hip hop in the United States as it tells the story of the of hip hop's queer roots"

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780472055685; 9780472075683
    RVK Klassifikation: LS 48650
    Schriftenreihe: Tracking pop
    Schlagworte: Geschlechtsidentität; Hip-Hop; Rapmusiker; LGBT; Geschlechterforschung
    Weitere Schlagworte: Rap (Music) / History and criticism; Hip-hop / History and criticism; Gay musicians / United States; Lesbian musicians / United States; Transgender musicians / United States; African American gays; African American lesbians; African American bisexuals; African American transgender people; Gender-nonconforming people / United States; Queer musicology; Gender identity in music; Queer theory
    Umfang: xi, 151 Seiten, 23 cm
    Bemerkung(en):

    Introduction. "I don't have any secrets I need kept anymore": Out in hip-hop -- Hip-hop's queer roots: Disco, house, and early hip-hop -- Queer articulations in ballroom rap -- "The bro code"" Black queer women and female masculinity in rap -- "Nice for what": New Orleans bounce and disembodied queer voices in the mainstream -- Outro. "Call me by your name": Demarginalizing queer hip-hop