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  1. Selling the story
    transaction and narrative value in Balzac, Dostoevsky, and Zola
    Autor*in: Paine, Jonathan
    Erschienen: 2019
    Verlag:  Harvard University Press, Cambridge, Massachusetts ; London, England

    Introduction: The economics of narrative -- Balzac: narrative as business -- Dostoevsky: who buys the story? -- Zola: the business of narrative Does the need to write for money affect what is written? Selling the Story addresses the issue of how the... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction: The economics of narrative -- Balzac: narrative as business -- Dostoevsky: who buys the story? -- Zola: the business of narrative Does the need to write for money affect what is written? Selling the Story addresses the issue of how the business of literature influences its very composition. Authors participate in a marketplace in which the reader is the target of a literary "sell." Using as examples Balzac, Dostoevsky, and Zola, Jonathan Paine shows how major works reflect their authors' differing "point of sale" perspectives on reader response and the market for literature. Uncovering this process opens a new role for economic criticism and offers new and original readings of canonical texts. Paine contends that "selling the story" to the reader, both literally and figuratively, is a genuine transaction which can be analyzed in economic terms. An author's choice of transaction type - prospectus, auction or speculation - can reveal much about his approach to the creation of literary value. Even an author's fictional representation of transactions in novels can show distinct and differentiated approaches to the business of literature. This "point-of-sale" analysis represents a distinctive new departure in economic criticism.--

     
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  2. Modernist authorship and transatlantic periodical culture
    1895-1925
    Autor*in: Sigler, Amanda
    Erschienen: 2022
    Verlag:  Bloomsbury Publishing, London ; New York ; Oxford ; New Delhi ; Sydney

    "This book unearths archival evidence to describe a collaborative, consumer-oriented modernism that developed out of both planned and fortuitous groupings in periodicals. These periodicals-whether mass-market journals or literary magazines-adjust our... mehr

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book unearths archival evidence to describe a collaborative, consumer-oriented modernism that developed out of both planned and fortuitous groupings in periodicals. These periodicals-whether mass-market journals or literary magazines-adjust our perceptions of authors elsewhere known to be "in charge" and reveal the central role that compromise and chance played in the emergence of modernism. Tracing the serialization and advertisement of four key texts: Henry James's The Turn of the Screw in Collier's (1898), Rudyard Kipling's Kim in McClure's and Cassell's (1900-1901), James Joyce's Ulysses in the Little Review (1918-1920), and Virginia Woolf's Mrs. Dalloway in Bond Street in The Dial (1923). Research at multiple archives unearths the forgotten story behind the texts we think we know so well. This study pieces together original records of journals' advertising strategies, previously unpublished editorial correspondence and memoranda, and long-buried letters from a wide range of repositories."

     
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  3. Robert Louis Stevenson, literary networks and transatlantic publishing in the 1890s
    the author incorporated
    Autor*in: Norquay, Glenda
    Erschienen: 2020
    Verlag:  Anthem Press, London ; New York, NY

    "'Robert Louis Stevenson, Literary Networks and Transatlantic Publishing in the 1890s' investigates Stevenson and the geographies of his literary networks during the last years of his life and after his death. It profiles a series of figures who... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "'Robert Louis Stevenson, Literary Networks and Transatlantic Publishing in the 1890s' investigates Stevenson and the geographies of his literary networks during the last years of his life and after his death. It profiles a series of figures who worked with Stevenson, negotiated his publications on both sides of the Atlantic, wrote for him or were inspired by him. Using archival material, correspondence, fiction and biographies it moves across these literary networks. It deploys the concept of 'literary prosthetics' to frame its analysis of gatekeepers, tastemakers, agents, collaborators and authorial surrogates in the transatlantic production of Stevenson's writing" --

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781785272844
    Schlagworte: Literarisches Leben; Soziales Netzwerk; Literaturproduktion
    Weitere Schlagworte: Stevenson, Robert Louis (1850-1894); Stevenson, Robert Louis / 1850-1894 / Criticism and interpretation; Stevenson, Robert Louis / 1850-1894 / Friends and associates; English literature / 19th century / History and criticism; Publishers and publishing / History / 19th century; Littérature anglaise / 19e siècle / Histoire et critique; Stevenson, Robert Louis / 1850-1894; English literature; Friendship; Publishers and publishing; 1800-1899; Literary criticism; Criticism, interpretation, etc; History; Literary criticism; Critiques littéraires
    Umfang: xii, 230 Seiten, 24 cm
    Bemerkung(en):

    Introduction -- Lemuel Bangs: 'The Senator' -- A tale of two texts -- 'A gentleman called Charles Baxter' -- Sidney Colvin: custodian and monument -- Family, friends and collaborators -- Arthur Quiller-Couch: the Quivering Needle -- Richard Le Gallienne: 'not while a boy still whistles' -- Conclusion: Robert Louis Stevenson Incorporated
  4. Modernist authorship and transatlantic periodical culture
    1895-1925
    Autor*in: Sigler, Amanda
    Erschienen: 2022
    Verlag:  Bloomsbury Academic, London ; New York ; Oxford ; New Delhi ; Sydney

    "This book unearths archival evidence to describe a collaborative, consumer-oriented modernism that developed out of both planned and fortuitous groupings in periodicals. These periodicals-whether mass-market journals or literary magazines-adjust our... mehr

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book unearths archival evidence to describe a collaborative, consumer-oriented modernism that developed out of both planned and fortuitous groupings in periodicals. These periodicals-whether mass-market journals or literary magazines-adjust our perceptions of authors elsewhere known to be "in charge" and reveal the central role that compromise and chance played in the emergence of modernism. Tracing the serialization and advertisement of four key texts: Henry James's The Turn of the Screw in Collier's (1898), Rudyard Kipling's Kim in McClure's and Cassell's (1900-1901), James Joyce's Ulysses in the Little Review (1918-1920), and Virginia Woolf's Mrs. Dalloway in Bond Street in The Dial (1923). Research at multiple archives unearths the forgotten story behind the texts we think we know so well. This study pieces together original records of journals' advertising strategies, previously unpublished editorial correspondence and memoranda, and long-buried letters from a wide range of repositories."--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    ISBN: 9781350235403
    RVK Klassifikation: HM 1398 ; HN 1398 ; HU 1844
    Schriftenreihe: Historicizing modernism
    Schlagworte: Zeitschrift; Veröffentlichung; Literatur
    Weitere Schlagworte: Modernism (Literature); Authorship; Publishers and publishing / History / 20th century; Publishers and publishing / History / 19th century; Literature publishing / United States / History / 20th century; Literature publishing / United States / History / 19th century; Literature publishing / Great Britain / History / 20th century; Literature publishing / Great Britain / History / 19th century; Authors and publishers / United States / History / 20th century; Authors and publishers / United States / History / 19th century; Authors and publishers / Great Britain / History / 20th century; Authors and publishers / Great Britain / History / 19th century; Modernism (Literature) / United States; Modernism (Literature) / Great Britain; Literary Studies; Modernism (Lit Studies); British and Irish Literature (Lit Studies); North American Literature (Lit Studies); Twentieth-Century Literature (Lit Studies); Literary studies: from c 1900 -; Authors and publishers; Authorship; Literature publishing; Modernism (Literature); Publishers and publishing; Great Britain; United States; 1800-1999; History
    Umfang: xiii, 263 Seiten
    Bemerkung(en):

    Dissertation, University of Virginia,

    Introduction -- Chapter 1: Henry James's Turn of the Screw in Collier's (1898) -- Chapter 2: Rudyard Kipling's Kim in McClure's and Cassell's (1900-1901) -- Chapter 3: James Joyce's Ulysses in the Little Review (1918-1920) -- Chapter 4: Virginia Woolf's "Mrs. Dalloway in Bond Street" in The Dial (1923) -- Bibliography
  5. Modernist authorship and transatlantic periodical culture
    1895-1925
    Autor*in: Sigler, Amanda
    Erschienen: 2022
    Verlag:  Bloomsbury Academic, London ; New York ; Oxford ; New Delhi ; Sydney

    "This book unearths archival evidence to describe a collaborative, consumer-oriented modernism that developed out of both planned and fortuitous groupings in periodicals. These periodicals-whether mass-market journals or literary magazines-adjust our... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book unearths archival evidence to describe a collaborative, consumer-oriented modernism that developed out of both planned and fortuitous groupings in periodicals. These periodicals-whether mass-market journals or literary magazines-adjust our perceptions of authors elsewhere known to be "in charge" and reveal the central role that compromise and chance played in the emergence of modernism. Tracing the serialization and advertisement of four key texts: Henry James's The Turn of the Screw in Collier's (1898), Rudyard Kipling's Kim in McClure's and Cassell's (1900-1901), James Joyce's Ulysses in the Little Review (1918-1920), and Virginia Woolf's Mrs. Dalloway in Bond Street in The Dial (1923). Research at multiple archives unearths the forgotten story behind the texts we think we know so well. This study pieces together original records of journals' advertising strategies, previously unpublished editorial correspondence and memoranda, and long-buried letters from a wide range of repositories."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    ISBN: 9781350235403
    RVK Klassifikation: HM 1398 ; HN 1398 ; HU 1844
    Schriftenreihe: Historicizing modernism
    Schlagworte: Zeitschrift; Veröffentlichung; Literatur
    Weitere Schlagworte: Modernism (Literature); Authorship; Publishers and publishing / History / 20th century; Publishers and publishing / History / 19th century; Literature publishing / United States / History / 20th century; Literature publishing / United States / History / 19th century; Literature publishing / Great Britain / History / 20th century; Literature publishing / Great Britain / History / 19th century; Authors and publishers / United States / History / 20th century; Authors and publishers / United States / History / 19th century; Authors and publishers / Great Britain / History / 20th century; Authors and publishers / Great Britain / History / 19th century; Modernism (Literature) / United States; Modernism (Literature) / Great Britain; Literary Studies; Modernism (Lit Studies); British and Irish Literature (Lit Studies); North American Literature (Lit Studies); Twentieth-Century Literature (Lit Studies); Literary studies: from c 1900 -; Authors and publishers; Authorship; Literature publishing; Modernism (Literature); Publishers and publishing; Great Britain; United States; 1800-1999; History
    Umfang: xiii, 263 Seiten
    Bemerkung(en):

    Dissertation, University of Virginia,

    Introduction -- Chapter 1: Henry James's Turn of the Screw in Collier's (1898) -- Chapter 2: Rudyard Kipling's Kim in McClure's and Cassell's (1900-1901) -- Chapter 3: James Joyce's Ulysses in the Little Review (1918-1920) -- Chapter 4: Virginia Woolf's "Mrs. Dalloway in Bond Street" in The Dial (1923) -- Bibliography