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  1. Popular music and the politics of hope
    queer and feminist interventions
    Beteiligt: Fast, Susan (Hrsg.); Jennex, Craig (Hrsg.)
    Erschienen: 2019
    Verlag:  Routledge, New York ; London

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Fast, Susan (Hrsg.); Jennex, Craig (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781138055896; 9781138055865
    Schlagworte: Feminismus; Geschlechterforschung; Queer-Theorie; Unterhaltungsmusik; Homosexualität
    Weitere Schlagworte: Popular music / Political aspects; Sex and popular music; Homosexuality and popular music; Feminism and music; Feminism and music; Homosexuality and popular music; Popular music / Political aspects; Sex and popular music
    Umfang: xii, 338 Seiten, Illustrationen
    Bemerkung(en):

    Includes index

    Displacing whiteness. Visions of wondaland: on Janelle Monaé's afrofuturistic vision / Marquita R. Smith ; Listening to difference : recognition and refusal in queer music diasporas / Craig Jennex ; Who's your daddy? : Beyoncé, the Dixie Chicks, and the art of outlaw protest / Francesca T. Royster -- Rethinking difference. Brave new ideas begin : disability, gender, and life-writing in twenty-first-century pop / Laurie Stras ; Round my hometown : listening to London in the racial politics of post-millennial British soul / Freya Jarman with Emily Baker ; Born to run and reckless : my life as a Pretender : rewriting the political imaginary of rock music memoir / Pamela Fox -- Decolonizing sound. Sounding the Halluci Nation : decolonizing race, masculinity, and global solidarities with a Tribe Called Red / Alexa Woloshyn ; Addict(ive) sex: toward an intersectional approach to Truth Hurts' Addictive and Afro-South Asian hip hop and R&B / Elliott H. Powell ; Hip hop dialogues : sampling women's hand drum songs and the Canadian popular mainstream / Liz Przybylski -- Refusing conventions. Electro-pop as Trojan horse : hearing the call to arms in Anohni's Hopelessness / Maria Murphy -- Genders, genres, generations : Jacqueline Warwick and Susan McClary in conversation / Susan McClary and Jacqueline Warwick -- Power in the darkness and angry Atthis : anthems, genres and the queer voice / Jack Halberstam -- Voicing resilience. Resisting the politics of aging : Madonna and the value of female labor in popular music / Tiffany Naiman ; Vera Lynn 100 : retirement, aging, and legacy for a national treasure / Christina Baade ; Sounding lockdown : singing in administrative segregation at the Louisiana correctional institute for women / Benjamin J. Harbert and Consuela Gaines
  2. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Autor*in: Camal, Jerome
    Erschienen: 2019
    Verlag:  The University of Chicago Press, Chicago ; London

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780226631776; 9780226631639
    RVK Klassifikation: LC 87640 ; LS 48700
    Schriftenreihe: Chicago studies in ethnomusicology
    Schlagworte: Volksmusik; Antikolonialismus; Gwoka; Postkolonialismus
    Weitere Schlagworte: Popular music / Guadeloupe / History and criticism; Popular music / Political aspects / Guadeloupe; Postcolonialism and music / Guadeloupe; Popular music; Popular music / Political aspects; Postcolonialism and music; Guadeloupe; Criticism, interpretation, etc
    Umfang: X, 234 Seiten, Illustrationen, Notenbeispiele
    Bemerkung(en):

    Introduction. Listening for (post)colonial entanglements -- The poetics of colonial aurality -- Building an anticolonial aurality: gwoka modènn as counterpoetics -- Discrepant creolizations: music and the limits of hospitality -- Diasporic or creole aurality: aesthetics and politics across the abyss -- Postnational aurality: institutional detour and the creolization of sovereignty -- Coda. Bigidi
  3. Atomic tunes
    the Cold War in American and British popular music
    Autor*in: Smolko, Tim; Smolko, Joanna R.
    Erschienen: [2021]
    Verlag:  Indiana University Press, Bloomington, Indiana

    "What is the soundtrack for a nuclear arms race? During the Cold War, over 500 songs were written about nuclear weapons, fear of the Soviet Union, civil defense, bomb shelters, uranium mining, the space race, espionage, the Berlin Wall, and glasnost.... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "What is the soundtrack for a nuclear arms race? During the Cold War, over 500 songs were written about nuclear weapons, fear of the Soviet Union, civil defense, bomb shelters, uranium mining, the space race, espionage, the Berlin Wall, and glasnost. This music uncovers aspects of the world-changing events that documentaries and history books cannot. In Atomic Tunes, Tim and Joanna Smolko explore everything from the serious to the comical, the morbid to the crude, showing the widespread concern among musicians who were trying to cope with the effect of communism on American society and the consequences of a potential nuclear conflict of global proportions. Atomic Tunes presents a musical history of the Cold War, offering insight into the songs that capture the fear of those who lived under the shadow of Stalin, Sputnik, mushroom clouds, and missiles"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780253024466; 9780253056160
    Schlagworte: Ost-West-Konflikt <Motiv>; Popmusik
    Weitere Schlagworte: Popular music / United States / History and criticism; Popular music / Great Britain / History and criticism; Cold War / Music and the war; Popular music / Political aspects / United States / History / 20th century; Popular music / Political aspects / Great Britain / History / 20th century; Popular music; Popular music / Political aspects; Great Britain; United States; 1900-1999; Criticism, interpretation, etc; History
    Umfang: viii, 355 Seiten, Illustrationen
    Bemerkung(en):

    Introduction: Cold War History in Music and Lyrics -- Folk: From Paul Robeson to Bob Dylan -- Folk: Women's Voices -- Country: The Conservative Stance -- Novelty and Comedy Songs: The Cold War as a Big Joke -- Early Rock and Other Styles: Rocking the Bomb -- Mainstream Rock: Bowie, U2, Sting, Billy Joel, and Springsteen -- Hard Rock and Heavy Metal: The Electric Guitar as the Bomb -- Punk Rock: Three Chords and the Apocalypse -- Electronic and New Wave: The Cold War in a Synthesizer -- Wind of Change: The Fall of the Wall and the End of the Cold War
  4. Dylan, Lennon, Marx and God
    Autor*in: Stewart, Jon
    Erschienen: 2022
    Verlag:  Cambridge University Press, Cambridge, England

    Bob Dylan and John Lennon are two of the most iconic names in popular music. Dylan is arguably the twentieth century's most important singer-songwriter. Lennon was founder and leader of the Beatles who remain, by some margin, the most covered... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Bob Dylan and John Lennon are two of the most iconic names in popular music. Dylan is arguably the twentieth century's most important singer-songwriter. Lennon was founder and leader of the Beatles who remain, by some margin, the most covered songwriters in history. While Dylan erased the boundaries between pop and poetry, Lennon and his band transformed the genre's creative potential. The parallels between the two men are striking but underexplored. This book addresses that lack. Jon Stewart discusses Dylan's and Lennon's relationship; their politics; their understanding of history; and their deeply held spiritual beliefs. In revealing how each artist challenged the restrictive social norms of their day, the author shows how his subjects asked profound moral questions about what it means to be human and how we should live. His book is a potent meditation and exploration of two emblematic figures whose brilliance changed Western music for a generation

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781108779470
    Weitere Identifier:
    RVK Klassifikation: HN 5373 ; HU 3541 ; LP 95900
    Schlagworte: Popular music / Political aspects; Music and philosophy; Leib-Seele-Problem; Geschichte <Motiv>; Spiritualität; Dualismus; Friedensbewegung
    Weitere Schlagworte: Dylan, Bob / 1941- / Criticism and interpretation; Lennon, John / 1940-1980 / Criticism and interpretation; Dylan, Bob (1941-); Lennon, John (1940-1980)
    Umfang: 1 Online-Ressource (xiv, 238 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Feb 2022)
  5. Mixing pop and politics
    political dimensions of popular music in the 21st century
    Beteiligt: Hoad, Catherine (Hrsg.); Stahl, Geoff (Hrsg.); Wilson, Oli (Hrsg.)
    Erschienen: 2022
    Verlag:  Routledge, New York, NY ; London

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  6. Dylan, Lennon, Marx and God
    Autor*in: Stewart, Jon
    Erschienen: 2022
    Verlag:  Cambridge University Press, Cambridge, United Kingdom ; New York, NY, USA

    "Bob Dylan and John Lennon are two of the most influential figures in popular music history. Dylan is arguably the twentieth century's most important singer-songwriter. His works have been covered more often than any other solo composer, and sales of... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Bob Dylan and John Lennon are two of the most influential figures in popular music history. Dylan is arguably the twentieth century's most important singer-songwriter. His works have been covered more often than any other solo composer, and sales of his own records put him comfortably in the thirty most popular performers in United States' history. Lennon was founder and erstwhile leader of the Beatles who remain, by some margin, the most covered songwriters ever and the all-time top-selling popular music entertainers worldwide"--

     
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  7. Atomic tunes
    the Cold War in American and British popular music
    Autor*in: Smolko, Tim
    Erschienen: [2021]
    Verlag:  Indiana University Press, Bloomington, Indiana

    "What is the soundtrack for a nuclear arms race? During the Cold War, over 500 songs were written about nuclear weapons, fear of the Soviet Union, civil defense, bomb shelters, uranium mining, the space race, espionage, the Berlin Wall, and glasnost.... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "What is the soundtrack for a nuclear arms race? During the Cold War, over 500 songs were written about nuclear weapons, fear of the Soviet Union, civil defense, bomb shelters, uranium mining, the space race, espionage, the Berlin Wall, and glasnost. This music uncovers aspects of the world-changing events that documentaries and history books cannot. In Atomic Tunes, Tim and Joanna Smolko explore everything from the serious to the comical, the morbid to the crude, showing the widespread concern among musicians who were trying to cope with the effect of communism on American society and the consequences of a potential nuclear conflict of global proportions. Atomic Tunes presents a musical history of the Cold War, offering insight into the songs that capture the fear of those who lived under the shadow of Stalin, Sputnik, mushroom clouds, and missiles"--

     
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780253056184
    Schlagworte: Popmusik; Ost-West-Konflikt <Motiv>
    Weitere Schlagworte: Popular music / United States / History and criticism; Popular music / Great Britain / History and criticism; Cold War / Music and the war; Popular music / Political aspects / United States / History / 20th century; Popular music / Political aspects / Great Britain / History / 20th century; Popular music; Popular music / Political aspects; Great Britain; United States; 1900-1999; Electronic books; Criticism, interpretation, etc; History
    Umfang: 1 online resource (x, 356 Seiten)
    Bemerkung(en):

    Introduction: Cold War History in Music and Lyrics -- Folk: From Paul Robeson to Bob Dylan -- Folk: Women's Voices -- Country: The Conservative Stance -- Novelty and Comedy Songs: The Cold War as a Big Joke -- Early Rock and Other Styles: Rocking the Bomb -- Mainstream Rock: Bowie, U2, Sting, Billy Joel, and Springsteen -- Hard Rock and Heavy Metal: The Electric Guitar as the Bomb -- Punk Rock: Three Chords and the Apocalypse -- Electronic and New Wave: The Cold War in a Synthesizer -- Wind of Change: The Fall of the Wall and the End of the Cold War
  8. Mixing pop and politics
    political dimensions of popular music in the 21st century
    Beteiligt: Hoad, Catherine (Hrsg.); Stahl, Geoff (Hrsg.); Wilson, Oli (Hrsg.)
    Erschienen: 2022
    Verlag:  Routledge, New York, NY ; London

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  9. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Autor*in: Camal, Jerome
    Erschienen: 2019
    Verlag:  The University of Chicago Press, Chicago ; London

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780226631776; 9780226631639
    RVK Klassifikation: LC 87640 ; LS 48700
    Schriftenreihe: Chicago studies in ethnomusicology
    Schlagworte: Volksmusik; Antikolonialismus; Gwoka; Postkolonialismus
    Weitere Schlagworte: Popular music / Guadeloupe / History and criticism; Popular music / Political aspects / Guadeloupe; Postcolonialism and music / Guadeloupe; Popular music; Popular music / Political aspects; Postcolonialism and music; Guadeloupe; Criticism, interpretation, etc
    Umfang: X, 234 Seiten, Illustrationen, Notenbeispiele
    Bemerkung(en):

    Introduction. Listening for (post)colonial entanglements -- The poetics of colonial aurality -- Building an anticolonial aurality: gwoka modènn as counterpoetics -- Discrepant creolizations: music and the limits of hospitality -- Diasporic or creole aurality: aesthetics and politics across the abyss -- Postnational aurality: institutional detour and the creolization of sovereignty -- Coda. Bigidi
  10. Popular music and the politics of hope
    queer and feminist interventions
    Beteiligt: Fast, Susan (Hrsg.); Jennex, Craig (Hrsg.)
    Erschienen: 2019
    Verlag:  Routledge, New York

    In today's culture, popular music is a vital site where ideas about gender and sexuality are imagined and disseminated. Popular Music and the Politics of Hope: Queer and Feminist Interventions explores what that means with a wide-ranging collection... mehr

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In today's culture, popular music is a vital site where ideas about gender and sexuality are imagined and disseminated. Popular Music and the Politics of Hope: Queer and Feminist Interventions explores what that means with a wide-ranging collection of chapters that consider the many ways in which contemporary pop music performances of gender and sexuality are politically engaged and even radical. With analyses rooted in feminist and queer thought, contributors explore music from different genres and locations, including Beyoncae's Lemonade, A Tribe Called Red's We Are the Halluci Nation, and celebrations of Vera Lynn's 100th Birthday. At a bleak moment in global politics, this collection focuses on the concept of critical hope: the chapters consider making and consuming popular music as activities that encourage individuals to imagine and work toward a better, more just world. Addressing race, class, aging, disability, and colonialism along with gender and sexuality, the authors articulate the diverse ways popular music can contribute to the collective political projects of queerness and feminism. With voices from senior and emerging scholars, this volume offers a snapshot of today's queer and feminist scholarship on popular music that is an essential read for students and scholars of music and cultural studies

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Beteiligt: Fast, Susan (Hrsg.); Jennex, Craig (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781315165677
    Weitere Identifier:
    Schlagworte: Unterhaltungsmusik; Feminismus; Queer-Theorie; Homosexualität; Geschlechterforschung
    Weitere Schlagworte: Popular music / Political aspects; Sex and popular music; Homosexuality and popular music; Feminism and music; Feminism and music; Homosexuality and popular music; Popular music / Political aspects; Sex and popular music; MUSIC / Instruction & Study / Theory; MUSIC / General; MUSIC / History & Criticism; Electronic books
    Umfang: 1 Online-Ressource (316 Seiten)
    Bemerkung(en):

    1903

    Visions of wondaland: on Janelle Monaé's afrofuturistic vision / Marquita R. Smith -- Listening to difference : recognition and refusal in queer music diasporas / Craig Jennex -- Who's your daddy? : Beyoncé, the Dixie Chicks, and the art of outlaw protest / Francesca T. Royster -- Brave new ideas begin : disability, gender, and life-writing in twenty-first-century pop / Laurie Stras -- Round my hometown : listening to London in the racial politics of post-millennial British soul / Freya Jarman with Emily Baker -- Born to run and reckless : my life as a Pretender : rewriting the political imaginary of rock music memoir / Pamela Fox -- Sounding the Halluci Nation : decolonizing race, masculinity, and global solidarities with a Tribe Called Red / Alexa Woloshyn -- Addict(ive) sex: toward an intersectional approach to Truth Hurts' Addictive and Afro-South Asian hip hop and R&B / Elliott H. Powell -- Hip hop dialogues : sampling women's hand drum songs and the Canadian popular mainstream / Liz Przybylski -- Electro-pop as Trojan horse : hearing the call to arms in Anohni's Hopelessness / Maria Murphy -- Genders, genres, generations : Jacqueline Warwick and Susan McClary in conversation / Susan McClary and Jacqueline Warwick -- Power in the darkness and angry Atthis : anthems, genres and the queer voice / Jack Halberstam -- Resisting the politics of aging : Madonna and the value of female labor in popular music / Tiffany Naiman ; Vera Lynn 100 : retirement, aging, and legacy for a national treasure / Christina Baade ; Sounding lockdown : singing in administrative segregation at the Louisiana correctional institute for women / Benjamin J. Harbert and Consuela Gaines