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  1. Coleridge on dreaming
    Romanticism, dreams and the medical imagination
    Autor*in: Ford, Jennifer
    Erschienen: 1998
    Verlag:  Cambridge University Press, Cambridge

    This book is the first in-depth investigation of Coleridge's responses to his dreams and to contemporary debates on the nature of dreaming, a subject of perennial interest to poets, philosophers and scientists throughout the Romantic period.... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    This book is the first in-depth investigation of Coleridge's responses to his dreams and to contemporary debates on the nature of dreaming, a subject of perennial interest to poets, philosophers and scientists throughout the Romantic period. Coleridge wrote and read extensively on the subject, but his richly diverse and original ideas have hitherto received little attention, scattered as they are throughout his notebooks, letters and marginalia. Jennifer Ford's emphasis is on analysing the ways in which dreaming processes were construed, by Coleridge in his dream readings, and by his contemporaries in a range of poetic and medical works. This historical exploration of dreams and dreaming allows Ford to explore previously neglected contemporary debates on 'the medical imagination'. By avoiding purely biographical or psychoanalytic approaches, she reveals instead a rich historical context for the ways in which the most mysterious workings of the Romantic imagination were explored and understood

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511581861; 9780521583169; 9780521021784
    Weitere Identifier:
    Schriftenreihe: Cambridge studies in Romanticism ; 26
    Schlagworte: Geschichte; Psychologie; Wissen; Dreams in literature; Poets, English / 19th century / Psychology; Poetry / Psychological aspects; Dreams / History / 18th century; Dreams / History / 19th century; Romanticism / England; Traum; Traum <Motiv>
    Weitere Schlagworte: Coleridge, Samuel Taylor / 1772-1834 / Knowledge / Psychology; Coleridge, Samuel Taylor (1772-1834)
    Umfang: 1 online resource (xii, 256 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    :

  2. Costly Monuments
    Representations of the Self in George Herbert's Poetry
    Erschienen: [1982]
    Verlag:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674497337; 9780674497320
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    Schlagworte: Christian poetry, English / Early modern, 1500-1700 / History and criticism; Poetry / Psychological aspects; Christian poetry, English / Early modern; Psychologie; Englische Literatur; Self in literature; Lyrisches Ich
    Weitere Schlagworte: Herbert, George (1593-1633)
    Umfang: 1 Online-Ressource (x,225p.)
    Bemerkung(en):

    Harman begins by surveying the critical tradition on Herbert's work in our century--from George Herbert Palmer to Stanley Fish. In this penetrating assessment Harman explores the relationship between critical practice and belief

    In recent years George Herbert's poetry has been analyzed by some of our most distinguished literary critics. Offering close readings of central poems, and insights derived from contemporary literary theory, Barbara Harman takes her place in their company. She begins by surveying the critical tradition on Herbert's work in our century--from George Herbert Palmer to Stanley Fish. In this penetrating assessment Harman explores the relationship between critical practice and belief. The impulse toward self-representation is, she argues, a powerful one in Herbert's work, and it is also an impulse thwarted and redesigned in extraordinary ways. In poems Harman calls fictions of coherence and "chronicles of dissolution," speakers both protect and dismantle their own narratives, and because they do they raise questions about the values we attach to stories and about the difficulties we undergo when stories fail to represent us in traditional ways

  3. The Self as Mind
    Vision and Identity in Wordsworth, Coleridge, and Keats
  4. Pastoral and the poetics of self-contradiction
    Theocritus to Marvell
    Autor*in: Haber, Judith
    Erschienen: 1994
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Traditionally, critics of the English Renaissance have viewed pastoral as a static, idealizing genre, aimed at the recreation of an idyllic past. More recently, these idealizing humanist approaches have been forcefully challenged by studies written... mehr

    Freie Universität Berlin, Universitätsbibliothek
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    Traditionally, critics of the English Renaissance have viewed pastoral as a static, idealizing genre, aimed at the recreation of an idyllic past. More recently, these idealizing humanist approaches have been forcefully challenged by studies written from historicist perspectives. In Pastoral and the Poetics of Self-Contradiction, first published in 1995, Judith Haber complicates the conventional opposition between humanist and historicist criticism by examining the ways in which pastoral poets themselves interrogate the contradictory relations inherent in their genre. Haber explores problems of representation, self-representation, and imitation in classical and Renaissance pastoral, focusing on texts by Theocritus, Virgil, Sidney and Marvell. Her approach revises current understanding of pastoral as a genre, and raises wider questions about the place of literature in society and the difficulties involved in constituting literary traditions

     

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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511518898
    Weitere Identifier:
    RVK Klassifikation: EC 8050 ; EC 8645 ; FB 6045
    Schlagworte: Psychologie; English poetry / Early modern, 1500-1700 / History and criticism; Pastoral poetry, Classical / History and criticism; Pastoral poetry, English / History and criticism; English poetry / Classical influences; Poetry / Psychological aspects; Contradiction in literature; Country life in literature; Self in literature; Pastorale; Englisch; Hirtendichtung; Latein
    Weitere Schlagworte: Marvell, Andrew / 1621-1678 / Criticism and interpretation; Sidney, Philip / 1554-1586 / Arcadia; Theocritus / Idylls; Virgil / Bucolica; Theocritus (ca. v4./3.Jh.): Carmina; Marvell, Andrew (1621-1678); Sidney, Philip (1554-1586): The old Arcadia; Vergilius Maro, Publius (v70-v19): Bucolica
    Umfang: 1 Online-Ressource (XIV, 218 S.)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Erscheinungsjahr des E-Books: 2009

    Introduction: "Remedies themselves complain": pastoral poetry, pastoral criticism -- 1. Bringing it all back home : bucolic and heroic in Theocritus' Idylls -- 2. Si numquam fallit imago: Virgil's revision of Theocritus -- 3. Pastime and passion: the impasse in the Old Arcadia -- 4. Complaints themselves remedy: Marvell's lyrics as problem and solution -- Epilogue: Farewell to pastoral: The Shepherd's Week

  5. Breathing
    chaos and poetry
    Erschienen: 2018
    Verlag:  The MIT Press, Cambridge <Mass.>

    Text englisch mehr

    Kunsthochschule Berlin-Weißensee, Bibliothek
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    Text englisch

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 978-1-63590-038-5; 1-63590-038-7
    Schriftenreihe: Semiotext(e) intervention series ; 26 ; 26
    Schlagworte: Poetry / Social aspects; Poetry / Psychological aspects; Politics and literature; Politik; Literatur; Kapitalismuskritik; Poetik
    Umfang: 153 Seiten, 18 cm
  6. Self, Text, and Romantic Irony
    The Example of Byron
    Erschienen: [1988]
    Verlag:  Princeton University Press, Princeton, N.J.

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400859368
    Weitere Identifier:
    Schlagworte: Englische Literatur; Poetry / Psychological aspects; Self in literature; Irony in literature; Romanticism; Ironie (rhétorique) / Dans la littérature; Moi / Dans la littérature; Romantisme (mouvement littéraire) / Grande-Bretagne; Humour / Dans la littérature; Littérature anglaise / 19e siècle / Thèmes, motifs; POETRY / European / English, Irish, Scottish, Welsh; Psychologie; Identität; Ironie
    Weitere Schlagworte: Byron, George Gordon Byron Baron (1788-1824)
    Umfang: 1 Online-Ressource (344p.)
    Bemerkung(en):

    Frederick Garber takes up in detail several problems of the self broached in his previous book, The Autonomy of the Self from Richardson to Huysmans (Princeton, 1982). Using patterns in Byron's canon as models, he focuses on the relations of self-making and text-making as a central Romantic issue. For Byron and many of his contemporaries, putting a text into the world meant putting a self there along with it, and it also meant that the difficulties of establishing the one inevitably reflect the parallel difficulties in the other.Professor Garber discusses some of Byron's key texts and shows how their development leads to an impasse involving both self and text. Byron's way out of these dilemmas was the mode of Romantic irony, of which he is one of the greatest exemplars. The study then moves into broader areas of Anglo-European literature, its ultimate purpose being to argue not only for the efficacy of such irony but for its position as something more than a mere alternative to Romantic organicism.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

  7. Retreat into the Mind
    Victorian Poetry and the Rise of Psychiatry
    Autor*in: Faas, Ekbert
    Erschienen: [1991]
    Verlag:  Princeton University Press, Princeton, N.J.

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400861675
    Weitere Identifier:
    Schlagworte: Englische Literatur; English poetry / 19th century / History and criticism; Psychoanalysis and literature / Great Britain; Psychology and literature / History / 19th century; Psychiatry / Great Britain / History / 19th century; Dramatic monologues / History and criticism; Poetry / Psychological aspects; Psychology in literature; Poetry / History; Psychiatry / History; Poésie anglaise / 19e siècle / Histoire et critique; Psychologie dans la littérature; Psychologie et littérature / Histoire / 19e siècle; Psychanalyse et littérature / Histoire / 19e siècle; Monologues dramatiques / Histoire et critique; Dramatic monologues; English poetry; Psychiatry; Psychoanalysis and literature; Psychology and literature; Gedichten; Psychologie; Psychoanalyse; Lyrik; Psychiatrie; Dramatic monologue; POETRY / English, Irish, Scottish, Welsh; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Geschichte; Lyrik; Psychologie; Dramatic monologue; Psychologie; Lyrik; Psychiatrie; Englisch; Psychoanalyse
    Umfang: 1 Online-Ressource (320p.)
    Bemerkung(en):

    Here Ekbert Faas examines the complex interrelationships among the fields of early psychiatry, poetry, and aesthetics through an in-depth study of the Victorian dramatic monologue and its Romantic antecedents. Discussing the work of over thirty major and minor poets, he focuses on what Victorian critics viewed as an unprecedented psychological school of poetry related to early psychiatry and rooted in the poetic "science of feelings" (Wordsworth). This broad historical perspective enables Faas to redefine our current terminology regarding the dramatic monologue and to document the extent to which early psychiatry shaped the poetry, poetics, and general frame of mind of the Victorians. "In the nineteenth century, English poetry began to explore the psyche in ways contemporaries recognized as new. Wordsworth and Coleridge pioneered what Arnold, Tennyson, and Browning continued. Professor Faas painstakingly documents this, and reactions to it, with reference to simultaneous psychiatric work. Fascinating."--EncounterOriginally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

  8. Yeats and American Poetry
    The Tradition of the Self
    Erschienen: [1983]
    Verlag:  Princeton University Press, Princeton, N.J.

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400853809
    Weitere Identifier:
    Schlagworte: Englische Literatur Amerikas; American poetry / 20th century / History and criticism; American poetry / Irish influences; Poetry / Psychological aspects; Self in literature; LITERARY CRITICISM / Poetry; POETRY / American / General; Psychologie; Versdichtung; Literatur; Lyrik
    Weitere Schlagworte: Yeats, William Butler (1865-1939)
    Umfang: 1 Online-Ressource (288p.)
    Bemerkung(en):

    This work is designed to show a double influence: first, that of American poets, especially Whitman, on W. B. Yeats, and, second, of Yeats on a wide range of American poets who began their careers during the first decades of the century.Originally published in 1983.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

  9. Coleridge on dreaming
    Romanticism, dreams, and the medical imagination
    Autor*in: Ford, Jennifer
    Erschienen: 1998
    Verlag:  Cambridge University Press, New York

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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  10. Sexual power in British romantic poetry
    Erschienen: ©1996
    Verlag:  University Press of Florida, Gainesville

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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  11. American scream
    Allen Ginsberg's Howl and the making of the Beat Generation
    Autor*in: Raskin, Jonah
    Erschienen: ©2004
    Verlag:  University of California Press, Berkeley

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0520240154; 0520939344; 1282358278; 1417525320; 9780520240155; 9780520939349; 9781282358270; 9781417525324
    Schlagworte: POETRY / American / General; LITERARY CRITICISM / American / General; Howl (Ginsberg, Allen); Beat generation; Literature and mental illness; Mental illness in literature; Poetry / Psychological aspects; Psychology; Geschichte; Psychologie; Wissen; Literature and mental illness; Poetry; Mental illness in literature; Beat generation; Beatgeneration
    Weitere Schlagworte: Ginsberg, Allen / 1926-; Ginsberg, Allen / 1926-1997; Ginsberg, Allen (1926-1997): Howl; Ginsberg, Allen (1926-1997); Ginsberg, Allen (1926-1997); Ginsberg, Allen (1926-1997): Howl
    Umfang: 1 Online-Ressource (xxv, 295 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 231-262) and index

    Poetickall Bomshell -- Family Business -- Trilling-esque Sense of "Civilization" -- Juvinescent Savagery -- Just like Russia -- Ladies, We Are Going through Hell -- Another Coast's Apple for the Eye -- Mythological References -- Famous Authorhood -- This Fiction Named Allen Ginsberg -- Best Minds

  12. The Hamlet vocation of Coleridge and Wordsworth
    Erschienen: 1986
    Verlag:  University of Iowa Press, Iowa City

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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  13. The romantic dream
    Wordsworth and the poetics of the unconscious
    Erschienen: ©1993
    Verlag:  University of Nebraska Press, Lincoln

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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  14. Affect, psychoanalysis, and American poetry
    this feeling of exaltation
    Autor*in: Steen, John
    Erschienen: 2018
    Verlag:  Bloomsbury Academic, London ; New York

    Universitätsbibliothek der LMU München
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  15. Poetry and psychoanalysis
    the opening of the field
    Autor*in: Shaddock, David
    Erschienen: 2020
    Verlag:  Routledge, Taylor & Francis Group, London ; New York

    "Poetry and Psychoanalysis: The Opening of the Field provides a guide to applying a poet's imagination and precision of language to the healing endeavours of psychoanalysis, whilst making a lucid journey through two thousand years of transformative... mehr

    Universitätsbibliothek Eichstätt-Ingolstadt
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    "Poetry and Psychoanalysis: The Opening of the Field provides a guide to applying a poet's imagination and precision of language to the healing endeavours of psychoanalysis, whilst making a lucid journey through two thousand years of transformative poetry from Virgil, Dante and Blake to the contemporary poet Claudia Rankine. Patients enter treatment with the hope of being recognized and the hope for transformation of painful experience. David Shaddock shows how poetry can guide psychoanalysts towards meeting that hope. The book is based on the proposition that an accurate recognition of what is leads to the opening of what could be. The imaginative space that opens between poem and reader or therapist and patient can be a place of healing and transformation. Poetry and Psychoanalysis will appeal to psychoanalysts and psychoanalytic psychotherapists interested in using literature and creativity as inspiration for both their clinical work and personal growth, as well as all who love poetry"--

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780415699006; 9780415699013
    RVK Klassifikation: EC 2430
    Schriftenreihe: Art, creativity, and psychoanalysis
    Schlagworte: Literatur; Einbildungskraft; Psychoanalyse; Sprachverstehen
    Weitere Schlagworte: Poetry / Psychological aspects; Psychoanalysis and literature; Poetry / Psychological aspects; Psychoanalysis and literature
    Umfang: xvii, 176 Seiten
  16. Cognitive ecopoetics
    a new theory of lyric
    Autor*in: Lattig, Sharon
    Erschienen: 2021
    Verlag:  Bloomsbury Academic, London ; New York ; Oxford ; New Delhi ; Sydney

    "New insights from cognitive theory and literary ecocriticism have the power to transform our understanding of one of the most important literary genres: the lyric poem. In Cognitive Ecopoetics, Sharon Lattig brings these two schools of criticism... mehr

    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Würzburg
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    "New insights from cognitive theory and literary ecocriticism have the power to transform our understanding of one of the most important literary genres: the lyric poem. In Cognitive Ecopoetics, Sharon Lattig brings these two schools of criticism together for the first time to consider the ways in which lyric forms re-enact cognitive processes of the mind and brain. Along the way the book reads anew the long history of the lyric, from Andrew Marvell, through canonical poets such as Samuel Taylor Coleridge, Ralph Waldo Emerson and Emily Dickinson to contemporary writers such as Susan Howe and Charles Olson"--

     

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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781350186132; 9781350069251
    RVK Klassifikation: EC 1879 ; HG 550
    Schriftenreihe: Environmental cultures series
    Schlagworte: Ecocriticism; Kognition; Englisch; Lyrik
    Weitere Schlagworte: Lyric poetry / Philosophy; Lyric poetry / History and criticism; Poetry / Psychological aspects; Poetics; Ecocriticism; Cognition in literature; Cognition in literature; Ecocriticism; Lyric poetry; Poetics; Poetry / Psychological aspects; Criticism, interpretation, etc
    Umfang: 235 Seiten, 25 cm
    Bemerkung(en):

    Introduction: The Region of the Song -- Occasional Cries: Prelude to Lyric -- Dwelling with the Possible: Lyric Obscurity and Embedded Perception -- This Is Where the Meanings Are: Lyric Disjunction and Perceptual Shattering -- Acts of the Mind: Lyric Action and the Whole of Perception

  17. Poetry and psychoanalysis
    the opening of the field
    Autor*in: Shaddock, David
    Erschienen: 2020; © 2020
    Verlag:  Routledge, Abingdon, Oxon

    "Poetry and Psychoanalysis: The Opening of the Field provides a guide to applying a poet's imagination and precision of language to the healing endeavours of psychoanalysis, whilst making a lucid journey through two thousand years of transformative... mehr

     

    "Poetry and Psychoanalysis: The Opening of the Field provides a guide to applying a poet's imagination and precision of language to the healing endeavours of psychoanalysis, whilst making a lucid journey through two thousand years of transformative poetry from Virgil, Dante and Blake to the contemporary poet Claudia Rankine. Patients enter treatment with the hope of being recognized and the hope for transformation of painful experience. David Shaddock shows how poetry can guide psychoanalysts towards meeting that hope. The book is based on the proposition that an accurate recognition of what is leads to the opening of what could be. The imaginative space that opens between poem and reader or therapist and patient can be a place of healing and transformation. Poetry and Psychoanalysis will appeal to psychoanalysts and psychoanalytic psychotherapists interested in using literature and creativity as inspiration for both their clinical work and personal growth, as well as all who love poetry"--

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780429289224; 0429289227; 9781000071337; 1000071332
    Schriftenreihe: Art, creativity and psychoanalysis
    Art, creativity, and psychoanalysis book series
    Schlagworte: Poetry / Psychological aspects; Psychoanalysis and literature
    Umfang: 1 online resource (xvii, 176 pages)
    Bemerkung(en):

    Description based on online resource; title from digital title page (viewed on June 04, 2020)

  18. Self, text, and romantic irony
    the example of Byron
    Erschienen: 1988
    Verlag:  Princeton University Press, Princeton, N.J.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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  19. Pastoral and the poetics of self-contradiction
    Theocritus to Marvell
    Autor*in: Haber, Judith
    Erschienen: 1994
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Traditionally, critics of the English Renaissance have viewed pastoral as a static, idealizing genre, aimed at the recreation of an idyllic past. More recently, these idealizing humanist approaches have been forcefully challenged by studies written... mehr

    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Traditionally, critics of the English Renaissance have viewed pastoral as a static, idealizing genre, aimed at the recreation of an idyllic past. More recently, these idealizing humanist approaches have been forcefully challenged by studies written from historicist perspectives. In Pastoral and the Poetics of Self-Contradiction, first published in 1995, Judith Haber complicates the conventional opposition between humanist and historicist criticism by examining the ways in which pastoral poets themselves interrogate the contradictory relations inherent in their genre. Haber explores problems of representation, self-representation, and imitation in classical and Renaissance pastoral, focusing on texts by Theocritus, Virgil, Sidney and Marvell. Her approach revises current understanding of pastoral as a genre, and raises wider questions about the place of literature in society and the difficulties involved in constituting literary traditions

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511518898
    Weitere Identifier:
    RVK Klassifikation: EC 8050 ; EC 8645 ; FB 6045
    Schlagworte: Psychologie; English poetry / Early modern, 1500-1700 / History and criticism; Pastoral poetry, Classical / History and criticism; Pastoral poetry, English / History and criticism; English poetry / Classical influences; Poetry / Psychological aspects; Contradiction in literature; Country life in literature; Self in literature; Pastorale; Englisch; Hirtendichtung; Latein
    Weitere Schlagworte: Marvell, Andrew / 1621-1678 / Criticism and interpretation; Sidney, Philip / 1554-1586 / Arcadia; Theocritus / Idylls; Virgil / Bucolica; Theocritus (ca. v4./3.Jh.): Carmina; Marvell, Andrew (1621-1678); Sidney, Philip (1554-1586): The old Arcadia; Vergilius Maro, Publius (v70-v19): Bucolica
    Umfang: 1 Online-Ressource (XIV, 218 S.)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Erscheinungsjahr des E-Books: 2009

    Introduction: "Remedies themselves complain": pastoral poetry, pastoral criticism -- 1. Bringing it all back home : bucolic and heroic in Theocritus' Idylls -- 2. Si numquam fallit imago: Virgil's revision of Theocritus -- 3. Pastime and passion: the impasse in the Old Arcadia -- 4. Complaints themselves remedy: Marvell's lyrics as problem and solution -- Epilogue: Farewell to pastoral: The Shepherd's Week

  20. Authors to themselves
    Milton and the revelation of history
    Erschienen: 1987
    Verlag:  Cambridge University Press, Cambridge

    Grossman examines the narrative form of Paradise Lost to discover Milton's thoroughly modern concept of self. Banished from paradise, the epic poem's protagonists become 'authors to themselves in all/Both what they judge and what they choose', left... mehr

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    Grossman examines the narrative form of Paradise Lost to discover Milton's thoroughly modern concept of self. Banished from paradise, the epic poem's protagonists become 'authors to themselves in all/Both what they judge and what they choose', left to create their own story in relation to the story already written by God. Grossman believes the resulting structure of the poem must be understood in the context of seventeenth-century historical and theological developments, specifically Bacon's notion of history as progress and Protestant theology's notion of the inner voice. The book draws upon recent works in hermeneutics and analytic history to develop the argument that there is a common structure to the experience of time in action and in narrative. In developing this thesis, Grossman draws on the work Stephen Greenblatt, Ricoeur, Todorov, Genette, Derrida and Lacan to construct an original reading of Paradise Lost that will fascinate Miltonists, specialists in seventeenth-century literature, and readers concerned with narrative theory

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511518881
    Weitere Identifier:
    RVK Klassifikation: HK 2575
    Schlagworte: Geschichte; Psychologie; Wissen; Epic poetry, English / History and criticism; Psychoanalysis and literature / England; Poetry / Psychological aspects; Fall of man in literature; History in literature; Self in literature; Geschichtsbild; Selbstverständnis
    Weitere Schlagworte: Milton, John / 1608-1674 / Paradise lost; Milton, John / 1608-1674 / Knowledge / Psychology; Milton, John / 1608-1674 / Knowledge / History; Milton, John (1608-1674): Paradise lost
    Umfang: 1 online resource (xii, 243 pages)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction 2. Exorbitant desires 3. Effulgent glory 4. 'With answering looks' 5. 'Divine historian' 6. 'The hour of noon drew on' 7. 'Till the day/appear of respiration to the just' 8. The revelation of history

  21. Retreat into the mind
    Victorian poetry and the rise of psychiatry
    Autor*in: Faas, Ekbert
    Erschienen: ©1988
    Verlag:  Princeton University Press, Princeton, N.J.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Quelle: Verbundkataloge
    Sprache: Englisch
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    Format: Online
    ISBN: 0691015112; 0691067481; 0691601585; 1400861675; 9780691015118; 9780691067483; 9780691601588; 9781400861675
    Schlagworte: Poetry / History; Psychiatry / History; Poésie anglaise / 19e siècle / Histoire et critique; Psychologie dans la littérature; Psychologie et littérature / Histoire / 19e siècle; Psychanalyse et littérature / Histoire / 19e siècle; Monologues dramatiques / Histoire et critique; POETRY / English, Irish, Scottish, Welsh; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Dramatic monologues; English poetry; Poetry / Psychological aspects; Psychiatry; Psychoanalysis and literature; Psychology and literature; Psychology in literature; Gedichten; Psychologie; Psychoanalyse; Lyrik; Psychiatrie; Psychologie; Dramatic monologue; Psychoanalyse; Geschichte; Lyrik; Psychologie; English poetry; Psychoanalysis and literature; Psychology and literature; Psychiatry; Dramatic monologues; Poetry; Psychology in literature; Dramatic monologue; Lyrik; Psychiatrie; Englisch; Psychoanalyse; Psychologie
    Umfang: 1 Online-Ressource (viii, 312 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 266-297) and index

    1 - Dramatic or psychological monologue? - The dramatic monologue and Victorian criticism -- - The dramatic monologue and its precedents -- - Psychological poetry and mental science -- - 2 - The new mental science: Introspective psychology -- - Mesmerism -- - Psychological medicine -- - 3 - The psychological school of poetry: beginnings - The evolution of the new genre -- - Critics and poets vis-a-vis mental scientists -- - The age of introspection -- - 4 - The psychological school of poetry: origins - Robert Browning -- - Alfred Tennyson -- - From introspection to psycho-analysis -- - 5 - Precedents I: the romantic "science of feelings" - Self-analysis versus spontaneity -- - Unconscious creativity and its limits -- - Emotions recollected in tranquillity -- - Simulated spontaneity and self-dramatization -- - Toward the dramatic monologue -- - 6 - Precedents II: Shakespeare - The linguistic and prosodic model -- - Shakespeare and the alienists -- - Shakespeare's psychology and pre-romantic criticism -- - 7 - Dead end: Matthew Arnold - The search for the buried self -- - The greater romantic lyric In extremis -- - Matthew Arnold and psychology -- - Empedocles on Etna and spasmodic drama -- - Maud, or the way out of the impasse -- - 8 - The psychological school of poetry: patterns - Opening, setting, and listener -- - Situation, action, and conclusion -- - Dramatic narrative and psychological revivification -- - 9 - The psychological school of poetry: contents - Relativist versus traditional morality -- - The psychology of murder and suicide -- - The psychology of history -- - From reverie to insanity -- - From case history to surrealistic effusion -- - 10 - Swinburne, or the psychopathology of poetic creation - Dramatizations of the perverse -- - Insane artists and alienist biographers -- - A poetics of madness and revolt -- - Epilogue - Toward a poète maudit aesthetic

  22. The Self as Mind
    Vision and Identity in Wordsworth, Coleridge, and Keats
    Erschienen: [1986]
    Verlag:  Harvard University Press, Cambridge, Mass.

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  23. Costly Monuments
    Representations of the Self in George Herbert's Poetry
    Erschienen: [1982]
    Verlag:  Harvard University Press, Cambridge, Mass.

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674497337
    Weitere Identifier:
    Schlagworte: Christian poetry, English / Early modern, 1500-1700 / History and criticism; Poetry / Psychological aspects; Christian poetry, English / Early modern; Psychologie; Englische Literatur; Self in literature; Lyrisches Ich
    Weitere Schlagworte: Herbert, George (1593-1633)
    Umfang: 1 Online-Ressource (x,225p.)
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    Harman begins by surveying the critical tradition on Herbert's work in our century--from George Herbert Palmer to Stanley Fish. In this penetrating assessment Harman explores the relationship between critical practice and belief

    In recent years George Herbert's poetry has been analyzed by some of our most distinguished literary critics. Offering close readings of central poems, and insights derived from contemporary literary theory, Barbara Harman takes her place in their company. She begins by surveying the critical tradition on Herbert's work in our century--from George Herbert Palmer to Stanley Fish. In this penetrating assessment Harman explores the relationship between critical practice and belief. The impulse toward self-representation is, she argues, a powerful one in Herbert's work, and it is also an impulse thwarted and redesigned in extraordinary ways. In poems Harman calls fictions of coherence and "chronicles of dissolution," speakers both protect and dismantle their own narratives, and because they do they raise questions about the values we attach to stories and about the difficulties we undergo when stories fail to represent us in traditional ways

  24. John Milton
    the self and the world
    Erschienen: © 1993
    Verlag:  University Press of Kentucky, Lexington, Ky.

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0813118085; 0813170141; 9780813118086; 9780813170145
    Schriftenreihe: Studies in the English Renaissance
    Schlagworte: Poètes anglais / 17e siècle / Psychologie; Psychanalyse et littérature; Moi (Psychologie) dans la littérature; BIOGRAPHY & AUTOBIOGRAPHY / Literary; POETRY / English, Irish, Scottish, Welsh; Poetry / Psychological aspects; Poets, English / Early modern / Psychology; Poets, English / Psychology; Psychoanalysis and literature; Psychology; Self in literature; Psychologie; Poets, English; Psychoanalysis and literature; Poetry; Self in literature
    Weitere Schlagworte: Milton, John / 1608-1674 / Et la psychologie; Milton, John / 1608-1674; Milton, John / 1608-1674; Milton, John (1608-1674); Milton, John (1608-1674)
    Umfang: 1 Online-Ressource (358 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references and index

    This biography combines the traditional chronological narrative with a technique akin to that of fiction, "a mixture of times and a triggering of remembreances." It examines two current concerns, gender attitudes and political ideologies, ranging Milton's work against the self he exhibits

    The roots of being: some problems in Milton's biography -- A biographical and literary overview to 1645 -- The lady of Christ's -- Decision to become a poet -- Preparations -- The left hand and the great purpose -- Education as means -- Covenant: sacred and profaned -- Moves toward the great purpose -- A biographical and literary overview to 1674 -- Interferences of the self -- The personal world: man and woman -- Further interferences of the self -- The political dimension -- The religious precept -- The Bible -- Milton and 1674 -- Appendix A: The commonplace book -- Appendix B: Languages in the commonplace book -- Appendix C: Dating of the plans

  25. "When the lamp is shattered"
    desire and narrative in Catullus
    Erschienen: ©1994
    Verlag:  Southern Illinois University Press, Carbondale

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