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  1. English lyric poetry
    the early seventeenth century
    Autor*in: Post, Jonathan F. S.
    Erschienen: 1999
    Verlag:  Routledge, London

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0203006313; 041502949X; 9780203006313; 9780415029490
    Schlagworte: Poésie anglaise / 17e siècle / Histoire et critique; POETRY / English, Irish, Scottish, Welsh; English poetry / Early modern; Intellectual life; English poetry; Lyrik; Metaphysical poets; Englisch
    Umfang: 1 Online-Ressource (xvii, 323 pages)
    Bemerkung(en):

    Includes bibliographical references and index
  2. Chamber music
    Elizabethan sonnet-sequences and the pleasure of criticism
    Autor*in: Kuin, Roger
    Erschienen: c1998
    Verlag:  University of Toronto Press, Toronto, Ont.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0802041884; 144267282X; 9780802041883; 9781442672826
    Schlagworte: Sonnets anglais / Histoire et critique; Poésie anglaise / 17e siècle / Histoire et critique; Sonnetten; Engels; Literatuurkritiek; Literaturtheorie; Sonett; POETRY / English, Irish, Scottish, Welsh; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; English poetry / Early modern; Sonnets, English; Englisch; Literaturkritik; Sonnets, English; English poetry
    Umfang: 1 Online-Ressource (xi, 289 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    1 - Prelude -- a new intellectual art -- - 2 - Three easy pieces -- sonnet analysis -- - 3 - Polyphony -- the plural of the text -- - 4 - Tempo/Sequenza -- textual time in Astrophil and Stella -- - 5 - Two-part invention -- love/ruins/SHAKE-SPEARES SONNETS -- - 6 - Theme with variations -- skin/deep: beauty -- - 7 - From the New World -- Will Archer's diary -- - 8 - Ein Heldenleben -- courtier, text, and death -- - 9 - Death and the maiden -- architecture -- - 10 - Divertimento -- the text as desiring-machine -- - 11 - Four-part fugue -- indeterminacy and undecideability -- - 12 - Encore -- irregardless -- - App - Discourse and its Choices

    Arranged somewhat like a sonnet-sequence, in semi-sequential units, Chamber Music can be seen as following two streams. In the first instance, it presents a fresh and original discussion of the major Elizabethan sonnet-sequences: Sidney's Astrophil and Stella, Spenser's Amoretti and Epithalamion, and Shakespeare's Sonnets and Lover's Complaint. The sonnet-sequences are read in tandem with works of modern criticism, including those of Roland Barthes, Michel Riffaterre, Paul Ricoeur, Jacques Derrida, and Umberto Eco. The book is also an experiment in modern (as opposed to postmodern) criticism in which the content of the argument modifies the presentation
  3. Climate and the making of worlds
    toward a geohistorical poetics
    Autor*in: Menely, Tobias
    Erschienen: [2021]
    Verlag:  The University of Chicago Press, Chicago ; London

    In this book, Tobias Menely develops a materialist ecocriticism, tracking the imprint of the planetary across a long literary history of poetic rewritings and critical readings which continually engage with the climate as a condition of human world... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In this book, Tobias Menely develops a materialist ecocriticism, tracking the imprint of the planetary across a long literary history of poetic rewritings and critical readings which continually engage with the climate as a condition of human world making. Menely's central archive is English poetry written between John Milton's Paradise Lost (1667) and Charlotte Smith's "Beachy Head" (1807)--a momentous century and a half during which Britain, emerging from a crisis intensified by the Little Ice Age, established the largest empire in world history and instigated the Industrial Revolution. Incorporating new sciences into ancient literary genres, these ambitious poems aspired to encompass what the eighteenth-century author James Thomson called the "system . . . entire." Thus they offer a unique record of geohistory, Britain's epochal transition from an agrarian society, buffeted by climate shocks, to a modern coal-powered nation. Climate and the Making of Worlds is a bracing and sophisticated contribution to ecocriticism, the energy humanities, and the prehistory of the Anthropocene

     
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