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  1. A shared elegy
    Beteiligt: Gowin, Elijah; Gowin, Emmet; Nakagawa, Osamu James; Ogawa, Takayuki; Brewer, Nanette Esseck; Smith, Joel; Suzuki, Yoshiko
    Erschienen: [2017]
    Verlag:  Grunwald Gallery of Art, Sidney and Lois Eskenazi Museum of Art, Indiana University, Bloomington

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
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    Quelle: Verbundkataloge
    Beteiligt: Gowin, Elijah; Gowin, Emmet; Nakagawa, Osamu James; Ogawa, Takayuki; Brewer, Nanette Esseck; Smith, Joel; Suzuki, Yoshiko
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780253032515
    RVK Klassifikation: AP 94200
    Schlagworte: Identität <Motiv>; Fotografie
    Weitere Schlagworte: Nakagawa, Osamu James (1962-); Ogawa, Takayuki (1936-2008); Gowin, Elijah (1967-); Gowin, Emmet (1941-); Photography of families / Exhibitions
    Umfang: 112 Seiten, 29 cm
    Bemerkung(en):

    "This catalogue is published in conjunction with the special exhibition presented at the Grunwald Gallery of Art, Indiana University, Bloomington, October 13-November 16, 2017"
  2. Yo también tengo esa foto!
    el álbum familiar de Bogotá
    Beteiligt: Bernal Castillo, Ximena (Hrsg.); Cavelier Adarve, Catalina (Hrsg.)
    Erschienen: [2019]
    Verlag:  [Instituto Distrital de Patrimonio Cultural], Bogotá, Colombia

    A photographic chronicle that documents the changes of the city of Bogota and its population between 1895 and 2000. The catalogue presents a selection of 480 from a collection of more than 5,800 photographs from albums of local families. They were... mehr

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    A photographic chronicle that documents the changes of the city of Bogota and its population between 1895 and 2000. The catalogue presents a selection of 480 from a collection of more than 5,800 photographs from albums of local families. They were collected from particular donations for more than twelve years as part of the program "Proyecto álbum familiar de Bogotá"

     
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    Quelle: Verbundkataloge
    Beteiligt: Bernal Castillo, Ximena (Hrsg.); Cavelier Adarve, Catalina (Hrsg.)
    Sprache: Spanisch
    Medientyp: Buch (Monographie)
    ISBN: 9789585207301; 9585207303
    Schlagworte: Familienfotografie; Fotoalbum
    Weitere Schlagworte: Photography of families / Exhibitions; Portrait photography / Exhibitions; Street photography / Colombia / Bogotá / Exhibitions; Bogotá (Colombia) / Social life and customs / 20th century / Pictorial works / Exhibitions; Photography, Artistic / Exhibitions; Manners and customs; Photography, Artistic; Photography of families; Portrait photography; Street photography; Colombia / Bogotá; Exhibition catalogs; Exhibition, pictorial works
    Umfang: 212 pages, facsimiles, portraits, 21 x 24 cm
    Bemerkung(en):

    "Publicación que acompaña la exhibición temporal "¡Yo también tengo esa foto! el álbum familiar de Bogotá." Realizada en el Museo e Bogotá durante el segundo semestre de 2018 y el primer semestre de 2019."--Facing title page

    Presentación / Mauricio Uribe González -- El álbum familiar de Bogotá / Ximena Bernal Castillo -- ¡Digan whisky! / Alfredo Barón Leal -- ¡Todos pa' la calle! / Ximena Bernal Castillo -- ¿Cuál es el rollo? La cámara al alcance de todos / Catalina Cavelier Adarve
  3. Family pictures
    fotografia contemporanea e video dalla collezione del Guggenheim Museum = contemporary photography and video from the collection of the Guggenheim Museum, 28.09 - 23.12.2005
    Erschienen: 2005
    Verlag:  Galleria Gottardo, Lugano, Switzerland

    This exhibition includes a selection of images, at times provocative and ironic, that show the paradoxes of family life and what lies beneath the surface of its traditional representations mehr

    Standort:
    Die Neue Sammlung, Staatliches Museum für angewandte Kunst, Design in der Pinakothek der Moderne, Bibliothek
    Fernleihe:
    keine Fernleihe

     

    This exhibition includes a selection of images, at times provocative and ironic, that show the paradoxes of family life and what lies beneath the surface of its traditional representations

     
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  4. Family pictures
    fotografia contemporanea e video dalla collezione del Guggenheim Museum : contemporary photography and video from the collection of the Guggenheim Museum : 28.09-23.12.2005
    Beteiligt: Levy, Elizabeth (Hrsg.); Franzen, Elizabeth (Hrsg.); Grosz, David (Hrsg.); Secondino, Melissa (Hrsg.)
    Erschienen: [2005]
    Verlag:  Galleria Gottardo, Lugano ; Gabriele Capelli Editore, Mendrisio

    This exhibition includes a selection of images, at times provocative and ironic, that show the paradoxes of family life and what lies beneath the surface of its traditional representations mehr

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    This exhibition includes a selection of images, at times provocative and ironic, that show the paradoxes of family life and what lies beneath the surface of its traditional representations

     
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    Quelle: Verbundkataloge
    Beteiligt: Levy, Elizabeth (Hrsg.); Franzen, Elizabeth (Hrsg.); Grosz, David (Hrsg.); Secondino, Melissa (Hrsg.)
    Sprache: Italienisch; Englisch
    Medientyp: Buch (Monographie)
    ISBN: 8886455259; 9788886455251; 8887469407; 9788887469400
    Auflage/Ausgabe: Prima edizione
    Körperschaften/Kongresse:
    Solomon R. Guggenheim Museum (Verfasser)
    Schlagworte: Porträtfotografie; Sammlung; Familienfotografie; Videokunst
    Weitere Schlagworte: Portrait photography / Exhibitions; Photography of families / Exhibitions; Video art; Children / Photography / Exhibitions; Antoni, Janine / 1964-; Chang, Patty / 1972-; Crewdson, Gregory / 1962-; Dijkstra, Rineke / 1959-; Gaskell, Anna / 1969-; Lux, Loretta / 1969-; Mann, Sally / 1951-; Mapplethorpe, Robert / 1946-1989; Moffatt, Tracey / 1960-; Opie, Catherine / 1961-; Struth, Thomas / 1954-; Meene, Hellen van / 1972-; Wearing, Gillian / 1963-; Solomon R. Guggenheim Museum (New York, N.Y.) / Expositions; Photographie / Histoire / 20e siècle / Expositions; Photographie de familles / Expositions; Enfants / Photographie / Expositions; Portraits (Photographie) / Expositions; Art vidéo; video art; Photography of families; Portrait photography; Video art; Exhibition catalogs
    Umfang: 143 Seiten
    Bemerkung(en):

    Impressum: Pubblicato in occasione dell'esposizione "Family Pictures: Contemporary Photography and Video from the Collection of the Guggenheim Museum", Galleria Gottardo, Lugano (Switzerland), 28.09-23.12.2005

    Janine Antoni -- Patty Chang -- Gregory Crewdson -- Rineke Dijkstra -- Anna Gaskell -- Loretta Lux -- Sally Mann -- Robert Mapplethorpe -- Tracey Moffatt -- Catherine Opie -- Thomas Struth -- Hellen van Meene -- Gillian Wearing
  5. Structure
    Beteiligt: Boccon-Gibod, Isabelle; Mendelsohn, Daniel Adam
    Erschienen: [2021]
    Verlag:  Hemeria, Paris

    From 1839 when it was invented, photography has served to create portraits of individuals, and soon thereafter portraits of families, later placed in photo albums. Photography, collected and archived, entered the intimate sphere, enabling people to... mehr

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    From 1839 when it was invented, photography has served to create portraits of individuals, and soon thereafter portraits of families, later placed in photo albums. Photography, collected and archived, entered the intimate sphere, enabling people to arrange the fragmented images of their lives as they saw fit. Following its forerunners (miniature portraits, silhouettes, physionotraces), the photographic portrait also served the new expectations of the emerging urban bourgeoisie and its need for social representation. Studios opened up in cities everywhere to meet the fast growing demand. In addition, the new medium distinguishted itself with its esthetic superiority. Even as it emerged, although the technique was still very primitive, photography enjoyed an exceptional quality of artistic finish (Gisele Freund) . What can photography show us to day of the visible and invisible aspects of family sociology? How do the roles we expect them to play betray the emotional realities and complexities of lived life? wonders Daniel Mendelsohn, in his introduction entitled Unknown Faces/ Redeeming Structures. By creating this corpus of fixed black and white images, each composed in a large 5'x7' frame, the photographer has produced a work of anthropological scope, reaching beyond representation by placing the subject at palpable distance, thereby objectifying it.

     
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