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  1. Film noir portraits
    Beteiligt: Nourmand, Tony (HerausgeberIn); Duncan, Paul (VerfasserIn von Zusatztexten)
    Erschienen: 2022
    Verlag:  Reel Art Press, London

    With its singular focus on the very best portrait photography of the 1940s and 1950s Hollywood film noir era, every page of this coffee-table volume is rich in brooding atmosphere. The portraits gathered here, of actors such as Rita Hayworth, Orson... mehr

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    With its singular focus on the very best portrait photography of the 1940s and 1950s Hollywood film noir era, every page of this coffee-table volume is rich in brooding atmosphere. The portraits gathered here, of actors such as Rita Hayworth, Orson Welles, Humphrey Bogart, Lauren Bacall, Barbara Stanwyck, Robert Mitchum, Jane Greer, Gene Tierney, Burt Lancaster, Ava Gardner, Jack Palance, Joan Crawford and Richard Widmark, were taken by premier studio photographers such as Robert Coburn, Ernest Bachrach and A.L. "Whitey" Schafer. Their remarkable ability to exaggerate the play of shadow and light to dramatic effect is the reason that their work still has the same ability to arrest the viewer as it did in the 1940s. The photographs remain some of the most innovative and striking portraits in the history of cinema. Carefully curated, the photographs are taken from the collection of MPTV, one of the world's most exclusive archives of entertainment photography. The book includes many previously unseen images, including hitherto unpublished outtakes from The Night of the Hunter (1955) and Sweet Smell of Success (1957); and classic moments from films such as Gilda (1946), Double Indemnity (1944), The Lady from Shanghai (1947) and celebrated B-noirs such as Gun Crazy (1950) and The Hitch-Hiker (1953). Reel Art Press' exquisite print quality serves to emphasize the timeless power of the black-and-white studio portraiture

     
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    Quelle: Verbundkataloge
    Beteiligt: Nourmand, Tony (HerausgeberIn); Duncan, Paul (VerfasserIn von Zusatztexten)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1909526819; 9781909526815
    RVK Klassifikation: AP 95740
    Auflage/Ausgabe: First edition
    Schlagworte: Portrait photography; Black-and-white photography; Film noir; Motion picture actors and actresses; Portraits (Photographie); Photographie en noir et blanc; Films noirs; black-and-white photography; Black-and-white photography; Film noir; Motion picture actors and actresses; Portrait photography; Portraits
    Umfang: 255 Seiten
    Bemerkung(en):

    We had faces / Paul Duncan -- The portraits -- The pictures -- The usual suspects -- The photographers -- Additional captions.
  2. Film noir portraits
    Beteiligt: Nourmand, Tony (Hrsg.); Duncan, Paul
    Erschienen: 2022
    Verlag:  Reel Art Press, London

    With its singular focus on the very best portrait photography of the 1940s and 1950s Hollywood film noir era, every page of this coffee-table volume is rich in brooding atmosphere. The portraits gathered here, of actors such as Rita Hayworth, Orson... mehr

    Standort:
    Hochschule für Fernsehen und Film, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    With its singular focus on the very best portrait photography of the 1940s and 1950s Hollywood film noir era, every page of this coffee-table volume is rich in brooding atmosphere. The portraits gathered here, of actors such as Rita Hayworth, Orson Welles, Humphrey Bogart, Lauren Bacall, Barbara Stanwyck, Robert Mitchum, Jane Greer, Gene Tierney, Burt Lancaster, Ava Gardner, Jack Palance, Joan Crawford and Richard Widmark, were taken by premier studio photographers such as Robert Coburn, Ernest Bachrach and A.L. "Whitey" Schafer. Their remarkable ability to exaggerate the play of shadow and light to dramatic effect is the reason that their work still has the same ability to arrest the viewer as it did in the 1940s. The photographs remain some of the most innovative and striking portraits in the history of cinema. Carefully curated, the photographs are taken from the collection of MPTV, one of the world's most exclusive archives of entertainment photography. The book includes many previously unseen images, including hitherto unpublished outtakes from The Night of the Hunter (1955) and Sweet Smell of Success (1957); and classic moments from films such as Gilda (1946), Double Indemnity (1944), The Lady from Shanghai (1947) and celebrated B-noirs such as Gun Crazy (1950) and The Hitch-Hiker (1953). Reel Art Press' exquisite print quality serves to emphasize the timeless power of the black-and-white studio portraiture

     
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  3. Les deux corps du philosophe
    un sosie de Michel Foucault
    Beteiligt: Artières, Philippe; Artières-Glissant, Pierre; Tillier, Bertrand
    Erschienen: [2021]
    Verlag:  Le Point du Jour, [Cherbourg]

    C'est d'abord pour leur caractère surprenant que Philippe Artières a voulu publier ces photographies d'un 'sosie' de Michel Foucault, mort en 1984, dont l'oeuvre irrigue son propre travail. Réalisées en 2020 durant le premier confinement, elles... mehr

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    C'est d'abord pour leur caractère surprenant que Philippe Artières a voulu publier ces photographies d'un 'sosie' de Michel Foucault, mort en 1984, dont l'oeuvre irrigue son propre travail. Réalisées en 2020 durant le premier confinement, elles rendent irrévérencieusement hommage à un philosophe qui s'intéressa aux processus de 'subjectivisation' et aux corps comme objets historiques. Historien, directeur de recherches au CNRS, Philippe Artières est, entre autres, l'auteur de D'après Foucault. (Seuil, 2012), avec Mathieu Potte-Bonneville, et Le Dossier sauvage (Verticales, 2019), récit fictionnel inspiré du travail de Foucault. Au Point du Jour, il a publié, avec Mathieu Pernot, L'Asile des photographies (Prix Nadar 2013) Pierre Artières-Glissant est censé être l’auteur des photographies ici exposées, mais c’est un artefact, un simulacre, sorte de chimère composée des identités de Pierre Rivière (sur qui écrivit Foucault), de Philippe Artières, et du philosophe de la Relation, Edouard Glissant

     
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  4. James' House
    Tiniteqilaaq, Eastern Greenland 1999-2002
    Autor*in: Aue Sobol, Jacob
    Erschienen: 2022
    Verlag:  Super labo, Tokyo

    James’ House is Jacob Aue Sobol’s second book in The Greenland Trilogy. His first book Sabine from 2004 was a love story, and so is James’ House. It’s about his love and admiration for an Inuit man and his continuous fight to provide for his family.... mehr

    Standort:
    UB Weimar
    Signatur:
    Ly AueJac/1
    Fernleihe:
    keine Fernleihe

     

    James’ House is Jacob Aue Sobol’s second book in The Greenland Trilogy. His first book Sabine from 2004 was a love story, and so is James’ House. It’s about his love and admiration for an Inuit man and his continuous fight to provide for his family. The story takes place from 1999-2002 when he lived in Eastern Greenland trying to become a hunter and a fisherman while taking pictures of the life he shared with the people living there. James was his friend when he lived in Tiniteqilaaq. James taught Jacob how to spot seals and use the tools of a hunter. James taught him when to speak and when to be silent. How to be present. For the years Jacob was in Tiniteqilaaq, James’ House seemed like the center of the universe. It was a house full of laughter, crying and silence. A place of warmth and embrace. Today James doesn’t live in the house anymore. James’ wife passed away and he moved with his children to the nearest town, Tasiilaq. This book is a memory of the time and love Jacob shared with James and his children.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9784908512391; 4908512396
    Auflage/Ausgabe: First edition
    Schlagworte: Photography; Black-and-white photography; Photographs; Photographie; Photographie en noir et blanc; Photographies; black-and-white photography; photographs
    Umfang: 150 ungezählte Seiten, 35 cm