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  1. The poet's mistake
    Autor*in: McAlpine, Erica
    Erschienen: [2020]; © 2020
    Verlag:  Princeton University Press, Princeton ; Oxford

    What our tendency to justify the mistakes in poems reveals about our faith in poetry—and about how we readKeats mixed up Cortez and Balboa. Heaney misremembered the name of one of Wordsworth's lakes. Poetry—even by the greats—is rife with mistakes.... mehr

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    Verlag (lizenzpflichtig)
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    What our tendency to justify the mistakes in poems reveals about our faith in poetry—and about how we readKeats mixed up Cortez and Balboa. Heaney misremembered the name of one of Wordsworth's lakes. Poetry—even by the greats—is rife with mistakes. In The Poet's Mistake, critic and poet Erica McAlpine gathers together for the first time numerous instances of these errors, from well-known historical gaffes to never-before-noticed grammatical incongruities, misspellings, and solecisms. But unlike the many critics and other readers who consider such errors felicitous or essential to the work itself, she makes a compelling case for calling a mistake a mistake, arguing that denying the possibility of error does a disservice to poets and their poems.Tracing the temptation to justify poets' errors from Aristotle through Freud, McAlpine demonstrates that the study of poetry's mistakes is also a study of critical attitudes toward mistakes, which are usually too generous—and often at the expense of the poet's intentions. Through remarkable close readings of Wordsworth, Keats, Browning, Clare, Dickinson, Crane, Bishop, Heaney, Ashbery, and others, The Poet's Mistake shows that errors are an inevitable part of poetry's making and that our responses to them reveal a great deal about our faith in poetry—and about how we read

     

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  2. The poet's mistake
    Autor*in: McAlpine, Erica
    Erschienen: [2020]; © 2020
    Verlag:  Princeton University Press, Princeton ; Oxford

    What our tendency to justify the mistakes in poems reveals about our faith in poetry—and about how we readKeats mixed up Cortez and Balboa. Heaney misremembered the name of one of Wordsworth's lakes. Poetry—even by the greats—is rife with mistakes.... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Technische Hochschule Augsburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Coburg, Zentralbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Kempten, Hochschulbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    What our tendency to justify the mistakes in poems reveals about our faith in poetry—and about how we readKeats mixed up Cortez and Balboa. Heaney misremembered the name of one of Wordsworth's lakes. Poetry—even by the greats—is rife with mistakes. In The Poet's Mistake, critic and poet Erica McAlpine gathers together for the first time numerous instances of these errors, from well-known historical gaffes to never-before-noticed grammatical incongruities, misspellings, and solecisms. But unlike the many critics and other readers who consider such errors felicitous or essential to the work itself, she makes a compelling case for calling a mistake a mistake, arguing that denying the possibility of error does a disservice to poets and their poems.Tracing the temptation to justify poets' errors from Aristotle through Freud, McAlpine demonstrates that the study of poetry's mistakes is also a study of critical attitudes toward mistakes, which are usually too generous—and often at the expense of the poet's intentions. Through remarkable close readings of Wordsworth, Keats, Browning, Clare, Dickinson, Crane, Bishop, Heaney, Ashbery, and others, The Poet's Mistake shows that errors are an inevitable part of poetry's making and that our responses to them reveal a great deal about our faith in poetry—and about how we read

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Volltext (URL des Erstveröffentlichers)
  3. Contemporary Irish poetry and the canon
    critical limitations and textual liberations
    Erschienen: [2017]
    Verlag:  Palgrave Macmillan, Cham

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783319845692; 3319845691
    Weitere Identifier:
    9783319845692
    DDC Klassifikation: Englisch, Altenglisch (420)
    Auflage/Ausgabe: Softcover reprint of the hardcover 1st edition 2017
    Schriftenreihe: New directions in Irish and Irish American literature
    Schlagworte: Irland; Englisch; Lyrik; Kanon;
    Weitere Schlagworte: Derrida; Harold Bloom; Joyce; Medbh McGuckian; Paul Muldoon; Yeats; Literature, Cultural and Media Studies; British and Irish Literature; Poetry and Poetics; Contemporary Literature; Hardcover, Softcover / Sprachwissenschaft, Literaturwissenschaft/Englische Sprachwissenschaft, Literaturwissenschaft
    Umfang: x, 259 Seiten, 21 cm x 14.8 cm, 359 g
    Bemerkung(en):

    Literaturverzeichnis: Seite 231-244

  4. Contemporary Irish Poetry and the Canon
    Critical Limitations and Textual Liberations
  5. Contemporary Irish Poetry and the Canon
    Critical Limitations and Textual Liberations