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  1. Clementine Hunter
    Her Life and Art
    Autor*in: Shiver, Art
    Erschienen: 2012
    Verlag:  LSU Press, Baton Rouge

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0807148792; 0807148806; 0807148814; 9780807148792; 9780807148808; 9780807148815
    Schriftenreihe: UPCC book collections on Project MUSE.
    Schlagworte: African American painters; Hunter, Clementine; Painters / United States; ART / History / General; African American painters; Painters; Geschichte; Painters; African American painters; Malerin; Plantage <Motiv>; Schwarze
    Weitere Schlagworte: Hunter, Clementine (1886-1988)
    Umfang: 1 online resource (235 pages)
    Bemerkung(en):

    Print version record

    Clementine Hunter (1887-1988) painted every day from the 1930s until several days before her death at age 101. As a cook and domestic servant at Louisiana's Melrose Plantation, she painted on hundreds of objects available around her-glass snuff bottles, discarded roofing shingles, ironing boards-as well as on canvas. She produced between five and ten thousand paintings, including her most ambitious work, the African House Murals. Scenes of cotton planting and harvesting, washdays, weddings, baptisms, funerals, Saturday night revelry, and zinnias depict experiences of everyday plantation life a

    Cover; Title; Copyright; Contents; Foreword; Preface; Introduction; 1 A Moment of Recognition: May 17, 1985; 2 From the Cotton Fields to the Big House; 3 Memory and a Sense of Place; 4 The Remarkable and Enigmatic Mr. Mignon; 5 Mr. Pipes and the Artist; 6 Becoming an Artist; 7 The African House Murals; 8 A Lifetime Told in Art; 9 Friends, Supporters, and Patrons; 10 New Year's Day, 1988; 11 Fakes, Forgeries, and the FBI; Appendix: The Evolution of Hunter's Signature; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z.
  2. William Harnett's curious objects
    still-life painting after the American Civil War
    Autor*in: Elder, Nika
    Erschienen: [2022]
    Verlag:  University of California Press, Oakland, California

    "Admired for his trompe l'oeil style, American painter William Harnett (1848-1892) was as intellectually ambitious as he was technically skilled. The first scholarly monograph on the artist, William Harnett's Curious Objects details Harnett's... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "Admired for his trompe l'oeil style, American painter William Harnett (1848-1892) was as intellectually ambitious as he was technically skilled. The first scholarly monograph on the artist, William Harnett's Curious Objects details Harnett's career-long effort to position still life as a serious art. Nika Elder elevates the significance of Harnett's academic training and questions his apparent turn away from it. Reading his still lifes in relation to wartime visual culture, literary realism, museum display, and industrial design, she shows how Harnett experimented with inanimate objects and pictorial techniques to represent the human condition without depicting the human body. His paintings do not strictly illustrate late nineteenth-century American material culture; they also represent Reconstruction, interiority, death and life, and the imagination. By engaging such lofty themes, Harnett reimagined history painting for the modern era. His work thus locates Gilded Age art and culture in the long shadow of the Civil War and its politics"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780520386419
    Schlagworte: Ästhetik; Stillleben
    Weitere Schlagworte: Harnett, William M. (1848-1892); Harnett, William Michael / 1848-1892 / Criticism and interpretation; Still-life painting, American / 19th century; Painters / United States; Nature morte américaine / 19e siècle; Peintres / États-Unis; Harnett, William Michael / 1848-1892; Painters; Still-life painting, American; United States; 1800-1899; Criticism, interpretation, etc
    Umfang: xii, 200 Seiten, Illustrationen, 27 cm
    Bemerkung(en):

    Introduction : Harnett's objects -- Civil War relics and the end of history painting -- Text and the transformation of still life -- Specimens and the art of trompe l'oeil -- Manufactures and the politics of painting -- Epilogue : still life and its afterlives