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How and why we teach Shakespeare
college teachers and directors share how they explore the playwright's works with their students -
The tragicomedies
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The problems of viewing performance
epistemology and other minds -
The performative ground of religion and theatre
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The scenography of Howard Barker
The Wrestling School aesthetic 1998-2011 -
Self-centered art
ben jonson's parts in performance;ben jonson's parts in performance -
How Greek tragedy works
a guide for directors, dramaturges, and playwrights -
DIVERSE PURSUITS
essays on drama and theatre -
Dramaturgy of form
performing verse in contemporary theatre -
The art of experience
the theatre of Marina Carr and contemporary psychology -
Language and power on the rhetorical stage
theory in the body -
August Wilson's Joe Turner's come and gone
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The Problems of Viewing Performance
Epistemology and Other Minds -
Somatic voices in performance research and beyond
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Georg Büchner's Woyzeck
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Hypertheatre
contemporary radical adaptation of Greek tragedy -
Collaborative Playwriting
Polyvocal Approaches from the EU Collective Plays Project -
The Bible and modern British drama
from 1930 to the present-day -
How and why we teach Shakespeare
college teachers and directors share how they explore the playwright's works with their students -
Errol John's Moon on a rainbow shawl
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Documentary Vanguards in Modern Theatre
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Women writing and directing in the USA
a stage of our own -
The tragicomedies
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The tragedies
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The early comedies and romances