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Djuna Barnes, T.S. Eliot and the gender dynamics of modernism
tracing Nightwood -
Djuna Barnes, T. S. Eliot and the gender dynamics of modernism
tracing Nightwood -
Civil antisemitism, modernism, and British culture, 1902 - 1939
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Modernism and the theatre of the baroque
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Relations
ethics and the modernist subject in James Joyce's Ulysses, Virginia Woolf's The Waves, and Djuna Barnes' Nightwood -
Djuna Barnes, T.S. Eliot and the gender dynamics of modernism
tracing Nightwood -
Enacting past and present
the memory theaters of Djuna Barnes, Ingeborg Bachmann, and Marguerite Duras -
Djuna Barnes, T. S. Eliot and the gender dynamics of modernism
tracing Nightwood -
Thinking fascism
sapphic modernism and fascist modernity -
Thinking fascism
Sapphic modernism and fascist modernity -
Nightwood
the original version and related drafts -
Other sexes
rewriting difference from Woolf to Winterson -
Following Djuna
women lovers and the erotics of loss -
Modernist Women Writers and War
Trauma and the Female Body in Djuna Barnes, H.D., and Gertrude Stein -
Djuna Barnes's "Nightwood"
"The world" and the politics of peace -
Enacting past and present
the memory theaters of Djuna Barnes, Ingeborg Bachmann, and Marguerite Duras -
New perspectives on community and the modernist subject
finite, singular, exposed -
Civil antisemitism, modernism, and British culture, 1902 - 1939
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Djuna Barnes's "Nightwood"
"The world" and the politics of peace -
Civil antisemitism, modernism, and British culture, 1902 - 1939
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Modernism and the theatre of the Baroque
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Hysteria and melancholy as literary style in the works of Charlotte Perkins Gilman, Kate Chopin, Zelda Fitzgerald, and Djuna Barnes
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Other sexes
rewriting difference from Woolf to Winterson -
Thinking fascism
sapphic modernism and fascist modernity -
Una strada nel bosco
scrittura e coscienza in Djuna Barnes