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  1. Xiandai Zhongguo wenxue mingzhu pingxi
    Autor*in: Yu, Lei
    Erschienen: 1978
    Verlag:  Xianggang Wanyuan Tushu Gongsi, Xianggang

    Standort:
    Universitätsbibliothek Trier
    Signatur:
    od28082
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Chinesisch
    Medientyp: Buch (Monographie)
    Auflage/Ausgabe: Chuban
    Schriftenreihe: Zixue zhishi wenku
    Schlagworte: Chinese literature / 20th century / History and criticism; Shi; Chinesisch; Literatur; Roman
    Weitere Schlagworte: Lu, Xun (1881-1936): Kuang-ren-riji; Lu, Xun (1881-1936): A-Q-zhengzhuan; Lao, She (1899-1966); Guo, Moruo (1892-1978): Nüshen; Xu, Zhimo (1896-1931); Ye, Shengtao (1894-1988); Bingxin (1900-1999); Bajin (1904-2005)
    Umfang: 2, 208 p.; 19 cm
  2. Self-fashioning and reflexive modernity in modern Chinese poetry, 1919 - 1949
    Autor*in: Mi, Jiayan
    Erschienen: c2004
    Verlag:  Edwin Mellen Press, Lewiston [u.a.]

    Standort:
    Universitätsbibliothek Trier
    Signatur:
    HK/od30141
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0773463097
    Weitere Identifier:
    2004057905
    Schriftenreihe: Chinese studies : 36
    Schlagworte: Chinese poetry; Modernism (Literature); Xinshi
    Weitere Schlagworte: Guo, Moruo (1892-1978): Nüshen; Li, Jinfa (1900-1976); Dai, Wangshu (1905-1950)
    Umfang: vi, 267 p., ill, 24cm
    Bemerkung(en):

    Text in English, with poems also in Chinese, French and German

    Angaben zum Inhalt: This study explores diverse modes of self-fashioning in the discursive formation of Chinese modernity between 1919 and 1949 in modern Chinese poetry. By focusing on four representative poets of modern Chinese poetry before 1949 — Guo Moruo, Li Jinfa, Dai Wangshu, and Mu Dan, the study offers fresh, insightful analysis of the dynamic trajectory of the historical complexity of fashioning a new modern self-subjectivity with relation to the nation-state. Theoretically informed by the varied perspectives of modernity, the self, the body, and memory, the author for the first time reveals how the corporeal body emerges as a site of agency, trauma, and libidinal investment for engaging with the configuration of a multi-layered self, gender, and nationhood in modern China. This work will make several significant contributions to enhancing readers’ understanding of the cultural and psychological complexity of modern China. This work will be of interest to teachers, students and scholars of modern Chinese literature and culture as well as comparative literature

    Inhalt: Introduction: The body Poetic: Toward a Compositional Self and National Identity -- 1. The Dialectic of Progressive Body: Self, Cosmos, and National Identity in Guo Moruo’s The Goddess -- 2. The Decadent Body: Toward a Negative Ethics of Mourning in Li Jinfa -- 3. The Narcissistic Body: Mnemonic Auras and Fragments of Modernity in Dai Wangshu -- Conclusion: Self-fashioning, Modernity and the Will to Maturity -- Bibliography -- Index