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  1. Twentieth-century music in the West
    an introduction
    Autor*in: Perchard, Tom; Graham, Stephen; Rutherford-Johnson, Tim; Rogers, Holly
    Erschienen: 2022
    Verlag:  Cambridge University Press, Cambridge, United Kingdom ; New York

    This is the first introductory survey of western twentieth-century music to address popular music, art music and jazz on equal terms. It treats those forms as inextricably intertwined, and sets them in a wide variety of social and critical contexts.... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This is the first introductory survey of western twentieth-century music to address popular music, art music and jazz on equal terms. It treats those forms as inextricably intertwined, and sets them in a wide variety of social and critical contexts. The book comprises four sections - Histories, Techniques and Technologies, Mediation, Identities - with 16 thematic chapters. Each of these explores a musical or cultural topic as it developed over many years, and as it appeared across a diversity of musical practices. In this way, the text introduces both key musical repertoire and critical-musicological approaches to that work. It historicises music and musical thinking, opening up debate in the present rather than offering a new but closed narrative of the past. In each chapter, an overview of the topic's chronology and main issues is illustrated by two detailed case studies

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781108680899
    Weitere Identifier:
    RVK Klassifikation: LP 19507
    Schlagworte: Music / 20th century / History and criticism; Music / 20th century / Analysis, appreciation; Music trade / History / 20th century; Music / Social aspects / History / 20th century; Technologie; Identität <Motiv>; Musiktheorie; Musiksoziologie; Musikwirtschaft; Musik
    Umfang: 1 Online-Ressource (xiv, 479 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 22 Sep 2022)

    Introduction -- Part 1. Histories. Place and space, local and global ; Modernism ; Postmodernism ; Canons -- Part 2. Techniques and technologies. Work and notation ; Rhythm and time ; Harmony ; Instruments -- Part 3. Mediation. Recording and production ; Copyright and the music industry ; States and markets ; Music and the Moving Image -- Part 4. Identities. Gender and sexuality ; Race and ethnicity ; Audiences, class and consumption ; Centres and peripheries
  2. Twentieth-century music in the West
    an introduction
    Autor*in: Perchard, Tom; Graham, Stephen; Rutherford-Johnson, Tim; Rogers, Holly
    Erschienen: 2022
    Verlag:  Cambridge University Press, Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore

    "Introduction Steve Reich pitched up in San Francisco in September 1961. He was a young musician, one who had been taken by the early-century work of the Hungarian composer and folklorist Béla Bartók, and he had journeyed west from New York in the... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Introduction Steve Reich pitched up in San Francisco in September 1961. He was a young musician, one who had been taken by the early-century work of the Hungarian composer and folklorist Béla Bartók, and he had journeyed west from New York in the hope of studying with Leon Kirchner, a composer in the rough-lyric Bartók tradition who'd been teaching at Mills College. But Kirchner had just left for Harvard, so Reich ended up working at Mills under Luciano Berio. Over the course of the previous decade, Berio had become identified as a figurehead of the European post-war avant-garde: his ultramodern serialist work was quite a different proposition to Kirchner's own"--

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781108481984; 9781108741736
    RVK Klassifikation: LP 19507
    Schlagworte: Identität <Motiv>; Musikwirtschaft; Musik; Musiktheorie; Musiksoziologie; Technologie
    Weitere Schlagworte: Music / 20th century / History and criticism; Music / 20th century / Analysis, appreciation; Music trade / History / 20th century; Music / Social aspects / History / 20th century; Musique / 20e siècle / Analyse et appréciation; Musique / Industrie / Histoire / 20e siècle; Musique / Aspect social / Histoire / 20e siècle; Music; Music / Social aspects; Music trade; 1900-1999; Criticism, interpretation, etc; History
    Umfang: XIV, 479 Seiten, Illustrationen, Notenbeispiele, Porträts, 25,1 cm
    Bemerkung(en):

    Introduction -- Part 1. Histories. Place and space, local and global ; Modernism ; Postmodernism ; Canons -- Part 2. Techniques and technologies. Work and notation ; Rhythm and time ; Harmony ; Instruments -- Part 3. Mediation. Recording and production ; Copyright and the music industry ; States and markets ; Music and the Moving Image -- Part 4. Identities. Gender and sexuality ; Race and ethnicity ; Audiences, class and consumption ; Centres and peripheries