Direkt zur Hauptnavigation springen Direkt zum Inhalt springen
info(at)avldigital.remove-this.de
Deutsch English
Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 14 von 14.

  1. Samuel Beckett, repetition and modern music
    Autor*in: MacGrath, John
    Erschienen: 2018; © 2018
    Verlag:  Routledge, Taylor & Francis Group, London and New York

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  2. Suite breve
    scritti di argomento musicale
    Autor*in: Putignano, Biagio
    Erschienen: luglio 2018
    Verlag:  Aracne editrice, Canterano (RM)

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Italienisch
    Medientyp: Buch (Monographie)
    ISBN: 9788825516982
    Auflage/Ausgabe: I edizione
    Schriftenreihe: Immota harmonìa ; 32
    Schlagworte: Music / 20th century / History and criticism; Musical analysis; Musikalische Analyse; Neue Musik; Ästhetik
    Umfang: 101 pages, 1 color illustration, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 95-97)
  3. La bellezza della nuova musica
    Autor*in: Arciuli, Emanuele
    Erschienen: [2020]
    Verlag:  Edizioni Dedalo, Bari

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Italienisch
    Medientyp: Buch (Monographie)
    ISBN: 9788822016058
    Schriftenreihe: Le grandi voci ; 5
    Schlagworte: Music / 20th century / History and criticism; Music / 21st century / History and criticism; Ästhetik; Neue Musik
    Umfang: 77 pages, 1 illustration, 18 cm
  4. The female voice in the twentieth century
    material, symbolic and aesthetic dimensions
    Beteiligt: Facci, Serena (Hrsg.); Garda, Michela (Hrsg.)
    Erschienen: 2021
    Verlag:  Routledge, London ; New York

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Facci, Serena (Hrsg.); Garda, Michela (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780367418557
    Schriftenreihe: Musical cultures of the twentieth century
    Schlagworte: Frau; Stimme; Singstimme; Sängerin; Ästhetik
    Weitere Schlagworte: Women singers; Music / 20th century / History and criticism; Voice types (Singing); Music; Voice types (Singing); Women singers; 1900-1999; Criticism, interpretation, etc
    Umfang: 202 Seiten, Notenbeispiele
  5. Immaginare la musica
    per un'estetica fenomenologica della composizione contemporanea
    Autor*in: Schiaffini, Giancarlo
    Erschienen: [2017]
    Verlag:  Auditorium, [Milan]

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Italienisch
    Medientyp: Buch (Monographie)
    ISBN: 9788898599363
    Schriftenreihe: Rumori ; 50
    Schlagworte: Geschichte; Musik; Composition (Music) / History / 20th century; Music / Philosophy and aesthetics / History / 20th century; Music / 20th century / History and criticism; Music theory; Ästhetik; Komposition; Neue Musik
    Weitere Schlagworte: Schiaffini, Giancarlo; Schiaffini, Giancarlo (1942-)
    Umfang: 163 pages, illustrations, 21 cm
    Bemerkung(en):

    Includes bibliographical references (page 163)
  6. Samuel Beckett, repetition and modern music
    Autor*in: MacGrath, John
    Erschienen: 2018; © 2018
    Verlag:  Routledge, Taylor & Francis Group, London and New York

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  7. Twentieth-century music in the West
    an introduction
    Autor*in: Perchard, Tom; Graham, Stephen; Rutherford-Johnson, Tim; Rogers, Holly
    Erschienen: 2022
    Verlag:  Cambridge University Press, Cambridge, United Kingdom ; New York

    This is the first introductory survey of western twentieth-century music to address popular music, art music and jazz on equal terms. It treats those forms as inextricably intertwined, and sets them in a wide variety of social and critical contexts.... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This is the first introductory survey of western twentieth-century music to address popular music, art music and jazz on equal terms. It treats those forms as inextricably intertwined, and sets them in a wide variety of social and critical contexts. The book comprises four sections - Histories, Techniques and Technologies, Mediation, Identities - with 16 thematic chapters. Each of these explores a musical or cultural topic as it developed over many years, and as it appeared across a diversity of musical practices. In this way, the text introduces both key musical repertoire and critical-musicological approaches to that work. It historicises music and musical thinking, opening up debate in the present rather than offering a new but closed narrative of the past. In each chapter, an overview of the topic's chronology and main issues is illustrated by two detailed case studies

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781108680899
    Weitere Identifier:
    RVK Klassifikation: LP 19507
    Schlagworte: Music / 20th century / History and criticism; Music / 20th century / Analysis, appreciation; Music trade / History / 20th century; Music / Social aspects / History / 20th century; Technologie; Identität <Motiv>; Musiktheorie; Musiksoziologie; Musikwirtschaft; Musik
    Umfang: 1 Online-Ressource (xiv, 479 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 22 Sep 2022)

    Introduction -- Part 1. Histories. Place and space, local and global ; Modernism ; Postmodernism ; Canons -- Part 2. Techniques and technologies. Work and notation ; Rhythm and time ; Harmony ; Instruments -- Part 3. Mediation. Recording and production ; Copyright and the music industry ; States and markets ; Music and the Moving Image -- Part 4. Identities. Gender and sexuality ; Race and ethnicity ; Audiences, class and consumption ; Centres and peripheries
  8. Twentieth-century music in the West
    an introduction
    Autor*in: Perchard, Tom; Graham, Stephen; Rutherford-Johnson, Tim; Rogers, Holly
    Erschienen: 2022
    Verlag:  Cambridge University Press, Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore

    "Introduction Steve Reich pitched up in San Francisco in September 1961. He was a young musician, one who had been taken by the early-century work of the Hungarian composer and folklorist Béla Bartók, and he had journeyed west from New York in the... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Introduction Steve Reich pitched up in San Francisco in September 1961. He was a young musician, one who had been taken by the early-century work of the Hungarian composer and folklorist Béla Bartók, and he had journeyed west from New York in the hope of studying with Leon Kirchner, a composer in the rough-lyric Bartók tradition who'd been teaching at Mills College. But Kirchner had just left for Harvard, so Reich ended up working at Mills under Luciano Berio. Over the course of the previous decade, Berio had become identified as a figurehead of the European post-war avant-garde: his ultramodern serialist work was quite a different proposition to Kirchner's own"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781108481984; 9781108741736
    RVK Klassifikation: LP 19507
    Schlagworte: Identität <Motiv>; Musikwirtschaft; Musik; Musiktheorie; Musiksoziologie; Technologie
    Weitere Schlagworte: Music / 20th century / History and criticism; Music / 20th century / Analysis, appreciation; Music trade / History / 20th century; Music / Social aspects / History / 20th century; Musique / 20e siècle / Analyse et appréciation; Musique / Industrie / Histoire / 20e siècle; Musique / Aspect social / Histoire / 20e siècle; Music; Music / Social aspects; Music trade; 1900-1999; Criticism, interpretation, etc; History
    Umfang: XIV, 479 Seiten, Illustrationen, Notenbeispiele, Porträts, 25,1 cm
    Bemerkung(en):

    Introduction -- Part 1. Histories. Place and space, local and global ; Modernism ; Postmodernism ; Canons -- Part 2. Techniques and technologies. Work and notation ; Rhythm and time ; Harmony ; Instruments -- Part 3. Mediation. Recording and production ; Copyright and the music industry ; States and markets ; Music and the Moving Image -- Part 4. Identities. Gender and sexuality ; Race and ethnicity ; Audiences, class and consumption ; Centres and peripheries
  9. Stravinsky, God, and time
    Autor*in: Sills, Helen
    Erschienen: [2022]
    Verlag:  Brill, Leiden ; Boston

    "If, as Robert Craft remarked, 'religious beliefs were at the core of Stravinsky's life and work', why have they not figured more prominently in discussions of his works? Stravinsky's coordination of the listener with time is central to the unity of... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "If, as Robert Craft remarked, 'religious beliefs were at the core of Stravinsky's life and work', why have they not figured more prominently in discussions of his works? Stravinsky's coordination of the listener with time is central to the unity of his compositional style. This ground-breaking study looks at his background in Russian Orthodoxy, at less well-known writings of Arthur Lourié and Pierre Souvtchinsky and at the Catholic philosophy of Jacques Maritain, that shed light on the crucial link between Stravinsky's spirituality and his restoration of time in music. Recent neuroscience research supports Stravinsky's eventual adoption of serialism as the natural and logical outcome of his spiritual and musical quest."

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004518537
    Weitere Identifier:
    RVK Klassifikation: LP 94889
    Schriftenreihe: Consciousness, literature and the arts ; volume 59
    Schlagworte: Zeit <Motiv>; Spiritualität; Komposition <Musik>
    Weitere Schlagworte: Stravinsky, Igor (1882-1971); Stravinsky, Igor / 1882-1971 / Criticism and interpretation; Stravinsky, Igor / 1882-1971 / Religion; Music / 20th century / History and criticism; Sacred music / 20th century / History and criticism; Time in music
    Umfang: 1 Online-Ressource (IX, 358 Seiten), Notenbeispiele
  10. Stravinsky, God, and time
    Autor*in: Sills, Helen
    Erschienen: [2022]
    Verlag:  Brill, Leiden ; Boston

    "If, as Robert Craft remarked, 'religious beliefs were at the core of Stravinsky's life and work', why have they not figured more prominently in discussions of his works? Stravinsky's coordination of the listener with time is central to the unity of... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "If, as Robert Craft remarked, 'religious beliefs were at the core of Stravinsky's life and work', why have they not figured more prominently in discussions of his works? Stravinsky's coordination of the listener with time is central to the unity of his compositional style. This ground-breaking study looks at his background in Russian Orthodoxy, at less well-known writings of Arthur Lourié and Pierre Souvtchinsky and at the Catholic philosophy of Jacques Maritain, that shed light on the crucial link between Stravinsky's spirituality and his restoration of time in music. Recent neuroscience research supports Stravinsky's eventual adoption of serialism as the natural and logical outcome of his spiritual and musical quest."

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9789004518247
    RVK Klassifikation: LP 94889
    Schriftenreihe: Consciousness, literature and the arts ; volume 59
    Schlagworte: Zeit <Motiv>; Spiritualität; Komposition <Musik>
    Weitere Schlagworte: Stravinsky, Igor (1882-1971); Stravinsky, Igor / 1882-1971 / Criticism and interpretation; Stravinsky, Igor / 1882-1971 / Religion; Music / 20th century / History and criticism; Sacred music / 20th century / History and criticism; Time in music
    Umfang: IX, 358 Seiten, Notenbeispiele
    Bemerkung(en):

    Includes bibliographical references and index
  11. Samuel Beckett, repetition and modern music
    Autor*in: MacGrath, John
    Erschienen: 2018; © 2018
    Verlag:  Routledge, Taylor & Francis Group, London

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472475374
    Schlagworte: Musik
    Weitere Schlagworte: Beckett, Samuel / 1906-1989 / Criticism and interpretation; Beckett, Samuel / 1906-1989; Music and literature; Music / 20th century / History and criticism; Repetition in literature; Repetition in music; Music; Music and literature; Repetition in literature; Repetition in music; 1900-1999; Criticism, interpretation, etc
    Umfang: xi, 178 Seiten, Illustrationen, Notenbeispiele
    Bemerkung(en):

    Enthält Literaturverzeichnis Seite [156]-168
  12. Beyond Fingal's cave
    Ossian in the musical imagination
    Autor*in: Porter, James
    Erschienen: 2019
    Verlag:  University of Rochester Press, Rochester, NY, USA

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781580469456
    RVK Klassifikation: LR 57710
    Auflage/Ausgabe: First published 2019
    Schriftenreihe: Eastman studies in music ; v. 158
    Schlagworte: Ossian; Rezeption; Musik; Geschichte; ;
    Weitere Schlagworte: Ossian / active 3rd century; Music / 19th century / History and criticism; Music / 20th century / History and criticism; Romanticism in music; Ossian / active 3rd century; Music; Romanticism in music; 1800-1999; Criticism, interpretation, etc
    Umfang: xx, 401 Seiten, Illustrationen, Notenbeispiele
    Bemerkung(en):

    Literaturverzeichnis: Seite [387]-388
  13. Stravinsky, God, and time
    Autor*in: Sills, Helen
    Erschienen: [2022]
    Verlag:  Brill, Leiden ; Boston

    "If, as Robert Craft remarked, 'religious beliefs were at the core of Stravinsky's life and work', why have they not figured more prominently in discussions of his works? Stravinsky's coordination of the listener with time is central to the unity of... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatliches Institut für Musikforschung - Preußischer Kulturbesitz, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "If, as Robert Craft remarked, 'religious beliefs were at the core of Stravinsky's life and work', why have they not figured more prominently in discussions of his works? Stravinsky's coordination of the listener with time is central to the unity of his compositional style. This ground-breaking study looks at his background in Russian Orthodoxy, at less well-known writings of Arthur Lourié and Pierre Souvtchinsky and at the Catholic philosophy of Jacques Maritain, that shed light on the crucial link between Stravinsky's spirituality and his restoration of time in music. Recent neuroscience research supports Stravinsky's eventual adoption of serialism as the natural and logical outcome of his spiritual and musical quest."

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9789004518247
    RVK Klassifikation: LP 94889
    Schriftenreihe: Consciousness, literature and the arts ; volume 59
    Schlagworte: Zeit <Motiv>; Spiritualität; Komposition <Musik>
    Weitere Schlagworte: Stravinsky, Igor (1882-1971); Stravinsky, Igor / 1882-1971 / Criticism and interpretation; Stravinsky, Igor / 1882-1971 / Religion; Music / 20th century / History and criticism; Sacred music / 20th century / History and criticism; Time in music
    Umfang: IX, 358 Seiten, Notenbeispiele
    Bemerkung(en):

    Includes bibliographical references and index
  14. Down a path of wonder
    Autor*in: Craft, Robert
    Erschienen: 2006
    Verlag:  Naxos, [Redhill] [u.a.]

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt