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  1. Wounds of memory
    the politics of war in Germany
    Autor*in: Zehfuss, Maja
    Erschienen: 2007
    Verlag:  Cambridge University Press, Cambridge

    German memories of the Second World War are controversial, and they are used to justify different positions on the use of military force. In this book, Maja Zehfuss studies the articulation of memories in novels in order to discuss and challenge... mehr

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    German memories of the Second World War are controversial, and they are used to justify different positions on the use of military force. In this book, Maja Zehfuss studies the articulation of memories in novels in order to discuss and challenge arguments deployed in political and public debate. She explores memories that have generated considerable controversy, such as the flight and expulsion of Germans from the East, the bombing of German cities and the 'liberation' of Germany in 1945. She shows how memory retrospectively produces a past while claiming merely to invoke it, drawing attention to the complexities and contradictions within how truth, ethics, emotion, subjectivity and time are conceptualised. Zehfuss argues that the tensions and uncertainties revealed raise political questions that must be confronted, beyond the safety net of knowledge. This is a compelling book which pursues an original approach in exploring the politics of invocations of memory Speaking of war and memory -- Forgetting to remember? -- Wounds of memory -- The truth of memory -- Times of memory -- Memory, uncertainty, responsibility.

     
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  2. Narrative and identity in the ancient Greek novel
    returning romance
    Autor*in: Whitmarsh, Tim
    Erschienen: ©2011
    Verlag:  Cambridge University Press, Cambridge, UK

    "The Greek romance was for the Roman period what epic was for the Archaic period or drama for the Classical: the central literary vehicle for articulating ideas about the relationship between self and community. This book offers a fresh reading of... mehr

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    "The Greek romance was for the Roman period what epic was for the Archaic period or drama for the Classical: the central literary vehicle for articulating ideas about the relationship between self and community. This book offers a fresh reading of the romance both as a distinctive narrative form (using a range of narrative theories) and as a paradigmatic expression of identity (social, sexual and cultural). At the same time it emphasises the elasticity of romance narrative and its ability to accommodate both conservative and transformative models of identity. This elasticity manifests itself partly in the variation in practice between different romancers, some of whom are traditionally Hellenocentric while others are more challenging. Ultimately, however, it is argued that it reflects a tension in all romance narrative, which characteristically balances centrifugal against centripetal dynamics. This book will interest classicists, historians of the novel and students of narrative theory"-- Introduction -- pt. 1. Returning romance -- 1. First romances: Chariton and Xenophon -- 2. Transforming romance: Achilles Tatius and Longus -- 3. Hellenism at the edge: Heliodorus -- pt. 2. Narrative and identity -- 4. Pothos -- 5. Telos -- 6. Limen -- Conclusion -- Appendix: the extant romances and the larger fragments.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 113904267X; 9781139042673
    Schriftenreihe: Greek culture in the Roman world
    Schlagworte: Narration (Rhetoric); Greek fiction; LITERARY COLLECTIONS ; Ancient, Classical & Medieval; LITERARY CRITICISM ; Ancient & Classical; Greek fiction; Narration (Rhetoric); Griechisch; Roman; Identität; Roman; Griechisch; Motiv (Literatur); Identität; Grekisk litteratur ; historia; Berättande ; historia ; före 1500; Criticism, interpretation, etc; History
    Umfang: 1 Online-Ressource (xii, 299 pages)
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    Includes bibliographical references (pages 265-294) and index
  3. Authoring war
    the literary representation of war from the Iliad to Iraq
    Autor*in: McLoughlin, Catherine Mary
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge, UK

    "N War and Peace (1865-9), Nikolai Rostov responds enthusiastically to a request from Boris Drubetskoy to describe how and where he got his wound: He described the Scho·n Graben affair exactly as men who have taken part in battles always do describe... mehr

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    "N War and Peace (1865-9), Nikolai Rostov responds enthusiastically to a request from Boris Drubetskoy to describe how and where he got his wound: He described the Scho·n Graben affair exactly as men who have taken part in battles always do describe them - that is, as they would like them to have been, as they have heard them described by others, and as sounds well, but not in the least as they really had been. Rostov was a truthful young man and would never have told a deliberate lie. He began his story with the intention of telling everything exactly as it happened, but imperceptibly, unconsciously and inevitably he passed into falsehood. If he had told the truth to his listeners who, like himself, had heard numerous descriptions of cavalry charges and had formed a definite idea of what a charge was like and were expecting a precisely similar account from him, either they would not have believed him or, worse still, would have thought Rostov himself to blame if what generally happens to those who describe cavalry charges had not happened to him"-- "Kate McLoughlin's Authoring War is an ambitious and pioneering study of war writing across all literary genres from earliest times to the present day. Examining a range of cultures, she brings wide reading and close rhetorical analysis to illuminate how writers have met the challenge of representing violence, chaos and loss. War gives rise to problems of epistemology, scale, space, time, language and logic. She emphasises the importance of form to an understanding of war literature and establishes connections across periods and cultures from Homer to the 'War on Terror'. Exciting new critical groupings arise in consequence, as Byron's Don Juan is read alongside Heller's Catch-22 and English Civil War poetry alongside Second World War letters. Innovative in its approach and inventive in its encyclopedic range, Authoring War will be indispensable to any discussion of war representation"-- Introduction: authoring war -- 1. Credentials -- 2. Details -- 3. Zones -- 4. Duration -- 5. Diversions -- 6. Laughter -- Conclusion: to perpetual peace.

     
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  4. Image, text, and religious reform in fifteenth-century England
    Autor*in: Gayk, Shannon Noelle
    Erschienen: 2010
    Verlag:  Cambridge University Press, Cambridge

    "Focusing on the period between the Wycliffite critique of images and Reformation iconoclasm, Shannon Gayk investigates the sometimes complementary and sometimes fraught relationship between vernacular devotional writing and the religious image. She... mehr

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    "Focusing on the period between the Wycliffite critique of images and Reformation iconoclasm, Shannon Gayk investigates the sometimes complementary and sometimes fraught relationship between vernacular devotional writing and the religious image. She examines how a set of fifteenth-century writers, including Lollard authors, John Lydgate, Thomas Hoccleve, John Capgrave, and Reginald Pecock, translated complex clerical debates about the pedagogical and spiritual efficacy of images and texts into vernacular settings and literary forms. These authors found vernacular discourse to be a powerful medium for explaining and reforming contemporary understandings of visual experience. In its survey of the function of literary images and imagination, the epistemology of vision, the semiotics of idols, and the authority of written texts, this study reveals a fifteenth century that was as much an age of religious and literary exploration, experimentation, and reform as it was an age of regulation"--Provided by publisher Lollard iconographies -- Hoccleve's spectacles -- Lydgate's refigurations of the image -- Capgrave's material memorials -- Pecock's libri laicorum.

     
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  5. Cupid in early modern literature and culture
    Autor*in: Kingsley-Smith, Jane
    Erschienen: 2010
    Verlag:  Cambridge University Press, Cambridge

    "Cupid became a popular figure in the literary and visual culture of post-Reformation England. He served to articulate and debate the new Protestant theory of desire, inspiring a dark version of love tragedy in which Cupid kills. But he was also... mehr

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    "Cupid became a popular figure in the literary and visual culture of post-Reformation England. He served to articulate and debate the new Protestant theory of desire, inspiring a dark version of love tragedy in which Cupid kills. But he was also implicated in other controversies, as the object of idolatrous, Catholic worship and as an adversary to female rule: Elizabeth I's encounters with Cupid were a crucial feature of her image-construction and changed subtly throughout her reign. Covering a wide variety of material such as paintings, emblems and jewellery, but focusing mainly on poetry and drama, including works by Sidney, Shakespeare, Marlowe and Spenser, Kingsley-Smith illuminates the Protestant struggle to categorise and control desire and the ways in which Cupid disrupted this process. An original perspective on early modern desire, the book will appeal to anyone interested in the literature, drama, gender politics and art history of the English Renaissance"-- 1. Cupid, art and idolatry -- 2. Cupid, death and tragedy -- 3. Cupid, chastity and rebellious women -- 4. Cupid and the boy: the pleasure and pain of boy-love -- 5. 'Cupid and Psyche': the return of the sacred?

     
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  6. Ghost-seers, detectives, and spiritualists
    theories of vision in Victorian literature and science
    Autor*in: Smajic, Srdjan
    Erschienen: 2010
    Verlag:  Cambridge University Press, New York

    "This is an original study of the narrative techniques that developed for two very popular forms of fiction in the nineteenth century - ghost stories and detective stories - and the surprising similarities between them in the context of contemporary... mehr

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    "This is an original study of the narrative techniques that developed for two very popular forms of fiction in the nineteenth century - ghost stories and detective stories - and the surprising similarities between them in the context of contemporary theories of vision and sight. Srdjan Smajić argues that to understand how writers represented ghost-seers and detectives, the views of contemporary scientists, philosophers, and spiritualists with which these writers engage have to be taken into account: these views raise questions such as whether seeing really is believing, how much of what we 'see' is actually only inferred, and whether there may be other (intuitive or spiritual) ways of seeing that enable us to perceive objects and beings inaccessible to the bodily senses. This book will make a real contribution to the understanding of Victorian science in culture, and of the ways in which literature draws on all kinds of knowledge"--Provided by publisher Contextualizing the ghost story -- The rise of optical apparitions -- Inner vision and spiritual optics -- 'Betwixt ancient faith and modern incredulity' -- Visual learning : sight and Victorian epistemology -- Scopophilia and scopophobia : Poe's readerly flâneur --Stains, smears, and visual language in The moonstone -- Semiotics vs. encyclopedism : the case of Sherlock Holmes -- Detective fiction's uncanny -- Light, ether, and the invisible world -- Inner vision and occult detection : Le Fanu's Martin Hesselius -- Other dimensions, other worlds -- Psychic sleuths and soul doctors.

     
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  7. Tragic pathos
    pity and fear in Greek philosophy and tragedy
    Autor*in: Munteanu, Dana LaCourse
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    "Scholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all... mehr

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    "Scholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all acknowledge pity and some form of fear as responses to tragedy, each assumes a different purpose for the two emotions and mode of presentation and, to a degree, understanding of them. This book reassesses expressions of the emotions within different tragedies and explores emotional responses to and discussions of the tragedies by contemporary philosophers, providing insights into the ethical and social implications of the emotions"-- 2.6 CONTEXT (F): FEAR AND IMAGINATION (HEL. 16 17); 2.7 IF THE SPECTATOR ACCEPTS THE "DECEPTION" OF TRAGEDY, ARE HIS EMOTIONS AUTHENTIC?; CHAPTER 3 Plato: from reality to tragedy and back; 3.1 THE PROBLEM WITH ORDINARY "FEAR" AND AESTHETIC FEAR; 3.2 AESTHETIC EMOTIONS: IMPURE PLEASURES, "FALSE" KNOWLEDGE; 3.3 PHILOSOPHICAL DRAMA AND THE TRANSFORMEDTRAGIC EMOTIONS; CHAPTER 4 Aristotle: the first "theorist" of the aesthetic emotions; 4.1 PITY AND FEAR AS RESPONSES OF THE AUDIENCEIN THE POETICS: AN IMPASSE; 4.2 PITY AND FEAR AS RESPONSES OF THE AUDIENCE:RHETORIC AND DRAMA. 4.3 AESTHETIC PITY: CREATING A VISION OFSUFFERING THROUGH SPEECH4.3.1 Seeing emotion: visual versus vision; 4.3.2 Conclusions on Pity. Fear. Transfer of emotion through Phantasia; 4.4 PROPER PLEASURE (OIKEIA HEDONE) FROM EMOTIONS; 4.4.1 Proper pleasure as a species of mimesis; 4.4.2 Proper pleasure supervening the "activity" of tragedy; 4.4.3 Painful emotions in pleasure: Oikeia hedone and the pleasures of memory and mourning; 4.5 PREDECESSORS AND SUCCESSORS. TIMOCLES. HOW ORIGINAL IS ARISTOTLE?; 4.6 GENERAL CONCLUSIONS; PART II Pity and fear within tragedies; CHAPTER 5 An introduction. 5.1 PURPOSE OF SURVEY5.2 PITY AND FEAR AS EXPRESSIONS OF INTERNAL AUDIENCES ANDTHE PHILOSOPHICAL VIEWS (GORGIAS, PLATO, ARISTOTLE):A DIFFERENT EMPHASIS; 5.3 RELATIONSHIP BETWEEN PITY AND FEAR AS EXPRESSIONSOF INTERNAL AUDIENCES AND EXTERNAL (CONTEMPORARYATHENIAN) AUDIENCES; 5.3.1 Internal audiences as models for external audiences; 5.3.2 Linking internal audiences and external audiences: problems surrounding pity and fear; CHAPTER 6 Aeschylus: Persians; 6.1 A REVIEW OF INTERPRETATIONS; 6.2 PATRIOTIC PRIDE AND ITS COMPATIBILITY WITH TRAGIC PITY. Cover; TRAGIC PATHOS; Title; Copyright; Dedication; Contents; Preface and acknowledgments; List of abbreviations; Introduction; PREMISE AND PURPOSE; EMOTION: EMOTION AS RESPONSE TO TRAGEDY, TO ART(S); SOME SPECIFICATIONS: AESTHETIC EMOTIONS -- POLITICAL ANDETHICAL IMPLICATIONS; EMOTION AND THE LANGUAGE-GAME:CULTURAL UNITY AND VARIETY; A BRIEF REVIEW OF SCHOLARSHIP: PROBLEMS; Pity; FEAR. THE "ONTOLOGICAL" PROBLEM OF DRAMATIC FEAR; MORAL PROBLEMS OF ORDINARY FEAR: THEIR CONSEQUENCESFOR AESTHETIC FEAR; THE TWO AS PAIR; NOTES ON TERMINOLOGY: AESTHETIC OR MIMETIC? THE TERMSFOR PITY AND FEAR(S). Methodology and structureA synopsis; PART I Theoretical views about pity and fear as aesthetic emotions; CHAPTER 1 Drama and the emotions: an Indo-European connection?; CHAPTER 2 Gorgias: a strange trio, the poetic emotions; 2.1 CONTEXT (A): PITY AND HATRED, GUIDED REACTIONSFOR GORGIAS' AUDIENCE (HEL. 7); 2.2 CONTEXT (B): SPEECH CAN STOP FEAR ANDINCREASE PITY (HEL. 8); 2.3 CONTEXT (C): POETRY AROUSES PITY, FEARFUL SHIVER, AND LONGING (HEL. 9); 2.4 CONTEXT (D): INCANTATIONS MAY BRING PLEASUREAND BANISH PAIN (HEL. 10); 2.5 CONTEXT (E): WORDS, LIKE MEDICINE, CAN INSPIRE FEAROR COURAGE (HEL. 14).

     
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  8. Ideas of power in the late Middle Ages, 1296-1417
    Autor*in: Canning, Joseph
    Erschienen: 2011
    Verlag:  Cambridge University Press, New York

    "Through a focused and systematic examination of late medieval scholastic writers - theologians, philosophers and jurists - Joseph Canning explores how ideas about power and legitimate authority were developed over the 'long fourteenth century'. The... mehr

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    "Through a focused and systematic examination of late medieval scholastic writers - theologians, philosophers and jurists - Joseph Canning explores how ideas about power and legitimate authority were developed over the 'long fourteenth century'. The author provides a new model for understanding late medieval political thought, taking full account of the intensive engagement with political reality characteristic of writers in this period. He argues that they used Aristotelian and Augustinian ideas to develop radically new approaches to power and authority, especially in response to political and religious crises. The book examines the disputes between King Philip IV of France and Pope Boniface VIII and draws upon the writings of Dante Alighieri, Marsilius of Padua, William of Ockham, Bartolus, Baldus and John Wyclif to demonstrate the variety of forms of discourse used in the period. It focuses on the most fundamental problem in the history of political thought - where does legitimate authority lie?"-- 1. Ideas of power and authority during the disputes between Philip IV and Boniface VIII -- 2. Dante Alighieri: the approach of political philosophy -- 3. Marsilius of Padua -- 4. Power and powerlessness in the poverty debates -- 5. The treatment of power in juristic thought -- 6. The power crisis during the Great Schism (1378-1417).

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511984537; 1139190997; 9781139190992; 9780511984532
    Schlagworte: Authority; Power (Social sciences); Authority; Power (Social sciences); Authority; Power (Social sciences); Legitimität; Macht; Scholastik; Motiv (Literatur); Politik; Macht; Autorität; Makt (samhällsvetenskap) ; historia ; före 1500 ; verk före 1800; Auktoritet; SOCIAL SCIENCE ; General; Early works; History
    Umfang: 1 Online-Ressource (xii, 219 pages)
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    Includes bibliographical references (pages 198-211) and index
  9. The cultural geography of early modern drama, 1620-1650
    Autor*in: Sanders, Julie
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge

    "Literary geographies is an exciting new area of interdisciplinary research. Innovative and engaging, this book applies theories of landscape, space and place from the discipline of cultural geography within an early modern historical context.... mehr

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    "Literary geographies is an exciting new area of interdisciplinary research. Innovative and engaging, this book applies theories of landscape, space and place from the discipline of cultural geography within an early modern historical context. Different kinds of drama and performance are analysed: from commercial drama by key playwrights to household masques and entertainment performed by families and in semi-official contexts. Sanders provides a fresh look at works from the careers of Ben Jonson, John Milton and Richard Brome, paying attention to geographical spaces and habitats like forests, coastlines and arctic landscapes of ice and snow, as well as the more familiar locales of early modern country estates and city streets and spaces. Overall, the book encourages readers to think about geography as kinetic, embodied and physical, not least in its literary configurations, presenting a key contribution to early modern scholarship"-- Entering the bear pit: Cultural geography and early modern drama -- Liquid landscapes: Water, culture, and society in the Caroline period -- Into the woods: Spatial and social geographies in the forest -- 'Hospitable fabrics': Thinking through the early modern household -- Moving through the landscape : Mobility and sites of social circulation -- Neighbourhoods and networks -- Writing the city: Emergent spaces.

     
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  10. Idleness, contemplation and the aesthetic, 1750-1830
    Autor*in: Adelman, Richard
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge

    "Reconstructing the literary and philosophical reaction to Adam Smith's dictum that man is a labouring animal above and before all else, this study explores the many ways in which Romantic writers presented idle contemplation as the central activity... mehr

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    "Reconstructing the literary and philosophical reaction to Adam Smith's dictum that man is a labouring animal above and before all else, this study explores the many ways in which Romantic writers presented idle contemplation as the central activity in human life. By contrasting the British response to Smith's political economy with that of contemporary German Idealists, Richard Adelman also uses this consideration of the importance of idleness to Romantic aesthetics to chart the development of a distinctly British idealism in the last decades of the eighteenth century. Exploring the work of Adam Smith, Jeremy Bentham, Friedrich Schiller, William Cowper, Samuel Taylor Coleridge, Mary Wollstonecraft and many of their contemporaries, this study pinpoints a debate over human activity and capability taking place between 1750 and 1830, and considers its social and political consequences for the cultural theory of the early nineteenth century"-- Introduction -- 1. The division of labour -- 2. Utilitarian education and aesthetic education -- 3. Cowper, Coleridge and Wollstonecraft -- 4. Coleridge's pantisocracy, biographia and Church and state -- Conclusion -- Epilogue: Wordsworth and Kingsley.

     
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  11. Ethics, erotics and aesthetics
    Beteiligt: Misra, Prafulla Kumar (HerausgeberIn)
    Erschienen: 2004
    Verlag:  Pratibha Prakashan, Delhi

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    Quelle: Verbundkataloge
    Beteiligt: Misra, Prafulla Kumar (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 8177020498; 9788177020496
    Schlagworte: Erotik; Ethik; Literatur; Lyrik; Motiv (Literatur); Sanskrit; Ästhetik; Aufsatzsammlung
    Umfang: 224 Seiten
  12. Shakespeare's monarchies
    ruler and subject in the romances
    Autor*in: Jordan, Constance
    Erschienen: 1997
    Verlag:  Cornell University Press, Ithaca, N.Y

    Shakespeare's romances and Jacobean political thought -- Pericles -- Cymbeline -- The winter's tale -- The tempest, i -- The tempest, ii. Constance Jordan looks at how Shakespeare, through his romances, contributed to the cultural debates over the... mehr

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    Shakespeare's romances and Jacobean political thought -- Pericles -- Cymbeline -- The winter's tale -- The tempest, i -- The tempest, ii. Constance Jordan looks at how Shakespeare, through his romances, contributed to the cultural debates over the nature of monarchy in Jacobean England. Stressing the differences between absolutist and constitutionalist principles of rule, Jordan reveals Shakespeare's investment in the idea that a head of state should be responsive to law, and not be governed by his unbridled will. Conflicts within royal courts which occur in the romances show wives, daughters, and servants resisting tyrannical husbands, fathers, masters, and monarchs by relying on the authority of conscience. Shakespeare's Monarchies recognizes the romances as politically inflected texts and confirms Shakespeare's involvement in the public discourse of the period

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501744433; 1501744437
    Schlagworte: Politics and literature; Political plays, English; Tragicomedy; Kings and rulers in literature; Monarchy in literature; Monarchie; Shakespeare, William; Herrscher; Shakespeare, William; Herrscher; Shakespeare, William; Shakespeare, William ; Tragikomödie; Shakespeare, William ; Politik und Gesellschaft; Shakespeare, William ; Motiv ; König; Romanzen; Kings and rulers in literature; Monarchy in literature; Political plays, English; Politics and literature; Tragicomedy; Koningen (vorsten); Leiders; Politiek; Drama; Motiv (Literatur); Recht; LITERARY CRITICISM / Shakespeare; Great Britain; Tragicomedies; Criticism, interpretation, etc; History; Théâtre politique anglais - Histoire et critique; Tragicomédie - Histoire et critique; Rois et souverains dans la littérature; Politique et littérature - Grande-Bretagne - Histoire - 17e siècle; Tragicomedies; Tragicomédies
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William - 1564-1616; Politics and literature -- Great Britain -- History -- 17th century; Political plays, English -- History and criticism; Kings and rulers in literature; Monarchy in literature; Tragicomedy; Shakespeare, William, 1564-1616 -- Tragicomedies; Shakespeare, William, 1564-1616 -- Characters -- Kings and rulers
    Umfang: 1 Online-Ressource (x, 224 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Electronic reproduction
  13. Angewandte Altruismusforschung
    Analyse und Rezeption von Texten über Hilfeleistung
    Autor*in: Bilsky, Wolfgang
    Erschienen: 1989
    Verlag:  Huber, Bern

    Standort:
    Hochschule der Polizei des Landes Brandenburg, Hochschulbibliothek
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    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783456817996; 3456817991
    RVK Klassifikation: CV 5000 ; CV 8000
    DDC Klassifikation: Psychologie (150)
    Auflage/Ausgabe: 1. Aufl.
    Schriftenreihe: Huber-Psychologie-Forschung
    Schlagworte: Altruism.; Helfen; Altruismus; Altruism.; Altruismus; Forschung; Altruismus.; Forschung.; Helfen.; Motiv (Literatur)
    Weitere Schlagworte: Array; Altruismus; Array; Array; Array; Array
    Umfang: 271 S., Ill., graph. Darst., 23 cm
    Bemerkung(en):

    Literaturverz. S. 232 - 252

    Literaturverz. S. 232-252.
  14. The mirror of antiquity
    20th century British travellers in Greece
    Autor*in: Wills, David
    Erschienen: 2007
    Verlag:  Cambridge Scholars Pub, Newcastle, UK

    During the last century, writers as diverse as William Golding, Henry Miller, Lawrence Durrell, Evelyn Waugh, Virginia Woolf, and Laurie Lee, were captivated by Greece. They were joined in their production of travel accounts by hundreds of... mehr

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    During the last century, writers as diverse as William Golding, Henry Miller, Lawrence Durrell, Evelyn Waugh, Virginia Woolf, and Laurie Lee, were captivated by Greece. They were joined in their production of travel accounts by hundreds of lesser-known au TABLE OF CONTENTS; LIST OF TABLES; FOREWORD; ACKNOWLEDGEMENTS; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; CONCLUSION; APPENDIX A; APPENDIX B; APPENDIX C; NOTES; BIBLIOGRAPHY; INDEX.

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1443806609; 9781443806602
    Schlagworte: British; English prose literature; Travelers' writings, English; Englisch; Reiseliteratur; Reiseliteratur; TRAVEL ; Europe ; Greece; English prose literature; Travel; British; Travelers' writings, English; Motiv (Literatur); Criticism, interpretation, etc; History
    Umfang: 1 Online-Ressource (xii, 162 p)
    Bemerkung(en):

    Based on the author's thesis (Ph. D.--University of Surrey Roehampton, 2003) presented under the title: Twentieth century travel writing and the classical experience

    Includes bibliographical references (p. [143]-158) and index
  15. The fragile scholar
    power and masculinity in Chinese culture
    Autor*in: Song, Geng
    Erschienen: ©2004
    Verlag:  Hong Kong University Press, Hong Kong

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9622096204; 9789622096202; 9789882201385; 9882201385
    Schlagworte: Social Science; Literature; LITERARY CRITICISM / Asian / General; SOCIAL SCIENCE / Anthropology / Cultural; Chinese literature; Gender identity; Homosexuality; Literature; Masculinity; Qing Dynasty (China); Scholars; Literatur; Chinesisch; Heterosexualität; Motiv (Literatur); Geschlechterdifferenz; Macht; Literatur; Chinese literature; Masculinity in literature; Gender identity in literature; Homosexuality in literature; Scholars in literature; Chinesisch; Gelehrter <Motiv>; Homosexualität <Motiv>; Macht <Motiv>; Männlichkeit <Motiv>; Literatur
    Umfang: 1 Online-Ressource (x, 246 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 219-231) and index

    Preface and Acknowledgements; Introduction; CHAPTER 1. The Fragile Scholar as a Cultural Discourse; CHAPTER 2. From Qu Yuan to Student Zhang: A Genealogy of the Effeminate Shi; CHAPTER 3. Textuality, Rituals and the "Docile Bodies"; CHAPTER 4. Caizi versus Junzi: Irony, Subversion and Containment; CHAPTER 5. Jasper-like Face and Rosy Lips: Same-sex Desire and the Male Body; CHAPTER 6. Homosocial Desire: Heroism, Misogyny, and the Male Bond; Notes; Selected Bibliography; Index
  16. Dangerous masculinities
    Conrad, Hemingway, and Lawrence
    Autor*in: Strychacz, Thomas F.
    Erschienen: c2008
    Verlag:  University Press of Florida, Gainesville

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0813031613; 0813039991; 9780813031613; 9780813039992
    Schlagworte: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Motiv (Literatur); Männlichkeit; Männlichkeit (Motiv); Geschlechterrolle (Motiv); American literature / Male authors; English literature / Male authors; Gender identity in literature; Masculinity in literature; Men in literature; Modernism (Literature); English literature; American literature; Modernism (Literature); Masculinity in literature; Men in literature; Gender identity in literature; Geschlechterrolle <Motiv>; Männlichkeit <Motiv>
    Weitere Schlagworte: Hemingway, Ernest; Conrad, Joseph; Lawrence, David H.; Hemingway, Ernest; Conrad, Joseph; Lawrence, David H.; Conrad, Joseph / 1857-1924; Hemingway, Ernest / 1899-1961; Lawrence, D. H. / (David Herbert) / 1885-1930; Conrad, Joseph / 1857-1924; Hemingway, Ernest / 1899-1961; Lawrence, David Herbert / 1885-1930; Hemingway, Ernest; Conrad, Joseph; Lawrence, David H.; Conrad, Joseph (1857-1924); Hemingway, Ernest (1899-1961); Lawrence, D. H. (1885-1930); Lawrence, D. H. (1885-1930); Conrad, Joseph (1857-1924); Hemingway, Ernest (1899-1961)
    Umfang: 1 Online-Ressource (261 p.)
    Bemerkung(en):

    Includes bibliographical references (p. [239]-253) and index

    Masculinity studies, professionalism, and the rhetoric of gender -- Making a mess of manhood in Hemingway's "The capital of the world" -- The construction of Hemingway : masculine style and style-less masculinity -- "Looking at another man's work" : theaters of masculinity in Conrad's Lord Jim -- "Show[ing] himself as a man" : constructions of manhood in Conrad's imperial theater -- Leaving our sureties behind : Lawrence's rhetorical play with gender roles -- Doing a double take : reading gender issues in Women in love -- Conclusion : Lawrence, positionality, and the prospects for new masculinity studies
  17. Erlöser
    Figurationen männlicher Hegemonie
    Beteiligt: Glawion, Sven (Hrsg.); Haschemi Yekani, Elahe (Hrsg.); Husmann, Jana (Hrsg.)
    Erschienen: [2007]; © 2007
    Verlag:  transcript Verlag, Bielefeld

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    Quelle: Verbundkataloge
    Beteiligt: Glawion, Sven (Hrsg.); Haschemi Yekani, Elahe (Hrsg.); Husmann, Jana (Hrsg.)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783839407332
    Weitere Identifier:
    Schriftenreihe: GenderCodes - Transkriptionen zwischen Wissen und Geschlecht ; 4
    Schlagworte: Erlöser; Erlösung; Hegemonie; Künste; Mann; Männlichkeit; Motiv (Film); Motiv (Literatur); Rezeption; Sozialwissenschaften, Soziologie, Anthropologie; Erlösung; Geschlecht; Geschlechtsrolle; Macht; Mann; Männerforschung; Künste; Männlichkeit; Erlöser
    Umfang: 1 online resource (218 pages), illustrations
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015)

    Männliche Erlöserfiguren finden sich in Erzählungen von Literatur, Film und Wissenschaft, ohne dass sie umfassend Beachtung in der kritischen Geschlechterforschung gefunden haben. Ausgehend von neueren Ansätzen der Männlichkeitsforschung fragt dieser Band nach der Bedeutung von Erlöserfiguren in Herstellungsprozessen von Männlichkeit sowie den damit einhergehenden Figurationen männlicher Hegemonie. Die interdisziplinären Beiträge beleuchten Figuren und Strukturen der Erlösung unter literarischen, politischen, pädagogischen und popkulturellen Gesichtspunkten und spüren damit den Gender-Codes in Wissenschaft, Politik, Religion und Kultur nach
  18. Writing and filming the painting
    ekphrasis in liturature and film
    Autor*in: Eidt, Laura M. Sager
    Erschienen: ©2008
    Verlag:  Rodopi, Amsterdam

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1435695305; 9042024577; 9401206279; 9781435695306; 9789042024571; 9789401206273
    Schriftenreihe: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 117
    Schlagworte: Literature; TRAVEL / Special Interest / Literary; LITERARY CRITICISM / General; Art in literature; Art in motion pictures; Ekphrasis; Painting and motion pictures; Literatur; Film; Ästhetik; Malerei; Motiv (Film); Motiv (Literatur); Malerei (Motiv); Literatur; Film; Vergleichende Literaturwissenschaft; Malerei; Literatur; Ekphrasis; Art in literature; Art in motion pictures; Painting and motion pictures; Film; Literatur; Ekphrasis
    Weitere Schlagworte: Goya, Francisco / 1746-1828; Rembrandt Harmenszoon van Rijn / 1606-1669; Vermeer, Johannes / 1632-1675; Goya, Francisco (1746-1828); Rembrandt Harmenszoon van Rijn (1606-1669); Vermeer, Johannes (1632-1675)
    Umfang: 1 Online-Ressource (243 pages)
    Bemerkung(en):

    Works of art by Goya, Rembrandt and Vermeer are analyzed. - Originally presented as the author's thesis, University of Texas in Austin

    Includes bibliographical references (pages 221-234) and Filmography (p. 235)

    Toward a definition of ekphrasis in literature and film -- Methodology -- Goya's Sleep of reason in poetry, drama and film : dramatizing the artist's battle with his creatures -- Goya's Sleep of reason in Lion Feuchtwanger's novel and Konrad Wolf's film adaptation : private or social demons? -- From screenplay to film : Rembrandt's self-portraits and social identity construction through ekphrasis -- Vermeer's women in film and fiction : ekphrasis and gendered structures of vision -- Conclusion : the cerebral and the affective function of ekphrasis

    This innovative interdisciplinary study compares the uses of painting in literary texts and films. In developing a framework of four types of ekphrasis, the author argues for the expansion of the concept of ekphrasis by demonstrating its applicability as interpretive tool to films about the visual arts and artists. Analyzing selected works of art by Goya, Rembrandt, and Vermeer and their ekphrastic treatment in various texts and films, this book examines how the medium of ekphrasis affects the representation of the visual arts in order to show what the differences imply about issues such as ge
  19. Laughter in the Middle Ages and early modern times
    epistemology of a fundamental human behavior, its meaning, and consequences
    Erschienen: ©2010
    Verlag:  Walter de Gruyter, New York

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 3110245477; 3110245485; 9783110245479; 9783110245486
    Schriftenreihe: Fundamentals of medieval and early modern culture ; 5
    Schlagworte: History and criticism; History; Humor; Laughter; Philosophy; Religious aspects; Wit and humor; Literature; TRAVEL / Special Interest / Literary; LITERARY CRITICISM / General; Lachen; Humor; Literatur; Motiv (Literatur); Lachen; Humor; Religion; Geschichte; Literatur; Philosophie; Religion; Laughter in literature; Humor in literature; Laughter; Wit and humor; Laughter; Laughter; Wit and humor, Medieval; Wit and humor; Humor; Lachen; Humor <Motiv>; Lachen <Motiv>; Literatur
    Umfang: 1 Online-Ressource (ix, 853 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Laughter as an expression of human nature in the Middle Ages and the early modern period: literary, historical, theological, philosophical, and psychological reflections. Also an introduction / Albrecht Classen -- Laughter in Procopius's Wars / Judith Hagen -- "Does God really laugh?": appropriate and inappropriate descriptions of God in Islamic traditionalist theology / Livnat Holtzman -- Laughter in Beowulf: ambiguity, ambivalence, and group identity formation / Daniel F. Pigg -- The parodia sacra problem and medieval comic studies / Mark Burde -- Women's laughter and gender politics in medieval conduct discourse / Olga V. Trokhimenko -- Pushing decorum: uneasy laughter in Heinrich von Dem Türlîn's Diu crône / Madelon Köhler-Busch -- Laughter and the comic in a religious text: example of the Cantigas de Santa Maria / Connie L. Scarborough -- The son rebelled and so the father made man alone: ridicule and boundary maintenance in The Nizzahon vetus / John Sewell --

    - Laughing at the beast: the Judensau: anti-Jewish propaganda and humor from the Middle Ages to the early modern period / Birgit Wiedl -- Yes ... but was it funny? Cecco Angiolieri, Rustico Filippi and Giovanni Boccaccio / Fabian Alfie -- Curses and laughter in medieval Italian comic poetry: the ethics of humor in Rustico Filippi's invectives / Nicolino Applauso -- Tromdhámh guaire: a context for laughter and audience in early modern Ireland / Feargal Ó Béarra -- Humorous transgression in the non-conformist fabliaux: a Bakhtinian analysis of three comic tales / Jean E. Jost -- Chaucerian comedy: Troilus and Criseyde / Gretchen Mieszkowski -- Laughing and eating in the fabliaux / Sarah Gordon -- Laughter and medieval stalls / Christine Bousquet-Labouérie -- Vox populi e voce professionis: Processus juris joco-serius. Esoteric humor and the incommensurability of laughter / Scott L. Taylor --

    - "So I thought as I stood, to mirth us among": the function of laughter in The second shepherds' play / Jean N. Goodrich -- Laughing in late-medieval verse (mæren) and prose (Schwänke) narratives: epistemological strategies and hermeneutic explorations / Albrecht Classen -- The workings of desire: Panurge and the dogs / Rosa Alvarez Perez -- Laughing out loud in the Heptaméron: a reassessment of Marguerite de Navarre's ambivalent humor / Elizabeth Chesney Zegura -- You had to be there: the elusive humor of the Sottie / Lia B. Ross -- Sacred parody in Robert Greene's Groatsworth of wit (1592) / Kyle Diroberto -- The comedy of the shrew: theorizing humor in early modern Netherlandish art / Martha Moffitt Peacock -- The comic personas of Milton's Prolusion VI: negotiating masculine identity through self-directed humor / Jessica Tvordi --

    - Ridentum dicere verum (using laughter to speak the truth): laughter and the language of the early modern clown "pickelhering" in German literature of the late seventeenth century (1675-1700) / Robert J. Alexander -- Andreae's ludibrium: Menippean satire in the Chymische hochzeit / Thomas Willard -- The comic power of illusion-allusion: laughter, La devineresse, and the scandal of a glorious century / Diane Rudall -- Laughing at credulity and superstition in the long eighteenth century / Allison P. Coudert
  20. Sibling relationships
    Erschienen: 2006
    Verlag:  Karnac, London

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1849405107; 1855753235; 9781849405102; 9781855753235
    Schlagworte: Frères et sœurs; Frères et soeurs dans la littérature; HISTORY / Ancient; Beziehung (Psychologie); Geschwister; Motiv (Literatur); Psychoanalyse; Geschwisterbeziehung; Geistesgeschichte; Psychologie; Brothers and sisters; Brothers and sisters in literature; Sibling Relations; Siblings / psychology; Brothers and sisters; Brothers and sisters in literature; Geschwisterbeziehung; Psychologie; Geistesgeschichte
    Umfang: 1 Online-Ressource (xi, 253 p.)
    Bemerkung(en):

    The sibling relationship and sibling incest in historical context / Leonore Davidoff -- Ishmael and Isaac: an enduring conflict / Estelle Roith -- Orestes and democracy / R.D. Hinshelwood and Gary Winship -- The siblings of Measure for measure and Twelfth night / Margaret Rustin and Michael Rustin -- The replacement child as writer / Harriet Thistlewaite -- Sibling trauma: a theoretical consideration / Juliet Mitchell -- The idealization of the twin relationship / Vivienne Lewin -- The influence of sibling relationships on couple choice and development / Elspeth Morley -- Siblings / Jennifer Silverstone

    Includes bibliographical references and index
  21. Narrar a San Martín
    Autor*in: Kohan, Martín
    Erschienen: [2005]
    Verlag:  Adriana Hidalgo editora, Buenos Aires

    Standort:
    Universitätsbibliothek Würzburg
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    Sprache: Spanisch
    Medientyp: Buch (Monographie)
    ISBN: 9789871156306
    Weitere Identifier:
    9789871156306
    Schriftenreihe: Array
    Weitere Schlagworte: San Martín, José de / 1778-1850; San Martin, José de; Myth; Motiv (Literatur)
    Umfang: 318 Seiten
  22. Die Sagbarkeit der Heldin
    Jeanne d'Arc in Quellen des 15. und Filmen des 20. Jahrhunderts
    Autor*in: Kansteiner, Morten
    Erschienen: [2011]; © 2011
    Verlag:  Böhlau Verlag, Köln/Wien

    Wie ein Mann zog sie in den Krieg und führte die Franzosen zum Sieg - so erzählen sowohl Chroniken, Briefe, Prozessakten des 15. Jahrhunderts als auch Filme aus allen Abschnitten der Kinogeschichte von Jeanne d'Arc. Obwohl die Gender-­Konventionen... mehr

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    Wie ein Mann zog sie in den Krieg und führte die Franzosen zum Sieg - so erzählen sowohl Chroniken, Briefe, Prozessakten des 15. Jahrhunderts als auch Filme aus allen Abschnitten der Kinogeschichte von Jeanne d'Arc. Obwohl die Gender-­Konventionen spätmittelalterlicher Texte ebenso wie des Mainstream-Films bis gegen Ende des 20. Jahrhunderts eine kämpferische Heldin nicht vorsehen. Wie kann es sein, dass dennoch immer wieder von Jeanne die Rede ist? Ausgestattet mit Instrumenten aus dem Werkzeugkasten des Michel Foucault erkundet Morten Kansteiner die diskursiven Konstellationen, die einer Heldin Rückhalt geben: die Verehrung von Heiligen, Nationalhelden und Stars - Kontexte, die einer aktiven Frauenfigur wachsende Möglichkeiten bieten, aber auch spezifische Beschränkungen auferlegen

     
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    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    Schriftenreihe: Beiträge zur Geschichtskultur
    Beiträge zur Geschichtskultur ; 36
    Schlagworte: Christian women saints; Film; Geschichte; Heiligenverehrung; Heldenverehrung; Heroismus; Literatur; Literature; Motion pictures; Motiv (Film); Motiv (Literatur); Philosophy, Modern; Motion pictures / France / History; Philosophy, Modern / 20th century
    Umfang: 1 online resource(406 p.), illustrations
    Bemerkung(en):

    De Gruyter

    Frontmatter --Inhalt --Vorwort --Einleitung --A. Theorie --B. Jeanne d'Arc als Heldin ihrer ZeitgenossInnen --C. Jeanne d'Arc als Filmheldin --Resümee --Filmographie --Verzeichnis der schriftlichen Quellen --Verzeichnis der Fachliteratur
  23. Imaginea rusului şi a Rusiei în literatura română
    1840 - 1948
    Autor*in: Ivanov, Leonte
    Erschienen: 2004
    Verlag:  Cartier, Chişinău

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  24. Beyond romantic ecocriticism
    toward urbanatural roosting
    Autor*in: Nichols, Ashton
    Erschienen: 2011
    Verlag:  Palgrave Macmillan, New York [u.a.]

    Standort:
    Universitätsbibliothek Regensburg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780230102675; 9781137033994; 9780230117990; 9781283067126
    Weitere Identifier:
    RVK Klassifikation: HL 1131
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Nineteenth-century major lives and letters
    Schlagworte: Natur / Motiv / Englische Literatur; Ökologie / Motiv / Englische Literatur; Englische Literatur / Motiv / Natur; Englische Literatur / Motiv / Ökologie; Englische Literatur / Romantik; Literatur; Englisch; Ecocriticism; Motiv (Literatur); Natur; Romantik; Englisch; Literatur; Natur <Motiv>; Ecocriticism
    Umfang: 1 Online-Ressource (XXIII, 230 S.), Ill.
  25. The Genesis of fiction
    modern novelists as biblical interpreters
    Autor*in: Wright, Terry R.
    Erschienen: ©2007
    Verlag:  Ashgate, Aldershot, England

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780754684367; 0754684369; 0754616681; 9780754616689
    Schlagworte: Bible / Genesis; Genesis; Joseph und seine Brüder; Bibel; American fiction; English fiction; Religion and literature; Twain, Mark; TRAVEL / Special Interest / Literary; LITERARY CRITICISM / General; American fiction; English fiction; Literature; Religion; Religion and literature; Religion in literature; Bellettrie; Receptie; Genesis (bijbelboek); Englische Literatur / Motiv / Genesis; Genesis / Motiv / Englische Literatur; Genesis / Rezeption; Literatur / USA / Motiv / Genesis; Genesis / Motiv / Literatur / USA.; Motiv (Literatur); Roman; Literatur; Religion <Motiv>; Bibel; Geschichte; Literatur; Rezeption; American fiction; English fiction; Religion in literature; Religion and literature; Rezeption; Literatur
    Weitere Schlagworte: Mann, Thomas / 1875-1955; Steinbeck, John / 1902-1968; Twain, Mark / 1835-1910; Mann, Thomas; Twain, Mark (1835-1910); Steinbeck, John (1902-1968); Mann, Thomas (1875-1955)
    Umfang: xii, 188 pages
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 173-182) and index

    Introduction : wrestling with the book of Genesis -- Adam, Eve and the serpent : Mark Twain -- Cain and Abel : John Steinbeck -- From the flood to Babel : Jeanette Winterson -- The sacrifice of Isaac : Jenny Diski -- Rachel and her sisters : Anita Diamant -- Joseph and his brothers : Thomas Mann

    This book considers a range of twentieth-century novelists who practise a creative mode of reading the Bible, exploring aspects of the Book of Genesis which more conventional biblical criticism sometimes ignores. Each chapter considers some of the interpretive challenges of the relevant story in Genesis, especially those noted by rabbinic midrash, which serves as a model for such creative rewriting of the biblical text. All the novelists considered, from Mark Twain, John Steinbeck and Thomas Mann to Jeanette Winterson, Anita Diamant and Jenny Diski, are shown to have been aware of the midrashi