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  1. Filming Shakespeare in the global marketplace
    Autor*in: Burnett, Mark Thornton
    Erschienen: 2007
    Verlag:  Palgrave Macmillan, Basingstoke [u.a.]

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1403992150; 9781403992154
    Weitere Identifier:
    9781403992154
    RVK Klassifikation: HI 3370 ; HI 3330
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Palgrave Shakespeare studies
    Schlagworte: English drama; Motion pictures and globalization; Culture and globalization; Film adaptations; Culture in motion pictures; English drama; Motion pictures and globalization; Culture and globalization; Film adaptations
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William 1564-1616
    Umfang: XI, 227 S., Ill.
    Bemerkung(en):

    Includes bibliographical references (S. 193 - 212) and index
  2. Cinema, Space, and Polylocality in a Globalizing China
    Autor*in: Zhang, Yingjin
    Erschienen: [2009]; © 2009
    Verlag:  University of Hawaii Press, Honolulu

    In this milestone work, prominent China film scholar Yingjin Zhang proposes "polylocality" as a new conceptual framework for investigating the shifting spaces of contemporary Chinese cinema in the age of globalization. Questioning the national cinema... mehr

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    In this milestone work, prominent China film scholar Yingjin Zhang proposes "polylocality" as a new conceptual framework for investigating the shifting spaces of contemporary Chinese cinema in the age of globalization. Questioning the national cinema paradigm, Zhang calls for comparative studies of underdeveloped areas beyond the imperative of transnationalism.The book begins by addressing theories and practices related to space, place, and polylocality in contemporary China before focusing on the space of scholarship and urging scholars to move beyond the current paradigm and explore transnational and comparative film studies. This is followed by a chapter that concentrates on the space of production and surveys the changing landscape of postsocialist filmmaking and the transformation of China’s urban generation of directors. Next is an examination of the space of polylocality and the cinematic mappings of Beijing and a persistent "reel" contact with polylocality in hinterland China. In the fifth chapter Zhang explores the space of subjectivity in independent film and video and contextualizes experiments by young directors with various documentary styles. Chapter 6 calls attention to the space of performance and addresses issues of media and mediation by way of two kinds of playing: the first with documentary as troubling information, the second with piracy as creative intervention. The concluding chapter offers an overview of Chinese cinema in the new century and provides production and reception statistics.Combining inspired critical insights, original observations, and new information, Cinema, Space, and Polylocality in a Globalizing China is a significant work on current Chinese film and a must-read for film scholars and anyone seriously interested in cinema more generally or contemporary Chinese culture

     
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    Volltext (URL des Erstveröffentlichers)
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780824837709
    Weitere Identifier:
    Schlagworte: Motion pictures and globalization; Motion pictures; Motion pictures; Space and time in motion pictures; Film; Raum <Motiv>
    Umfang: 1 online resource, 34 illus
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Nov 2017)
  3. The proximity of other skins
    ethical intimacy in global cinema
    Autor*in: Shimizu, Celine Parreñas
    Erschienen: [2020]
    Verlag:  Oxford University Press, New York, NY

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780190865856; 0190865857; 9780190865863; 0190865865
    RVK Klassifikation: AP 46700
    Schlagworte: Ethnische Beziehungen <Motiv>; Ungleichheit <Motiv>; Geschlechterverhältnis <Motiv>; Film; Intimsphäre <Motiv>; Transnationalisierung <Motiv>
    Weitere Schlagworte: Motion pictures and transnationalism; Motion pictures and globalization; Motion pictures / 21st century / History and criticism; Motion pictures; Motion pictures and globalization; Motion pictures and transnationalism; 2000-2099; Criticism, interpretation, etc
    Umfang: xii, 247 Seiten, Illustrationen, 25 cm
    Bemerkung(en):

    Introduction: Subject/ Abject Relations in Those Long Haired Nights (2017) and Call Her Ganda (2018) -- (Rich) White Women, (Poor) Brown Men, and Sexual Settings: Political and Libidinal Economies in Heading South (2005) and Never Forever (2007) -- The Compassion of Shared Spectatorship: Annihilation and Affliction in Brillante Mendoza's Tirador (2007), Serbis (2007) and Ma' Rosa (2016) -- Intimate Eruptions and the Embodied Montage: Performing Roles and Breaking Rules between Masters and Servants in The Housemaid (2011) and Handmaiden (2016) -- The Ethics of Representing Oneself and Others: Ramona Diaz's Imelda (2005) and David Byrne's Here Lies Love (2010-17) -- Epilogue: Memory and Death (2013-Present)
  4. Zhang Yimou
    globalization and the subject of culture
    Autor*in: Larson, Wendy
    Erschienen: 2017
    Verlag:  Cambria Press, Amherst

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781604979756
    RVK Klassifikation: AP 51400 ; AP 59462
    Schriftenreihe: Cambria Sinophone world series
    Schlagworte: Culture in motion pictures; Motion pictures and globalization; Film; Kultur <Motiv>
    Weitere Schlagworte: Zhang, Yimou; Zhang, Yimou (1950-)
    Umfang: XV, 420 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  5. Postcolonial Artists and Global Aesthetics
    Postcolonial Artists and Global Aesthetics
    Autor*in: Adesokan, Akinwumi
    Erschienen: 2011; ©2011.
    Verlag:  Indiana University Press, Bloomington, IN

    What happens when social and political processes such as globalization shape cultural production? Drawing on a range of writers and filmmakers from Africa and elsewhere, Akin Adesokan explores the forces at work in the production and circulation of... mehr

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    Standort:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    What happens when social and political processes such as globalization shape cultural production? Drawing on a range of writers and filmmakers from Africa and elsewhere, Akin Adesokan explores the forces at work in the production and circulation of culture in a globalized world. He tackles problems such as artistic representation in the era of decolonization, the uneven development of aesthetics across the world, and the impact of location and commodity culture on genres, with a distinctive approach that exposes the global processes transforming cultural forms. Cover -- Table of Contents -- Preface -- Acknowledgments -- Introduction: Generic Transformations at the Crossroads of Capital -- 1. C. L. R. James Sees the World Steadily -- 2. Fitful Decolonization:Xala and the Poetics of Double Fetishism -- 3. T unde Kelani's Nollywood: Aesthetics of Exhortation -- 4. Jean-PierreBekolo and the Challenges of Aesthetic Populism -- 5. Imaginary Citizenship: Caryl Phillips's Atlantic World -- 6. Spirits of Bandung: A Sarcastic Subject Writes to Empire -- Conclusion: Being African in the World -- Notes -- List of References -- Filmography -- Index.

     
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  6. Postcolonial cinema studies
    Beteiligt: Ponzanesi, Sandra (HerausgeberIn); Waller, Marguerite R. (HerausgeberIn)
    Erschienen: 2012
    Verlag:  Routledge, London

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Volltext (Inhaltsverzeichnis)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Ponzanesi, Sandra (HerausgeberIn); Waller, Marguerite R. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780415782289; 9780415782296
    Weitere Identifier:
    9780415782296
    RVK Klassifikation: AP 41850 ; AP 44900 ; EC 1878 ; AP 59603 ; MK 2700 ; AP 50300 ; AP 46100
    Auflage/Ausgabe: First published
    Schlagworte: Motion pictures; Imperialism in motion pictures; Nationalism in motion pictures; Intercultural communication in motion pictures; Culture in motion pictures; Multiculturalism in motion pictures; Motion pictures and globalization
    Weitere Schlagworte: Array; Imperialism in motion pictures; Nationalism in motion pictures; Intercultural communication in motion pictures; Culture in motion pictures; Multiculturalism in motion pictures; Motion pictures and globalization
    Umfang: XVIII, 250 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographic references and index

    Sandra Ponzanesi and Marguerite Waller: Introduction

    Sandra Ponzanesi and Marguerite Waller: pt. I: Cinemas of empire. Introduction to part I

    Ruth Ben-Ghiat: Italian fascism's empire cinema: Kif Tebbi, the conquest of Libya, and the assault on the nomadic

    Julie Codell: Blackface, faciality, and colony nostalgia in 1930s empire films

    Anikó Imre: The socialist historical film

    Sandra Ponzanesi and Marguerite Waller: pt. II: Postcolonial cinemas: unframing histories. Introduction to part II

    Hamish Ford: From otherness "over there" to virtual presence: Camp de Thiaroye, The battle of Algiers, Hidden

    Jude G. Akudinobi: Fraught frames: Fatima, l'algérienne de Dakar and postcolonial quandaries

    Mireille Rosello: Postcolonial relationalities in Philippe Faucon's Dans la vie

    Mariam B. Lam: The postcolonial condition of "Indochinese" cinema from Việt Nam, Cambodia, and Laos

    Sandra Ponzanesi and Marguerite Waller: pt. III: Postcolonial cinemas: postcolonial aesthetics. Introduction to part III

    Paulo de Medeiros: Spectral postcoloniality: Lusophone postcolonial film and the imaginary of the nation

    Sabine Doran: The aesthetics of postcolonial cinema in Raul Ruiz's Three crowns of the sailor

    Marguerite Waller: The postcolonial circus: Maurizio Nichetti's Luna e l'altra

    Sandra Ponzanesi: Postcolonial adaptations: gained and lost in translation

    Sandra Ponzanesi and Marguerite Waller: pt. IV: Postcolonial cinemas and globalization. Introduction to part IV

    Shohini Chaudhuri: Unpeople: postcolonial reflections on terror, torture, and detention in Children of men

    Kanika Batra and Rich Rice: Mira Nair's Monsoon wedding and the transcoded audiologic of postcolonial convergence

    Claudia Hoffmann: Nollywood in transit: the globalization of Nigerian video culture
  7. John Wayne's world
    transnational masculinity in the fifties
    Autor*in: Meeuf, Russell
    Erschienen: c 2013
    Verlag:  Univ. of Texas Press, Austin, Tex.

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780292747463
    Auflage/Ausgabe: 1. ed.
    Schlagworte: Motion picture industry; Masculinity in motion pictures; Motion pictures and globalization; Nineteen fifties
    Weitere Schlagworte: Wayne, John (1907-1979)
    Umfang: X, 213 S., Ill.
    Bemerkung(en):

    Includes bibliographical references (pages 199 - 205) and index

    Introduction: reexamining John WayneThe emergence of "John Wayne": Red River, global masculinity, and Wayne's romantic anxieties -- Exile, community, and wandering: international migration and the spatial dynamics of modernity in John Ford's cavalry trilogy -- John Wayne's cold war: mass tourism and the anticommunist crusade -- John Wayne's body: technicolor and 3-D anxieties in Hondo and the Searchers -- John Wayne's Africa: European colonialism versus U.S. global leadership in Legend of the lost -- John Wayne's Japan: international production, global trade -- And John Wayne's diplomacy in the Barbarian and the Geisha -- Men at work in tight spaces: masculinity, professionalism, and politics in Rio Bravo and the Alamo -- Conclusion: the man who shot Liberty Valance and nostalgia for John Wayne's world.

    Introduction: reexamining John Wayne -- The emergence of "John Wayne": Red River, global masculinity, and Wayne's romantic anxieties -- Exile, community, and wandering: international migration and the spatial dynamics of modernity in John Ford's cavalry trilogy -- John Wayne's cold war: mass tourism and the anticommunist crusade -- John Wayne's body: technicolor and 3-D anxieties in Hondo and the Searchers -- John Wayne's Africa: European colonialism versus U.S. global leadership in Legend of the lost -- John Wayne's Japan: international production, global trade -- And John Wayne's diplomacy in the Barbarian and the Geisha -- Men at work in tight spaces: masculinity, professionalism, and politics in Rio Bravo and the Alamo -- Conclusion: the man who shot Liberty Valance and nostalgia for John Wayne's world.
  8. Rethinking the Romance genre
    global intimacies in contemporary literary and visual culture
    Autor*in: Davis, Emily S.
    Erschienen: 2013
    Verlag:  Palgrave Macmillan, Basingstoke

    Rethinking the Romance Genre examines why the romance genre has proven such an irresistible form for contemporary writers and filmmakers as they approach global issues. In contemporary texts ranging from literary works, to films, to social media,... mehr

    Standort:
    Universitätsbibliothek Freiburg
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    keine Fernleihe

     

    Rethinking the Romance Genre examines why the romance genre has proven such an irresistible form for contemporary writers and filmmakers as they approach global issues. In contemporary texts ranging from literary works, to films, to social media, romance facilitates a range of intimacies that offer new feminist models in the age of globalization. "In globalizing the formulaic provincialisms of traditional genre critique, from Egypt and Palestine, to South Africa, South Asia, and the West Indies, from the 1980s anti-apartheid struggle to the 2011 Arab uprisings, Davis's critical textual readings offer a provocatively uncomfortable combination of romance and politics." - Barbara Harlow, Louann and Larry Temple Centennial Professor of English Literature, University of Texas at Austin, USA "Davis makes a compelling contribution to comparative genre studies by theorizing the contemporary global romance. Arguing against dismissals of romance as simply popular or conservative, she demonstrates a critical reading practice -- drawing on feminist and postcolonial theory as well as recent work in affect studies -- to illuminate the intersections of intimacy and desire with the larger, uneven forces of globalization." - Alexandra Schultheis Moore, Associate Professor of English, University of North Carolina at Greensboro, USA "Genre fiction is the next great frontier in contemporary literary studies. Emily S. Davis maps out that territory by showing how the romance novel has absorbed and refashioned the critique of globalization. We are indebted to Davis for that alone. But she also claims that the critique of globalization needs romance fiction. With this surprising turn, her book breaks new ground. Rethinking the Romance Genre will spur important conversations about the politics of genre fiction." - Rebecca L. Walkowitz, Associate Professor of English, Rutgers University, USA.

     
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  9. Cinema, space, and polylocality in a globalizing China
    Autor*in: Zhang, Yingjin
    Erschienen: 2010
    Verlag:  University of Hawaii Press, Honolulu

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0824834089; 1441671307; 9780824834081; 9781441671301
    Schriftenreihe: Critical interventions (Honolulu, Hawaii)
    Schlagworte: PERFORMING ARTS / Theater / History & Criticism; Globalisierung; Film; Raum-Zeit <Motiv>; Motion pictures; Motion pictures and globalization; Motion pictures / Production and direction; Space and time; Film; Geschichte; Motion pictures and globalization; Space and time in motion pictures; Motion pictures; Motion pictures; Motion pictures; Film; Raum <Motiv>
    Umfang: 1 Online-Ressource (xii, 257 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 231-250), filmography (p. 219-229), and index

    Introduction: cinema, space, polylocality -- Space of scholarship: trans/national and comparative studies -- Space of production: postsocialist filmmaking -- Space of polylocality: remapping the city -- Space of subjectivity: independent documentary -- Space of performance: media and mediation

    "Combining inspired critical insights, original observations, and new information, Cinema, Space, and Polylocality in a Globalizing China is a significant work on current Chinese film and a must-read for film scholars and anyone seriously interested in cinema more generally or contemporary Chinese culture."--Jacket
  10. Postcolonial Artists and Global Aesthetics
    Autor*in: Adesokan, Akinwumi
    Erschienen: ©2011
    Verlag:  Indiana University Press, Bloomington, IN

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0253005507; 1283235927; 9780253005502; 9781283235921
    RVK Klassifikation: EP 20002 ; LB 52800 ; LC 95465
    Schriftenreihe: African expressive cultures
    Schlagworte: Africa / In motion pictures; Motion pictures / Social aspects / Africa; SOCIAL SCIENCE / Media Studies; Film; Gesellschaft; Sozialwissenschaften; Social sciences; Fine Arts; Motion pictures; Motion pictures and globalization; Intercultural communication in motion pictures; Literature and globalization; African diaspora in literature; Literature and society; Postkolonialismus; Kulturkontakt; Film; Schwarze; Globalisierung; Literatur
    Umfang: 1 Online-Ressource (xix, 230 pages)
    Bemerkung(en):

    Includes bibliographical references, filmography and index

    Cover; Contents; Preface; Acknowledgments; Introduction: Generic Transformations at the Crossroads of Capital; 1. C.L.R. James Sees the World Steadily; 2. Fitful Decolonization; 3. Tunde Kelani's Nollywood; 4. Jean-Pierre Bekolo and the Challenges of Aesthetic Populism; 5. Imaginary Citizenship: Caryl Phillips's Atlantic World; 6. Spirits of Bandung: A Sarcastic Subject Writes to Empire; Conclusion: Being African in the World; Notes; List of References; Filmography; Index

    What happens when social and political processes such as globalization shape cultural production? Drawing on a range of writers and filmmakers from Africa and elsewhere, Akin Adesokan explores the forces at work in the production and circulation of culture in a globalized world. He tackles problems such as artistic representation in the era of decolonization, the uneven development of aesthetics across the world, and the impact of location and commodity culture on genres, with a distinctive approach that
  11. The proximity of other skins
    ethical intimacy in global cinema
    Autor*in: Shimizu, Celine Parreñas
    Erschienen: [2020]
    Verlag:  Oxford University Press, New York, NY

    Standort:
    Universitätsbibliothek Bayreuth
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    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek Regensburg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780190865856; 0190865857; 9780190865863; 0190865865
    RVK Klassifikation: AP 46700
    Schlagworte: Ethnische Beziehungen <Motiv>; Ungleichheit <Motiv>; Geschlechterverhältnis <Motiv>; Film; Intimsphäre <Motiv>; Transnationalisierung <Motiv>
    Weitere Schlagworte: Motion pictures and transnationalism; Motion pictures and globalization; Motion pictures / 21st century / History and criticism; Motion pictures; Motion pictures and globalization; Motion pictures and transnationalism; 2000-2099; Criticism, interpretation, etc
    Umfang: xii, 247 Seiten, Illustrationen, 25 cm
    Bemerkung(en):

    Introduction: Subject/ Abject Relations in Those Long Haired Nights (2017) and Call Her Ganda (2018) -- (Rich) White Women, (Poor) Brown Men, and Sexual Settings: Political and Libidinal Economies in Heading South (2005) and Never Forever (2007) -- The Compassion of Shared Spectatorship: Annihilation and Affliction in Brillante Mendoza's Tirador (2007), Serbis (2007) and Ma' Rosa (2016) -- Intimate Eruptions and the Embodied Montage: Performing Roles and Breaking Rules between Masters and Servants in The Housemaid (2011) and Handmaiden (2016) -- The Ethics of Representing Oneself and Others: Ramona Diaz's Imelda (2005) and David Byrne's Here Lies Love (2010-17) -- Epilogue: Memory and Death (2013-Present)
  12. Postcolonial cinema studies
    Erschienen: 2012
    Verlag:  Routledge, Abingdon, Oxon [u.a.]

    Standort:
    Universitätsbibliothek Bayreuth
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    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Standort:
    Bayerische Staatsbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780415782289; 9780415782296; 9780203181478
    RVK Klassifikation: AP 59603 ; EC 1878 ; MK 2700
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Film; Politik; Motion pictures; Imperialism in motion pictures; Nationalism in motion pictures; Intercultural communication in motion pictures; Culture in motion pictures; Multiculturalism in motion pictures; Motion pictures and globalization; Film; Postkolonialismus
    Umfang: XVIII, 250 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index
  13. John Wayne's world
    transnational masculinity in the fifties
    Autor*in: Meeuf, Russell
    Erschienen: 2013
    Verlag:  Univ. of Texas Press, Austin, Tex.

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780292747463
    Auflage/Ausgabe: 1. ed.
    Schlagworte: Geschichte; Motion picture industry; Masculinity in motion pictures; Motion pictures and globalization; Nineteen fifties; Männlichkeit <Motiv>; Film
    Weitere Schlagworte: Wayne, John (1907-1979); Wayne, John (1907-1979)
    Umfang: X, 213 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index
  14. John Wayne's world
    transnational masculinity in the fifties
    Autor*in: Meeuf, Russell
    Erschienen: 2014
    Verlag:  Univ. of Texas Press, Austin, Tex.

    Standort:
    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781477302187
    RVK Klassifikation: AP 59783 ; HU 1774
    Auflage/Ausgabe: 1. paperback ed.
    Schlagworte: Geschichte; Motion picture industry; Masculinity in motion pictures; Motion pictures and globalization; Nineteen fifties; Männlichkeit <Motiv>; Film
    Weitere Schlagworte: Wayne, John (1907-1979); Wayne, John (1907-1979)
    Umfang: X, 213 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index
  15. Die Ethnologie und die Politik des Raums
    Bedeutungsproduktion im ethnographischen Film = Bedeutungsproduktion im ethnographischen Film
    Autor*in: Brenner, Carena
    Erschienen: [2014]
    Verlag:  Transcript, Bielefeld

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783839426371; 3839426375; 9783837626377; 3837626377
    Schriftenreihe: Postcolonial studies ; Bd. 17
    Schlagworte: SOCIAL SCIENCE / Customs & Traditions; Ethnographic films; Motion pictures and globalization; Postcolonialism in motion pictures; Array; Postkolonialismus; Ethnologischer Film; Globalisierung; Raum; Raumdarstellung; Ethnologie
    Umfang: 1 online resource (323 pages), illustrations
    Bemerkung(en):

    Originally presented as the author's thesis (doctoral)--Leuphana Universität Lüneburg, 2011

    Print version record
  16. Zhang Yimou
    globalization and the subject of culture
    Autor*in: Larson, Wendy
    Erschienen: 2017
    Verlag:  Cambria Press, Amherst

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    Bayerische Staatsbibliothek
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    ISBN: 9781604979756
    RVK Klassifikation: AP 51400 ; AP 59462
    Schriftenreihe: Cambria Sinophone world series
    Schlagworte: Culture in motion pictures; Motion pictures and globalization; Film; Kultur <Motiv>
    Weitere Schlagworte: Zhang, Yimou; Zhang, Yimou (1950-)
    Umfang: XV, 420 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  17. Theorizing ambivalence in Ang Lee's transnational cinema
    Autor*in: Chiang, Chih-Yun
    Erschienen: 2012
    Verlag:  Peter Lang, New York

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  18. Cinema, Space, and Polylocality in a Globalizing China
    Autor*in: Zhang, Yingjin
    Erschienen: [2009]; © 2009
    Verlag:  University of Hawaii Press, Honolulu

    In this milestone work, prominent China film scholar Yingjin Zhang proposes "polylocality" as a new conceptual framework for investigating the shifting spaces of contemporary Chinese cinema in the age of globalization. Questioning the national cinema... mehr

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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    In this milestone work, prominent China film scholar Yingjin Zhang proposes "polylocality" as a new conceptual framework for investigating the shifting spaces of contemporary Chinese cinema in the age of globalization. Questioning the national cinema paradigm, Zhang calls for comparative studies of underdeveloped areas beyond the imperative of transnationalism.The book begins by addressing theories and practices related to space, place, and polylocality in contemporary China before focusing on the space of scholarship and urging scholars to move beyond the current paradigm and explore transnational and comparative film studies. This is followed by a chapter that concentrates on the space of production and surveys the changing landscape of postsocialist filmmaking and the transformation of China’s urban generation of directors. Next is an examination of the space of polylocality and the cinematic mappings of Beijing and a persistent "reel" contact with polylocality in hinterland China. In the fifth chapter Zhang explores the space of subjectivity in independent film and video and contextualizes experiments by young directors with various documentary styles. Chapter 6 calls attention to the space of performance and addresses issues of media and mediation by way of two kinds of playing: the first with documentary as troubling information, the second with piracy as creative intervention. The concluding chapter offers an overview of Chinese cinema in the new century and provides production and reception statistics.Combining inspired critical insights, original observations, and new information, Cinema, Space, and Polylocality in a Globalizing China is a significant work on current Chinese film and a must-read for film scholars and anyone seriously interested in cinema more generally or contemporary Chinese culture

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780824837709
    Weitere Identifier:
    Schlagworte: Motion pictures and globalization; Motion pictures; Motion pictures; Space and time in motion pictures; Raum <Motiv>; Film
    Umfang: 1 online resource, 34 illus
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Nov 2017)
  19. Bollywood travels
    culture, diaspora and border crossings in popular Hindi cinema
    Autor*in: Dudrah, Rajinder Kumar
    Erschienen: 2012
    Verlag:  Routledge, London [u.a.]

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    Bayerische Staatsbibliothek
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780415447409
    RVK Klassifikation: AP 59765
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Routledge contemporary South Asia series ; 55
    Schlagworte: Film; Motion pictures; Motion pictures, Indic; Culture in motion pictures; Motion pictures and globalization; Film; Bollywood <Motiv>; Kulturwandel; Migration <Motiv>
    Umfang: XIV, 130 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index
  20. The Rey Chow reader
    Autor*in: Chow, Rey
    Erschienen: 2010
    Verlag:  Columbia Univ. Press, New York

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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780231149945; 0231149948; 9780231149952; 0231149956; 9780231520782; 0231520786
    Schlagworte: Culture; Politics and culture; Social change; Poststructuralism; Motion pictures / China; Motion pictures and transnationalism; Motion pictures and globalization; Culture in motion pictures; Film; Film; Kultur; Postkolonialismus
    Umfang: XXIII, 289 S., Ill., 23 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Modernity and postcolonial ethnicity. The age of the world target: atomic bombs, alterity, area studies -- The postcolonial difference: lessons in cultural legitimation -- From Writing diaspora: introduction: leading questions -- Brushes with the-other-as-face: stereotyping and cross-ethnic representation -- The politics of admittance: female sexual agency, miscegenation, and the formation of community in Frantz Fanon -- When whiteness feminizes : some consequences of a supplementary logic -- Filmic visuality and transcultural politics. Film and cultural identity -- Seeing modern China : toward a theory of ethnic spectatorship -- The dream of a butterfly -- Film as ethnography, or, Translation between cultures in the postcolonial world -- A filmic staging of postwar geotemporal politics: on Akira Kurosawa's No regrets for our youth, sixty years later -- From Sentimental fabulations, contemporary Chinese films: attachment in the age of global visibility -- The political economy of vision in Happy times and Not one less, or, a different type of migration
  21. Bollywood and globalization
    Indian popular cinema, nation, and diaspora
    Erschienen: ©2010
    Verlag:  Anthem Press, London

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1843318334; 184331889X; 9780857287823; 9781843318330; 9781843318897
    Schriftenreihe: Anthem South Asian studies
    Schlagworte: DRAMA / Anthologies (multiple authors); Culture in motion pictures; Globalization / Social aspects; Motion picture industry; Motion pictures; Motion pictures and globalization; Film; Gesellschaft; Globalisierung; Motion picture industry; Motion pictures; Globalization; Motion pictures and globalization; Culture in motion pictures; Globalisierung; Nationalismus; Unterhaltungsfilm; Geschlechterrolle; Bollywood; Kulturwandel
    Umfang: 1 Online-Ressource (xi, 197 pages)
    Bemerkung(en):

    Bollywood, nation, globalization : an incomplete introduction - Rini Bhattacharya Mehta -- - Sentimental symptoms : the films of Karan Johar and Bombay cinema - Sangita Gopal -- - Is everybody saying 'Shava shava' to Bollywood Bhangra? - Anjali Gera Roy -- - Bollywood babes : body and female desire in the Bombay films since the nineties and Darr, Mohra and Aitraaz : a tropic discourse - Purna Chowdhury -- - Globalization and the cultural imaginary : constructions of subjectivity, freedom & enjoyment in popular Indian cinema - Gautam Basu Thakur -- - Rang de basanti : the solvent brown and other imperial colors - Manisha Basu -- - Between yaars : the queering of dosti in contemporary Bollywood films - Dinah Holtzman -- - Imagined subjects : law, gender and citizenship in Indian cinema - Nandini Bhattacharya -- - 'It's all about loving your parents' : liberalization, Hindutva and Bollywood's new fathers - Meheli Sen

    Includes bibliographical references

    This book is a collection of incisive articles on the interactions between Indian Popular Cinema and the political and cultural ideologies of a new post-Global India
  22. Postcolonial artists and global aesthetics
    Autor*in: Adesokan, Akinwumi
    Erschienen: 2011
    Verlag:  Indiana Univ. Press, Bloomington [u.a.]

    Standort:
    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780253356796; 9780253223456
    RVK Klassifikation: EP 20002 ; LB 52800 ; LC 95465
    Schriftenreihe: African expressive cultures
    Schlagworte: Film; Gesellschaft; Motion pictures; Motion pictures and globalization; Intercultural communication in motion pictures; Literature and globalization; African diaspora in literature; Literature and society; Postkolonialismus; Kulturkontakt; Film; Schwarze; Globalisierung; Literatur
    Umfang: XIX, 230 S., Ill.
    Bemerkung(en):

    Literaturangaben

    Includes bibliographical references and index -- Includes filmography
  23. John Wayne's world
    transnational masculinity in the fifties
    Autor*in: Meeuf, Russell
    Erschienen: 2013
    Verlag:  University of Texas Press, Austin

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780292747463; 9780292747470
    Auflage/Ausgabe: 1st ed
    Schlagworte: Geschichte; Motion picture industry; Masculinity in motion pictures; Motion pictures and globalization; Nineteen fifties; Männlichkeit <Motiv>; Film
    Weitere Schlagworte: Wayne, John (1907-1979); Wayne, John (1907-1979)
    Umfang: x, 213 p.
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction: reexamining John Wayne -- The emergence of "John Wayne": Red River, global masculinity, and Wayne's romantic anxieties -- Exile, community, and wandering: international migration and the spatial dynamics of modernity in John Ford's cavalry trilogy -- John Wayne's cold war: mass tourism and the anticommunist crusade -- John Wayne's body: technicolor and 3-D anxieties in Hondo and the Searchers -- John Wayne's Africa: European colonialism versus U.S. global leadership in Legend of the lost -- John Wayne's Japan: international production, global trade -- And John Wayne's diplomacy in the Barbarian and the Geisha -- Men at work in tight spaces: masculinity, professionalism, and politics in Rio Bravo and the Alamo -- Conclusion: the man who shot Liberty Valance and nostalgia for John Wayne's world
  24. Cinema, space, and polylocality in a globalizing China
    Autor*in: Zhang, Yingjin
    Erschienen: 2010
    Verlag:  University of Hawaii Press, Honolulu

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780824833374; 9780824834081
    Schriftenreihe: Critical interventions
    Schlagworte: Film; Geschichte; Motion pictures and globalization; Space and time in motion pictures; Motion pictures; Motion pictures; Motion pictures; Film; Raum <Motiv>
    Umfang: xii, 257 p.
    Bemerkung(en):

    Includes bibliographical references (p. 231-250), filmography (p. 219-229), and index

    Introduction: cinema, space, polylocality -- Space of scholarship: trans/national and comparative studies -- Space of production: postsocialist filmmaking -- Space of polylocality: remapping the city -- Space of subjectivity: independent documentary -- Space of performance: media and mediation
  25. Global melodrama
    nation, body, and history in contemporary film
    Autor*in: Marcantonio, Carla
    Erschienen: 2015
    Verlag:  Palgrave Macmillan, Basingstoke

    "As Film Studies continues to move toward embracing the study of global cinema, this book argues for the significance of melodrama as a method through which to approach contemporary films such that we can still retain their local specificity while... mehr

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    "As Film Studies continues to move toward embracing the study of global cinema, this book argues for the significance of melodrama as a method through which to approach contemporary films such that we can still retain their local specificity while accounting for how they also respond to changes in the representation of time, space, and embodiment in the era of globalization"...

     
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