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  1. Tebeos de cine
    la influencia cinematográfica en el tebeo clásico Español, 1900-1970
    Autor*in: Baena, Paco
    Erschienen: [2017]
    Verlag:  Trilita Ediciones, [Barcelona]

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  2. La representación de la mujer en el cine español de la transición
    (1973-1982)
    Erschienen: 2009
    Verlag:  KRK, Oviedo

    Universitätsbibliothek Paderborn
    KNKS1546
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Spanisch
    Medientyp: Buch (Monographie)
    ISBN: 9788483672266
    Schriftenreihe: Alternativas ; 34
    Serie: Doctorado de estudios de la mujer
    Schlagworte: Film; Frau <Motiv>
    Weitere Schlagworte: Women in motion pictures / History / 20th century; Motion pictures / Spain / History / 20th century
    Umfang: 377 Seiten, 17 cm
    Bemerkung(en):

    Bibliografía Seite 339 - 348, Filmografía Seite 349 - 377

  3. Spanish cinema against itself
    cosmopolitanism, experimentation, militancy
    Autor*in: Marsh, Steven
    Erschienen: [2020]
    Verlag:  Indiana University Press, Bloomington, Indiana

    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780253046314; 9780253046307
    Schriftenreihe: New directions in national cinemas
    Schlagworte: Soziale Probleme <Motiv>; Film
    Weitere Schlagworte: Motion pictures / Spain / History / 20th century; Motion pictures / Spain / History / 21st century; Motion pictures / Social aspects / Spain / History and criticism; Motion pictures; Motion pictures / Social aspects; Spain; 1900-2099; Criticism, interpretation, etc; History
    Umfang: x, 256 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Introduction: differance. otherness. experiment -- Interrogations of the national allegory: trance film and ethnography -- Intermediality, intoxication, and the infrathin -- The discontinuous legacies of Pere Portabella: between heritage and inheritance -- History, hauntology, representation: Spanish cinema against itself -- The ex of experimentation: against periodization -- The catacoustic and the cosmopolitan: rhythm and timbre in the films of Andres Duque -- Turns and returns, envois/renvois: the postal effect in recent Spanish film -- Retrospective future perfect: history, black holes, and time warps in the films of los hijos and Luis López Carrasco -- "No nos representan!": performativity as militant film, the 15-M Archive -- Afterword: unruly archives. La decima carta and Buenas noches, España

  4. Inhabiting the in-between
    childhood and cinema in Spain's long transition
    Autor*in: Thomas, Sarah
    Erschienen: [2019]
    Verlag:  University of Toronto Press, Toronto ; Buffalo ; London

    "Although children have proliferated in Spain's cinema since its inception, nowhere are they privileged and complicated in quite the same way as in the films of the 1970s and early 1980s, a period of radical political and cultural change for the... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule für Fernsehen und Film, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "Although children have proliferated in Spain's cinema since its inception, nowhere are they privileged and complicated in quite the same way as in the films of the 1970s and early 1980s, a period of radical political and cultural change for the nation as it emerged from almost four decades of repressive dictatorship under the rule of General Francisco Franco. In Inhabiting the In-Between: Childhood and Cinema in Spain's Long Transition, Sarah Thomas analyzes the cinematic child within this complex historical conjuncture of a nation looking back on decades of authoritarian rule and forward to an uncertain future. Examining films from several genres by four key directors of the Transition--Carlos Saura, Antonio Mercero, Víctor Erice, and Jaime de Armiñán--Inhabiting the In-Between explores how the child is represented as both subject and object, self and other, and consistently cast in a position between categories or binary poles. Its readings demonstrate how the cinematic child that materializes in this period is a fundamentally shifting, oscillating, ambivalent figure that points toward the impossibility of fully comprehending the historical past and the figure of the other, while inviting an ethical engagement with each."

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781487504885
    Schriftenreihe: Toronto Iberic ; 40
    Schlagworte: Kind <Motiv>; Film
    Weitere Schlagworte: Motion pictures / Spain / History / 20th century; Children in motion pictures; Cinéma / Espagne / Histoire / 20e siècle; Enfants au cinéma; Children in motion pictures; Motion pictures; Spain; 1900-1999; History
    Umfang: xii, 240 Seiten, Illustrationen, 24 cm
  5. Subversive Spanish cinema
    the politics of performance
    Autor*in: Noble, Fiona
    Erschienen: 2020
    Verlag:  Bloomsbury Academic, London ; New York

    "A camp lipsynched routine by three air stewards distracts unsuspecting passengers from the fact that their plane is to make a crash landing. Performance functions as a diversion from unsavoury realities. In this way, Pedro Almodóvar's 2013 film I'm... mehr

    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Regensburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "A camp lipsynched routine by three air stewards distracts unsuspecting passengers from the fact that their plane is to make a crash landing. Performance functions as a diversion from unsavoury realities. In this way, Pedro Almodóvar's 2013 film I'm So Excited adopts a strategy of subversive anti-establishment censor-evading filmmaking practices under Franco. Contemporary cinematic performance in Spain intersects with politics to provide a platform for views and voices that do not conform to the dominant political narrative. An essential text for scholars, students and aficionados of Spanish cinema, Subversive Spanish Cinema: The Politics of Performance is the first single-authored monograph to focus on performance in this context. The book analyses interactions between performance and politics in technical and conceptual terms considering, for example, performance styles, the narrative role of performance and political interventions by actors such as Javier Bardem and Juan Diego Botto. Ultimately, Subversive Spanish Cinema: The Politics of Performance posits performance, within the specific context of contemporary Spanish cinema, as a politically-potent device and proposes that it is precisely for this reason that the arts have borne the brunt of aggressive austerity measures enforced by Spain's conservative government in recent years."

     

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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350152458; 9781350152472; 9781350152465
    Weitere Identifier:
    RVK Klassifikation: MD 8480 ; AP 44937
    Schlagworte: Films, cinema / bicssc; Motion pictures / Spain / History / 20th century; Motion pictures / Political aspects / Spain / History / 20th century; Motion picture acting; Government, Resistance to / Spain / History / 20th century; Subversion <Motiv>; Film; Performance <Künste>
    Umfang: 1 Online-Ressource (xii, 223 Seiten)
    Bemerkung(en):

    Performing pastness -- Performing identities -- Metaperformances -- Performance as catharsis and therapy

  6. Subversive Spanish cinema
    the politics of performance
    Autor*in: Noble, Fiona
    Erschienen: 2020
    Verlag:  Bloomsbury Academic, London

    Hochschule für Fernsehen und Film, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781788310093
    Auflage/Ausgabe: First published
    Schlagworte: Performance <Künste>; Film; Subversion <Motiv>
    Weitere Schlagworte: Films, cinema / bicssc; Motion pictures / Spain / History / 20th century; Motion pictures / Political aspects / Spain / History / 20th century; Motion picture acting; Government, Resistance to / Spain / History / 20th century
    Umfang: xii, 223 Seiten, Illustrationen
    Bemerkung(en):

    Enthält Literaturverzeichnis Seite: [206]-218

  7. Spanish cinema against itself
    cosmopolitanism, experimentation, militancy
    Autor*in: Marsh, Steven
    Erschienen: [2020]
    Verlag:  Indiana University Press, Bloomington, Indiana

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780253046314; 9780253046307
    Schriftenreihe: New directions in national cinemas
    Schlagworte: Soziale Probleme <Motiv>; Film
    Weitere Schlagworte: Motion pictures / Spain / History / 20th century; Motion pictures / Spain / History / 21st century; Motion pictures / Social aspects / Spain / History and criticism; Motion pictures; Motion pictures / Social aspects; Spain; 1900-2099; Criticism, interpretation, etc; History
    Umfang: x, 256 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Introduction: differance. otherness. experiment -- Interrogations of the national allegory: trance film and ethnography -- Intermediality, intoxication, and the infrathin -- The discontinuous legacies of Pere Portabella: between heritage and inheritance -- History, hauntology, representation: Spanish cinema against itself -- The ex of experimentation: against periodization -- The catacoustic and the cosmopolitan: rhythm and timbre in the films of Andres Duque -- Turns and returns, envois/renvois: the postal effect in recent Spanish film -- Retrospective future perfect: history, black holes, and time warps in the films of los hijos and Luis López Carrasco -- "No nos representan!": performativity as militant film, the 15-M Archive -- Afterword: unruly archives. La decima carta and Buenas noches, España

  8. Indiscreet fantasies
    Iberian queer cinema
    Beteiligt: Lema-Hincapié, Andrés (Hrsg.); Domènech, Conxita (Hrsg.)
    Erschienen: [2021]
    Verlag:  Bucknell University Press, Lewisberg, Pennsylvania

    "Indiscreet Fantasies: Iberian Queer Cinema is a collection of fifteen essays, each focusing on a queer film by a prominent Iberian filmmaker. The films studied here span nearly five decades, beginning with Narciso Ibáñez Serrador's La residencia... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Indiscreet Fantasies: Iberian Queer Cinema is a collection of fifteen essays, each focusing on a queer film by a prominent Iberian filmmaker. The films studied here span nearly five decades, beginning with Narciso Ibáñez Serrador's La residencia (The House That Screamed, 1970) and ending with João Pedro Rodrigues' O ornitólogo (The Ornithologist, 2016). The first of its kind for English-speaking readers, this book examines the work of filmmakers Ventura Pons, Cesc Gay, Marta Balletbò-Coll, Paulo Rocha, Roberto Castón, Ignacio Vilar, and Pedro Almodóvar, among others, from various Iberian cultural and linguistic cultures, including that of Portugal, Catalonia, Galicia, and the Basque Country. Rather than presenting a historical survey of Iberian queer films, Indiscreet Fantasies encourages a deep reading of each film, sends readers to other related films/writings, and fosters meditation on the ways these films cast light on particular moments and aspects of contemporary Iberian queer issues in history and society."

     

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  9. La madre muerta
    el mito matricida en la literatura y el cine españoles
    Erschienen: 2016; © 2016
    Verlag:  U.N.C. Department of Romance Studies, Chapel Hill

    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Spanisch
    Medientyp: Buch (Monographie)
    ISBN: 9781469630724; 1469630729
    RVK Klassifikation: IP 1840 ; IP 2387
    Schriftenreihe: North Carolina studies in the Romance languages and literatures ; number 308
    Schlagworte: Film; Geschichte; Spanisch; Film; Literatur; Mutter; Mord <Motiv>
    Weitere Schlagworte: Spanish literature / 20th century / History and criticism; Mothers in literature; Parricide in literature; Motion pictures / Spain / History / 20th century; Mothers in motion pictures; Parricide in motion pictures
    Umfang: 215 Seiten, 2 Illustrationen, 23 cm
  10. From silver screen to Spanish stage
    the humorists of the Madrid vanguardia and Hollywood film
    Autor*in: Green, Stuart
    Erschienen: 2011
    Verlag:  Univ. of Wales Press, Cardiff

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Schriftenreihe: Iberian and Latin American studies
    Schlagworte: Humorists, Spanish / 20th century; Spanish prose literature / 20th century / History and criticism; Theater / Spain / History / 20th century; Motion pictures / Spain / History / 20th century; Film; Geschichte; Bühnenbearbeitung; Spanisch; Film; Humorist
    Umfang: X, 216 S., 22 cm
  11. Cine en papel
    cultura y crítica cinematográfica en España, (1939-1962)
    Erschienen: 2009
    Verlag:  Ed. da la Filmoteca (Instituto Valenciano del Audiovisual Ricardo Muñoz Suay), Valencia

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    Hinweise zum Inhalt
    04
    Quelle: Verbundkataloge
    Sprache: Spanisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9788448251918
    Weitere Identifier:
    9788448251918
    Schriftenreihe: Ediciones de la Filmoteca : Especial textos ; 42
    Schlagworte: Motion pictures / Spain / History / 20th century <LCSH>; Motion picture literature / Spain / History / 20th century <LCSH>; Motion pictures; Motion picture literature
    Umfang: 477 S., Ill., 24 cm
    Bemerkung(en):

    Literaturverz. S. 461 - 472

  12. Subversive Spanish cinema
    the politics of performance
    Autor*in: Noble, Fiona
    Erschienen: 2020
    Verlag:  Bloomsbury Academic, London ; New York

    "A camp lipsynched routine by three air stewards distracts unsuspecting passengers from the fact that their plane is to make a crash landing. Performance functions as a diversion from unsavoury realities. In this way, Pedro Almodóvar's 2013 film I'm... mehr

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "A camp lipsynched routine by three air stewards distracts unsuspecting passengers from the fact that their plane is to make a crash landing. Performance functions as a diversion from unsavoury realities. In this way, Pedro Almodóvar's 2013 film I'm So Excited adopts a strategy of subversive anti-establishment censor-evading filmmaking practices under Franco. Contemporary cinematic performance in Spain intersects with politics to provide a platform for views and voices that do not conform to the dominant political narrative. An essential text for scholars, students and aficionados of Spanish cinema, Subversive Spanish Cinema: The Politics of Performance is the first single-authored monograph to focus on performance in this context. The book analyses interactions between performance and politics in technical and conceptual terms considering, for example, performance styles, the narrative role of performance and political interventions by actors such as Javier Bardem and Juan Diego Botto. Ultimately, Subversive Spanish Cinema: The Politics of Performance posits performance, within the specific context of contemporary Spanish cinema, as a politically-potent device and proposes that it is precisely for this reason that the arts have borne the brunt of aggressive austerity measures enforced by Spain's conservative government in recent years."

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350152458; 9781350152472; 9781350152465
    Weitere Identifier:
    RVK Klassifikation: MD 8480 ; AP 44937
    Schlagworte: Films, cinema / bicssc; Motion pictures / Spain / History / 20th century; Motion pictures / Political aspects / Spain / History / 20th century; Motion picture acting; Government, Resistance to / Spain / History / 20th century; Subversion <Motiv>; Film; Performance <Künste>
    Umfang: 1 Online-Ressource (xii, 223 Seiten)
    Bemerkung(en):

    Performing pastness -- Performing identities -- Metaperformances -- Performance as catharsis and therapy

  13. Spanish film, theatre and literature in the twentieth century ; essays in honour of Derek Gagen
    Beteiligt: Gagen, Derek
    Erschienen: 2007
    Verlag:  Univ. of Wales Press, Cardiff

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Gagen, Derek
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Schlagworte: Theater / Spain / History / 20th century; Motion pictures / Spain / History / 20th century; Spanish literature / 20th century / History and criticism; Film; Geschichte; Motion pictures; Spanish literature; Theater; Literatur; Drama; Film
    Umfang: XXIII, 320 S., Ill., 23 cm
    Bemerkung(en):

    Includes bibliographical references and index

  14. <<La>> representación de la mujer en el cine español de la transición
    (1973-1982)
    Erschienen: 2009
    Verlag:  KRK, Oviedo

    Universitätsbibliothek Paderborn
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Spanisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9788483672266
    Schriftenreihe: Alternativas ; 34
    Serie: Doctorado de estudios de la mujer
    Schlagworte: Women in motion pictures / History / 20th century; Motion pictures / Spain / History / 20th century
    Umfang: 377 Seiten, 17 cm
    Bemerkung(en):

    Bibliografía Seite 339 - 348, Filmografía Seite 349 - 377