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  1. Urban horror
    neoliberal post-socialism and the limits of visibility
    Autor*in: Huang, Erin Y.
    Erschienen: [2020]
    Verlag:  Duke University Press, Durham

    "Urban Horror offers a theory of neoliberal post-socialism through an examination of Chinese cinema. According to Erin Huang, neoliberal post-socialism is the economic order that succeeded the end of the Cold War, and describes the attempted... mehr

     

    "Urban Horror offers a theory of neoliberal post-socialism through an examination of Chinese cinema. According to Erin Huang, neoliberal post-socialism is the economic order that succeeded the end of the Cold War, and describes the attempted articulation of geopolitical and economic relations between formerly socialist and non-socialist countries in what Huang terms the era of the 'post' or 'post-X.' Rather than describing the definitive end of an era, 'post-X' proffers a regressive temporal logic that sutures the present to the past and continuously differs the future. Huang sees the proliferation of terms to describe Chinese economics after the 1978 economic reform policies as the symptoms of a geopolitical order that doesn't yet have a properly articulated name. For Huang, this unarticulated political order is nevertheless felt affectively through what she calls 'urban horror,' and it is best accessed through the cinema of the time period, in which hypermediality-when the meaning of the image no longer depends on an externally existing reality-became popular. Drawing on a definition of horror as a historical mode of perception that occurs when a perceived external reality exceeds one's internal frame of comprehension, Huang argues that the excess of feeling that marks horror's presence allows for an 'elusive sensory communicative channel' in which alternative and dissenting political feelings can emerge. Chapter 1 offers a historical study of the factory in cinema, positioning the images of factory ruins in Chinese cinema as an attempt to reinvent a past that never fully existed. Chapter 2 examines urban horror from a post-socialist feminist perspective by examining the films of Shaohong Li. Chapter 3 focuses on urban horror's development as a product of time in post-socialist Chinese documentary films. Chapter 4 focuses on post-1997 Hong Kong cinema that circulates public sentiments about Hong Kong as a place of political and economic exception. Chapter 5 examines the films of Ming-liang Tsai-and the subject of precarity in Tsai's films-in relation to their display in art museums and performance art spaces. This book will be of interest to students and scholars of Sinophone and East Asian studies, film studies, studies of globalization and neoliberalism, political and social theory, affect studies, feminist studies, and Marxist studies"-

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781478008095
    RVK Klassifikation: AP 53900
    Schriftenreihe: Sinotheory
    Schlagworte: China; Horrorfilm; Stadt <Motiv>; Geschichte 1990-2018;
    Weitere Schlagworte: Motion pictures / China / History and criticism; Motion pictures / Political aspects / China; Motion pictures / Social aspects / China; Cities and towns in motion pictures; Cities and towns in motion pictures; Motion pictures; Motion pictures / Political aspects; Motion pictures / Social aspects; China; Criticism, interpretation, etc
    Umfang: XII, 271 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis Seite [245]-257

    Extensive and substantial revision of author's thesis (doctoral)--University of California, Irvine, 2012, titled Capital's abjects : Chinese cinemas, urban horror, and the limits of visibility

    :
  2. Cinematic terror
    a global history of terrorism on film
    Autor*in: Shaw, Tony
    Erschienen: 2015
    Verlag:  Bloomsbury, New York, NY [u.a.]

  3. A not so foreign affair
    fascism, sexuality, and the cultural rhetoric of democracy
    Autor*in: Slane, Andrea
    Erschienen: [2012?]
    Verlag:  Duke University Press, Durham

    1. The Democratic Family: Nazi Nationalist Melodrama: Science, Myth, and Paternal Authority in Die Goldene Stadt. American Nationalist Melodrama: Tales of Hitler's Children. "Family Values" and Naziana in Contemporary Right-Wing Media. 2. The... mehr

    Standort:
    Bayerische Staatsbibliothek
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    1. The Democratic Family: Nazi Nationalist Melodrama: Science, Myth, and Paternal Authority in Die Goldene Stadt. American Nationalist Melodrama: Tales of Hitler's Children. "Family Values" and Naziana in Contemporary Right-Wing Media. 2. The Democratic Psyche. Nazism, Psychology, and the Making of Democratic Subjects. The American Nazi: Cold War Social Problem Films and National Psychobiography. Skinheads, Militiamen, and the Legacies of Failed Masculinity. 3. Democratic Sex. The Iconology of the Sexy Nazi Woman: Marlene Dietrich as Political Palimpsest. Sexualized Nazis and Contemporary Popular Political Culture. -- Epilogue

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822380849
    Weitere Identifier:
    RVK Klassifikation: MG 70070
    Schlagworte: National socialism in motion pictures; National socialism and motion pictures; Motion pictures / Political aspects; Film; Nationalsozialismus; Nationalsozialismus <Motiv>
    Umfang: 1 Online-Ressource (x, 368 Seiten), Illustrationen
    Bemerkung(en):

    Informationen wurden der Landingpage entnommen, da weder Titelblatt noch Impressum vorhanden (Duke University Press)
  4. Urban horror
    neoliberal post-socialism and the limits of visibility
    Autor*in: Huang, Erin Y.
    Erschienen: 2020
    Verlag:  Duke University Press, Durham ; London

    "Urban Horror offers a theory of neoliberal post-socialism through an examination of Chinese cinema. According to Erin Huang, neoliberal post-socialism is the economic order that succeeded the end of the Cold War, and describes the attempted... mehr

    Standort:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    "Urban Horror offers a theory of neoliberal post-socialism through an examination of Chinese cinema. According to Erin Huang, neoliberal post-socialism is the economic order that succeeded the end of the Cold War, and describes the attempted articulation of geopolitical and economic relations between formerly socialist and non-socialist countries in what Huang terms the era of the 'post' or 'post-X.' Rather than describing the definitive end of an era, 'post-X' proffers a regressive temporal logic that sutures the present to the past and continuously differs the future. Huang sees the proliferation of terms to describe Chinese economics after the 1978 economic reform policies as the symptoms of a geopolitical order that doesn't yet have a properly articulated name. For Huang, this unarticulated political order is nevertheless felt affectively through what she calls 'urban horror,' and it is best accessed through the cinema of the time period, in which hypermediality-when the meaning of the image no longer depends on an externally existing reality-became popular. Drawing on a definition of horror as a historical mode of perception that occurs when a perceived external reality exceeds one's internal frame of comprehension, Huang argues that the excess of feeling that marks horror's presence allows for an 'elusive sensory communicative channel' in which alternative and dissenting political feelings can emerge. Chapter 1 offers a historical study of the factory in cinema, positioning the images of factory ruins in Chinese cinema as an attempt to reinvent a past that never fully existed. Chapter 2 examines urban horror from a post-socialist feminist perspective by examining the films of Shaohong Li. Chapter 3 focuses on urban horror's development as a product of time in post-socialist Chinese documentary films. Chapter 4 focuses on post-1997 Hong Kong cinema that circulates public sentiments about Hong Kong as a place of political and economic exception. Chapter 5 examines the films of Ming-liang Tsai-and the subject of precarity in Tsai's films-in relation to their display in art museums and performance art spaces. This book will be of interest to students and scholars of Sinophone and East Asian studies, film studies, studies of globalization and neoliberalism, political and social theory, affect studies, feminist studies, and Marxist studies"-

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    ISBN: 9781478008095; 9781478006794
    RVK Klassifikation: AP 53900 ; AP 44962
    Schriftenreihe: Sinotheory
    Schlagworte: Videokunst; Blockbuster; Horrorfilm; Horror; Stadt <Motiv>; Dokumentarfilm
    Weitere Schlagworte: Motion pictures / China / History and criticism; Motion pictures / Political aspects / China; Motion pictures / Social aspects / China; Cities and towns in motion pictures; Cities and towns in motion pictures; Motion pictures; Motion pictures / Political aspects; Motion pictures / Social aspects; China; Criticism, interpretation, etc
    Umfang: xii, 271 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Extensive and substantial revision of author's thesis (doctoral)--University of California, Irvine, 2012, titled Capital's abjects : Chinese cinemas, urban horror, and the limits of visibility

    Dissertation, University of California, 2012

    Introduction. Urban horror : speculative futures of Chinese cinemas -- Cartographies of socialism and post-socialism : the factory gate and the threshold of the visible world -- Intimate dystopias : post-socialist femininity and the Marxist-feminist interior -- The post- as media time : documentary experiments and the rhetoric of ruin gazing -- Post-socialism in Hong Kong : zone urbanism and Marxist phenomenology -- The ethics of representing precarity : subverting the givenness of this world
  5. Hollywood hates Hitler!
    Jew-baiting, anti-Nazism, and the Senate investigation into warmongering in motion pictures
    Autor*in: Yogerst, Chris
    Erschienen: [2020]
    Verlag:  University Press of Mississippi, Jackson

    "In September 1941, a handful of isolationist senators set out to tarnish Hollywood for warmongering. The United States was largely divided on the possibility of entering the European War, yet the immigrant moguls in Hollywood were acutely aware of... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    "In September 1941, a handful of isolationist senators set out to tarnish Hollywood for warmongering. The United States was largely divided on the possibility of entering the European War, yet the immigrant moguls in Hollywood were acutely aware of the conditions in Europe. After Kristallnacht (the Night of Broken Glass), the gloves came off. Warner Bros. released the first directly anti-Nazi film in 1939 with Confessions of a Nazi Spy. Other studios followed with such films as The Mortal Storm (MGM), Man Hunt (Fox), The Man I Married (Fox), and The Great Dictator (United Artists). While these films represented a small percentage of Hollywood's output, senators took aim at the Jews in Hollywood who were supposedly "agitating us for war" and launched an investigation that resulted in Senate Resolution 152. The resolution was aimed at both radio and movies that "have been extensively used for propaganda purposes designed to influence the public mind in the direction of participation in the European war." When the Senate approved a subcommittee to investigate the intentions of these films, studio bosses were ready and willing to stand up against the government to defend their beloved industry. What followed was a complete embarrassment of the United States Senate and a large victory for Hollywood as well as freedom of speech. Many works of American film history only skim the surface of the 1941 investigation of Hollywood. In Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures, author Chris Yogerst examines the years leading up to and through the Senate Investigation into Motion Picture War Propaganda, detailing the isolationist senators' relationship with the America First movement. Through his use of primary documents and lengthy congressional records, Yogerst paints a picture of the investigation's daily events both on Capitol Hill and in the national press"--

     
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  6. Chinese revolutionary cinema
    propaganda, aesthetics and internationalism 1949-1966
    Autor*in: Chan, Jessica Ka Yee
    Erschienen: 2019
    Verlag:  I.B. Tauris, London ; New York

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781788311908
    RVK Klassifikation: AP 44962
    Schriftenreihe: International library of the moving image
    Schlagworte: Film; Propaganda; Internationalismus; Ästhetik
    Weitere Schlagworte: Motion pictures / China / History / 20th century; Motion pictures / Political aspects / China / History / 20th century; Motion pictures in propaganda / China / History / 20th century; China / History / 1949-1976; Motion pictures; Motion pictures in propaganda; Motion pictures / Political aspects; China; 1900-1999; History
    Umfang: xiv, 274 Seiten, 4 ungezählte Seiten Tafeln, Illustrationen
  7. Politics, Hollywood style
    American politics in film from Mr. Smith to Selma
    Autor*in: Heyrman, John
    Erschienen: [2018]; © 2018
    Verlag:  Lexington Books, Lanham ; Boulder ; New York ; London

    This book analyzes major films about the American political process since the 1930s. It considers the films' major themes about politics, ideology, and representation of race and gender over the past several decades mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    This book analyzes major films about the American political process since the 1930s. It considers the films' major themes about politics, ideology, and representation of race and gender over the past several decades

     
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781498551922
    RVK Klassifikation: AP 47000 ; HU 1691
    Schriftenreihe: Politics, literature, & film
    Schlagworte: Film; Politik <Motiv>
    Weitere Schlagworte: Motion pictures / Political aspects / United States; Motion pictures / Political aspects; United States
    Umfang: xxvii, 157 Seiten, 24 cm
  8. The leading man
    Hollywood and the presidential image
    Autor*in: Peretti, Burton W., (Burton William)
    Erschienen: c2012 (2012)
    Verlag:  Rutgers University Press, New Brunswick, N.J.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0813554047; 0813554055; 9780813554051
    Schriftenreihe: UPCC book collections on Project MUSE.
    Schlagworte: Historical films; Motion pictures and history; Motion pictures / Political aspects; Presidents in motion pictures; HISTORY / United States / General; Film; Politik; Motion pictures and history; Historical films; Motion pictures; Presidents in motion pictures; USA <Motiv>; Selbstdarstellung; Film
    Umfang: 1 Online-Ressource (344 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    "The torments of desire" : presidents and performance before 1929 -- The studios' golden age and the white house, 1929-1945 -- The old man and tv, 1945-1960 -- Charisma's hour, 1960-1969 -- Enter stage right, 1969-1989 -- Hollywood wags the dog, 1990-2000 -- The twin towers, 2001-2009
  9. American politics in Hollywood film
    Autor*in: Scott, Ian
    Erschienen: c2011
    Verlag:  Edinburgh University Press, Edinburgh

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0748640231; 074864024X; 0748646280; 9780748640232; 9780748640249; 9780748646289
    Auflage/Ausgabe: 2nd ed
    Schlagworte: PERFORMING ARTS / Film & Video / Reference; ART / Film & Video; Motion pictures / Political aspects; Politics in motion pictures; Film; Politik; Politics in motion pictures; Motion pictures; Politik <Motiv>; Film; Politischer Film
    Umfang: 1 Online-Ressource (vii, 264 p.)
    Bemerkung(en):

    Includes bibliographical references and index
  10. "Un-American" Hollywood
    politics and film in the blacklist era
    Erschienen: c2007
    Verlag:  Rutgers University Press, New Brunswick, N.J.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0813543975; 9780813543970
    RVK Klassifikation: AP 44983 ; HR 1080 ; HR 1600
    Schlagworte: BUSINESS & ECONOMICS / Industries / Media & Communications; TECHNOLOGY & ENGINEERING / Telecommunications; Blacklisting of entertainers; Motion pictures / Political aspects; Cinéma / Aspect politique / États-Unis; Listes noires d'artistes du spectacle / États-Unis; Film / Politik / USA / Geschichte 20. Jh; Politik / Film / USA / Geschichte 20. Jh; Antikommunismus / Film / USA.; Film / Antikommunismus / USA.; Filmzensur; Politik; Zensur; Film; Filmschaffende; PERFORMING ARTS / Film & Video / History & Criticism; Film; Industrie; Politik; Wirtschaft; Motion pictures; Blacklisting of entertainers; Literaturgeschichte <Fach>; Politik; Antikommunismus; Kulturkontakt <Motiv>; Ethnische Beziehungen <Motiv>; Lateinamerika <Motiv>; Film
    Umfang: 1 Online-Ressource (vi, 362 p.)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. 279-336) and index

    Are you now or have you ever been a Christian? the strange history of The robe as political allegory / Jeff Smith -- Un-American : Dmytryk, Rossellini, and Christ in concrete / Erica Sheen -- "A living part of the class struggle" : Diego Rivera's The flower carrier and the Hollywood left / Frank Krutnik -- A monarch for the millions : Jewish filmmakers, social commentary, and the postwar cycle of boxing films / Peter Stanfield -- The violent poetry of the times : the politics of history in Daniel Mainwaring and Joseph Losey's The lawless / Doug Dibbern -- Dark passages : jazz and civil liberty in the postwar crime film / Sean McCann -- Documentary realism and the postwar left / Will Straw -- Cloaked in compromise : Jules Dassin's "naked" city / Rebecca Prime -- The progressive producer in the studio system : Adrian Scott at RKO, 1943-1947 / Jennifer Langdon-Teclaw -- The house I live in : Albert Maltz and the fight against anti-Semitism / Art Simon -- Red Hollywood in transition : the case of Robert Rossen / Brian Neve -- Swashbuckling, sapphire, and salt : un-American contributions to TV costume adventure series in the 1950s / Steve Neale -- Hollywood, the new left, and FTA / Mark Shiel -- Red Hollywood / Thom Anderson

    The concept of "un-Americanism," so vital to the HUAC crusade of the 1940s and 1950s, was resoundingly revived in the emotional rhetoric that followed the September 11th terrorist attacks. Today's political and cultural climate makes it more crucial than ever to come to terms with the consequences of this earlier period of repression and with the contested claims of Americanism that it generated. "Un-American" Hollywood reopens the intense critical debate on the blacklist era and on the aesthetic and political work of the Hollywood Left. In a series of fresh case studies focusing on contexts of production and reception, the contributors offer exciting and original perspectives on the role of progressive politics within a capitalist media industry. Original essays scrutinize the work of individual practitioners, such as Robert Rossen, Joseph Losey, Jules Dassin, and Edward Dmytryk, and examine key films, including The Robe, Christ in Concrete, The House I Live In, The Lawless, The Naked City, The Prowler, Body and Soul, and FTA.
  11. The collapse of the conventional
    German film and its politics at the turn of the twenty-first century
    Erschienen: c2010
    Verlag:  Wayne State University Press, Detroit

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 081433377X; 0814336884; 9780814333778; 9780814336885
    Schriftenreihe: Contemporary approaches to film and television series
    Schlagworte: Politik <Motiv>; Film; PERFORMING ARTS / Theater / History & Criticism; Motion pictures; Motion pictures / Political aspects; Politics in motion pictures; Film; Geschichte; Politik; Motion pictures; Politics in motion pictures; Motion pictures; Historischer Film; Politischer Film
    Umfang: 1 Online-Ressource (vi, 431 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    Includes filmography

    Introduction / Jaimey Fisher and Brad Prager -- Imitation of life: the aesthetics of Agfacolor in recent historical cinema / Jennifer M. Kapczynski -- Public viewing: soccer patriotism and post-cinema / Lutz Koepnick -- More war stories: Stalingrad and downfall / Elisabeth Krimmer -- Neofeminist mütterfilm? the emotional politics of Margarethe von Trotta's Rosenstrasse / Anna M. Parkinson -- Dresden: the return of history as soap / Wilfried Wilms -- Terrains vagues: landscapes of unification in Oskar Roehler's No place to go / Johannes von Moltke -- German historical film as production trend: European heritage cinema and melodrama in The lives of others / Jaimey Fisher -- A world of objects: consumer culture in filmic reconstructions of the GDR / Michael D. Richardson -- Playing hide-and-seek with tradition: games, aesthetic form, and social critique in German cinema following the Wende / John E. Davidson -- Imaging Germany: the (political) cinema of Christian Petzold / Marco Abel -- Christoph Hochhäusler's This very moment: the Berlin school and the politics of spatial aesthetics in the German-Polish borderlands / Kristin Kopp -- Die fetten Jahre sind vorbei: Edukating the post-left generation / Roger F. Cook -- The global elsewhere: Ursula Biemann's Multimedia countergeography / Barbara Mennel -- Glimpses of freedom: the reemergence of utopian longing in German cinema / Brad Prager

    ""Fisher and Prager have assembled a significant group of essays by the emerging generation of German cinema experts in the US. The anthology is the first serious attempt to retell the history of the New German Cinema and the c̀onsensus' cinema of the 1900s through the lens of contemporary, post-2000 films in all their diversity. Film scholars, students of the German cinema, and the general reading public will discover here why D̀eutsches Kino' is once again in the limelight."--Marc Silberman, chair of the Department of German at the University of Wisconsin, Madison" ""The Collapse of the Conventional offers a comprehensive introduction to contemporary German cinema and is bound to stimulate new debates about the legacies of New German Cinema and its politics of the aesthetic. A must for everyone interested in German cinema and Contemporary culture."--Sabine Hake, Texas Chair of German Literature and Culture at the University of Texas at Austin" ""Bringing together many of the most important scholars of German film, this hugely significant collection offers a fascinating and subtle account of the contours of the political in the post-Wall cinematic landscape."--Paul Cooke, professor of German cultural studies in the School of Modern Languages and Cultures, University of Leeds"--BOOK JACKET.
  12. Literature, cinema and politics, 1930-1945
    reading between the frames
    Autor*in: Feigel, Lara
    Erschienen: ©2010
    Verlag:  Edinburgh University Press, Edinburgh

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0748639500; 074864265X; 9780748639502; 9780748642656
    Schlagworte: Fine Arts; ART / Film & Video; PERFORMING ARTS / Film & Video / Reference; SOCIAL SCIENCE / Sociology / General; Modernism (Literature); Motion pictures; Motion pictures and literature; Motion pictures / Political aspects; Politics and literature; Film; Geschichte; Politik; Motion pictures and literature; Motion pictures; Politics and literature; Modernism (Literature); Motion pictures; Politischer Film; Dokumentarfilm; Film <Motiv>; Film
    Weitere Schlagworte: Woolf, Virginia (1882-1941)
    Umfang: 1 Online-Ressource (x, 292 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 272-284) and index

    Contents -- Acknowledgements -- List of figures -- Introduction -- 1. Radical cinema -- 2. Mass observing: the 1930s documentary gaze -- 3. The documentary movement and mass leisure, 1930-1945 -- 4. Camera consciousness -- 5. Framing history: Virginia Woolf and the politicisation of aesthetics -- 6. 'The savage and austere light of a burning world': the cinematic blitz -- Afterword -- Endnotes -- Bibliography -- Index

    This book tells the story of a generation of writers who were passionately engaged with politics and with cinema, exploring the rise and fall of a distinct tradition of cinematic literature. Dismayed by the rise of fascism in Europe and by the widening gulf separating the classes at home, these writers turned to cinema as a popular and hard-hitting art form. Lara Feigel crosses boundaries between high modernism and social realism and between 'high' and 'popular' culture, bringing together Virginia Woolf with W.H. Auden, Elizabeth Bowen with John Sommerfield, Sergei Eisenstein with Gracie Field
  13. Cinema and the Republic
    Filming on the Margins in Contemporary France
    Autor*in: Ervine, Jonathan
    Erschienen: 2013
    Verlag:  University of Wales Press, Cardiff

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0708325971; 9780708325971
    Schriftenreihe: French and francophone studies
    Schlagworte: PERFORMING ARTS / Reference; Motion pictures; Motion pictures / Political aspects; Film; Geschichte; Politik; Motion pictures; Motion pictures; Soziale Integration <Motiv>; Einwanderung <Motiv>; Film
    Umfang: 1 Online-Ressource (208 p.)
    Bemerkung(en):

    A thought-provoking study of what contemporary French cinema has to say about immigration and social cohesion
  14. Keywords in subversive film/media aesthetics
    Autor*in: Stam, Robert
    Erschienen: 2015
    Verlag:  Wiley Blackwell, Chichester, West Sussex

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    Beteiligt: Porton, Richard (Hrsg.); Goldsmith, Leo (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781118288924
    RVK Klassifikation: AP 45400
    Schlagworte: PERFORMING ARTS / Reference; Motion pictures / Aesthetics; Motion pictures / Political aspects; Motion pictures / Aesthetics; Motion pictures / Political aspects; Film; Politik; Ästhetik; Motion pictures / Aesthetics; Motion pictures / Political aspects; Medienästhetik; Ästhetik; Filmästhetik; Film; Medien; Politischer Film
    Weitere Schlagworte: Electronic books
    Umfang: xi, 312 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  15. Keywords in subversive film/media aesthetics
    Autor*in: Stam, Robert
    Erschienen: 2015
    Verlag:  Wiley Blackwell, Chichester, West Sussex

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  16. Politics, Hollywood style
    American politics in film from Mr. Smith to Selma
    Autor*in: Heyrman, John
    Erschienen: [2018]; © 2018
    Verlag:  Lexington Books, Lanham ; Boulder ; New York ; London

    This book analyzes major films about the American political process since the 1930s. It considers the films' major themes about politics, ideology, and representation of race and gender over the past several decades mehr

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    This book analyzes major films about the American political process since the 1930s. It considers the films' major themes about politics, ideology, and representation of race and gender over the past several decades

     
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781498551922
    RVK Klassifikation: AP 47000 ; HU 1691
    Schriftenreihe: Politics, literature, & film
    Schlagworte: Film; Politik <Motiv>
    Weitere Schlagworte: Motion pictures / Political aspects / United States; Motion pictures / Political aspects; United States
    Umfang: xxvii, 157 Seiten, 24 cm
  17. Promiscuous media
    film and visual culture in imperial Japan, 1926-1945
    Autor*in: Hori, Hikari
    Erschienen: 2017
    Verlag:  Cornell University Press, Ithaca ; London

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  18. Urban horror
    neoliberal post-socialism and the limits of visibility
    Autor*in: Huang, Erin Y.
    Erschienen: 2020
    Verlag:  Duke University Press, Durham ; London

    "Urban Horror offers a theory of neoliberal post-socialism through an examination of Chinese cinema. According to Erin Huang, neoliberal post-socialism is the economic order that succeeded the end of the Cold War, and describes the attempted... mehr

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    "Urban Horror offers a theory of neoliberal post-socialism through an examination of Chinese cinema. According to Erin Huang, neoliberal post-socialism is the economic order that succeeded the end of the Cold War, and describes the attempted articulation of geopolitical and economic relations between formerly socialist and non-socialist countries in what Huang terms the era of the 'post' or 'post-X.' Rather than describing the definitive end of an era, 'post-X' proffers a regressive temporal logic that sutures the present to the past and continuously differs the future. Huang sees the proliferation of terms to describe Chinese economics after the 1978 economic reform policies as the symptoms of a geopolitical order that doesn't yet have a properly articulated name. For Huang, this unarticulated political order is nevertheless felt affectively through what she calls 'urban horror,' and it is best accessed through the cinema of the time period, in which hypermediality-when the meaning of the image no longer depends on an externally existing reality-became popular. Drawing on a definition of horror as a historical mode of perception that occurs when a perceived external reality exceeds one's internal frame of comprehension, Huang argues that the excess of feeling that marks horror's presence allows for an 'elusive sensory communicative channel' in which alternative and dissenting political feelings can emerge. Chapter 1 offers a historical study of the factory in cinema, positioning the images of factory ruins in Chinese cinema as an attempt to reinvent a past that never fully existed. Chapter 2 examines urban horror from a post-socialist feminist perspective by examining the films of Shaohong Li. Chapter 3 focuses on urban horror's development as a product of time in post-socialist Chinese documentary films. Chapter 4 focuses on post-1997 Hong Kong cinema that circulates public sentiments about Hong Kong as a place of political and economic exception. Chapter 5 examines the films of Ming-liang Tsai-and the subject of precarity in Tsai's films-in relation to their display in art museums and performance art spaces. This book will be of interest to students and scholars of Sinophone and East Asian studies, film studies, studies of globalization and neoliberalism, political and social theory, affect studies, feminist studies, and Marxist studies"-

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    ISBN: 9781478008095; 9781478006794
    RVK Klassifikation: AP 53900 ; AP 44962
    Schriftenreihe: Sinotheory
    Schlagworte: Videokunst; Blockbuster; Horrorfilm; Horror; Stadt <Motiv>; Dokumentarfilm
    Weitere Schlagworte: Motion pictures / China / History and criticism; Motion pictures / Political aspects / China; Motion pictures / Social aspects / China; Cities and towns in motion pictures; Cities and towns in motion pictures; Motion pictures; Motion pictures / Political aspects; Motion pictures / Social aspects; China; Criticism, interpretation, etc
    Umfang: xii, 271 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Extensive and substantial revision of author's thesis (doctoral)--University of California, Irvine, 2012, titled Capital's abjects : Chinese cinemas, urban horror, and the limits of visibility

    Dissertation, University of California, 2012

    Introduction. Urban horror : speculative futures of Chinese cinemas -- Cartographies of socialism and post-socialism : the factory gate and the threshold of the visible world -- Intimate dystopias : post-socialist femininity and the Marxist-feminist interior -- The post- as media time : documentary experiments and the rhetoric of ruin gazing -- Post-socialism in Hong Kong : zone urbanism and Marxist phenomenology -- The ethics of representing precarity : subverting the givenness of this world
  19. Fidel between the lines
    paranoia and ambivalence in late socialist Cuban cinema
    Autor*in: Humphreys, Laura-Zoë
    Erschienen: 2019
    Verlag:  Duke University Press, Durham ; London

    Traces the changing dynamics of criticism and censorship in late socialist Cuba through a focus on cinema. Following the collapse of the Soviet Union, the Cuban state strategically relaxed censorship, attempting to contain dissent by giving it an... mehr

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    Traces the changing dynamics of criticism and censorship in late socialist Cuba through a focus on cinema. Following the collapse of the Soviet Union, the Cuban state strategically relaxed censorship, attempting to contain dissent by giving it an outlet in the arts. Along with this shift, foreign funding and digital technologies gave filmmakers more freedom to criticize the state than ever before, yet these openings also exacerbated the political paranoia that has long shaped the Cuban public sphere. Drawing on ethnographic fieldwork, textual analysis, and archival research, Humphreys shows how Cuban filmmakers have historically turned to allegory to communicate an ambivalent relationship to the Revolution, and how such efforts came up against new forms of suspicion in the 1990s and the twenty-first century. Offering insights that extend beyond Cuba, Humphreys reveals what happens to public debate when freedom of expression can no longer be distinguished from complicity while demonstrating the ways in which combining anthropology with film studies can shed light on cinema's broader social and political import.

     
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781478005476; 9781478006244
    Schlagworte: Meinungsfreiheit; Politik <Motiv>; Film
    Weitere Schlagworte: Motion pictures / Cuba / History and criticism; Motion pictures / Political aspects / Cuba; Motion pictures / Cuba / History / 20th century; Motion pictures / Cuba / History / 21st century; Motion pictures; Motion pictures / Political aspects; Cuba; 1900-2099; Criticism, interpretation, etc; History
    Umfang: xi, 287 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Introduction: Criticism from within -- Symptomologies of the state -- Paranoid readings and ambivalent allegories -- Faith without Fidel -- Staying and suspicion -- Montage in the parenthesis -- Coda: 'Cuba está de moda'
  20. Deities and devotees
    cinema, religion, and politics in South India
    Autor*in: Bhrugubanda, Uma Maheswari
    Erschienen: [2018]; © 2018
    Verlag:  Oxford University Press, New Delhi

    How have cinema and popular religion shaped each other? Is the display of devotion in the cinema hall the same as devotion in a temple? If cinema has a power to persuade people to believe in the image, to mesmerize or even possess them, how do we... mehr

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    How have cinema and popular religion shaped each other? Is the display of devotion in the cinema hall the same as devotion in a temple? If cinema has a power to persuade people to believe in the image, to mesmerize or even possess them, how do we understand that compelling power? 0Through engaging with these questions, this book presents a genealogical study of the intersections between cinema, religion and politics in South India. Through a study of Telugu mythological and devotional films, this book combines a history of these genres with an anthropology of film making and viewership practices. In the decades from the 1940s to the 2000s, it examines film texts, as well as methods of film making and publicity, modes of film criticism as well as practices of viewership.0The book draws on film and media theory to foreground the specificity of new technologies and the new kind of publics they create. Anthropological theories of religion, secularism, embodiment and affect are combined with political theories of citizenship to complicate our understanding of the overlapping formations of film spectators, citizens and devotees. It argues that the cinema offers a unique opportunity to explore the affective dimensions of citizenship and the formation of citizen-devotees

     
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  21. Hollywood hates Hitler!
    Jew-baiting, anti-Nazism, and the Senate investigation into warmongering in motion pictures
    Autor*in: Yogerst, Chris
    Erschienen: [2020]
    Verlag:  University Press of Mississippi, Jackson

    "In September 1941, a handful of isolationist senators set out to tarnish Hollywood for warmongering. The United States was largely divided on the possibility of entering the European War, yet the immigrant moguls in Hollywood were acutely aware of... mehr

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    "In September 1941, a handful of isolationist senators set out to tarnish Hollywood for warmongering. The United States was largely divided on the possibility of entering the European War, yet the immigrant moguls in Hollywood were acutely aware of the conditions in Europe. After Kristallnacht (the Night of Broken Glass), the gloves came off. Warner Bros. released the first directly anti-Nazi film in 1939 with Confessions of a Nazi Spy. Other studios followed with such films as The Mortal Storm (MGM), Man Hunt (Fox), The Man I Married (Fox), and The Great Dictator (United Artists). While these films represented a small percentage of Hollywood's output, senators took aim at the Jews in Hollywood who were supposedly "agitating us for war" and launched an investigation that resulted in Senate Resolution 152. The resolution was aimed at both radio and movies that "have been extensively used for propaganda purposes designed to influence the public mind in the direction of participation in the European war." When the Senate approved a subcommittee to investigate the intentions of these films, studio bosses were ready and willing to stand up against the government to defend their beloved industry. What followed was a complete embarrassment of the United States Senate and a large victory for Hollywood as well as freedom of speech. Many works of American film history only skim the surface of the 1941 investigation of Hollywood. In Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures, author Chris Yogerst examines the years leading up to and through the Senate Investigation into Motion Picture War Propaganda, detailing the isolationist senators' relationship with the America First movement. Through his use of primary documents and lengthy congressional records, Yogerst paints a picture of the investigation's daily events both on Capitol Hill and in the national press"--

     
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  22. The politics of memory in sinophone cinemas and image culture
    altering archives
    Beteiligt: Peng, Hsiao-yen (Hrsg.)
    Erschienen: 2018
    Verlag:  Routledge, Taylor & Francis Group, London ; New York

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    Beteiligt: Peng, Hsiao-yen (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781138047457; 9780367209278
    Schriftenreihe: Routledge contemporary China series ; 179
    Schlagworte: Film; Geschichte <Motiv>; Kollektives Gedächtnis
    Weitere Schlagworte: Motion pictures / Social aspects / China; Culture in motion pictures; Memory in motion pictures; Motion pictures / Political aspects / China; Memory / Social aspects / China; Culture in motion pictures; Memory in motion pictures; Memory / Social aspects; Motion pictures / Political aspects; Motion pictures / Social aspects; China
    Umfang: ix, 193 Seiten
    Bemerkung(en):

    Introduction -- Part I Remembering China: the individual self, the collective, and the state apparatus -- 1 Why remember everyday movie-goingin Cultural Revolution Shanghai? -- 2 Persuasive communication in Chinese historical film: The Founding of a Republic as a milestone -- 3 Images of redress and rehabilitation: "pingfan (in) film" and perceptions of coming to terms with the past in China -- 4 A familiar stranger: Grierson in China -- Part II Politicizing archives: artists and digital history -- 5 The use and abuse of archives in contemporary art -- 6 Making reverberation: residue of sounds and images -- 7 The digital emergence of a new history: the archiving of colonial Japanese documentaries on Taiwan -- Part III Manufactured archives: the fictional memory -- 8 Wong Kar-wai'sMood Trilogy: robot, tears, and the affective aura -- 9 The missing and the fictional memory: leitmotifs of Tsai Ming-liang's oeuvre -- 10 Light and shadow of jianghu: peering into the contemporary political mythology in Crouching Tiger, Hidden Dragon, Hero and The Grandmaster -- Index
  23. Marxism goes to the movies
    Autor*in: Wayne, Mike
    Erschienen: 2020; © 2020
    Verlag:  Routledge, Taylor & Francis Group, London ; New York

    "This book provides a long-awaited account of how Marxism has shaped both the medium of film and the study of film. It covers key concepts that anyone studying film needs to engage with, as well as key theorists (both within and beyond film studies)... mehr

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    "This book provides a long-awaited account of how Marxism has shaped both the medium of film and the study of film. It covers key concepts that anyone studying film needs to engage with, as well as key theorists (both within and beyond film studies) and provides an historical perspective on the development of Marxism and film. Author Mike Wayne argues the need to de-reify how we look at film, link text to context, consciousness to social being, industrial strategies to cultural struggle and assesses new technological, cultural and political trends historically"

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781315559308
    Weitere Identifier:
    RVK Klassifikation: AP 45100
    Schlagworte: Motion pictures / Political aspects; Motion pictures / Social aspects; Communism and motion pictures; Film; Marxismus; Marxismus <Motiv>
    Umfang: 1 Online-Ressource (ix, 217 Seiten)
  24. Cinematic terror
    a global history of terrorism on film
    Autor*in: Shaw, Tony
    Erschienen: 2015
    Verlag:  Bloomsbury, New York [u.a.]

    "The first history of cinema's treatment of terrorism from the birth of film to today"-- mehr

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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    "The first history of cinema's treatment of terrorism from the birth of film to today"--

     
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781441107084; 9781441196200
    RVK Klassifikation: AP 52700 ; MD 8920
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Terrorism in motion pictures; Political violence in motion pictures; Motion pictures / Political aspects; PERFORMING ARTS / Film & Video / History & Criticism; Motion pictures / Political aspects; Political violence in motion pictures; Terrorism in motion pictures; Film; Politik; Film; Terrorismus <Motiv>
    Umfang: [VIII], 315 S., Ill.
    Bemerkung(en):

    Includes bibliographical references, filmography (S. 304 - 306), and index

    Machine generated contents note: -- Acknowledgements -- Introduction -- Chapter 1. Silent revolutionaries -- Chapter 2. Agents of suspense -- Chapter 3. Symbols of resistance -- Chapter 4. Epic freedom fighters -- Chapter 5. Newsreel guerrillas -- Chapter 6. Docu-death squads -- Chapter 7. Schlock and awe -- Chapter 8. Avant-garde narcissists -- Chapter 9. Serial killers -- Chapter 10. Bollywood's communalists -- Chapter 11. Biopics for peace -- Chapter 12. Networked jihadists -- Chapter 13. Suicide victims in close-up -- Chapter 14. YouTube monsters -- Conclusion -- Bibliography --Filmography
  25. Mediations of disruption in post-conflict cinema
    Beteiligt: Martins, Adriana Alves de Paula (Hrsg.); Lopes, Alexandra (Hrsg.)
    Erschienen: [2016]; © 2016
    Verlag:  Palgrave Macmillan, Basingstoke

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    Beteiligt: Martins, Adriana Alves de Paula (Hrsg.); Lopes, Alexandra (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Schlagworte: Motion pictures / History; Motion pictures / Political aspects; Motion pictures; Motion pictures / Political aspects; Film; Geschichte; Politik; Mediation; Vergangenheitsbewältigung; Konflikt <Motiv>; Film; Konflikt; Konfliktbewältigung
    Umfang: xiv, 219 Seiten, 21 cm
    Bemerkung(en):

    Includes bibliographical references