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Figures de l'histoire
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Extreme cinema
affective strategies in transnational media -
Moving pictures and Renaissance art history
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The language and imagery of coma and brain injury
representations in literature, film and media -
Gesichter des Films
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The modern supernatural and the beginnings of cinema
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The history of American literature on film
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Metaisierung in Literatur und anderen Medien
Theoretische Grundlagen, Historische Perspektiven, Metagattungen, Funktionen -
Filmspeak
how to understand literary theory by watching movies -
Rethinking Holocaust film reception
a British case study -
The history of French literature on film
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Fiction and imagination in early cinema
a philosophical approach to film history -
The history of American literature on film
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Italian Motherhood on Screen
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Slums on screen
world cinema and the planet of slums -
Formations of Masculinity in Post-Communist Hungarian Cinema
Labyrinthian Men -
Women in European Holocaust Films
Perpetrators, Victims and Resisters -
Film stardom and the ancient past
idols, artefacts and epics -
Gothic dissections in film and literature
the body in parts -
Dracula
An International Perspective -
Losing the plot
film and feeling in the modern novel -
Slums on screen
world cinema and the planet of slums -
Jack the Ripper in Film and Culture
Top Hat, Gladstone Bag and Fog -
Seven essays
studies in literature, drama, and film -
Dislocated Screen Memory
Narrating Trauma in Post-Yugoslav Cinema