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1800
the new Lyrical ballads -
Wordsworth and Coleridge, lyrical ballads
critical perspectives -
Lyrical ballads
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The Cambridge companion to 'lyrical ballads'
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The Cambridge companion to 'lyrical ballads'
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1800, the new lyrical ballads
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An analysis of William Wordsworth's preface to The lyrical ballads
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The Cambridge companion to "lyrical ballads"
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Wordsworth and Coleridge: lyrical ballads
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1800: the new "Lyrical ballads"
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Vision and disenchantment
Blake's Songs and Wordsworth's Lyrical ballads -
Lyrical ballads de Samuel Taylor Coleridge et William Wordsworth
la différence en partage -
1800
the new Lyrical ballads -
Romanticism and the Gothic
genre, reception, and canon formation -
Murder Ballads: Exhuming the Body Buried beneath Wordsworth's Lyrical Ballads
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William Wordsworth
'Lyrical ballads' -
Romanticism and the Gothic
genre, reception, and canon formation -
Strange power of speech
Wordsworth, Coleridge, and literary possession -
Wordsworth and Coleridge: lyrical ballads
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Romanticism and the gothic
genre, reception, and canon formation -
William Wordsworth
'Lyrical ballads' -
Strange power of speech
Wordsworth, Coleridge, and literary possession -
Romanticism and the Gothic
genre, reception, and canon formation -
Wordsworth and Coleridge's "Lyrical ballads"
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Critical theories and poetic practice in the "Lyrical ballads"