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  1. Du Fu transforms
    tradition and ethics amid societal collapse
    Autor*in: Bender, Lucas Rambo
    Erschienen: 2021
    Verlag:  Published by the Harvard University Asia Center, Distributed by Harvard University Press, Cambridge, Massachusetts ; London

    Introduction: Tradition and transformation -- Time and authority : early poems (before 755) -- Omen and chaos : poems of frustration and foreboding (through 755) -- Convention and nature : the outbreak of the rebellion (756-57) -- Narrative and... mehr

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction: Tradition and transformation -- Time and authority : early poems (before 755) -- Omen and chaos : poems of frustration and foreboding (through 755) -- Convention and nature : the outbreak of the rebellion (756-57) -- Narrative and experience : poems of the western frontiers (late 759) -- Vision and the mundane : Du Fu's years in Western Sichuan (760-65) -- History and community : Kuizhou poems (766-68) -- Contingency and adaptation : last poems (768-70) -- Conclusion: Poetry and ethics "Often considered China's greatest poet, Du Fu (712-770) came of age at the height of the Tang dynasty, in an era marked by confidence that the accumulated wisdom of the precedent cultural tradition would guarantee civilization's continued stability and prosperity. When his society collapsed into civil war in 755, however, he began to question contemporary assumptions about the role that tradition should play in making sense of experience and defining human flourishing. In this book, Lucas Bender argues that Du Fu's reconsideration of the nature and importance of tradition has played a pivotal role in the transformation of Chinese poetic understanding over the last millennium. In reimagining his relationship to tradition, Du Fu anticipated important philosophical transitions from the late-medieval into the early-modern period and laid the template for a new and perduring paradigm of poetry's relationship to ethics. He also looked forward to the transformations his own poetry would undergo as it was elevated to the pinnacle of the Chinese poetic pantheon

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780674260177; 0674260171
    RVK Klassifikation: EG 11111
    Schriftenreihe: Harvard-Yenching Institute monograph series ; 126
    Schlagworte: Lyrik; Tradition <Motiv>; Ethik
    Weitere Schlagworte: Du, Fu (712-770); Du, Fu / 712-770 / Criticism and interpretation; Manners and customs in literature; Ethics in literature; Chinese poetry / Tang dynasty, 618-907 / History and criticism; Literature and society / China / History / To 1500; Literary criticism
    Umfang: xiii, 411 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  2. Du Fu transforms
    tradition and ethics amid societal collapse
    Autor*in: Bender, Lucas Rambo
    Erschienen: 2021
    Verlag:  Published by the Harvard University Asia Center, Distributed by Harvard University Press, Cambridge, Massachusetts ; London

    Introduction: Tradition and transformation -- Time and authority : early poems (before 755) -- Omen and chaos : poems of frustration and foreboding (through 755) -- Convention and nature : the outbreak of the rebellion (756-57) -- Narrative and... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction: Tradition and transformation -- Time and authority : early poems (before 755) -- Omen and chaos : poems of frustration and foreboding (through 755) -- Convention and nature : the outbreak of the rebellion (756-57) -- Narrative and experience : poems of the western frontiers (late 759) -- Vision and the mundane : Du Fu's years in Western Sichuan (760-65) -- History and community : Kuizhou poems (766-68) -- Contingency and adaptation : last poems (768-70) -- Conclusion: Poetry and ethics "Often considered China's greatest poet, Du Fu (712-770) came of age at the height of the Tang dynasty, in an era marked by confidence that the accumulated wisdom of the precedent cultural tradition would guarantee civilization's continued stability and prosperity. When his society collapsed into civil war in 755, however, he began to question contemporary assumptions about the role that tradition should play in making sense of experience and defining human flourishing. In this book, Lucas Bender argues that Du Fu's reconsideration of the nature and importance of tradition has played a pivotal role in the transformation of Chinese poetic understanding over the last millennium. In reimagining his relationship to tradition, Du Fu anticipated important philosophical transitions from the late-medieval into the early-modern period and laid the template for a new and perduring paradigm of poetry's relationship to ethics. He also looked forward to the transformations his own poetry would undergo as it was elevated to the pinnacle of the Chinese poetic pantheon

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780674260177; 0674260171
    RVK Klassifikation: EG 11111
    Schriftenreihe: Harvard-Yenching Institute monograph series ; 126
    Schlagworte: Lyrik; Tradition <Motiv>; Ethik
    Weitere Schlagworte: Du, Fu (712-770); Du, Fu / 712-770 / Criticism and interpretation; Manners and customs in literature; Ethics in literature; Chinese poetry / Tang dynasty, 618-907 / History and criticism; Literature and society / China / History / To 1500; Literary criticism
    Umfang: xiii, 411 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  3. All mine!
    happiness, ownership, and naming in eleventh-century China
    Autor*in: Owen, Stephen
    Erschienen: [2022]; © 2022
    Verlag:  Columbia University Press, New York

    "Under the Song Dynasty, China experienced rapid commercial growth and monetization of the economy. In the same period, the austere ethical turn that led to neo-Confucianism was becoming increasingly prevalent in the imperial bureaucracy and literati... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Under the Song Dynasty, China experienced rapid commercial growth and monetization of the economy. In the same period, the austere ethical turn that led to neo-Confucianism was becoming increasingly prevalent in the imperial bureaucracy and literati culture. Tracing the influences of these trends in Chinese intellectual history, All Mine! explores the varied ways in which eleventh-century writers worked through the conflicting values of this new world. Stephen Owen contends that in the new money economy of the Song, writers became preoccupied with the question of whether material things can bring happiness. Key thinkers returned to this problem, weighing the conflicting influences of worldly possessions and material comfort against Confucian ideology, which locates true contentment in the Way and disdains attachment to things. In a series of essays, Owen examines the works of writers such as the prose master Ouyang Xiu, who asked whether tranquility could be found in the backwater to which he had been exiled; the poet and essayist Su Dongpo, who was put on trial for slandering the emperor; and the historian Sima Guang, whose private garden elicited reflections on private ownership. Through strikingly original readings of major eleventh-century figures, All Mine! inquires not only into the material conditions of happiness but also the broader conditions of knowledge"--

     
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