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  1. Mythologizing performance
    Erschienen: 2020
    Verlag:  Cornell University Press, Ithaca, New York

    "Building on numerous original close readings of works by Homer, Hesiod, and other ancient Greek poets, Richard P. Martin articulates a broad and precise poetics of archaic Greek verse. The ancient Greek hexameter poetry of such works as the Iliad... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Building on numerous original close readings of works by Homer, Hesiod, and other ancient Greek poets, Richard P. Martin articulates a broad and precise poetics of archaic Greek verse. The ancient Greek hexameter poetry of such works as the Iliad and the Odyssey differ from most modern verbal art because it was composed for live, face-to-face performance, often in a competitive setting, before an audience well versed in mythological and ritual lore. The essays collected here span Martin's acclaimed career and explore ways of reading this poetic heritage using principles and evidence from the comparative study of oral traditions, literary and speech-act theories, and the ethnographic record"--

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781501713101; 9781501713095
    Schriftenreihe: Myth and poetics ; II
    Schlagworte: Griechisch; Sprechakt; Versdichtung; Hexameter; Mündliche Literatur
    Weitere Schlagworte: Greek poetry / History and criticism; Oral tradition / Greece; Literature and anthropology / Greece; Greek poetry; Literature and anthropology; Oral tradition; Greece; Criticism, interpretation, etc
    Umfang: xii, 519 Seiten
    Bemerkung(en):

    Epic as genre -- Similes and performance -- Formulas and speeches : the usefulness of Parry's method -- Wrapping Homer up : cohesion, discourse, and deviation in the Iliad -- Apollo's cithara and Poseidon's crash-test : ritual and contest in the evolution of Greek aesthetics -- The senses of an ending : myth, ritual, and poetic exodia in performance -- Synchronic aspects of Homeric performance : the evidence of the Hymn to Apollo -- Rhapsodizing Orpheus -- Golden verses : voice and authority in the tablets -- Hesiod and the didactic double -- Hesiod's metanastic poetics -- Hesiod, Odysseus, and the instruction of princes -- Pulp epic : the catalogue and the shield -- Keens from the absent chorus : Troy to Ulster -- Telemachus and the last hero song -- Until it ends : varieties of Iliadic anticipation -- Distant landmarks : Homer and Hesiod