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  1. Messiah of the new technique
    John Howard Lawson, Communism, and American theatre, 1923 - 1937
    Autor*in: Chambers, Jonathan L.
    Erschienen: 2006
    Verlag:  Southern Illinois Univ. Press, Carbondale, Ill.

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 080932699X; 9780809326990
    Weitere Identifier:
    2005032796
    RVK Klassifikation: HU 1784 ; HU 9800
    Schriftenreihe: Theater in the Americas
    Schlagworte: Politics and literature; Communism and literature; Social problems in literature; Theater
    Weitere Schlagworte: Lawson, John Howard (1894-1977)
    Umfang: XV, 268, [12] S., Ill
  2. Experimenters, rebels, and disparate voices
    the theatre of the 1920s celebrates American diversity
    Erschienen: 2003
    Verlag:  Praeger, Westport, Conn. [u.a.]

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0313324662
    RVK Klassifikation: HU 1780
    Schriftenreihe: Contributions in drama and theatre studies ; 99
    Schlagworte: American drama; American drama; Experimental drama, American; Theater; Cultural pluralism in literature; Difference (Psychology) in literature; African Americans in literature; Ethnic groups in literature; Minorities in literature; Dissenters in literature
    Weitere Schlagworte: Lawson, John Howard (1894-1977)
    Umfang: XVII, 196 S
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note: IntroductionArthur Gewirtz and James J. Kolb ix --Part I: Experimenters, Rebels, and Disparate Voices --1. Searching for "The Big American Play": The Theatre Guild Produces John Howard Lawson's Processional -- Beverle Bloch 3 --2. The Idiosyncratic Theatre of John Howard Lawson -- John D. Shout 13 --3. Glitzing the Proletariat: John Howard Lawson's Plays of the 1920s -- Michael C. O'Neill 23 --4. Direction by Design(er): Robert Edmond Jones and the New Provincetown Players -- Jane T. Peterson 31 --5. Glitter, Glitz, and Race: The Production of Harlem -- Freda Scott Giles 39 --6. Disparate Voices: African American Theatre Critics of the 1920s -- Freda Scott Giles 47 --7. Garland Anderson and Appearances: The Playwright and His Play -- Alan Kreizenbeck 55 8. The First Serious Dramas on Broadway by African American Playwrights -- Jeanne-Marie A. Miller 71 --9. Theatre and Community: The Significance of Howard University's 1920s Drama Program -- Scott Zaluda 83 --10. "To Doubt Is Fatal": Eva Le Gallienne and the Civic Repertory Theatre, 1926-1932 -- Estelle Aden 93 --11. Sophie Treadwell's Play Machinal: Strategies of Reception and Interpretation -- Kornelia Tancheva 101 --12. Sophie Treadwell's Summer with Boleslavsky and Lectures for the American Laboratory Theatre -- Jerry Dickey 111 --13 On "The Verge" of a New Form: The Cabinet of Dr. Caligari and Susan Glaspell's Experiments in The Verge -- Steven Frank 119 --14. They Knew What They Wanted: American Theatre's Use of Nonverbal Communication Codes to Marginalize Non-Native Characters in the 1920s -- Beverly Bronson Smith 131 --15. The Poet Lore Plays: A New Chinese Voice. But How New? -- Dave Williams 139 Part II: Theatre and Set Design --16. Against the Tide: Mordecai Gorelik and the New York Theatre of the 1920s-Processional, Nirvana, The Moon -- is a Gong, and Loudspeaker -- Anne Fletcher 149 --17. "Another Revolution to Be Heard From": Jane Heap and the International Theatre Exposition of 1926 -- John Bell 157 --18. Architecture for the Twentieth Century: Imagining the Theatre in the 1920s -- William F. Condee 167.

    Machine generated contents note: Introduction -- Arthur Gewirtz and James J. Kolb ix --Part I: Experimenters, Rebels, and Disparate Voices --1. Searching for "The Big American Play": The Theatre Guild Produces John Howard Lawson's Processional -- Beverle Bloch 3 --2. The Idiosyncratic Theatre of John Howard Lawson -- John D. Shout 13 --3. Glitzing the Proletariat: John Howard Lawson's Plays of the 1920s -- Michael C. O'Neill 23 --4. Direction by Design(er): Robert Edmond Jones and the New Provincetown Players -- Jane T. Peterson 31 --5. Glitter, Glitz, and Race: The Production of Harlem -- Freda Scott Giles 39 --6. Disparate Voices: African American Theatre Critics of the 1920s -- Freda Scott Giles 47 --7. Garland Anderson and Appearances: The Playwright and His Play -- Alan Kreizenbeck 55 8. The First Serious Dramas on Broadway by African American Playwrights -- Jeanne-Marie A. Miller 71 --9. Theatre and Community: The Significance of Howard University's 1920s Drama Program -- Scott Zaluda 83 --10. "To Doubt Is Fatal": Eva Le Gallienne and the Civic Repertory Theatre, 1926-1932 -- Estelle Aden 93 --11. Sophie Treadwell's Play Machinal: Strategies of Reception and Interpretation -- Kornelia Tancheva 101 --12. Sophie Treadwell's Summer with Boleslavsky and Lectures for the American Laboratory Theatre -- Jerry Dickey 111 --13 On "The Verge" of a New Form: The Cabinet of Dr. Caligari and Susan Glaspell's Experiments in The Verge -- Steven Frank 119 --14. They Knew What They Wanted: American Theatre's Use of Nonverbal Communication Codes to Marginalize Non-Native Characters in the 1920s -- Beverly Bronson Smith 131 --15. The Poet Lore Plays: A New Chinese Voice. But How New? -- Dave Williams 139 Part II: Theatre and Set Design --16. Against the Tide: Mordecai Gorelik and the New York Theatre of the 1920s-Processional, Nirvana, The Moon -- is a Gong, and Loudspeaker -- Anne Fletcher 149 --17. "Another Revolution to Be Heard From": Jane Heap and the International Theatre Exposition of 1926 -- John Bell 157 --18. Architecture for the Twentieth Century: Imagining the Theatre in the 1920s -- William F. Condee 167
  3. Expressionismus in Amerika
    Rezeption und Innovation
    Autor*in: Kaes, Anton
    Erschienen: 1975
    Verlag:  Niemeyer, Tübingen

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    Quelle: Leibniz-Zentrum für Literatur- und Kulturforschung
    Medientyp: Buch (Monographie)
    ISBN: 3-484-18038-2
    Schriftenreihe: Studien zur deutschen Literatur ; 43
    Schlagworte: Expressionismus; Theater; Expressionismus; Literatur
    Weitere Schlagworte: Wedekind, Frank; O'Neill, Eugene; Kaiser, Georg; Lawson, John Howard; Rice, Elmar; Toller, Ernst
    Umfang: IX, 162 S.
  4. The final victim of the blacklist
    John Howard Lawson, dean of the Hollywood Ten
    Autor*in: Horne, Gerald
    Erschienen: c2006
    Verlag:  University of California Press, Berkeley

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 052093993X; 1429408219; 9780520243729; 9780520248601; 9780520939936; 9781429408219
    RVK Klassifikation: AP 59783
    Schlagworte: DRAMA / American; BIOGRAPHY & AUTOBIOGRAPHY / Literary; Dramatists, American / 20th century; Screenwriters / United States; PERFORMING ARTS / Film & Video / General; Blacklisting of authors; Communism and literature; Dramatists, American; Motion picture industry; Screenwriters; Theater; Geschichte; Dramatists, American; Screenwriters; Blacklisting of authors; Communism and literature; Theater; Motion picture industry
    Weitere Schlagworte: Lawson, John Howard / 1894-1977; Lawson, John Howard (1894-1977); Lawson, John Howard (1894-1977)
    Umfang: 1 Online-Ressource (xxiii, 360 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 269-345) and index

    Beginnings -- Toward commitment -- Hollywood -- From Hollywood to Broadway -- Commitment -- Theory and practice -- Struggle -- Fighting -- and writing -- Writing -- and fighting -- Red scare rising -- Inquisition -- Jailed for ideas -- "Blacklisted" -- The fall of red Hollywood -- Conclusion

    Before he attained notoriety as Dean of the Hollywood Ten - the blacklisted screenwriters and directors persecuted because of their varying ties to the Communist Party - John Howard Lawson had become one of the most brilliant, successful, and intellectual screenwriters on the Hollywood scene in the 1930s and 1940s, with several hits to his credit including "Blockade", "Sahara", and "Action in the North Atlantic". After his infamous, almost violent, 1947 hearing before the House Un-American Activities Committee, Lawson spent time in prison and his lucrative career was effectively over. Studded with anecdotes and based on previously untapped archives, this first biography of Lawson brings alive his era and features many of his prominent friends and associates, including John Dos Passos, Theodore Dreiser, F. Scott Fitzgerald, Charles Chaplin, Gene Kelly, Edmund Wilson, Ernest Hemingway, Humphrey Bogart, Dalton Trumbo, Ring Lardner, Jr., and many others. Lawson's life becomes a prism through which we gain a clearer perspective on the evolution and machinations of McCarthyism and anti-Semitism in the United States, on the influence of the left on Hollywood, and on a fascinating man whose radicalism served as a foil for launching the political careers of two Presidents: Richard Nixon and Ronald Reagan. In vivid, marvelously detailed prose, "Final Victim of the Blacklist" restores this major figure to his rightful place in history as it recounts one of the most captivating episodes in twentieth-century cinema and politics
  5. The final victim of the blacklist
    John Howard Lawson, dean of the Hollywood Ten
    Autor*in: Horne, Gerald
    Erschienen: c2006
    Verlag:  University of California Press, Berkeley

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780520243729; 9780520248601
    RVK Klassifikation: AP 59783
    Schlagworte: Geschichte; Dramatists, American; Screenwriters; Blacklisting of authors; Communism and literature; Theater; Motion picture industry
    Weitere Schlagworte: Lawson, John Howard (1894-1977); Lawson, John Howard (1894-1977)
    Umfang: xxiii, 360 p.
    Bemerkung(en):

    Includes bibliographical references (p. 269-345) and index
  6. American leftist playwrights of the 1930's
    a study of ideology and technique in the plays of Odets, Lawson and Sherwood
    Autor*in: Mishra, Kshamanidhi
    Erschienen: 1991
    Verlag:  Classical Publ. Co., New Delhi

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 8170541271
    Auflage/Ausgabe: 1. ed.
    Schlagworte: Geschichte; American drama; Communism and literature; Literature and society; Social problems in literature; Marxismus; Drama
    Weitere Schlagworte: Lawson, John Howard <1894-1977>; Odets, Clifford <1906-1963>; Sherwood, Robert E <1895-1955>; Odets, Clifford (1906-1963); Lawson, John Howard (1894-1977); Sherwood, Robert E. (1896-1955)
    Umfang: XIV, 279 S.
    Bemerkung(en):

    Zugl.: Univ. of Rajasthan, Diss., 1986
  7. Messiah of the new technique
    John Howard Lawson, Communism, and American theatre, 1923 - 1937
    Autor*in: Chambers, Jonathan L.
    Erschienen: 2006
    Verlag:  Southern Illinois Univ. Press, Carbondale, Ill.

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 617305
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2006 A 2744
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Thüringer Universitäts- und Landesbibliothek
    Signatur:
    2006 A 7355
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 080932699X; 9780809326990
    Weitere Identifier:
    2005032796
    RVK Klassifikation: HU 1784 ; HU 9800
    Schriftenreihe: Theater in the Americas
    Schlagworte: Politics and literature; Communism and literature; Social problems in literature; Theater
    Weitere Schlagworte: Lawson, John Howard (1894-1977)
    Umfang: XV, 268, [12] S., Ill
  8. Messiah of the new technique
    John Howard Lawson, Communism, and American theatre, 1923-1937
    Autor*in: Chambers, Jonathan L.
    Erschienen: 2006
    Verlag:  Southern Illinois University Press, Carbondale, Ill.

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 617305
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Freiburg
    Signatur:
    GE 2006/6684
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2006 A 2744
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Thüringer Universitäts- und Landesbibliothek
    Signatur:
    2006 A 7355
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 080932699X; 9780809326990
    Weitere Identifier:
    2005032796
    RVK Klassifikation: HU 1784 ; HU 9800
    Schriftenreihe: Theater in the Americas
    Schlagworte: Politics and literature; Communism and literature; Social problems in literature; Theater; Politics and literature; Communism and literature; Social problems in literature; Theater
    Weitere Schlagworte: Lawson, John Howard (1894-1977); Lawson
    Umfang: XV, 268 S., lll.
    Bemerkung(en):

    Includes bibliographical references
  9. Messiah of the new technique
    John Howard Lawson, Communism, and American theatre, 1923 - 1937
    Autor*in: Chambers, Jonathan L.
    Erschienen: 2006
    Verlag:  Southern Illinois Univ. Press, Carbondale

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 080932699X; 9780809326990
    RVK Klassifikation: HU 1784 ; HU 9800
    Schriftenreihe: Theater in the Americas
    Schlagworte: Communisme et littérature - États-Unis - Histoire - 20e siècle; Politique et littérature - États-Unis - Histoire - 20e siècle; Problèmes sociaux dans la littérature; Théâtre - États-Unis - Histoire - 20e siècle; Geschichte; Politics and literature; Communism and literature; Social problems in literature; Theater
    Weitere Schlagworte: Lawson, John Howard <1894-1977>; Lawson, John Howard (1894-); Lawson, John Howard (1894-1977)
    Umfang: XV, 268 S., [6] Bl., Ill.
    Bemerkung(en):

    Includes bibliographical references
  10. Experimenters, rebels, and disparate voices
    the theatre of the 1920s celebrates American diversity
    Erschienen: 2003
    Verlag:  Praeger, Westport, Conn. [u.a.]

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 503282
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0313324662
    RVK Klassifikation: HU 1780
    Schriftenreihe: Contributions in drama and theatre studies ; 99
    Schlagworte: American drama; American drama; Experimental drama, American; Theater; Cultural pluralism in literature; Difference (Psychology) in literature; African Americans in literature; Ethnic groups in literature; Minorities in literature; Dissenters in literature
    Weitere Schlagworte: Lawson, John Howard (1894-1977)
    Umfang: XVII, 196 S
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note: IntroductionArthur Gewirtz and James J. Kolb ix --Part I: Experimenters, Rebels, and Disparate Voices --1. Searching for "The Big American Play": The Theatre Guild Produces John Howard Lawson's Processional -- Beverle Bloch 3 --2. The Idiosyncratic Theatre of John Howard Lawson -- John D. Shout 13 --3. Glitzing the Proletariat: John Howard Lawson's Plays of the 1920s -- Michael C. O'Neill 23 --4. Direction by Design(er): Robert Edmond Jones and the New Provincetown Players -- Jane T. Peterson 31 --5. Glitter, Glitz, and Race: The Production of Harlem -- Freda Scott Giles 39 --6. Disparate Voices: African American Theatre Critics of the 1920s -- Freda Scott Giles 47 --7. Garland Anderson and Appearances: The Playwright and His Play -- Alan Kreizenbeck 55 8. The First Serious Dramas on Broadway by African American Playwrights -- Jeanne-Marie A. Miller 71 --9. Theatre and Community: The Significance of Howard University's 1920s Drama Program -- Scott Zaluda 83 --10. "To Doubt Is Fatal": Eva Le Gallienne and the Civic Repertory Theatre, 1926-1932 -- Estelle Aden 93 --11. Sophie Treadwell's Play Machinal: Strategies of Reception and Interpretation -- Kornelia Tancheva 101 --12. Sophie Treadwell's Summer with Boleslavsky and Lectures for the American Laboratory Theatre -- Jerry Dickey 111 --13 On "The Verge" of a New Form: The Cabinet of Dr. Caligari and Susan Glaspell's Experiments in The Verge -- Steven Frank 119 --14. They Knew What They Wanted: American Theatre's Use of Nonverbal Communication Codes to Marginalize Non-Native Characters in the 1920s -- Beverly Bronson Smith 131 --15. The Poet Lore Plays: A New Chinese Voice. But How New? -- Dave Williams 139 Part II: Theatre and Set Design --16. Against the Tide: Mordecai Gorelik and the New York Theatre of the 1920s-Processional, Nirvana, The Moon -- is a Gong, and Loudspeaker -- Anne Fletcher 149 --17. "Another Revolution to Be Heard From": Jane Heap and the International Theatre Exposition of 1926 -- John Bell 157 --18. Architecture for the Twentieth Century: Imagining the Theatre in the 1920s -- William F. Condee 167.

    Machine generated contents note: Introduction -- Arthur Gewirtz and James J. Kolb ix --Part I: Experimenters, Rebels, and Disparate Voices --1. Searching for "The Big American Play": The Theatre Guild Produces John Howard Lawson's Processional -- Beverle Bloch 3 --2. The Idiosyncratic Theatre of John Howard Lawson -- John D. Shout 13 --3. Glitzing the Proletariat: John Howard Lawson's Plays of the 1920s -- Michael C. O'Neill 23 --4. Direction by Design(er): Robert Edmond Jones and the New Provincetown Players -- Jane T. Peterson 31 --5. Glitter, Glitz, and Race: The Production of Harlem -- Freda Scott Giles 39 --6. Disparate Voices: African American Theatre Critics of the 1920s -- Freda Scott Giles 47 --7. Garland Anderson and Appearances: The Playwright and His Play -- Alan Kreizenbeck 55 8. The First Serious Dramas on Broadway by African American Playwrights -- Jeanne-Marie A. Miller 71 --9. Theatre and Community: The Significance of Howard University's 1920s Drama Program -- Scott Zaluda 83 --10. "To Doubt Is Fatal": Eva Le Gallienne and the Civic Repertory Theatre, 1926-1932 -- Estelle Aden 93 --11. Sophie Treadwell's Play Machinal: Strategies of Reception and Interpretation -- Kornelia Tancheva 101 --12. Sophie Treadwell's Summer with Boleslavsky and Lectures for the American Laboratory Theatre -- Jerry Dickey 111 --13 On "The Verge" of a New Form: The Cabinet of Dr. Caligari and Susan Glaspell's Experiments in The Verge -- Steven Frank 119 --14. They Knew What They Wanted: American Theatre's Use of Nonverbal Communication Codes to Marginalize Non-Native Characters in the 1920s -- Beverly Bronson Smith 131 --15. The Poet Lore Plays: A New Chinese Voice. But How New? -- Dave Williams 139 Part II: Theatre and Set Design --16. Against the Tide: Mordecai Gorelik and the New York Theatre of the 1920s-Processional, Nirvana, The Moon -- is a Gong, and Loudspeaker -- Anne Fletcher 149 --17. "Another Revolution to Be Heard From": Jane Heap and the International Theatre Exposition of 1926 -- John Bell 157 --18. Architecture for the Twentieth Century: Imagining the Theatre in the 1920s -- William F. Condee 167
  11. The left side of paradise
    the screenwriting of John Howard Lawson
    Autor*in: Carr, Gary
    Erschienen: 1984
    Verlag:  UMI Research Pr., Ann Arbor, Mich.

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0835715701
    Schriftenreihe: Studies in cinema ; 26
    Schlagworte: Communisme - États-Unis; Liste noire d'auteurs - Californie - Hollywood (Los Angeles); Scénaristes - États-Unis - Biographies; Kommunismus; Blacklisting of authors; Communism; Motion picture authorship; Screenwriters
    Weitere Schlagworte: Lawson, John Howard <1894-1977>; Lawson, John Howard <1894-1977>; Lawson, John Howard (1894-1977)
    Umfang: XX, 117 S.
    Bemerkung(en):

    Teilw. zugl.: Austin, Univ., Diss., 1975
  12. Messiah of the new technique
    John Howard Lawson, Communism, and American theatre, 1923 - 1937
    Autor*in: Chambers, Jonathan L.
    Erschienen: 2006
    Verlag:  Southern Illinois Univ. Press, Carbondale

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
  13. American leftist playwrights of the 1930's
    a study of ideology and technique in the plays of Odets, Lawson and Sherwood
    Autor*in: Mishra, Kshamanidhi
    Erschienen: 1991
    Verlag:  Classical Publ. Co., New Delhi

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    92 A 1135
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Osnabrück
    Signatur:
    EHP 4569-660 2
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 8170541271
    Auflage/Ausgabe: 1st ed
    Schlagworte: Literature and society; American drama; Social problems in literature; Communism and literature
    Weitere Schlagworte: Lawson, John Howard (1894-1977); Sherwood, Robert E (1895-1955); Odets, Clifford (1906-1963)
    Umfang: xiv, 279 p, 22 cm
    Bemerkung(en):

    Includes bibliographical references (p. 264-279)