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  1. Der feste Buchstabe
    Studien zur Hermeneutik, Psychoanalyse und Literatur
    Autor*in: Geisenhanslüke, Achim
    Erschienen: [2021]
    Verlag:  transcript-Verlag, Bielefeld

    Frontmatter -- Inhalt -- Einleitung -- Erster Teil: Buchstabe und Geist in der Hermeneutik -- Zweiter Teil: Psychoanalyse und Buchstäblichkeit -- Dritter Teil: Die kabbalistische Auslegung und die Kunst der Übersetzung -- Literaturverzeichnis »Der... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Frontmatter -- Inhalt -- Einleitung -- Erster Teil: Buchstabe und Geist in der Hermeneutik -- Zweiter Teil: Psychoanalyse und Buchstäblichkeit -- Dritter Teil: Die kabbalistische Auslegung und die Kunst der Übersetzung -- Literaturverzeichnis »Der Buchstabe tötet, der Geist macht lebendig.« Achim Geisenhanslüke geht dieser Maxime kritisch nach, um auf dem Buchstaben als der Grundlage geistiger Prozesse zu bestehen. Seine komparatistisch angelegte Studie macht deutlich, welche Bedeutung dem Buchstaben in hermeneutischen und psychoanalytischen Deutungsprozessen, Gedichten und Übersetzungen sowie dem modernen Roman zukommt. Dies zeigt sich nicht nur in der Hermeneutik von Friedrich Schleiermacher bis zu Sigmund Freud, sondern vor allem in der Literatur der Moderne, so bei Friedrich Hölderlin und Paul Celan, aber auch bei Vladimir Nabokov und Thomas Pynchon. Der Raum zwischen Buchstabe und Geist erweist sich hier als ein Ort der Interaktion, an dem das Leben des Geistes nur zum Ausdruck kommt, wenn es den Buchstaben anerkennt und an seinem eigenen Leben partizipieren lässt

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783839455067
    Weitere Identifier:
    RVK Klassifikation: EC 1853 ; EC 2000 ; EC 2430
    Schriftenreihe: Literalität und Liminalität ; 30
    Schlagworte: Buchstabe; Gedicht; Geist; Hermeneutik; Kultur; Literatur; Literaturtheorie; Literaturwissenschaft; Moderne; Psychoanalyse; Roman; Übersetzung; Allgemeine Literaturwissenschaft; LITERARY CRITICISM / Semiotics & Theory
    Weitere Schlagworte: Culture; Hermeneutics; Letter; Literary Studies; Literature; Mind; Modernity; Novel; Poem; Psychoanalysis; Theory of Literature; Translation
    Umfang: 1 Online-Ressource (235 Seiten)
  2. Artistic research and literature
    Beteiligt: Caduff, Corina (HerausgeberIn); Wälchli, Tan (HerausgeberIn)
    Erschienen: [2019]
    Verlag:  Wilhelm Fink, Brill Deutschland, Paderborn

    Contributors -- List of Illustrations -- Introducing Literature in the Discourse of Artistic Research / Corina Caduff and Tan Wälchli -- Literary Self-Reflection -- Writing Cannot Tell Everything / Jan Baetens -- The Writing and the Doing-about... mehr

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    Contributors -- List of Illustrations -- Introducing Literature in the Discourse of Artistic Research / Corina Caduff and Tan Wälchli -- Literary Self-Reflection -- Writing Cannot Tell Everything / Jan Baetens -- The Writing and the Doing-about Artistic Research through a Writing Practice / Fredrik Nyberg -- A Letter to Foucault / Maya Rasker -- Writing in Art and Artistic Research -- Minor Literature in and of Artistic Research / Christa-Maria Lerm Hayes -- Writing Scripto-Visual Costumes and Columns of Air / Redell Olsen -- No Assignment for Cowards: What Is to Be Gained through Interdisciplinary Research? / Maria Fusco -- Something More and Something Else: Language as Excess and Material [3] / Daniela Cascella -- Writing Sonic Fictions: Literature as a Portal into the Possibility of Art Research / Salomé Voegelin -- The Knowledge of Literature -- Practice-Based Literary Research as Activated Inquiry / Vincent Broqua -- NOW is Always. NOW is Never. On the Immediacy and Mediation of 'Message' in Poetry / Ferdinand Schmatz -- Poetics of Understanding: Language Arts and Artistic Research / Alexander Damianisch -- Aspect Change and Poetic Charge as Tools for Artistic Research in Literature / Tine Melzer -- Models and Precursors -- Who's Peaked? Chris Kraus's Writing Performances as a Case Study for Twenty-First Century Writing Culture / Anneleen Masschelein -- Translation Laboratory: Oskar Pastior's Applied Translation Research / Thomas Strässle -- Phantasmagorical Research: How Theory Becomes Art in the Work of Roland Barthes / Kathrin Busch -- The Vienna Group's 'Research for' the Language Arts: Konrad Bayer, "karl ein karl" (1962) / Tan Wälchli. What is practice-based literary research? While literature as a discipline is currently not represented in the artistic research discourse, individual writers and scholars have ties to a variety of institutional constellations in which overlaps between literature, art, and research become manifest. 16 of them expand on their methodological approaches as well as their practice, and they analyse exemplary case studies

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Caduff, Corina (HerausgeberIn); Wälchli, Tan (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783846763339; 3846763330
    Schlagworte: Art and literature; Literature; Art; Literature; Art and literature; Art ; Research; Literature; Literature ; Research; LITERARY CRITICISM / Semiotics & Theory; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (xiv, 206 pages), illustrations (some color)
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    Includes bibliographical references
  3. The ruse of repair
    US neoliberal empire and the turn from critique
    Autor*in: Stuelke, Patricia
    Erschienen: 2021
    Verlag:  Duke University Press, Durham

    Frontmatter -- Contents -- Acknowledgments -- Introduction: “After That, Baby . . .” -- 1 Freedom to Want -- 2 “Debt Work” -- 3 Solidarity as Settler Absolution -- 4 Veteran Diversity, Veteran Asynchrony -- 5 Invasion Love Plots and Antiblack... mehr

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    Universität Potsdam, Universitätsbibliothek
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    Frontmatter -- Contents -- Acknowledgments -- Introduction: “After That, Baby . . .” -- 1 Freedom to Want -- 2 “Debt Work” -- 3 Solidarity as Settler Absolution -- 4 Veteran Diversity, Veteran Asynchrony -- 5 Invasion Love Plots and Antiblack Acoustics -- Conclusion: Against Repair -- Notes -- Bibliography -- Index Since the 1990s, literary and queer studies scholars have eschewed Marxist and Foucauldian critique and hailed the reparative mode of criticism as a more humane and humble way of approaching literature and culture. The reparative turn has traveled far beyond the academy, influencing how people imagine justice, solidarity, and social change. In The Ruse of Repair, Patricia Stuelke locates the reparative turn's hidden history in the failed struggle against US empire and neoliberal capitalism in the 1970s and 1980s. She shows how feminist, antiracist, and anti-imperialist liberation movements' visions of connection across difference, practices of self care, and other reparative modes of artistic and cultural production have unintentionally reinforced forms of neoliberal governance. At the same time, the US government and military, universities, and other institutions have appropriated and depoliticized these same techniques to sidestep addressing structural racism and imperialism in more substantive ways. In tracing the reparative turn's complicated and fraught genealogy, Stuelke questions reparative criticism's efficacy in ways that will prompt critics to reevaluate their own reading practices

     
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    Sprache: Englisch
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    Format: Online
    ISBN: 9781478021575
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    Schlagworte: American literature; American literature; Literature and society; Neoliberalism and literature; Politics and literature; LITERARY CRITICISM / Semiotics & Theory
    Umfang: 1 Online-Ressource (x, 311 Seiten)
  4. Figures of Possibility
    Aesthetic Experience, Mysticism, and the Play of the Senses
    Autor*in: Largier, Niklaus
    Erschienen: [2022]
    Verlag:  Stanford University Press, Stanford, CA

    Frontmatter -- Contents -- Introduction -- 1 Disruptions -- 2 Figuration -- 3 Reweaving Perception -- 4 Imitation -- 5 Framings -- 6 Monadic Transcriptions -- 7 Modernist Moments -- 8 Holy Fools -- Acknowledgments -- Notes -- Bibliography -- Index... mehr

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    Frontmatter -- Contents -- Introduction -- 1 Disruptions -- 2 Figuration -- 3 Reweaving Perception -- 4 Imitation -- 5 Framings -- 6 Monadic Transcriptions -- 7 Modernist Moments -- 8 Holy Fools -- Acknowledgments -- Notes -- Bibliography -- Index From medieval contemplation to the early modern cosmopoetic imagination, to the invention of aesthetic experience, to nineteenth-century decadent literature, and to early-twentieth century essayistic forms of writing and film, Niklaus Largier shows that mystical practices have been reinvented across the centuries, generating a notion of possibility with unexpected critical potential. Arguing for a new understanding of mystical experience, Largier foregrounds the ways in which devotion builds on experimental practices of figuration in order to shape perception, emotions, and thoughts anew. Largier illuminates how devotional practices are invested in the creation of possibilities, and this investment has been a key element in a wide range of experimental engagements in literature and art from the seventeenth to the twentieth century, and most recently in forms of "new materialism." Read as a history of the senses and emotions, the book argues that mystical and devotional practices have long been invested in the modulating and reconfiguring of sensation, affects, and thoughts. Read as a book about practices of figuration, it questions ordinary protocols of interpretation in the humanities, and the priority given to a hermeneutic understanding of texts and cultural artifacts

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781503631052
    Weitere Identifier:
    Schriftenreihe: Cultural Memory in the Present
    Schlagworte: Experience (Religion); Experience (Religion); Mysticism; Mysticism; Psychology, Religious; LITERARY CRITICISM / Semiotics & Theory
    Umfang: 1 Online-Ressource (320 p)
  5. Decolonizing Memory
    Algeria and the Politics of Testimony
    Autor*in: Jarvis, Jill
    Erschienen: [2021]
    Verlag:  Duke University Press, Durham

    Frontmatter -- Contents -- Acknowledgments -- Introduction: The Future of Memory -- 1. Remnants of Muslims -- 2. Untranslatable Justice -- 3. Mourning Revolt -- 4. Open Elegy -- Conclusion. Prisons without Walls -- Notes -- Bibliography -- Index The... mehr

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    Universität Potsdam, Universitätsbibliothek
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    Frontmatter -- Contents -- Acknowledgments -- Introduction: The Future of Memory -- 1. Remnants of Muslims -- 2. Untranslatable Justice -- 3. Mourning Revolt -- 4. Open Elegy -- Conclusion. Prisons without Walls -- Notes -- Bibliography -- Index The magnitude of the legal violence exercised by the French to colonize and occupy Algeria (1830-1962) is such that only aesthetic works have been able to register its enduring effects. In Decolonizing Memory Jill Jarvis examines the power of literature to provide what demographic data, historical facts, and legal trials have not in terms of attesting to and accounting for this destruction. Taking up the unfinished work of decolonization since 1962, Algerian writers have played a crucial role in forging historical memory and nurturing political resistance-their work helps to make possible what state violence has rendered almost unthinkable. Drawing together readings of multilingual texts by Yamina Mechakra, Waciny Laredj, Zahia Rahmani, Fadhma Aïth Mansour Amrouche, Assia Djebar, and Samira Negrouche alongside theoretical, juridical, visual, and activist texts from both Algeria's national liberation war (1954-1962) and war on civilians (1988-1999), this book challenges temporal and geographical frameworks that have implicitly organized studies of cultural memory around Euro-American reference points. Jarvis shows how this literature rewrites history, disputes state authority to arbitrate justice, and cultivates a multilingual archive for imagining decolonized futures

     
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  6. D.H. Lawrence and the literary marketplace
    the early writings
    Autor*in: Grice, Annalise
    Erschienen: [2022]; © 2021
    Verlag:  Edinburgh University Press, Edinburgh

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    Europa-Universität Viadrina, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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  7. In stereotype
    South Asia in the global literary imaginary
    Autor*in: Chakravorty, Mrinalini
    Erschienen: 2014
    Verlag:  Columbia Univ. Press, New York

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780231537766
    Weitere Identifier:
    RVK Klassifikation: HQ 6023
    Schriftenreihe: Literature now
    Schlagworte: Literatur in anderen Sprachen; South Asian literature; Stereotypes (Social psychology) in literature; LITERARY CRITICISM / Semiotics & Theory; LITERARY CRITICISM; South Asian literature; South Asian literature; Südasien <Motiv>; Englisch; Stereotyp <Motiv>; Literatur
    Umfang: 1 Online-Ressource (XIV, 320 S.), Illustrationen
  8. The literary Theories of August Wilhelm Schlegel
    Autor*in: Ewton, Ralph W.
    Erschienen: [1972]; © 1972
    Verlag:  De Gruyter Mouton, Berlin/Boston

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783111343136; 9783110991635; 9783112151754
    Weitere Identifier:
    Schriftenreihe: De Proprietatibus Litterarum. Series Practica ; 47
    Schlagworte: Literaturtheorie; Literatuurtheorie; Poetik; LITERARY CRITICISM / Semiotics & Theory; Literatur, Rhetorik, Literaturwissenschaft; Poetik; Literaturtheorie
    Weitere Schlagworte: Schlegel, August Wilhelm von (1767-1845)
    Umfang: 1 online resource (120pages), illustrations
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed March 24, 2015)
  9. The Incredulous Reader
    Literature and the Function of Disbelief
    Autor*in: Koelb, Clayton
    Erschienen: [2019]; © 1984
    Verlag:  Cornell University Press, Ithaca, NY

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Medientyp: Ebook
    Format: Online
    ISBN: 9781501743993
    Weitere Identifier:
    Schlagworte: LITERARY CRITICISM / Semiotics & Theory; Fantastische Literatur; Wirklichkeit; Rezeption; Fiktion; Rezeptionsästhetik; Geschichte; Literatur
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019)
  10. Is There Truth in Art?
    Autor*in: Rapaport, Herman
    Erschienen: [2018]; © 1996
    Verlag:  Cornell University Press, Ithaca, NY

    The question posed by Herman Rapaport, in the title of this book, is intended both seriously and ironically. It is not Rapaport's purpose to debate whether or not truth resides in art. The title points rather to his belief that truth needs to be... mehr

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    The question posed by Herman Rapaport, in the title of this book, is intended both seriously and ironically. It is not Rapaport's purpose to debate whether or not truth resides in art. The title points rather to his belief that truth needs to be reconceptualized in the light of continuing efforts to deconstruct and to discredit the notion of truthfulness in art.The question of art's truthfulness persists because truth in art is neither an entity or content that has been injected into the work, nor a transcendental concept or ground that exists outside it. Moreover, when used in relation to art, Rapaport says, truth means something quite different from conventional definitions of the term. Indeed, a central question that informs the book is the return of truth at the far side of its deconstruction.Is There Truth in Art? includes chapters on atonal music, environmental art, modern German and French poetry, contemporary French fiction, experimental French film, and a photograph taken by the National Socialists during the destruction of the Warsaw ghetto. Determining how truth can be said to occur in these examples, Rapaport maintains, requires analysis in each instance. He draws chiefly upon the thinkers who have radically reformulated questions about truth-Nietzsche, Heidegger, Derrida, and Levinas-and uses their writings to explore the works under analysis

     
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    Format: Online
    ISBN: 9781501729607
    Weitere Identifier:
    Schlagworte: Literary Studies; LITERARY CRITICISM / Semiotics & Theory; Truth (Aesthetics); Truth (Aesthetics); Truth; Philosophie; Kunst; Ästhetik; Wahrheit
    Umfang: 1 online resource (240 pages), 3 halftones
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  11. The Dream of the Moving Statue
    Autor*in: Gross, Kenneth
    Erschienen: [2019]; © 1992
    Verlag:  Cornell University Press, Ithaca, NY

    The fantasy of a sculpture that moves, speaks;or responds, a statue that comes to life as an oracle, lover, avenger, mocker, or monster-few images are more familiar or seductive. The living statue appears in ancient creation narratives, the myths of... mehr

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    The fantasy of a sculpture that moves, speaks;or responds, a statue that comes to life as an oracle, lover, avenger, mocker, or monster-few images are more familiar or seductive. The living statue appears in ancient creation narratives, the myths of Pygmalion and Don Juan, lyric poetry from the Greek Anthology to Rilke, and romantic fairy tales; it is a recurrent theme in ballet and opera, in philosophy, psychoanalysis, and film. What does it mean for the statue that stands immobile in gallery or square to step down from its pedestal or speak out of its silence? What is it in this fantasy that animates us?Kenneth Gross explores the implications of fictive statues in biblical and romantic narrative; in the poetry of Ovid, Michelangelo, Blake, Rilke, and Stevens; in the drama of Shakespeare; in the writings of Freud and Wittgenstein. He also considers their place in the poetry of such contemporaries as Richard Howard and the films of Charlie Chaplin, Frarn;ois Truffaut, and Peter Greenaway. In the motif of the moving statue, we can see how the reciprocal ambitions of writing and sculpture play off each other, often producing deeply paradoxical figures of life and voice, Stories of the living statue point to the uncertain ways in which our desires, fantasies, and memories are bound to the realm of unliving objects. Clarifying the sources of our fascination with real and imaginary statues, this book asks us to reconsider some of our most basic assumptions about the uses of fantasy and fiction.Eloquent and evocative, The Dream of the Moving Statue will capture and hold a wide audience

     
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    ISBN: 9781501734892
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    Schlagworte: Literary Studies; Performing Arts & Drama; LITERARY CRITICISM / Semiotics & Theory; Belebte Statue; Kunst; Plastik <Motiv>; Geschichte; Literatur
    Weitere Schlagworte: Pygmalion
    Umfang: 1 online resource (272 pages), 16 halftones
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  12. Feeling in Theory
    Autor*in: TERADA, Rei
    Erschienen: [2021]; © 2001
    Verlag:  Harvard University Press, Cambridge, MA

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    ISBN: 9780674044296
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    Schlagworte: LITERARY CRITICISM / Semiotics & Theory; Emotions (Philosophy); Subject (Philosophy); Sujet (Philosophie); Émotions (Philosophie)
    Umfang: 1 Online-Ressource (221 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mrz 2021)
  13. The Prose Literature of the Gaelic Revival, 1881-1921
    Ideology and Innovation
    Autor*in: O'Leary, Philip
    Erschienen: [2021]; © 1994
    Verlag:  Penn State University Press, University Park, PA

    The Gaelic Revival has long fascinated scholars of political history, nationalism, literature, and theater history, yet studies of the period have neglected a significant dimension of Ireland's evolution into nationhood: the cultural crusades mounted... mehr

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    The Gaelic Revival has long fascinated scholars of political history, nationalism, literature, and theater history, yet studies of the period have neglected a significant dimension of Ireland's evolution into nationhood: the cultural crusades mounted by those who believed in the centrality of the Irish language to the emergent Irish state.This book attempts to remedy that deficiency and to present the lively debates within the language movement in their full complexity, citing documents such as editorials, columns, speeches, letters, and literary works that were influential at the time but all too often were published only in Irish or were difficult to access. Cautiously employing the terms ";nativist"; and ";progressive"; for the turnings inward and toward the European continent manifested in different authors, this study examines the strengths and weaknesses of contrasting positions on the major issues confronting the language movement. Moving from the early collecting or retelling of folklore through the search for heroes in early Irish history to the reworking of ancient Irish literary materials by retelling it in modern vernacular Irish, O'Leary addresses the many debates and questions concerning Irish writing of the period. His study is a model for inquiries into the kind of linguistic-literary movement that arises during intense nationalism

     
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    ISBN: 9780271076324
    Weitere Identifier:
    Schlagworte: LITERARY CRITICISM / Semiotics & Theory; Irish language; Irish prose literature; Nationalism and literature
    Umfang: 1 Online-Ressource (540 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021)
  14. Reading the Written Image
    Verbal Play, Interpretation, and the Roots of Iconophobia
    Autor*in: Collins, Christopher
    Erschienen: [2021]; © 1992
    Verlag:  Penn State University Press, University Park, PA

    Reading the Written Image is a study of the imagination as it is prompted by the verbal cues of literature. Since every literary image is also a mental image, a representation of an absent entity, Collins contends that imagination is a poiesis, a... mehr

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Reading the Written Image is a study of the imagination as it is prompted by the verbal cues of literature. Since every literary image is also a mental image, a representation of an absent entity, Collins contends that imagination is a poiesis, a making-up, an act of play for both author and reader. The ";willing suspension of disbelief,"; which Coleridge said ";constitutes poetic faith,"; therefore empowers and directs the reader to construct an imagined world in which particular hypotheses are proposed and demonstrated.Although the imagination as a central concept in poetics emerges into critical debate only in the eighteenth century, it has been a crucial issue for over two millennia in religious, philosophical, and political discourse. The two recognized alternative methodologies in the study of literature, the poetic and the hermeneutic, are opposed on the issue of the written image: poets and readers feel free to imagine, while hermeneuts feel obliged to specify the meanings of images and, failing that, to minimize the importance of imagery. Recognizing this problem, Collins proposes that reading written texts be regarded as a performance, a unique kind of play that transposes what had once been an oral-dramatic situation onto an inner, imaginary stage. He applies models drawn from the psychology of play to support his theory that reader response is essentially a poietic response to a rule-governed set of ludic cues

     
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    Schlagworte: LITERARY CRITICISM / Semiotics & Theory
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  15. Kafka's Narrative Theater
    Autor*in: Rolleston, James
    Erschienen: [2021]; © 1974
    Verlag:  Penn State University Press, University Park, PA

    Can one speak of Kafka's heroes as ";characters";? If so, why is it so hard to define their characteristics? If not, how is the reader persuaded to accompany them on their existential journeys, accepting their behavior as falling within the realm of... mehr

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    Can one speak of Kafka's heroes as ";characters";? If so, why is it so hard to define their characteristics? If not, how is the reader persuaded to accompany them on their existential journeys, accepting their behavior as falling within the realm of human logic? This study argues that Kafka's fiction has two conflicting premises: the subjective impossibility of human existence, foreclosing all hope of ";meaning"; in individual actions; and the ordered structure of human thoughts which assign meaning to the smallest event and analyze endlessly the behavior of other people. Kafka's characters are always, either potentially or actually, moving in both directions at once, earnestly building up a continuous logic to their actions while skeptically dismantling their own pretensions to existence. The device of the circumscribed narrator, congruent with the hero, knowing only what the hero knows, yet not identical with him, enables Kafka to contain both fundamental tendencies in a single sentence.Although Kafka is widely read, his works seem to give rise very easily to misconceptions; this study is designed primarily to facilitate an intelligent reading of Kafka. Without imposing answers of its own, it seeks to foster an awareness of the problems of perspective and presentation which Kafka engages

     
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    ISBN: 9780271072838
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    Schlagworte: LITERARY CRITICISM / Semiotics & Theory
    Umfang: 1 Online-Ressource (228 pages)
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  16. Marginal Modernity
    The Aesthetics of Dependency from Kierkegaard to Joyce
    Autor*in: Lisi, Leonardo F.
    Erschienen: [2012]; © 2012
    Verlag:  Fordham University Press, New York, NY

    Two ways of understanding the aesthetic organization of literary works have come down to us from the late 18th century and dominate discussions of European modernism today: the aesthetics of autonomy, associated with the self-sufficient work of art,... mehr

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    Two ways of understanding the aesthetic organization of literary works have come down to us from the late 18th century and dominate discussions of European modernism today: the aesthetics of autonomy, associated with the self-sufficient work of art, and the aesthetics of fragmentation, practiced by the avant-gardes. In this revisionary study, Leonardo Lisi argues that these models rest on assumptions about the nature of truth and existence that cannot be treated as exhaustive of modernist form.Lisi traces an alternative aesthetics of dependency that provides a different formal structure, philosophical foundation, and historical condition for modernist texts. Taking Europe's Scandinavian periphery as his point of departure, Lisi examines how Søren Kierkegaard and Henrik Ibsen imagined a response to the changing conditions of modernity different from those at the European core, one that subsequently influenced Henry James, Hugo von Hofmannsthal, Rainer Maria Rilke, and James Joyce.Combining close readings with a broader revision of the nature and genealogy of modernism, Marginal Modernity challenges what we understand by modernist aesthetics, their origins, and their implications for how we conceive of our relation to the modern world

     
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    ISBN: 9780823245352
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    Schlagworte: Aesthetics; Henrik Ibsen; Henry James; Hugo von Hofmannsthal; J.L. Heiberg; James Joyce; Modernism; Philosophy and Literature; Rainer Maria Rilke; Søren Kierkegaard; LITERARY CRITICISM / Semiotics & Theory; Aesthetics in literature; Dependency (Psychology) in literature; Modernism (Literature); Philosophy in literature
    Umfang: 1 online resource (352 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  17. The Imperative to Write
    Destitutions of the Sublime in Kafka, Blanchot, and Beckett
    Autor*in: Fort, Jeff
    Erschienen: [2014]; © 2014
    Verlag:  Fordham University Press, New York, NY

    Is writing haunted by a categorical imperative? Does the Kantian sublime continue to shape the writer’s vocation, even for twentieth-century authors? What precise shape, form, or figure does this residue of sublimity take in the fictions that follow... mehr

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    Is writing haunted by a categorical imperative? Does the Kantian sublime continue to shape the writer’s vocation, even for twentieth-century authors? What precise shape, form, or figure does this residue of sublimity take in the fictions that follow from it—and that leave it in ruins?This book explores these questions through readings of three authors who bear witness to an ambiguous exigency: writing as a demanding and exclusive task, at odds with life, but also a mere compulsion, a drive without end or reason, even a kind of torture. If Kafka, Blanchot, and Beckett mimic a sublime vocation in their extreme devotion to writing, they do so in full awareness that the trajectory it dictates leads not to metaphysical redemption but rather downward, into the uncanny element of fiction. As this book argues, the sublime has always been a deeply melancholy affair, even in its classical Kantian form, but it is in the attenuated speech of narrative voices progressively stripped of their resources and rewards that the true nature of this melancholy is revealed

     
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    ISBN: 9780823254712
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    Schlagworte: Franz Kafka; Immanuel Kant; Jean-Luc Nancy; Martin Heidegger; Maurice Blanchot; Philippe Lacoue-Labarthe; Samuel Beckett; categorical imperative; death mask; literature and philosophy; schematism; sublime; writing; LITERARY CRITICISM / Semiotics & Theory; Sublime, The, in literature
    Umfang: 1 online resource (440 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  18. How to Be an Intellectual
    Essays on Criticism, Culture, and the University
    Autor*in: Williams, Jeffrey J.
    Erschienen: [2014]; © 2014
    Verlag:  Fordham University Press, New York, NY

    Over the past decade, Jeffrey J. Williams has been one of the most perceptive observers of contemporary literary and cultural studies. He has also been a shrewd analyst of the state of American higher education. How to Be an Intellectual brings... mehr

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    Over the past decade, Jeffrey J. Williams has been one of the most perceptive observers of contemporary literary and cultural studies. He has also been a shrewd analyst of the state of American higher education. How to Be an Intellectual brings together noted and new essays and exemplifies Williams’s effort to bring criticism to a wider publicHow to Be an Intellectual profiles a number of critics, drawing on a unique series of interviews that give an inside look at their work and careers. The book often looks at critical thought from surprising angles, examining, for instance, the history of modern American criticism in terms of its keywords as they morphed from sound to rigorous to smart. It also puts in plain language the political travesty of higher education policies that produce student debt, which, as Williams demonstrates, all too readily follow the model of colonial indenture, not just as a metaphor but in actual point of fact.How to Be an Intellectual tells a story of intellectual life since the culture wars. Shedding academic obscurity and calling for a better critical writing, it reflects on what makes the critic and intellectual—the accidents of careers, the trends in thought, the institutions that shape us, and politics. It also includes personal views of living and working with books

     
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    ISBN: 9780823263837
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    Schlagworte: American Higher Education; Cultural Politics; Intellectuals; Literary Theory; Public Criticism; Student Debt; University Studies; LITERARY CRITICISM / Semiotics & Theory; Criticism; Intellectuals; Literature
    Umfang: 1 online resource (232 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  19. In the Place of Language
    Literature and the Architecture of the Referent
    Autor*in: Brodsky, Claudia
    Erschienen: [2009]; © 2009
    Verlag:  Fordham University Press, New York, NY

    The "place" in the title of Claudia Brodsky's remarkable new book is the intersection of language with building, the marking, for future reference, of material constructions in the world. The "referent" Brodsky describes is not something first found... mehr

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    The "place" in the title of Claudia Brodsky's remarkable new book is the intersection of language with building, the marking, for future reference, of material constructions in the world. The "referent" Brodsky describes is not something first found in nature and then named but a thing whose own origin joins language with materiality, a thing marked as it is made to begin with. In the Place of Language: Literature and the Architecture of the Referent develops a theory of the "referent" that is thus also a theory of the possibility of historical knowledge, one that undermines the conventional opposition of language to the real by theories of nominalism and materialism alike, no less than it confronts the mystical conflation of language with matter, whether under the aegis of the infinite reproducibility of the image or the identification of language with "Being."Challenging these equally naive views of language - as essentially immaterial or the only essential matter - Brodsky investigates the interaction of language with the material that literature represents. For literature, Brodsky argues, seeks no refuge from its own inherently iterable, discursive medium in dreams of a technologically-induced freedom from history or an ontological history of language-being. Instead it tells the complex story of historical referents constructed and forgotten, things built into the earth upon which history "takes place" and of which, in the course of history, all visible trace is temporarily effaced. Literature represents the making of history, the building and burial of the referent, the present world of its oblivion and the future of its unearthing, and it can do this because, unlike the historical referent, it literally takes no place, is not tied to any building or performance in space. For the same reason literature can reveal the historical nature of the making of meaning, demonstrating that the shaping and experience of the real, the marking of matter that constitutes historical referents, also defers knowledge of the real to a later date.

     
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    ISBN: 9780823237753
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    Schlagworte: LITERARY CRITICISM / Semiotics & Theory; Literature; Reference (Linguistics); Reference (Philosophy); Semiotics and literature
    Umfang: 1 online resource (192 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  20. Narcissism and the Literary Libido
    Rhetoric, Text, and Subjectivity
    Autor*in: Jr., Marshall W. Alcorn
    Erschienen: [1994]; © 1994
    Verlag:  New York University Press, New York, NY

    What is it that makes language powerful? This book uses the psychoanalytic concepts of narcissism and libidinal investment to explain how rhetoric compels us and how it can effect change. The works of Joseph Conrad, James Baldwin, Michael Foucault,... mehr

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    What is it that makes language powerful? This book uses the psychoanalytic concepts of narcissism and libidinal investment to explain how rhetoric compels us and how it can effect change. The works of Joseph Conrad, James Baldwin, Michael Foucault, Jacques Derrida, Arthur Miller, D.H. Lawrence, Ben Jonson, George Orwell, and others are the basis of this thoughtful exploration of the relationship between language and subject. Bringing together ideas from Freudian, post- Freudian, Lacanian, and post-structuralist schools, Alcorn investigates the power of the text that underlies the reader response approach to literature in a strikingly new way. He shows how the production of literary texts begins and ends with narcissistic self-love, and also shows how the reader's interest in these texts is directed by libidinal investment.Psychoanalysts, psychologists, and lovers of literature will enjoy Alcorn's diverse and far-reaching insights into classic and contemporary writers and thinkers

     
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    ISBN: 9780814707517
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    Schlagworte: This; book; change; compels; concepts; effect; explain; investment; libidinal; narcissism; psychoanalytic; rhetoric; uses; LITERARY CRITICISM / Semiotics & Theory; Narcissism in literature; Narration (Rhetoric); Narration (Rhetoric); Psychoanalysis and literature; Subjectivity in literature
    Umfang: 1 online resource
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jun 2020)
  21. In Pursuit of Power
    Heinrich von Kleist's Machiavellian Protagonists
    Autor*in: Reeve, William C.
    Erschienen: [2019]; © 1987
    Verlag:  University of Toronto Press, Toronto

    A number of striking parallels link the lives and careers of Machiavelli and Kleist. This study of the influence of one on the work of the other begins with an outline of those parallels, and of the Machiavellian atmosphere in Kleist's first play,... mehr

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    A number of striking parallels link the lives and careers of Machiavelli and Kleist. This study of the influence of one on the work of the other begins with an outline of those parallels, and of the Machiavellian atmosphere in Kleist's first play, Die Familie Schroffenstein. Reeve goes on to focus on the protagonists of Kleist's plays, beginning with Licht in Der zerbrocheme Krug. He exposes the skill of Licht's behind-the-scenes direction of the course of events to his own advantage and to the detriment of his superior, Adam. Next Reeve offers a detailed analysis of Die Hermannsschlacht, in which he demonstrates how Hermann embodies those qualities - the cunning of the fox and the strength of the lion - demanded by Machiavelli in a successful ruler. With these traits Hermann has brought the German princes, his own tribe, his rival Marbod, his wife, and even the Romans to a point where, unwittingly, the have all worked towards the establishment of a united Germany under his leadership. The chapter n Prinz Friedrich von Homburg singles out the underhand manoeuvers of the sadistic Hohenzolern who plots to embarrass publicly both the Elector and the Prince as a subtle manifestation of his personal power over the two leading contenders for political supremacy. The fragment Robert Guiskard contains two Machiavellian protagonists, an older more accomplished practitioner and an up-and-coming young threat, and treats another issue addressed in Il Principe: what occurs when an ideal leader at the height of his powers is cut down by a disabling illness? Indicative of the beginning and the end of Kleist's opus, half of his plays contain the figure of the clandestine schemer who plans the social or political elimination of a rival and, by stealth and skillful manipulation of others, directs the course of events at almost every turn. Reeve concludes with an attempt to explain the presence of the Machiavellian in Kleist's works as the indirect influence of Shakespeare's three villains, the direct example of Napoleon, or the dramatist's own independent insight into the less admirable aspects of the human mind

     
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    ISBN: 9781487575236
    Weitere Identifier:
    Schriftenreihe: Heritage
    Schlagworte: LITERARY CRITICISM / Semiotics & Theory; Control (Psychology) in literature; Protagonists (Persons) in literature; Drama; Dramengestalt; Machiavellismus
    Weitere Schlagworte: Kleist, Heinrich von (1777-1811)
    Umfang: 1 online resource (248 pages)
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  22. World-Making
    The Literary Truth-Claim and the Interpretation of Texts
    Autor*in: Valdes, Mario
    Erschienen: [2019]; © 1992
    Verlag:  University of Toronto Press, Toronto

    In literary texts writers express their views on a great variety of issues, some of which they take seriously, others of which they treat with levity. Even in those statements to which cultural circumstances assign a transcendent meaning there is a... mehr

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    In literary texts writers express their views on a great variety of issues, some of which they take seriously, others of which they treat with levity. Even in those statements to which cultural circumstances assign a transcendent meaning there is a wide range of commitment from marginal to central concern in the discursive context. Mario J. Valdés calls these assertions truth-claims. Drawing on the works of a wide range of authors, including Proust, Tolstoy, Woolf, Lorca, Solzhenitsyn, and Fowles, Valdés explores the phenomenon of truth-claims from two perspectives. One, textual semantics, deal with the content of a given truth-claim; the other, hermeneutics, is concerned with the reader's interpretation of the truth-claim. In the reading of the text the subject making the truth-claim is not the author or a collective abstraction but rather an enunciating voice or voices. The subject enacting the truth-claim is the reader in his or her textual encounter with the discourse. Everything that happens in a text is recognizable and ultimately knowable because it is made possible as a world constituted through language by a reader. The subject-matter of truth-claims is therefore not the physical data of the world that corresponds to the statement, but rather the reader's accessibility and relationship to those data within the lived world of language

     
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    ISBN: 9781487574215
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    Schriftenreihe: Heritage
    Schlagworte: LITERARY CRITICISM / Semiotics & Theory; Literature; Phenomenology and literature; Truth in literature; Phänomenologie; Wahrheit; Literatur
    Umfang: 1 online resource (192 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  23. Critical Theory and Poststructuralism
    In Search of a Context
    Autor*in: Poster, Mark
    Erschienen: [2019]; © 1989
    Verlag:  Cornell University Press, Ithaca, NY

    In Critical Theory and Poststructuralism Mark Poster enacts a dialogue between the French poststructuralists, especially Michel Foucault, and the tradition of critical social theory as developed by the Frankfurt School and by other Continental... mehr

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    In Critical Theory and Poststructuralism Mark Poster enacts a dialogue between the French poststructuralists, especially Michel Foucault, and the tradition of critical social theory as developed by the Frankfurt School and by other Continental theorists such as Jean-Paul Sartre. These confrontations between poststructuralists who represent "postmodern" thought and theorists committed the "modern" project of the Enlightenment is, according to Poster, of urgent importance because of the failure of critical theory to sustain a convincing critique of today's radically changed social formation

     
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    ISBN: 9781501746185
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    Schlagworte: LITERARY CRITICISM / Semiotics & Theory; Kritische Theorie; Poststrukturalismus
    Weitere Schlagworte: Foucault, Michel (1926-1984)
    Umfang: 1 online resource (200 pages), 7 charts
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  24. The Comparative Perspective on Literature
    Approaches to Theory and Practice
    Autor*in: Koelb, Clayton
    Erschienen: [2019]; © 1988
    Verlag:  Cornell University Press, Ithaca, NY

    Few would deny that comparative literature is rapidly moving from the periphery toward the center of literary studies in North America, but many are still unsure just what it is. The Comparative Perspective on Literature shows by means of twenty-two... mehr

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    Few would deny that comparative literature is rapidly moving from the periphery toward the center of literary studies in North America, but many are still unsure just what it is. The Comparative Perspective on Literature shows by means of twenty-two exemplary essays by many of the most distinguished scholars in the field how comparative literature as a discipline is conceived of and practiced in the 1980s.Nearly all of them published here for the first time, the essays discuss and themselves reflect significant changes at the core of the field as well as evolving notions as to what comparative literature is and should be. The volume editors, Clayton Koelb and Susan Noakes, have included essays that address the scope and concerns of comparative literature today, historical and international contexts of the field, and the relationship of literary criticism to other disciplines, as well as affording comparative perspectives on current critical issues

     
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    Beteiligt: Noakes, Susan (Hrsg.)
    Sprache: Englisch
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    Format: Online
    ISBN: 9781501743986
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    Schlagworte: LITERARY CRITICISM / Semiotics & Theory; Vergleichende Literaturwissenschaft
    Umfang: 1 online resource (392 pages)
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  25. Reception Histories
    Rhetoric, Pragmatism, and American Cultural Politics
    Autor*in: Mailloux, Steven
    Erschienen: [2018]; © 1998
    Verlag:  Cornell University Press, Ithaca, NY

    In his earlier Rhetorical Power, Steven Mailloux presented an innovative and challenging strategy for combining critical theory and cultural studies. That book has stimulated wide-ranging discussion and debate among diverse audiences—students and... mehr

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    In his earlier Rhetorical Power, Steven Mailloux presented an innovative and challenging strategy for combining critical theory and cultural studies. That book has stimulated wide-ranging discussion and debate among diverse audiences—students and specialists in American studies, speech communications, rhetoric/composition, law, education, biblical studies, and especially literary theory and cultural criticism. Reception Histories marks a further development of Mailloux's influential critical project, as he demonstrates how rhetorical hermeneutics uses rhetoric to practice theory by doing history. Reception Histories works out in detail what rhetorical hermeneutics means in terms of poststructuralist theory (Part One), nineteenth-century U.S. cultural studies (Part Two), and the contemporary history of curricular reform within the so-called Culture Wars (Part Three). Mailloux situates, defends, and elaborates the theory he first proposed in Rhetorical Power, and he exemplifies it with a new series of provocative reception histories. He also both critiques and reconceptualizes the version of reader response criticism he developed in his first book, Interpretive Conventions. Throughout Reception Histories, Mailloux demonstrates his distinctive blend of neopragmatism and cultural rhetoric study. By tracing the rhetorical paths of thought, this book offers a new way to read the current volatile debates over higher education and contributes its own original proposals for shaping the future of the humanities

     
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    ISBN: 9781501728433
    Weitere Identifier:
    Schlagworte: American Studies; LITERARY CRITICISM / Semiotics & Theory; Criticism; Culture conflict; English language; English philology; Literature; Multiculturalism; Politics and literature; Pragmatism; Reader-response criticism; Rhetoric; Rezeptionsforschung; Literatur; Hermeneutik; Pragmatik; Englisch; Rhetorik; Kulturpolitik; Literaturwissenschaft
    Umfang: 1 online resource, 1 cartoon
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)