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  1. James Joyce's techno-poetics
    Autor*in: Theall, Donald F.
    Erschienen: 1997
    Verlag:  University of Toronto Press, Toronto, Ont.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0802009689; 144267637X; 9780802009685; 9781442676374
    Schlagworte: Littérature et technologie / Irlande / Histoire / 20e siècle; Modernisme (Littérature) / Irlande; Roman / Technique; Technologie; Finnegans wake (Joyce); Modernisme (littérature) / Irlande; Maschine (Motiv); Romantheorie; Technik; Finnegans wake (Joyce); Modernisme (littérature) - Irlande; Technologie; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Finnegans wake (Joyce, James); Ulysses (Joyce, James); Fiction / Technique; Literature and technology; Modernism (Literature); Technique; Geschichte; Literature and technology; Modernism (Literature); Fiction; Romantheorie; Technik; Maschine <Motiv>; Maschine
    Weitere Schlagworte: Joyce, James / 1882-1941 / Technique; Joyce, James / 1882-1941 / Finnegans Wake; Joyce, James / 1882-1941 / Ulysses; Joyce, James / (1882-1941) / Style; Joyce, James; Joyce, James <1882-1941> - Style; Joyce, James / 1882-1941; Joyce, James (1882-1941); Joyce, James (1882-1941): Finnegans wake; Joyce, James (1882-1941): Ulysses; Joyce, James (1882-1941)
    Umfang: 1 Online-Ressource (246 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    "James Joyce's Techno-Poetics is on the cutting edge of an original and exciting new trend in Joycean studies, as it combines the study of literature, technology, and communication to reveal James Joyce as 'a key figure in the history of cyberculture.'" "Donald Theall examines for the first time how Joyce conceived of the artist as an engineer and the artist's works as constructions, and reveals the importance of Joyce's understanding of the direction of a developing technoculture. Theall explores the interrelationships between the machinic and the processes of encoding, decoding, reading, writing, and interpreting in Joyce's self-reflexive treatment of the book in Finnegans Wake. By situating this project in relation to memory and cultural production, Theall argues that Joyce's radical paramodern poetic practice has important implications for a wide variety of subsequent cultural and theoretical movements: dramatism, poststructuralism, semiology, and hypertextuality. Theall places Joyce in the context of other modern thinkers, such as Benjamin and Bataille, and draws a direct line of influence from Joyce to Marshall McLuhan and Neuromancer author William Gibson." "This is a remarkable and innovative work that makes an important contribution not only to Joycean studies, but to literary theory, modernism, cultural analysis, the history of ideas, and the relationship between literature, science, and technology."--Jacket

    1 - James Joyce and the 'Modern': Machines, Media and the Mimetic -- - 2 - Art as Vivisection: The Encyclopaedic Mechanics and Menippean Satire -- - 3 - Electro-Mechanization, Communication, and the Poet as Engineer -- - 4 - Singing the Electro-Mechano-Chemical Body -- - 5 - Books, Machines, and Processes of Production and Consumption -- - 6 - The Machinic Maze of Mimesis: The Labyrinthine Dance of Mind and Machine -- - 7 - Mimicry, Memory, Mummery, and the Multiplying of Media -- - 8 - Secularizing the Sacred: The Art of Profane Illumination -- - 9 - Assembling and Tailoring a Modern Hermetic Techno-Cultural Allegory -- - 10 - The Rhythmatick of Our Eternal Geomater -- - 11 - The New Techno-Culture of Space-Time
  2. Framing pieces
    designs of the gloss in Joyce, Woolf, and Pound
    Autor*in: Whittier-Ferguson, John
    Erschienen: 1996
    Verlag:  Oxford University Press, New York

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0195097483; 128045136X; 1423758668; 9780195097481; 9781280451362; 9781423758662
    Schlagworte: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; English fiction; Fiction / Technique; Modernism (Literature); Poetics; Technique; Geschichte; English fiction; Modernism (Literature); Fiction; Poetics; Literarische Technik; Selbstkommentar; Einschub <Literatur>
    Weitere Schlagworte: Joyce, James / 1882-1941 / Criticism, Textual; Joyce, James / 1882-1941 / Technique; Pound, Ezra / 1885-1972 / Criticism, Textual; Pound, Ezra / 1885-1972 / Technique; Woolf, Virginia / 1882-1941 / Criticism, Textual; Woolf, Virginia / 1882-1941 / Technique; Joyce, James / 1882-1941; Pound, Ezra / 1885-1972; Woolf, Virginia / 1882-1941; Joyce, James (1882-1941); Woolf, Virginia (1882-1941); Pound, Ezra (1885-1972); Joyce, James (1882-1941); Woolf, Virginia (1882-1941); Pound, Ezra (1885-1972); Woolf, Virginia (1882-1941); Joyce, James (1882-1941); Pound, Ezra (1885-1972)
    Umfang: 1 Online-Ressource (xv, 197 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 177-187) and index

    In Framing Pieces, Whittier-Ferguson recovers and explores drafts, notes, glosses, essays, and guides that high modernists, such as James Joyce, Virginia Woolf, T.S. Eliot, and Ezra Pound generated in order to interpret their own work. These archival materials reveal a complex picture of how texts like Finnegan's Wake, A Room of One's Own, Three Guineas, and ABC's of Reading were annotated and framed by their authors, and how the authors illuminated and obscured various aspects of the annotations. Whittier-Ferguson also examines the first editions and periodicals in which these works appeared to show how modernist writers gauged the extent of their audience and tried to control their readers' encounters with their writing
  3. Manuscript genetics
    Joyce's know-how, Beckett's nohow
    Autor*in: Van Hulle, Dirk
    Erschienen: 2008
    Verlag:  Univ. Press of Florida, Gainesville [u.a.]

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format