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  1. Science, form, and the problem of induction in British Romanticism
    Autor*in: Porter, Dahlia
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore

    Standort:
    Englisches Seminar der Universität, Bibliothek
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    LIT CN 2018:3
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  2. Science, form, and the problem of induction in British romanticism
    Autor*in: Porter, Dahlia
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge

    "Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation - from its roots in Francis Bacon's experimental philosophy to its pervasiveness across Enlightenment moral philosophy, aesthetics, literary criticism, and literature itself. Porter brings this history to bear on an omnipresent feature of Romantic-era literature, its mixtures of verse and prose. Combining analyses of printed books and manuscripts with recent scholarship in the history of science, she elucidates the compositional practices and formal dilemmas of Erasmus Darwin, Robert Southey, Charlotte Smith, Maria Edgeworth, and Samuel Taylor Coleridge. In doing so she re-examines the relationship between Romantic literature and eighteenth-century empiricist science, philosophy, and forms of art and explores how Romantic writers engaged with the ideas of Enlightenment empiricism in their work."

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781108408561; 9781108418942
    RVK Klassifikation: HL 1131
    Schriftenreihe: Cambridge studies in romanticism ; 120
    Schlagworte: Induction (Logic) in literature; English literature / 18th century / History and criticism; English literature / 19th century / History and criticism; Literature and science / Great Britain / History / 18th century; Literature and science / Great Britain / History / 19th century; Romanticism / Great Britain; Romantik; Englisch; Induktion; Wissenschaft <Motiv>; Literatur
    Umfang: xiv, 293 Seiten, Illustrationen
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  3. Science, form, and the problem of induction in British romanticism
    Autor*in: Porter, Dahlia
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge

    "Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation... mehr

    Standort:
    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    "Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation - from its roots in Francis Bacon's experimental philosophy to its pervasiveness across Enlightenment moral philosophy, aesthetics, literary criticism, and literature itself. Porter brings this history to bear on an omnipresent feature of Romantic-era literature, its mixtures of verse and prose. Combining analyses of printed books and manuscripts with recent scholarship in the history of science, she elucidates the compositional practices and formal dilemmas of Erasmus Darwin, Robert Southey, Charlotte Smith, Maria Edgeworth, and Samuel Taylor Coleridge. In doing so she re-examines the relationship between Romantic literature and eighteenth-century empiricist science, philosophy, and forms of art and explores how Romantic writers engaged with the ideas of Enlightenment empiricism in their work."

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781108408561; 9781108418942
    RVK Klassifikation: HL 1131
    Schriftenreihe: Cambridge studies in romanticism ; 120
    Schlagworte: Induction (Logic) in literature; English literature / 18th century / History and criticism; English literature / 19th century / History and criticism; Literature and science / Great Britain / History / 18th century; Literature and science / Great Britain / History / 19th century; Romanticism / Great Britain; Romantik; Englisch; Induktion; Wissenschaft <Motiv>; Literatur
    Umfang: xiv, 293 Seiten, Illustrationen
    Bemerkung(en):

    Hier auch später erschienene, unveränderte Nachdrucke
  4. Science, form, and the problem of induction in British romanticism
    Autor*in: Porter, Dahlia
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge

    Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation... mehr

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    Universitätsbibliothek Bamberg
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    Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation - from its roots in Francis Bacon's experimental philosophy to its pervasiveness across Enlightenment moral philosophy, aesthetics, literary criticism, and literature itself. Porter brings this history to bear on an omnipresent feature of Romantic-era literature, its mixtures of verse and prose. Combining analyses of printed books and manuscripts with recent scholarship in the history of science, she elucidates the compositional practices and formal dilemmas of Erasmus Darwin, Robert Southey, Charlotte Smith, Maria Edgeworth, and Samuel Taylor Coleridge. In doing so she re-examines the relationship between Romantic literature and eighteenth-century empiricist science, philosophy, and forms of art and explores how Romantic writers engaged with the ideas of Enlightenment empiricism in their work.

     
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  5. Science, form, and the problem of induction in British Romanticism
    Autor*in: Porter, Dahlia
    Erschienen: 2020
    Verlag:  Cambridge University Press, Cambridge

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    Universitäts- und Landesbibliothek Bonn
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    2020/2619
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  6. Science, form, and the problem of induction in British romanticism
    Autor*in: Porter, Dahlia
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge

    Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation - from its roots in Francis Bacon's experimental philosophy to its pervasiveness across Enlightenment moral philosophy, aesthetics, literary criticism, and literature itself. Porter brings this history to bear on an omnipresent feature of Romantic-era literature, its mixtures of verse and prose. Combining analyses of printed books and manuscripts with recent scholarship in the history of science, she elucidates the compositional practices and formal dilemmas of Erasmus Darwin, Robert Southey, Charlotte Smith, Maria Edgeworth, and Samuel Taylor Coleridge. In doing so she re-examines the relationship between Romantic literature and eighteenth-century empiricist science, philosophy, and forms of art and explores how Romantic writers engaged with the ideas of Enlightenment empiricism in their work

     
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  7. Science, form, and the problem of induction in British Romanticism
    Autor*in: Porter, Dahlia
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge

    3 Poetics of the Commonplace: Robert Southey's Analogical RomancePoetics of the Commonplace; Annotation, Antiquarianism, and the Disciplines of History; Aesthetics on the Verge of Parody; Interlude: The First Landing-Place: Prose Notes and Embedded... mehr

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    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
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    Standort:
    Hochschule Esslingen, Bibliothek
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    E-Book Ebsco
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    keine Fernleihe

     

    3 Poetics of the Commonplace: Robert Southey's Analogical RomancePoetics of the Commonplace; Annotation, Antiquarianism, and the Disciplines of History; Aesthetics on the Verge of Parody; Interlude: The First Landing-Place: Prose Notes and Embedded Verse; Part II Making Minds: Poetry in Prose; 4 Methodizing the Mind: Experimental Education and the Poetic Excerpt; The Forms of Cognition; Fiction Methodized; Poetry Explained, Methodically; Poetry Methodized; 5 Coleridge and Literary Criticism: The Pains of Induction; Reclaiming Induction; The Critic's Method; The Poet's Genius Cover; Half title; Series; Title; Copyright; Dedication; Contents; List of Figures; Acknowledgments; List of Abbreviations; Introduction: Romanticism's Composite Orders; 1 Knowledge-Mind-Text: A History of Inductive Method; Doing and Making; Synthesis and the Problem of Induction; Literature as Database; Part I Making Texts: The Annotated Poem; 2 Erasmus Darwin's Prose of the World: Induction and the Philosophical Poem; Plain Style and the Annotated Poem; "Knowledge Broken" and Strict Analogies; The Aesthetics of Allegory; Real Figures: Darwin's Hieroglyphs Disciplining the ExcerptThe Final Landing Place: The Composite Incarnate; Bibliography; Index Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation - from its roots in Francis Bacon's experimental philosophy to its pervasiveness across Enlightenment moral philosophy, aesthetics, literary criticism, and literature itself. Porter brings this history to bear on an omnipresent feature of Romantic-era literature, its mixtures of verse and prose. Combining analyses of printed books and manuscripts with recent scholarship in the history of science, she elucidates the compositional practices and formal dilemmas of Erasmus Darwin, Robert Southey, Charlotte Smith, Maria Edgeworth, and Samuel Taylor Coleridge. In doing so she re-examines the relationship between Romantic literature and eighteenth-century empiricist science, philosophy, and forms of art and explores how Romantic writers engaged with the ideas of Enlightenment empiricism in their work

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1108292410; 1108314465; 9781108292412; 9781108314466
    Schriftenreihe: Cambridge studies in Romanticism ; 120
    Schlagworte: English literature; English literature; Literature and science; Literature and science; Romanticism; Induction (Logic) in literature; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; Induction (Logic) in literature; English literature; Literature and science; Romanticism; Englisch; Literatur; Romantik; Wissenschaft; 18.05 English literature; Criticism, interpretation, etc; History
    Umfang: 1 Online-Ressource (xiv, 293 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 20 Jun 2018)
  8. Science, form, and the problem of induction in British romanticism
    Autor*in: Porter, Dahlia
    Erschienen: 2020
    Verlag:  Cambridge University Press, Cambridge

    Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation... mehr

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation - from its roots in Francis Bacon's experimental philosophy to its pervasiveness across Enlightenment moral philosophy, aesthetics, literary criticism, and literature itself. Porter brings this history to bear on an omnipresent feature of Romantic-era literature, its mixtures of verse and prose. Combining analyses of printed books and manuscripts with recent scholarship in the history of science, she elucidates the compositional practices and formal dilemmas of Erasmus Darwin, Robert Southey, Charlotte Smith, Maria Edgeworth, and Samuel Taylor Coleridge. In doing so she re-examines the relationship between Romantic literature and eighteenth-century empiricist science, philosophy, and forms of art and explores how Romantic writers engaged with the ideas of Enlightenment empiricism in their work

     
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  9. Science, form, and the problem of induction in British romanticism
    Autor*in: Porter, Dahlia
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge

    Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation... mehr

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    Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation - from its roots in Francis Bacon's experimental philosophy to its pervasiveness across Enlightenment moral philosophy, aesthetics, literary criticism, and literature itself. Porter brings this history to bear on an omnipresent feature of Romantic-era literature, its mixtures of verse and prose. Combining analyses of printed books and manuscripts with recent scholarship in the history of science, she elucidates the compositional practices and formal dilemmas of Erasmus Darwin, Robert Southey, Charlotte Smith, Maria Edgeworth, and Samuel Taylor Coleridge. In doing so she re-examines the relationship between Romantic literature and eighteenth-century empiricist science, philosophy, and forms of art and explores how Romantic writers engaged with the ideas of Enlightenment empiricism in their work

     
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  10. Science, form, and the problem of induction in British Romanticism
    Autor*in: Porter, Dahlia
    Erschienen: 2018; © 2018
    Verlag:  Cambridge University Press, Cambridge

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    HL 1131 P844
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781108418942
    Weitere Identifier:
    9781108418942
    RVK Klassifikation: HL 1131
    Schriftenreihe: Cambridge studies in Romanticism ; 120
    Schlagworte: Induction (Logic) in literature; English literature; English literature; Literature and science; Literature and science; Romanticism; Induction (Logic) in literature; English literature; English literature; Literature and science; Literature and science; Romanticism; Induction (Logic) in literature; English literature; English literature; Literature and science; Literature and science; Romanticism
    Umfang: xiv, 293 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 269-286 und Index

    In LOC-Aufname als Bd 114 bezeichnet
  11. Science, form, and the problem of induction in British Romanticism
    Autor*in: Porter, Dahlia
    Erschienen: 2020
    Verlag:  Cambridge University Press, Cambridge

    Standort:
    Universitäts- und Landesbibliothek Bonn
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  12. Science, form, and the problem of induction in British Romanticism
    Autor*in: Porter, Dahlia
    Erschienen: 2018
    Verlag:  Cambridge University Press, Port Melbourne

    Standort:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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