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  1. The imperialist imagination
    German colonialism and its legacy
    Beteiligt: Friedrichsmeyer, Sara (Hrsg.)
    Erschienen: 1998
    Verlag:  Univ. of Michigan Press, Ann Arbor, Mich.

    Standort:
    Geheimes Staatsarchiv Preußischer Kulturbesitz, Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Friedrichsmeyer, Sara (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0472096826; 047206682X; 9780472096824; 9780472066827
    Weitere Identifier:
    9780472066827
    RVK Klassifikation: NQ 9400
    Schriftenreihe: Social history, popular culture, and politics in Germany
    Schlagworte: Arts, German; Exoticism in art; Imperialism in art; Colonies in art; Nationalism; Kolonie; Geschichte; Wirkung; Geschichtsbewusstsein; Kollektives Gedächtnis; Interkulturalität; Fremdbild; Rassismus; Nationalitätenpolitik
    Umfang: VI, 370 S, 24 cm
    Bemerkung(en):

    Literaturverz. S. 337 - 358

    Hier auch später erschienene, unveränderte Nachdrucke

    Lisa Gates: Of seeing and otherness : Leni Riefenstahl's African photographs

    Robert C. Holub: Nietzsche's colonialist imagination : Nueva Germania, good Europeanism, and great politics

    Sara Lennox: White ladies and dark continents in Ingeborg Bachmann's Todesarten

    Leslie A. Adelson: Imagining migrants' literature : intercultural alterity in Jeannette Lander's Jahrhundert der Herren

    Sara Friedrichsmeyer: Christoph Hein's Horns Ende : Gypsy essences and German community

    Katrin Sieg.: Ethnic drag and national identity : multicultural crises, crossings, and interventions

    Nina Berman: Orientalism, imperialism, and nationalism : Karl May's Orientzyklus

    Friederike Eigler: Engendering German nationalism : gender and race in Frieda von Bülow's colonial writings

    John K. Noyes: National identity, nomadism, and narration in Gustav Frenssen's Peter Moor's journey to Southwest Africa

    Helmut Walser Smith: The talk of genocide, the rhetoric of miscegenation : notes on debates in the German Reichstag concerning Southwest Africa, 1904-14

    Thomas Nolden: On colonial spaces and bodies : Hans Grimm's Geschichten aus Südwestafrika

    Andreas Michel: Formalism to psychoanalysis : on the politics of primitivism in Carl Einstein

    Sabine Hake: Mapping the native body : on Africa and the colonial film in the Third Reich

    Leslie Morris: Reading the face of the other : Arnold Zweig's and Hermann Struck's Das ostjüdische Antlitz

    Tina Campt, Pascal Grosse, and Yara-Colette Lemke-Muniz de Faria: Blacks, Germans, and the politics of imperial imagination, 1920-60
  2. Artistic responses to travel in the Western tradition
    Beteiligt: Lippert, Sarah J. (HerausgeberIn)
    Erschienen: 2018
    Verlag:  Routledge, Taylor & Francis Group, London

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Quelle: Verbundkataloge
    Beteiligt: Lippert, Sarah J. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472481245
    Schriftenreihe: Routledge research in art history
    Schlagworte: Travel in art; Art; Art criticism; Art; Imperialism in art; Tourism in art; Travel in art
    Umfang: xiv, 258 Seiten, Illustrationen
  3. <<Der>> assyrische Tribut und seine Darstellung
    eine Untersuchung zur imperialen Ideologie im neuassyrischen Reich
    Autor*in: Bär, Jürgen
    Erschienen: 1996
    Verlag:  Butzon & Bercker [u.a.], Kevelaer

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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 3788715723; 3766600044
    RVK Klassifikation: NG 4000 ; NG 4060
    Schriftenreihe: Alter Orient und Altes Testament ; 243
    Schlagworte: Array; Array; Array; Imperialism in art
    Umfang: XIII, 279, 55 S., zahlr. Ill., Kt.
    Bemerkung(en):

    Zugl.: Saarbrücken, Univ., Dipl.-Arb., 1993
  4. Latin blackness in Parisian visual culture, 1852-1932
    Autor*in: Williams, Lyneise E.
    Erschienen: 2019
    Verlag:  Bloomsbury Visual Arts, New York

    Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. The term 'Latinize' is introduced to connect France's... mehr

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2019:1915:
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    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2019 C 884
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    Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. The term 'Latinize' is introduced to connect France's early 19th-century endeavors to create "Latin America," an expansion of the French empire into the Latin-language based Spanish and Portuguese Americas, to its perception of this population. 0Latin-American elites traveler to Paris in the 1840s from their newly independent nations were denigrated in representations rather than depicted as equals in a developing global economy. Darkened skin, etched onto images of Latin Americans of European descent mitigated their ability to claim the privileges of their ancestral heritage. Whitened skin, among other codes, imposed on turn-of-the-20th-century Black Latin Americans in Paris tempered their Blackness and rendered them relatively assimilatable compared to colonial Africans, Blacks from the Caribbean, and African Americans. After identifying mid-to-late 19th-century Latinizing codes, the study focuses on shifts in latinizing visuality between 1890-1933 in three case studies: the depictions of popular Cuban circus entertainer Chocolat; representations of Panamanian World Bantamweight Champion boxer Alfonso Teofilo Brown; and paintings of Black Uruguayans executed by Pedro Figari, a Uruguayan artist, during his residence in Paris between 1925-1933

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781501332357; 150133235X
    Schlagworte: Blacks in art; Latin Americans in art; Imperialism in art; Art and society; Art and society; Art and society; Blacks in art; Imperialism in art
    Umfang: xvi, 213 Seiten, Illustrationen
    Bemerkung(en):

    "Bloomsbury visual arts.". - Includes bibliographical references
  5. Artistic responses to travel in the Western tradition
    Beteiligt: Lippert, Sarah J. (HerausgeberIn)
    Erschienen: 2018
    Verlag:  Routledge, Taylor & Francis Group, London

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2018:3635:
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    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signatur:
    Forschungsbibliothek Gotha
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2018 C 1727
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    Standort:
    Germanisches Nationalmuseum, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
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    Quelle: Verbundkataloge
    Beteiligt: Lippert, Sarah J. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472481245
    Schriftenreihe: Routledge research in art history
    Schlagworte: Travel in art; Art; Art criticism; Art; Imperialism in art; Tourism in art; Travel in art
    Umfang: xiv, 258 Seiten, Illustrationen, 26 cm
  6. Colouring the Caribbean
    race and the art of Agostino Brunias
    Autor*in: Bagneris, Mia L.
    Erschienen: [2018]; © 2018
    Verlag:  Manchester University Press, Manchester

    "'Colouring the Caribbean' offers the first comprehensive study of Agostino Brunias's intriguing pictures of colonial West Indians of colour - so called 'Red' and 'Black' Caribs, dark-skinned Africans and Afro-Creoles, and people of mixed race - made... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2018:1182:
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    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2018 C 264
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    Standort:
    Universitätsbibliothek Osnabrück
    Signatur:
    KAT B 896 6251-004 6
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    "'Colouring the Caribbean' offers the first comprehensive study of Agostino Brunias's intriguing pictures of colonial West Indians of colour - so called 'Red' and 'Black' Caribs, dark-skinned Africans and Afro-Creoles, and people of mixed race - made for colonial officials and plantocratic elites during the late-eighteenth century. Although Brunias's paintings have often been understood as straightforward documents of visual ethnography that functioned as field guides for reading race, this book investigates how the images both reflected and refracted ideas about race commonly held by eighteenth-century Britons, helping to construct racial categories while simultaneously exposing their constructedness and underscoring their contradictions. The book offers provocative new insights about Brunias's work gleaned from a broad survey of his paintings, many of which are reproduced here for the first time."--Cover page 4

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781526120458; 1526120453
    Weitere Identifier:
    9781526120458
    RVK Klassifikation: LI 99999
    Schriftenreihe: Rethinking art's histories
    Schlagworte: Race in art; Imperialism in art
    Weitere Schlagworte: Brunias, Agostino
    Umfang: xv, 256 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  7. Latin blackness in Parisian visual culture, 1852-1932
    Autor*in: Williams, Lyneise E.
    Erschienen: 2019
    Verlag:  Bloomsbury Visual Arts, London ; Bloomsbury Publishing, New York

    "Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. The term 'Latinize' is introduced to connect France's... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Fernleihe:
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    Standort:
    Universität Potsdam, Universitätsbibliothek
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    "Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. The term 'Latinize' is introduced to connect France's early 19th-century endeavors to create 'Latin America,' an expansion of the French empire into the Latin-language based Spanish and Portuguese Americas, to its perception of this population. Latin-American elites traveler to Paris in the 1840s from their newly independent nations were denigrated in representations rather than depicted as equals in a developing global economy. Darkened skin, etched onto images of Latin Americans of European descent mitigated their ability to claim the privileges of their ancestral heritage. Whitened skin, among other codes, imposed on turn-of-the-20th-century Black Latin Americans in Paris tempered their Blackness and rendered them relatively assimilatable compared to colonial Africans, Blacks from the Caribbean, and African Americans. After identifying mid-to-late 19th-century Latinizing codes, the study focuses on shifts in latinizing visuality between 1890-1933 in three case studies: the depictions of popular Cuban circus entertainer Chocolat; representations of Panamanian World Bantamweight Champion boxer Alfonso Teofilo Brown; and paintings of Black Uruguayans executed by Pedro Figari, a Uruguayan artist, during his residence in Paris between 1925-1933."--Bloomsbury Publishing List of Illustrations -- Acknowledgements -- Introduction -- The Term "Latin American" -- Why Paris? -- Much More Than Primitivism -- Reduced to Latin Americans -- Parisian Figurations of Blackness from the Mid-Nineteenth to the Early Twentieth Century -- Overview of the Study -- Chapter 1: Playing Up Blackness and Indianness; Downplaying Europeanness -- Editing Francisco Laso: Racializing Spanish and Portuguese Americans -- Performing Rastaquerismo -- Justified by Anthropology: Quatrefages, Hamy, and the Casta Paintings -- Latin American Self-Representation -- The Shifting Rastaquouère -- Maintaining Anthropological Interpretations in the Early Twentieth Century -- Conclusion -- Chapter 2: Chocolat the Clown: Not Just Black -- Chocolat and Footit: Partners in Contrast -- The Auguste Chocolat -- The Give and Take of Chocolat and Footit -- Chocolat and Footit at the Nouveau Cirque -- Chocolat as Brand Image -- Beneath the Surface -- Chocolat as Mixed Animal -- Chocolat the Contaminant -- Impure Chocolat(e) -- Chocolat, That Special Ingredient: The Racially Mixed Object of Desire -- Complicating Notions of Minstrelsy -- Lip Interventions -- Representations Through Clothing -- Sexualizing Black Dandies -- Assimilating the Latin -- Beyond the Circus -- Chocolat, Object of Gay Desire -- Chocolat and the Elite and the Virile -- Conclusion -- Chapter 3: Alfonso Teofilo Brown: Agency and Impositions of Blackness and Europeanness -- Sport and the Imagined Ideal Male Body -- Black Boxers in Turn-of-the-Century France -- Gangly Brown -- The Purity and Hybridity of Gangly Brown -- Brown the Gentleman -- Images of Black Difference -- Brown the Philanthropist -- Conclusion -- Chapter 4: Figari's Blacks: Negotiating French and Southern Cone Blackness -- Figari and Paris -- Contested Whiteness and the Black Body -- Conceptualizing Regional Identity -- Through the Anthropological Gaze -- Candombe as Framing Device -- Gender and Race in Candombe -- Objects as Markers -- Figari as "Naïf" Painter -- Increasing Latin American Presence in Paris -- Perceptions of Black Uruguayans -- Figari's Evolution in Paris -- Contradictions and Contrasts between Figari's Paintings and Written Work -- Conclusion -- Coda -- Select Bibliography.

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501332388; 9781501332364; 9781501332371
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schlagworte: Imperialism in art; Art and society; Art and society; Latin Americans in art; Blacks in art
    Umfang: 1 Online-Ressource (xvi, 216 pages), Illustrationen
    Bemerkung(en):

    Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily

    Includes bibliographical references and index
  8. Colonial wounds
    postcolonial repair
    Beteiligt: Shanahan, Maureen G. (VerfasserIn von Zusatztexten); Hinderliter, Beth (VerfasserIn von Zusatztexten); Menia, Amina (VerfasserIn von Zusatztexten)
    Erschienen: [2019]; 2019
    Verlag:  Duke Gallery of Fine Art, James Madison University, Harrisonburg, VA ; Progress Printing, Lynchburg

    Letter from the Director /Katherine Schwartz --Colonial wounds/postcolonial repair /Jon Ros --Monuments in exile: an infinite page of marble writing /Amina Menia --Flesh and stone /Maureen G. Shanahan --Amina Menia's trans-Mediterranean aesthetics... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2021:2894:
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    Letter from the Director /Katherine Schwartz --Colonial wounds/postcolonial repair /Jon Ros --Monuments in exile: an infinite page of marble writing /Amina Menia --Flesh and stone /Maureen G. Shanahan --Amina Menia's trans-Mediterranean aesthetics /Beth Hinderliter --About the authors /Amina Menia, Beth Hinderliter, Maureen G. Shanahan --Exhibition checklist --Acknowledgements. "This companion volume to the Colonial Wounds/Postcolonial Repair exhibition at James Madison University's Duke Hall Gallery of Fine Art contributes to debates about monuments, historical amnesia, and memories of war and colonialism. It includes essays by co-curators Maureen G. Shanahan and Beth Hinderliter and by internationally renowned Algerian artist Amina Menia, whose installation Monuments in Exile: An Infinite Page of Marble Writing was created especially for the exhibition and interrogates collective memory, the specter of the past, and the possibilities for resignifying the monuments and denuded plinths that remain in Algeria. The authors examine the wounds of World War I and the legacy of French colonial monuments constructed in Algeria, many of which were dismantled, defaced, or repurposed after the revolution in 1962. This volume is beautifully illustrated with rare color images from 1916 to 1919 by Jules Gervais-Courtellemont and color lantern slides by the Lumière brothers, as well as little-known French and German photography and medical illustrations from the era."--

     
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    Beteiligt: Shanahan, Maureen G. (VerfasserIn von Zusatztexten); Hinderliter, Beth (VerfasserIn von Zusatztexten); Menia, Amina (VerfasserIn von Zusatztexten)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781645160922; 1645160920
    Schlagworte: Imperialism in art; Wounds and injuries in art; World War, 1914-1918; World War, 1914-1918; Monuments; Military casualties; Surgery, Plastic; Art; Art; Battle casualties; French colonies; Imperialism in art; Influence (Literary, artistic, etc.); Military casualties; Monuments; Surgery, Plastic; Wounds and injuries in art; Exhibitions (events); Exhibition catalogs; History; Exhibition catalogs
    Umfang: 51 Seiten, 22 x 23 cm
    Bemerkung(en):

    Impressum: "This catalogue accompanies an exhibition that was on display at the Duke Gallery of Fine Art, James Madison University, from March 12-April 13, 2019"

    Includes bibliographical references and exhibition checklist
  9. The imperialist imagination
    German colonialism and its legacy
    Erschienen: 2011; 1998
    Verlag:  Univ. of Michigan Press, Ann Arbor, Mich.

    Standort:
    Historisches Institut, Abteilung für Mittlere und Neuere Geschichte mit Abteilung für Nationalismusforschung, Bibliothek
    Signatur:
    420/Kc507(2.Ex.)
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780472096824; 9780472066827
    RVK Klassifikation: NQ 9400
    Auflage/Ausgabe: pbk-repr.
    Schriftenreihe: Social history, popular culture, and politics in Germany
    Schlagworte: Imperialismus; Kunst; Literatur; Kolonialismus; Kolonie <Motiv>
    Weitere Schlagworte: Arts, German; Exoticism in art; Imperialism in art; Colonies in art; Nationalism; Germany
    Umfang: VI, 370 S, 24 cm
    Bemerkung(en):

    Literaturverz. S. 337 - 358
  10. Indian Renaissance
    British Romantic art and the prospect of India
    Autor*in: De Almeida, Hermione; Gilpin, George H.
    Erschienen: 2005
    Verlag:  Ashgate, Aldershot

    Standort:
    Universität Bonn, Kunsthistorisches Institut, Bibliothek
    Signatur:
    O 185/16
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    keine Fernleihe

    Standort:
    Bibliotheken im Fürstenberghaus 1
    Signatur:
    X-C 140
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    Standort:
    Universitätsbibliothek Paderborn
    Signatur:
    KBAG1126
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 075463681X
    Schriftenreihe: British art and visual culture since 1750
    Schlagworte: Painting, British; Painting, British; Romanticism in art; Imperialism in art; Orientalism in art; Romanticism; British; Malerei; Indien <Motiv>
    Umfang: XV, 336 S., Ill.
  11. Husain's raj
    visions of empire and nation
    Autor*in: Ramaswamy, Sumathi
    Erschienen: June 2016
    Verlag:  Marg, Mumbai, India

    Standort:
    Universität Bonn, Institut für Orient- und Asienwissenschaften, Bibliothek
    Signatur:
    759.954 R165 H968 2016
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    Quelle: Verbundkataloge
    Beteiligt: Husain, Maqbul Fida (Illustrator)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9789383243136; 9383243139
    RVK Klassifikation: LI 99999
    Schriftenreihe: Mārg publications ; vol. 67, no. 4
    Schlagworte: Malerei; Imperialismus <Motiv>
    Weitere Schlagworte: Husain, Maqbul Fida (1915-2011); India; In art; India; In art; Kings and rulers; Husain, Maqbul Fida; Criticism and interpretation; Imperialism in art; Nationalism in art; Husain, Maqbul Fida / Criticism and interpretation; Imperialism in art; Nationalism in art; India / Kings and rulers / In art; India / In art
    Umfang: 144 Seiten, Illustrationen (farbig), 32 cm
  12. Popular imperialism and the military
    1850-1950
    Beteiligt: MacKenzie, John M. (Hrsg.)
    Erschienen: 01 Mar 2017
    Verlag:  [Manchester University Press], [Manchester]

    Between 1800 and 1900 popular perceptions of the military underwent a significant transformation. The reputation of the 'rapacious and licentious soldiery' was replaced by a widerspread enthusiasm for the soldier as patriot and hero, as personified... mehr

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    Freie Universität Berlin, Universitätsbibliothek
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    Between 1800 and 1900 popular perceptions of the military underwent a significant transformation. The reputation of the 'rapacious and licentious soldiery' was replaced by a widerspread enthusiasm for the soldier as patriot and hero, as personified in Kipling's 'Tommy Atkins'. This more positive attitude towards the military was also accompanied by greater popular support for warfare itself. This book examines the military and cultural background to the shift in popular reactions and traces the manner in which new values were inculcated through a variety of media. 'Popular imperialism and the military' demonstrates forcefully how changing attitudes towards the military were inseparably bound up with the dominant ethos of imperialism. Perceptions of warfare became shaped by the predominantly colonial location of British war in the late nineteenth century, with these 'small wars' against 'unequal' foes being greeted by contemporaries with heightened enthusiasm and greater confidence in success. This ideological current of imperialism, together with Social Darwinian thought and the Victorian rediscovery of military chivalry combined to transform the relationship between war and society. Changing ideologies did not develop spontaneously, however, and this volume traces the ways in which new images were conveyed to the public through popular culture. The chapters cover media as diverse as music and ceremony, the music hall, juvenile literature, military art, open-air theatrical displays and RAF pageants. The contributors show how these media established a tradition that was to survive until the mid-twentieth century. This inter-disciplinary study will appeal to students and specialists interested in imperial history, literary and cultural studies and military history

     
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    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: MacKenzie, John M. (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781526123602
    Weitere Identifier:
    RVK Klassifikation: NQ 9410
    Schriftenreihe: Studies in imperialism
    Schlagworte: Colonialism & Imperialism / bicssc; Cultural studies / bicssc; Warfare & Defence / bicssc; HISTORY / Military / General / bisach; HISTORY / Military / World War I. / bisach; HISTORY / Military / World War II. / bisach; Warfare & defence / Colonialism & imperialism / Cultural studies / thema; Popular culture / Great Britain / History / 19th century; Popular culture / Great Britain / History / 20th century; Public opinion / Great Britain / History / 19th century; Public opinion / Great Britain / History / 20th century; Imperialism / Public opinion; War / Public opinion; Imperialism in art; Arts, British; War in art; Image; Imperialismus; Englisch; Militär <Motiv>; Öffentliche Meinung; Alltagskultur; Militär; Literatur; Krieg; Kultur
    Umfang: 1 Online-Ressource (ix, 228 Seiten), Illustrationen
    Bemerkung(en):

    Auf der Landingpage (Manchester Hive): "Online Publication Date: 01 Mar 2017"

    Introduction : popular imperialism and the military / John M. MacKenzie -- Delusive seduction : pride, pomp, circumstance and military music / Robert Giddings -- 'We carved our way to glory' : the British soldier in music hall song and sketch, c. 1880-1914 / Dave Russell -- Popular imperialism and the image of the army in juvenile literature / Jeffrey Richards -- Heroic myths of empire / John M. MacKenzie -- War correspondents and colonial war, c. 1870-1900 / Roger T. Stearn -- Officer material : representations of leadership in late nineteenth-century British battle painting / Paul Usherwood -- The world on fire ... : pyrodramas at Belle Vue Gardens, Manchester, c. 1850-1950 / David Mayer -- The Hendon Air Pageant, 1920-37 / David Enrico Omissi -- Postscript / John M. MacKenzie
  13. The Empire Remains Shop
    Cooking Sections$Beditor: Jesse Connuck
    Beteiligt: Connuck, Jesse (HerausgeberIn)
    Erschienen: [2018]
    Verlag:  Columbia Books on Architecture and the City, New York

    The Forest Does Not Employ Me Any More / Cooking Sections and Forager Collective -- Buy the Rumor, Sell the News / Asunción Molinos -- An Old World in a Former New World / Cooking Sections mehr

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    The Forest Does Not Employ Me Any More / Cooking Sections and Forager Collective -- Buy the Rumor, Sell the News / Asunción Molinos -- An Old World in a Former New World / Cooking Sections

     
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    Quelle: Verbundkataloge
    Beteiligt: Connuck, Jesse (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781941332375
    RVK Klassifikation: LB 53000
    Schlagworte: Installations (Art); Imperialism in art; Consumption (Economics) in art; Consumption (Economics) in art; Consumption (Economics) in art; Imperialism in art; Imperialism in art; Installations (Art); Installations (Art); Cooking Sections (Group); England
    Umfang: 272 Seiten, Illustrationen
  14. Refracted modernity
    visual culture and identity in colonial Taiwan
    Erschienen: c 2007
    Verlag:  Univ. of Hawai'i Press, Honolulu, Hawaii

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0824830504; 9780824830502
    RVK Klassifikation: LO 89409
    Schlagworte: Art, Chinese; Art, Chinese; Imperialism in art
    Umfang: VIII, 285 S., [12] Bl., Ill., 27 cm
    Bemerkung(en):

    Literaturverz. S. [249] - 272

    Includes index
  15. Le décolonisation du tableau
    art et politique au XIXe siècle ; Delacroix, Gauguin, Monet
    Autor*in: Vauday, Patrick
    Erschienen: c2006
    Verlag:  Éd. du Seuil, Paris

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Quelle: Verbundkataloge
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 2020896176
    Weitere Identifier:
    9782020896177
    Schriftenreihe: La couleur des idées
    Schlagworte: Painting, French; Orientalism in art; Imperialism in art; Art
    Weitere Schlagworte: Delacroix, Eugène (1798-1863); Gauguin, Paul (1848-1903); Monet, Claude (1840-1926)
    Umfang: 169 S, Ill., 21 cm
  16. Life between islands
    Caribbean-British art, 1950s-now
    Beteiligt: Farquharson, Alex (HerausgeberIn); Bailey, David A. (HerausgeberIn)
    Erschienen: [2021]
    Verlag:  Tate Publishing, London

    Anew: to the future, via the past / Alex Farquharson -- Caribbean movements in Britain / David A. Bailey -- Stuart Hall's vernacular modernism / David Scott -- Nature erupts into orchestras of nemesis: the ecological imaginary of the Caribbean /... mehr

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    Fernleihe:
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    Anew: to the future, via the past / Alex Farquharson -- Caribbean movements in Britain / David A. Bailey -- Stuart Hall's vernacular modernism / David Scott -- Nature erupts into orchestras of nemesis: the ecological imaginary of the Caribbean / Giulia Smith -- Colour bars and bass cultures, dub aesthetics and Cockney translations: music in the Creole history of Black life in Britain / Paul Gilroy -- Movement of people / a rhythm sequence by Grace Wales Bonner -- Comin rite thru: masquerade and marches, resistance and revolution / Allison Thompson -- Home and away: odysseys, entanglements and acts of resistance / Gilane Tawadros -- Hostile environments and Black geographies / Daniella Rose King. "This fascinating exhibition book traces the connection between Britain and the Caribbean in the visual arts from the 1950s to today, a social and cultural history more often told through literature or popular music. It celebrates how people from the Caribbean have forged new communities and identities in post-war Britain - and in doing so have transformed British culture and society. ...Arranged chronologically, it sheds light on a number of themes such as Caribbean modernism, social and political struggles, subculture and its policing, the front room as a private and public space, after-images of slavery and the Middle Passage, and syncretic and creolised metaphor and allegory (carnival, folklore, new world religions). Readers will find themselves charting a course between two worlds: London or other urban localities in the UK and images of formerly British Caribbean nations."

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Farquharson, Alex (HerausgeberIn); Bailey, David A. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781849767651; 1849767653
    RVK Klassifikation: LO 50097 ; LO 50098 ; LO 97100
    Schlagworte: Postcolonialism and the arts; Postcolonialism and the arts; Imperialism in art; Exhibitions; Imperialism in art; International relations; Postcolonialism and the arts; Art
    Umfang: 271 Seiten, 27 cm
    Bemerkung(en):

    Published on the occasion of the exhibition Life between islands : Caribbean-British art 1950s - now held at the Tate Britain, London 1 December 2021-3 April 2022

    Print on demand edition

    Includes bibliographical references (page 259) and index
  17. Artist and empire
    facing Britain's imperial past
    Beteiligt: Smith, Alison (HerausgeberIn); Brown, David Blayney (HerausgeberIn); Jacobi, Carol (HerausgeberIn); Casely-Hayford, Gus (MitwirkendeR)
    Erschienen: [2015]; © 2015
    Verlag:  Tate Publishing, London

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Smith, Alison (HerausgeberIn); Brown, David Blayney (HerausgeberIn); Jacobi, Carol (HerausgeberIn); Casely-Hayford, Gus (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781849763592; 9781849763431
    Weitere Identifier:
    9781849763592
    RVK Klassifikation: LH 45290 ; LB 26190 ; LB 53190 ; LB 20190 ; LO 50090 ; NP 5700 ; HG 430
    Schlagworte: Painting, Modern; Painting, Modern; Narrative art; Narrative art; Indigenous peoples in art; Imperialism in art; Colonies in art; Colonies in art / Exhibitions; Imperialism in art / Exhibitions; Indigenous peoples in art / Exhibitions; Narrative art / Exhibitions / 19th century; Narrative art / Exhibitions / 20th century; Painting, Modern / Exhibitions / 19th century; Painting, Modern / Exhibitions / 20th century
    Umfang: 256 Seiten, Illustrationen
    Bemerkung(en):

    "First published ... on the occasion of the exhibition 'Artist and Empire: Facing Britain's Imperial Past', Tate Britain, London, 25 November 2015-10 April 2016" - Rückseite der Titelseite
  18. Husain's raj
    visions of empire and nation
    Autor*in: Ramaswamy, Sumathi
    Erschienen: June 2016
    Verlag:  Marg, Mumbai, India

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Quelle: Verbundkataloge
    Beteiligt: Husain, Maqbul Fida (IllustratorIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9383243139; 9789383243136
    RVK Klassifikation: LI 99999
    Schriftenreihe: Marg's quarterly publications ; vol .67, no. 4
    Schlagworte: Imperialism in art; Nationalism in art; Husain, Maqbul Fida; Imperialism in art; Nationalism in art; India
    Weitere Schlagworte: Husain, Maqbul Fida
    Umfang: 144 Seiten, Illustrationen (farbig), 32 cm
    Bemerkung(en):

    Includes bibliographical references (pages 140-142) and index
  19. Der assyrische Tribut und seine Darstellung
    eine Untersuchung zur imperialen Ideologie im neuassyrischen Reich
    Autor*in: Bär, Jürgen
    Erschienen: 1996
    Verlag:  Neukirchener Verl., Neukirchen-Vluyn ; Butzon und Bercker, Kevelaer

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    96 A 15336
    Fernleihe:
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    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    EAa 60 (243)
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signatur:
    O OR AO Bär
    Fernleihe:
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    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    A 1997/11292
    Fernleihe:
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    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    B VIII c 282
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    keine Fernleihe

    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Signatur:
    97/6135
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    Standort:
    Thüringer Universitäts- und Landesbibliothek
    Signatur:
    2006 A 6942
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    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signatur:
    Orientalia Aa 100. 243
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    keine Fernleihe

    Standort:
    Universitätsbibliothek Osnabrück
    Signatur:
    4642-494 1
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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 3766600044; 3788715723
    Schriftenreihe: Alter Orient und Altes Testament ; 243
    Schlagworte: Assyrien; Repräsentation; Relief; Vasallität; Tribut <Motiv>; Geschichte 883 v. Chr.-705 v. Chr.;
    Weitere Schlagworte: Array; Array; Array; Imperialism in art
    Umfang: XIII, 279, [140] S, Ill., graph. Darst., Kt, 25 cm
    Bemerkung(en):

    Includes bibliographical references (p. 249-271)

    Zugl.: Saarbrücken, Univ., Magisterarbeit, 1993
  20. Visualizing American empire
    orientalism and imperialism in the Philippines
    Autor*in: Brody, David
    Erschienen: [2010]
    Verlag:  The University of Chicago Press, Chicago

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0226075303; 9780226075303
    RVK Klassifikation: NQ 9460
    Schlagworte: History; POLITICAL SCIENCE / Government / International; POLITICAL SCIENCE / International Relations / General; Imperialism in art; International relations; Geschichte; Internationale Politik; Imperialism in art; Orient <Motiv>; Imperialismus; Boulevardpresse; Kunst; Parade
    Weitere Schlagworte: Dewey, George / 1837-1917; Longfellow, Charles Appleton; Morse, Edward Sylvester / 1838-1925; Longfellow, Charles Appleton; Morse, Edward Sylvester (1838-1925); Dewey, George (1837-1917); Morse, Edward S. (1838-1925); Longfellow, Charles Appelton (1844-1893); Taft, William H. (1857-1930); Dewey, George (1837-1917)
    Umfang: 1 Online-Ressource (xii, 213 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Strange travelogues: Charles Longfellow in the Orient -- Domesticating the Orient: Edward Morse, art amateur, and the American interior -- Disseminating empire: representing the Philippine colony -- Mapping empire: cartography and American imperialism in the Philippines -- Celebrating empire: New York City's victory party for naval hero George Dewey -- Building empire: architecture and American imperialism in the Philippines -- Conclusion: Taft decorates the White House

    "In 1899 an American could open a newspaper and find outrageous images, such as an American soldier being injected with leprosy by Filipino insurgents. These kinds of hyperbolic accounts, David Brody argues in this illuminating book, were just one element of the visual and material culture that played an integral role in debates about empire in late nineteenth- and early twentieth-century America. Visualizing American Empire explores the ways visual imagery and design shaped the political and cultural landscape. Drawing on a myriad of sources--including photographs, tattoos, the decorative arts, the popular press, maps, parades, and material from world's fairs and urban planners--Brody offers a distinctive perspective on American imperialism. Exploring the period leading up to the Spanish-American War, as well as beyond it, Brody argues that the way Americans visualized the Orient greatly influenced the fantasies of colonial domestication that would play out in the Philippines. Throughout, Brody insightfully examines visual culture's integral role in the machinery that runs the colonial engine. The result is essential reading for anyone interested in the history of the United States, art, design, or empire"--Provided by publisher
  21. The Empire Remains Shop
    Cooking Sections
    Beteiligt: Connuck, Jesse (Hrsg.)
    Erschienen: [2018]
    Verlag:  Columbia University Press, New York, NY

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
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    Quelle: Verbundkataloge
    Beteiligt: Connuck, Jesse (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781941332375; 1941332374
    Körperschaften/Kongresse:
    Cooking Sections (Verfasser)
    Schriftenreihe: Columbia books on architecture and the city
    Schlagworte: Verbrauch <Motiv>; Kunst; Ökologie; Installation <Kunst>
    Weitere Schlagworte: Pascual, Daniel Fernández (1984-); Schwabe, Alon; Cooking Sections (Group) / Empire Remains Shop; Installations (Art) / England / London; Imperialism in art; Consumption (Economics) in art; Consumption (Economics) in art; Imperialism in art; Installations (Art); England / London
    Umfang: 272 Seiten, Illustrationen, 26 cm
    Bemerkung(en):

    The Forest Does Not Employ Me Any More / Cooking Sections and Forager Collective -- Buy the Rumor, Sell the News / Asunción Molinos -- An Old World in a Former New World / Cooking Sections
  22. Visualising ethnicity in the Southwest borderlands
    gender and representation in Late Imperial and Republican China
    Autor*in: Zhu, Jing
    Erschienen: [2020]; © 2020
    Verlag:  Brill, Leiden ; Boston

    "This book explores the mutual constitutions of visuality and empire from the perspective of gender, probing how the lives of China's ethnic minorities at the southwest frontiers were translated into images. Two sets of visual materials make up its... mehr

    Standort:
    Bayerische Staatsbibliothek
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    "This book explores the mutual constitutions of visuality and empire from the perspective of gender, probing how the lives of China's ethnic minorities at the southwest frontiers were translated into images. Two sets of visual materials make up its core sources: the Miao album, a genre of ethnographic illustration depicting the daily lives of non-Han peoples in late imperial China, and the ethnographic photographs found in popular Republican-era periodicals. It highlights gender ideals within images and develops a set of "visual grammar" of depicting the non-Han. Casting new light on a spectrum of gendered themes, including femininity, masculinity, sexuality, love, body and clothing, the book examines how the power constructed through gender helped to define, order, popularise, celebrate and imagine possessions of empire."

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    ISBN: 9789004422759
    Schriftenreihe: Emotions and states of mind in East Asia ; volume 9
    Schlagworte: Fotografie; Illustration; Geschlechtsidentität <Motiv>; Imperialismus; Minderheit <Motiv>
    Weitere Schlagworte: Art and society / China / History / 19th century; Art and society / China / History / 20th century; Minorities / China, Southwest / Pictorial works; Minorities in art; Sex role in art; Imperialism in art; China, Southwest / In art
    Umfang: xviii, 312 Seiten, Illustrationen, Portraits, 25 cm
    Bemerkung(en):

    Originally presented as the author's thesis (doctoral), University of Edinburgh, 2018

    Dissertation, University of Edinburgh, 2018
  23. Colour, art and empire
    visual culture and the nomadism of representation
    Autor*in: Eaton, Natasha
    Erschienen: 2013
    Verlag:  Tauris, New York, NY [u.a.]

    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Schriftenreihe: International library of visual culture ; 12
    Schlagworte: Art / Political aspects; Colonies in art; Imperialism in art; Color in art; Kunst; Politik; Postkolonialismus <Motiv>; Farbe; Kunst; Kolonialismus <Motiv>
    Umfang: X, 405, [16] S., Ill., cm
  24. Popular imperialism and the military
    1850-1950
    Beteiligt: MacKenzie, John M. (Hrsg.)
    Erschienen: 01 Mar 2017
    Verlag:  [Manchester University Press], [Manchester]

    Between 1800 and 1900 popular perceptions of the military underwent a significant transformation. The reputation of the 'rapacious and licentious soldiery' was replaced by a widerspread enthusiasm for the soldier as patriot and hero, as personified... mehr

    Standort:
    Universitätsbibliothek Bayreuth
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    Between 1800 and 1900 popular perceptions of the military underwent a significant transformation. The reputation of the 'rapacious and licentious soldiery' was replaced by a widerspread enthusiasm for the soldier as patriot and hero, as personified in Kipling's 'Tommy Atkins'. This more positive attitude towards the military was also accompanied by greater popular support for warfare itself. This book examines the military and cultural background to the shift in popular reactions and traces the manner in which new values were inculcated through a variety of media. 'Popular imperialism and the military' demonstrates forcefully how changing attitudes towards the military were inseparably bound up with the dominant ethos of imperialism. Perceptions of warfare became shaped by the predominantly colonial location of British war in the late nineteenth century, with these 'small wars' against 'unequal' foes being greeted by contemporaries with heightened enthusiasm and greater confidence in success. This ideological current of imperialism, together with Social Darwinian thought and the Victorian rediscovery of military chivalry combined to transform the relationship between war and society. Changing ideologies did not develop spontaneously, however, and this volume traces the ways in which new images were conveyed to the public through popular culture. The chapters cover media as diverse as music and ceremony, the music hall, juvenile literature, military art, open-air theatrical displays and RAF pageants. The contributors show how these media established a tradition that was to survive until the mid-twentieth century. This inter-disciplinary study will appeal to students and specialists interested in imperial history, literary and cultural studies and military history

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: MacKenzie, John M. (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781526123602
    Weitere Identifier:
    RVK Klassifikation: NQ 9410
    Schriftenreihe: Studies in imperialism
    Schlagworte: Colonialism & Imperialism / bicssc; Cultural studies / bicssc; Warfare & Defence / bicssc; HISTORY / Military / General / bisach; HISTORY / Military / World War I. / bisach; HISTORY / Military / World War II. / bisach; Warfare & defence / Colonialism & imperialism / Cultural studies / thema; Popular culture / Great Britain / History / 19th century; Popular culture / Great Britain / History / 20th century; Public opinion / Great Britain / History / 19th century; Public opinion / Great Britain / History / 20th century; Imperialism / Public opinion; War / Public opinion; Imperialism in art; Arts, British; War in art; Image; Imperialismus; Englisch; Militär <Motiv>; Öffentliche Meinung; Alltagskultur; Militär; Literatur; Krieg; Kultur
    Umfang: 1 Online-Ressource (ix, 228 Seiten), Illustrationen
    Bemerkung(en):

    Auf der Landingpage (Manchester Hive): "Online Publication Date: 01 Mar 2017"

    Introduction : popular imperialism and the military / John M. MacKenzie -- Delusive seduction : pride, pomp, circumstance and military music / Robert Giddings -- 'We carved our way to glory' : the British soldier in music hall song and sketch, c. 1880-1914 / Dave Russell -- Popular imperialism and the image of the army in juvenile literature / Jeffrey Richards -- Heroic myths of empire / John M. MacKenzie -- War correspondents and colonial war, c. 1870-1900 / Roger T. Stearn -- Officer material : representations of leadership in late nineteenth-century British battle painting / Paul Usherwood -- The world on fire ... : pyrodramas at Belle Vue Gardens, Manchester, c. 1850-1950 / David Mayer -- The Hendon Air Pageant, 1920-37 / David Enrico Omissi -- Postscript / John M. MacKenzie
  25. Husain's raj
    visions of empire and nation
    Autor*in: Ramaswamy, Sumathi
    Erschienen: June 2016
    Verlag:  Marg, Mumbai, India

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
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    Quelle: Verbundkataloge
    Beteiligt: Husain, Maqbul Fida
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9789383243136; 9383243139
    RVK Klassifikation: LI 99999
    Schriftenreihe: Mārg publications ; vol. 67, no. 4
    Schlagworte: Malerei; Imperialismus <Motiv>
    Weitere Schlagworte: Husain, Maqbul Fida (1915-2011); India; In art; India; In art; Kings and rulers; Husain, Maqbul Fida; Criticism and interpretation; Imperialism in art; Nationalism in art; Husain, Maqbul Fida / Criticism and interpretation; Imperialism in art; Nationalism in art; India / Kings and rulers / In art; India / In art
    Umfang: 144 Seiten, Illustrationen (farbig), 32 cm