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  1. <<The>> American president in film and television
    myth, politics and representation
  2. The Rain Gods’ Rebellion : The Cultural Basis of a Nahua Insurgency
    Erschienen: 2019
    Verlag:  University Press of Colorado

    "The Rain Gods’ Rebellion examines Nahua oral narratives to illuminate the cultural basis of the 1977–1984 rebellion against the local Hispanic elite in Huitzilan de Serdán, Mexico. Drawing from forty years of fieldwork in the region, James M.... mehr

     

    "The Rain Gods’ Rebellion examines Nahua oral narratives to illuminate the cultural basis of the 1977–1984 rebellion against the local Hispanic elite in Huitzilan de Serdán, Mexico. Drawing from forty years of fieldwork in the region, James M. Taggart traces the sociopolitical role of Nahua rain gods—who took both human and divine forms—back hundreds of years and sheds new light on the connections between social experiences and the Nahua understanding of water and weather in stories. As Taggart shows, Nahua tales of the rain gods’ rebellion anticipated the actual 1977 land invasion in Huitzilan, in which some 200–300 Nahua were killed.

    The Rain Gods’ Rebellion reveals how local culture evolves from the expression of unrest to organized insurgency and then into collective memory. Taggart records a tradition of storytelling in which Nahuas radicalized themselves through recounting the rain gods’ stories—stories of the gods organizing and striking with bolts of lightning the companion spirits of autocratic local leaders who worked closely with mestizos. The tales are part of a tradition of resisting the friars’ efforts to convert the Nahuas, Totonacs, Otomi, and Tepehua to Christianity and inspiring nativistic movements against invading settlers.

    Providing a rare longitudinal look at the cultural basis of this grassroots insurgency, The Rain Gods’ Rebellion offers rare insight into the significance of oral history in forming Nahua collective memory and, by extension, culture. It will be of significance to scholars of Indigenous studies, anthropology, oral history, and violence studies, as well as linguistic anthropologists and sociolinguists."

     

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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781607329565
    Weitere Identifier:
    Schlagworte: Humanities; History of the Americas; Social & cultural anthropology, ethnography
    Weitere Schlagworte: history; history of the Americas; social & cultural anthropology
    Umfang: 1 electronic resource (168 p.)
  3. Cultures of Solitude : Loneliness – Limitation – Liberation
    Beteiligt: Bergmann, Ina (Hrsg.); Hippler, Stefan (Hrsg.)
    Erschienen: 2017
    Verlag:  Peter Lang International Academic Publishers, Bern

    This collection of essays comprises cultural analyses of practices of eremitism and reclusiveness in the USA, which are inseparably linked to the American ideals of individualism and freedom. Covering a time frame from the eighteenth to the... mehr

     

    This collection of essays comprises cultural analyses of practices of eremitism and reclusiveness in the USA, which are inseparably linked to the American ideals of individualism and freedom. Covering a time frame from the eighteenth to the twenty-first century, the essays study cultural products such as novels, poems, plays, songs, paintings, television shows, films, and social media, which represent the costs and benefits of deliberate withdrawal and involuntary isolation from society. Thus, this book offers valuable contributions to contemporary cultural discourses on privacy, surveillance, new technology, pathology, anti-consumerism, simplification, and environmentalism. Solitaries can be read as trailblazers for an alternative future or as symptoms of a pathological society.

     

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    Quelle: OAPEN
    Beteiligt: Bergmann, Ina (Hrsg.); Hippler, Stefan (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 978-3-653-07105-4
    Weitere Identifier:
    Schlagworte: Literary studies: general; General & world history; History of the Americas; Housing & homelessness; Alternative lifestyles
    Weitere Schlagworte: Literature: history and criticism; History of the Americas; Politics and government
    Umfang: 1 electronic resource (330 p.)
  4. Processes of Spatialization in the Americas : Configurations and Narratives
    Erschienen: 2018
    Verlag:  Peter Lang International Academic Publishers, Bern

    Where do the Americas begin, and where do they end? What is the relationship between the spatial constructions of «area» and «continent»? How were the Americas imagined by different actors in different historical periods, and how were these... mehr

     

    Where do the Americas begin, and where do they end? What is the relationship between the spatial constructions of «area» and «continent»? How were the Americas imagined by different actors in different historical periods, and how were these imaginations – as continent, nation, region – guided by changing agendas and priorities? This interdisciplinary volume addresses competing and conflicting configurations and narratives of spatialization in the context of globalization processes from the 19th century to the present.

     

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  5. Ceremonial Storytelling : Ritual and Narrative in Post-9/11 US Wars
    Autor*in: Usbeck, Frank
    Erschienen: 2019
    Verlag:  Peter Lang International Academic Publishers, Bern

    US society has controversially debated civil-military relationships and war trauma since the Vietnam War. Civic activists today promote Indigenous warrior traditions as role models for non-Native veteran reintegration and health care. They... mehr

     

    US society has controversially debated civil-military relationships and war trauma since the Vietnam War. Civic activists today promote Indigenous warrior traditions as role models for non-Native veteran reintegration and health care. They particularly stress the role of ritual and narrative for civil-military negotiations of war experience and for trauma therapy. Applying a cultural-comparative lens, this book reads non-Native soldiers’ and veterans’ life writing from post-9/11 wars as «ceremonial storytelling.» It analyzes activist academic texts, «milblogs» written in the war zone, as well as «homecoming scenarios.» Soldiers’ and veterans’ interactions with civilians constitute jointly constructed, narrative civic rituals that discuss the meaning of war experience and homecoming.

     

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  6. Cine, revolución y resistencia : La política cultural del Instituto Cubano del Arte e Industria Cinematográficos hacia América Latina
    Erschienen: 2020
    Verlag:  Latin America Research Commons, Pittsburgh

    Throughout these pages a journey is made chronological by the main expressions of the cultural policy developed by the Institute Cuban Film to Latin America, from the early sixties to late 20th century. From the analysis of the Cumbite films (1964,... mehr

     

    Throughout these pages a journey is made chronological by the main expressions of the cultural policy developed by the Institute Cuban Film to Latin America, from the early sixties to late 20th century. From the analysis of the Cumbite films (1964, Tomás Gutiérrez Alea), Cantata de Chile (1975, Humberto Solás), Love in the minefield (1987, Pastor Vega) and Mascaró, the American hunter (1991, Constant Rapi Diego), the highlights of this policy and the ideological projects that gave them sustenance. A set of works by Santiago Álvarez, considered the exponent most significant of documentary Cuban politics. History the relationships between ICAIC and Latin America allows us to delve into a complex reading of outer links of the Cuban Revolution, specifically what concerning the interrelationships between actors and institutions. The ultimate goal of this book is contribute to the construction of a critical account of Cuban culture after 1959, with respect to to Latin America.

     

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    Quelle: OAPEN
    Sprache: Spanisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: History of the Americas; Films, cinema; Caribbean islands; Diplomacy
    Weitere Schlagworte: Cuba; Política Exterior; Revolución cubana; Cine latinoamericano; ICAI
    Umfang: 1 electronic resource (336 p.)
  7. The Legacy of Christopher Columbus in the Americas : New Nations and a Transatlantic Discourse of Empire
    Erschienen: 2016

    Why is the capital of the United States named in part after Christopher Columbus, a Genoese explorer commissioned by Spain who never set foot on what would become the nation's mainland? Why did Spanish American nationalists in 1819 name a new... mehr

     

    Why is the capital of the United States named in part after Christopher Columbus, a Genoese explorer commissioned by Spain who never set foot on what would become the nation's mainland? Why did Spanish American nationalists in 1819 name a new independent republic "Colombia," after Columbus, the first representative of the empire from which they had recently broken free? These are only two of the introductory questions explored in The Legacy of Christopher Columbus in the Americas, a fundamental recasting of Columbus as an eminently powerful tool in imperial constructs.

    Bartosik-Velez seeks to explain the meaning of Christopher Columbus throughout the so-called New World, first in the British American colonies and the United States, as well as in Spanish America, during the eighteenth and nineteenth centuries. She argues that during the pre- and post-revolutionary periods, New World societies commonly imagined themselves as legitimate and powerful independent political entities by comparing themselves to the classical empires of Greece and Rome. Columbus, who had been construed as a figure of empire for centuries, fit perfectly into that framework. By adopting him as a national symbol, New World nationalists appeal to Old World notions of empire.

     

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  8. Canada in the Frame : Copyright, Collections and the Image of Canada, 1895-1924
    Erschienen: 2018
    Verlag:  UCL Press

    Canada in the Frame explores a photographic collection held at the British Library that offers a unique view of late nineteenth-century and early twentieth-century Canada. The collection, which contains in excess of 4,500 images, taken between 1895... mehr

     

    Canada in the Frame explores a photographic collection held at the British Library that offers a unique view of late nineteenth-century and early twentieth-century Canada. The collection, which contains in excess of 4,500 images, taken between 1895 and 1923, covers a dynamic period in Canada’s national history and provides a variety of views of its landscapes, developing urban areas and peoples. Colonial Copyright Law was the driver by which these photographs were acquired; unmediated by curators, but rather by the eye of the photographer who created the image, they showcase a grass-roots view of Canada during its early history as a Confederation.

    Canada in the Frame describes this little-known collection and includes over 100 images from it. The author asks key questions about what it shows contemporary viewers of Canada and its photographic history, and about the peculiar view these photographs offer of a former part of the British Empire in a post-colonial age, viewed from the old ‘Heart of Empire’. Case studies are included on subjects such as urban centres, railroads and migration, which analyse the complex ways in which photographers approached their subjects, in the context of the relationship between Canada, the British Empire and photography.

     

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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787352995
    Weitere Identifier:
    Schlagworte: The arts; History; Regional & national history; History of the Americas; Modern history to 20th century: c 1700 to c 1900; Social & cultural history
    Weitere Schlagworte: Canada; Library; Photography; Archives; Copyright; British Empire; Postcard; Toronto
    Umfang: 1 electronic resource (258 p.)
  9. Chapter 7 Amazonian Waterway, Amazonian Water-Worlds : Rivers in Government Projects and Indigenous Art
    Erschienen: 2020
    Verlag:  Taylor & Francis

    This interdisciplinary book brings into dialogue research on how different fluids and bodies of water are mobilised as liquid ecologies in the arts in Latin America and the Caribbean. Examining the visual arts, including multimedia installations,... mehr

     

    This interdisciplinary book brings into dialogue research on how different fluids and bodies of water are mobilised as liquid ecologies in the arts in Latin America and the Caribbean. Examining the visual arts, including multimedia installations, performance, photography and film, the chapters place diverse fluids and systems of flow in art historical, ecocritical and cultural analytical contexts. The book will be of interest to scholars of art history, cultural studies, environmental humanities, blue humanities, ecocriticism, Latin American and Caribbean studies, and island studies.

     

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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780367513405; 9780367199005
    Weitere Identifier:
    Übergeordneter Titel: Liquid Ecologies in Latin American and Caribbean Art
    Schlagworte: History of the Americas; Sculpture; Performance art; History of art / art & design styles
    Weitere Schlagworte: sculpture and installation, performance art, contemporary art, carribean and latin american art, art history,
    Umfang: 1 electronic resource (20 p.)
  10. Liquid Ecologies in Latin American and Caribbean Art
    Beteiligt: Blackmore, Lisa (Hrsg.); Gómez, Liliana (Hrsg.)
    Erschienen: 2020
    Verlag:  Taylor & Francis

    This interdisciplinary book brings into dialogue research on how different fluids and bodies of water are mobilised as liquid ecologies in the arts in Latin America and the Caribbean. Examining the visual arts, including multimedia installations,... mehr

     

    This interdisciplinary book brings into dialogue research on how different fluids and bodies of water are mobilised as liquid ecologies in the arts in Latin America and the Caribbean. Examining the visual arts, including multimedia installations, performance, photography and film, the chapters place diverse fluids and systems of flow in art historical, ecocritical and cultural analytical contexts. The book will be of interest to scholars of art history, cultural studies, environmental humanities, blue humanities, ecocriticism, Latin American and Caribbean studies, and island studies.

     

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  11. The Dictator's Seduction : Politics and the Popular Imagination in the Era of Trujillo
    Erschienen: 2009
    Verlag:  Duke University Press

    The dictatorship of Rafael Trujillo, who ruled the Dominican Republic from 1930 until his assassination in 1961, was one of the longest and bloodiest in Latin American history. The Dictator’s Seduction is a cultural history of the Trujillo regime as... mehr

     

    The dictatorship of Rafael Trujillo, who ruled the Dominican Republic from 1930 until his assassination in 1961, was one of the longest and bloodiest in Latin American history. The Dictator’s Seduction is a cultural history of the Trujillo regime as it was experienced in the capital city of Santo Domingo. Focusing on everyday forms of state domination, Lauren Derby describes how the regime infiltrated civil society by fashioning a “vernacular politics” based on popular idioms of masculinity and fantasies of race and class mobility. Derby argues that the most pernicious aspect of the dictatorship was how it appropriated quotidian practices such as gossip and gift exchange, leaving almost no place for Dominicans to hide or resist.

    Drawing on previously untapped documents in the Trujillo National Archives and interviews with Dominicans who recall life under the dictator, Derby emphasizes the role that public ritual played in Trujillo’s exercise of power. His regime included the people in affairs of state on a massive scale as never before. Derby pays particular attention to how events and projects were received by the public as she analyzes parades and rallies, the rebuilding of Santo Domingo following a major hurricane, and the staging of a year-long celebration marking the twenty-fifth year of Trujillo’s regime. She looks at representations of Trujillo, exploring how claims that he embodied the popular barrio antihero the tíguere (tiger) stoked a fantasy of upward mobility and how a rumor that he had a personal guardian angel suggested he was uniquely protected from his enemies. The Dictator’s Seduction sheds new light on the cultural contrivances of autocratic power.

     

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  12. A Century of Violence in a Red City : Popular Struggle, Counterinsurgency, and Human Rights in Colombia
    Autor*in: Gill, Lesley
    Erschienen: 2016
    Verlag:  Duke University Press

    In A Century of Violence in a Red City Lesley Gill provides insights into broad trends of global capitalist development, class disenfranchisement and dispossession, and the decline of progressive politics. Gill traces the rise and fall of the strong... mehr

     

    In A Century of Violence in a Red City Lesley Gill provides insights into broad trends of global capitalist development, class disenfranchisement and dispossession, and the decline of progressive politics. Gill traces the rise and fall of the strong labor unions, neighborhood organizations, and working class of Barrancabermeja, Colombia, from their origins in the 1920s to their effective activism for agrarian reforms, labor rights, and social programs in the 1960s and 1970s. Like much of Colombia, Barrancabermeja came to be dominated by alliances of right-wing politicians, drug traffickers, foreign corporations, and paramilitary groups. These alliances reshaped the geography of power and gave rise to a pernicious form of armed neoliberalism. Their violent incursion into Barrancabermeja's civil society beginning in the 1980s decimated the city's social networks, destabilized life for its residents, and destroyed its working-class organizations. As a result, community leaders are now left clinging to the toothless discourse of human rights, which cannot effectively challenge the status quo. In this stark book, Gill captures the grim reality and precarious future of Barrancabermeja and other places ravaged by neoliberalism and violence.

     

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  13. The Indian Craze : Primitivism, Modernism, and Transculturation in American Art, 1890–1915
    Erschienen: 2009
    Verlag:  Duke University Press

    In the early twentieth century, Native American baskets, blankets, and bowls could be purchased from department stores, “Indian stores,” dealers, and the U.S. government’s Indian schools. Men and women across the United States indulged in a... mehr

     

    In the early twentieth century, Native American baskets, blankets, and bowls could be purchased from department stores, “Indian stores,” dealers, and the U.S. government’s Indian schools. Men and women across the United States indulged in a widespread passion for collecting Native American art, which they displayed in domestic nooks called “Indian corners.” Elizabeth Hutchinson identifies this collecting as part of a larger “Indian craze” and links it to other activities such as the inclusion of Native American artifacts in art exhibitions sponsored by museums, arts and crafts societies, and World’s Fairs, and the use of indigenous handicrafts as models for non-Native artists exploring formal abstraction and emerging notions of artistic subjectivity. She argues that the Indian craze convinced policymakers that art was an aspect of “traditional” Native culture worth preserving, an attitude that continues to influence popular attitudes and federal legislation.

    Illustrating her argument with images culled from late-nineteenth- and early-twentieth-century publications, Hutchinson revises the standard history of the mainstream interest in Native American material culture as “art.” While many locate the development of this cross-cultural interest in the Southwest after the First World War, Hutchinson reveals that it began earlier and spread across the nation from west to east and from reservation to metropolis. She demonstrates that artists, teachers, and critics associated with the development of American modernism, including Arthur Wesley Dow and Gertrude Käsebier, were inspired by Native art. Native artists were also able to achieve some recognition as modern artists, as Hutchinson shows through her discussion of the Winnebago painter and educator Angel DeCora. By taking a transcultural approach, Hutchinson transforms our understanding of the role of Native Americans in modernist culture.

     

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    Quelle: OAPEN
    Beteiligt: Thomas, Nicholas (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: History of the Americas; History of art / art & design styles
    Weitere Schlagworte: History; United States; 20th Century; Social Science; Ethnic Studies; American; Art; American
  14. Contact Zones : Photography, Migration, and Cultural Encounters in the United States
    Beteiligt: Carville, Justin (Hrsg.); Lien, Sigrid (Hrsg.)
    Erschienen: 2021
    Verlag:  Leuven University Press

    Since the mid-nineteenth century photography has played a central role in cultural encounters within and between migrant communities in the United States. Migrant histories have been mediated through the photographic image, and the cultural practices... mehr

     

    Since the mid-nineteenth century photography has played a central role in cultural encounters within and between migrant communities in the United States. Migrant histories have been mediated through the photographic image, and the cultural practices of photography have themselves been transformed as migrant communities mobilise the photographic image to navigate experiences of cultural dislocation and the forging of new identities. Exploring photographic images and the cultural practices of photography as ‘contact zones’ through which cultural exchange and transformation takes place, this volume addresses the role of photography in migrant histories in the United States from the mid-nineteenth century to today. Taking as its focal point photography’s role in shaping migrant experiences of cultural transformation, and how migrant experiences have re-configured culturally differentiated practices of photography, case studies on migration from Europe, Central America, and North America position photography as entwined with cultural histories of migration and cultural transformation in the United States.

     

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  15. The Spectral Arctic : A History of dreams and ghosts in polar exploration
    Erschienen: 2018
    Verlag:  UCL Press

    Visitors to the Arctic enter places that have been traditionally imagined as otherworldly. This strangeness fascinated audiences in nineteenth-century Britain when the idea of the heroic explorer voyaging through unmapped zones reached its zenith.... mehr

     

    Visitors to the Arctic enter places that have been traditionally imagined as otherworldly. This strangeness fascinated audiences in nineteenth-century Britain when the idea of the heroic explorer voyaging through unmapped zones reached its zenith. The Spectral Arctic re-thinks our understanding of Arctic exploration by paying attention to the importance of dreams and ghosts in the quest for the Northwest Passage. The narratives of Arctic exploration that we are all familiar with today are just the tip of the iceberg: they disguise a great mass of mysterious and dimly lit stories beneath the surface. In contrast to oft-told tales of heroism and disaster, this book reveals the hidden stories of dreaming and haunted explorers, of frozen mummies, of rescue balloons, visits to Inuit shamans, and of the entranced female clairvoyants who travelled to the Arctic in search of John Franklin’s lost expedition. Through new readings of archival documents, exploration narratives, and fictional texts, these spectral stories reflect the complex ways that men and women actually thought about the far North in the past. This revisionist historical account allows us to make sense of current cultural and political concerns in the Canadian Arctic about the location of Franklin’s ships.

     

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  16. Ink-Stained Hollywood : The Triumph of American Cinema’s Trade Press (Edition 1)
    Autor*in: Hoyt, Eric
    Erschienen: 2022
    Verlag:  University of California Press

    For the first half of the twentieth century, no American industry boasted a more motley and prolific trade press than the movie business—a cutthroat landscape that set the stage for battle by ink. In 1930, Martin Quigley, publisher of Exhibitors... mehr

     

    For the first half of the twentieth century, no American industry boasted a more motley and prolific trade press than the movie business—a cutthroat landscape that set the stage for battle by ink. In 1930, Martin Quigley, publisher of Exhibitors Herald, conspired with Hollywood studios to eliminate all competing trade papers, yet this attempt and each one thereafter collapsed. Exploring the communities of exhibitors and creative workers that constituted key subscribers, Ink-Stained Hollywood tells the story of how a heterogeneous trade press triumphed by appealing to the foundational aspects of industry culture—taste, vanity, partisanship, and exclusivity. In captivating detail, Eric Hoyt chronicles the histories of well-known trade papers (Variety, Motion Picture Herald) alongside important yet forgotten publications (Film Spectator, Film Mercury, and Camera!), and challenges the canon of film periodicals, offering new interpretative frameworks for understanding print journalism’s relationship with the motion picture industry and its continued impact on creative industries today.

     

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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Media studies; History of the Americas; Film theory & criticism
    Weitere Schlagworte: Social Science; Media Studies; History; United States; 20th Century; Performing Arts; Film; History & Criticism
  17. Cocaine : From Coca Fields to the Streets
    Beteiligt: Arias, Enrique Desmond (Hrsg.); Grisaffi, Thomas (Hrsg.)
    Erschienen: 2021
    Verlag:  Duke University Press

    The contributors to Cocaine analyze the contemporary production, transit, and consumption of cocaine throughout the Americas and the illicit economy's entanglement with local communities. Based on in-depth interviews and archival research, these... mehr

     

    The contributors to Cocaine analyze the contemporary production, transit, and consumption of cocaine throughout the Americas and the illicit economy's entanglement with local communities. Based on in-depth interviews and archival research, these essays examine how government agents, acting both within and outside the law, and criminal actors seek to manage the flow of illicit drugs to both maintain order and earn profits. Whether discussing the moral economy of coca cultivation in Bolivia, criminal organizations and drug traffickers in Mexico, or the routes cocaine takes as it travels into and through Guatemala, the contributors demonstrate how entire ways of life are built around cocaine commodification. They consider how the authority of state actors is coupled with the self-regulating practices of drug producers, traffickers, and dealers, complicating notions of governance and of the relationships between economic and moral economies. The collection also outlines a more progressive drug policy that acknowledges the important role drugs play in the lives of those at the urban and rural margins.

    Contributors. Enrique Desmond Arias, Lilian Bobea, Philippe Bourgois, Anthony W. Fontes, Robert Gay, Paul Gootenberg, Romain Le Cour Grandmaison, Thomas Grisaffi, Laurie Kain Hart, Annette Idler, George Karandinos, Fernando Montero, Dennis Rodgers, Taniele Rui, Cyrus Veeser, Autumn Zellers-León

     

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    Quelle: OAPEN
    Beteiligt: Arias, Enrique Desmond (Hrsg.); Grisaffi, Thomas (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Schlagworte: Sociology; History of the Americas; Social & cultural anthropology, ethnography
    Weitere Schlagworte: Social Science; Sociology; History; Latin America; Social Science; Anthropology; Cultural & Social
  18. Decolonizing Native Histories : Collaboration, Knowledge, and Language in the Americas
    Erschienen: 2011
    Verlag:  Duke University Press

    Decolonizing Native Histories is an interdisciplinary collection that grapples with the racial and ethnic politics of knowledge production and indigenous activism in the Americas. It analyzes the relationship of language to power and empowerment, and... mehr

     

    Decolonizing Native Histories is an interdisciplinary collection that grapples with the racial and ethnic politics of knowledge production and indigenous activism in the Americas. It analyzes the relationship of language to power and empowerment, and advocates for collaborations between community members, scholars, and activists that prioritize the rights of Native peoples to decide how their knowledge is used. The contributors—academics and activists, indigenous and nonindigenous, from disciplines including history, anthropology, linguistics, and political science—explore the challenges of decolonization.

    These wide-ranging case studies consider how language, the law, and the archive have historically served as instruments of colonialism and how they can be creatively transformed in constructing autonomy. The collection highlights points of commonality and solidarity across geographical, cultural, and linguistic boundaries and also reflects deep distinctions between North and South. Decolonizing Native Histories looks at Native histories and narratives in an internationally comparative context, with the hope that international collaboration and understanding of local histories will foster new possibilities for indigenous mobilization and an increasingly decolonized future.

     

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  19. La Palette du ciel. Art baroque ibéro-américain (XVIe-XVIIIe siècles) : Colonisation de l'esprit et iconophilie chrétienne dans le Nouveau Monde
    Erschienen: 2021
    Verlag:  EPURE, Éditions et presses universitaires de Reims, Reims

    A conqueror does not only use the power of weapons and techniques. He also imports and imposes a system of norms, beliefs and forms of artistic expression in order to establish a political project that he considers legitimate. Situated on the edge of... mehr

     

    A conqueror does not only use the power of weapons and techniques. He also imports and imposes a system of norms, beliefs and forms of artistic expression in order to establish a political project that he considers legitimate. Situated on the edge of cultural and art history, this study aims to open up new perspectives on artistic creation during the Baroque period in Latin America. Lorsqu’un conquérant conscient de sa supériorité colonise un territoire, il ne se sert pas seulement de la puissance des armes et des techniques. Il importe et impose aussi un système de normes, de croyances et des formes d’expression artistique pour asseoir un projet politique qui lui semble d’entrée de jeu légitime. Située aux confins de l’histoire culturelle et de l’histoire des arts, cette étude s’efforce d’ouvrir de nouvelles perspectives sur la création artistique à l’époque baroque dans une Amérique Latine en voie de colonisation par les Européens, en analysant plus particulièrement le contexte d’apparition du syncrétisme religieux. À partir de l’étude minutieuse d’une sélection d’œuvres produites entre le xvie et le xviiie siècle dans la région andine (Pérou, Bolivie, Colombie, Équateur) et au Mexique, dans des domaines aussi divers que la gravure, la peinture, la sculpture ou encore l’architecture, il s’agit de montrer comment l’art du colonisateur intervient comme une instance productrice de normes et de jugements de valeur dans l’espace ibéro-­américain indigène. Dans l’Amérique coloniale, le syncrétisme dont témoigne l’art des premiers « créoles », autrement dit l’assimilation de nouveaux codes et leur amalgame avec le substrat culturel existant, encourage la négation de l’ancienne culture tout en procédant au recyclage d’anciens codes pour donner naissance à des croyances et des formes artistiques nouvelles, un métissage dont les conséquences, à la fois positives et négatives, se manifestent jusque de nos jours.

     

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    Quelle: OAPEN
    Sprache: Französisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9782374961453; 9782374961392
    Weitere Identifier:
    Schlagworte: History of the Americas; Early modern history: c 1450/1500 to c 1700; Colonialism & imperialism; Art of indigenous peoples; Colonial art; Latin America
    Weitere Schlagworte: Evangelization; Acculturation; Colonial art; Baroque
    Umfang: 1 electronic resource (278 p.)
  20. How “Indians” Think : Colonial Indigenous Intellectuals and the Question of Critical Race Theory
    Autor*in: Lamana, Gonzalo
    Erschienen: 2019
    Verlag:  University of Arizona Press

    The conquest and colonization of the Americas marked the beginning of a social, economic, and cultural change of global scale. Most of what we know about how colonial actors understood and theorized this complex historical transformation comes from... mehr

     

    The conquest and colonization of the Americas marked the beginning of a social, economic, and cultural change of global scale. Most of what we know about how colonial actors understood and theorized this complex historical transformation comes from Spanish sources. This makes the few texts penned by Indigenous intellectuals in colonial times so important: they allow us to see how some of those who inhabited the colonial world in a disadvantaged position thought and felt about it.

     

    This book shines light on Indigenous perspectives through a novel interpretation of the works of the two most important Amerindian intellectuals in the Andes, Felipe Guaman Poma de Ayala and Garcilaso de la Vega, el Inca. Building on but also departing from the predominant scholarly position that views Indigenous-Spanish relations as the clash of two distinct cultures, Gonzalo Lamana argues that Guaman Poma and Garcilaso were the first Indigenous activist intellectuals and that they developed post-racial imaginaries four hundred years ago. Their texts not only highlighted Native peoples’ achievements, denounced injustice, and demanded colonial reform, but they also exposed the emerging Spanish thinking and feeling on race that was at the core of colonial forms of discrimination. These authors aimed to alter the way colonial actors saw each other and, as a result, to change the world in which they lived.

     

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  21. Thomas Jefferson's Bible
    with introduction and critical commentary
    Erschienen: [2019]
    Verlag:  De Gruyter, Berlin

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783110617566
    DDC Klassifikation: Bibel (220); Christentum, Christliche Theologie (230)
    Schriftenreihe: Studies of the Bible and its reception ; volume 14
    Schlagworte: Jefferson, Thomas;
    Weitere Schlagworte: HIS036000 HISTORY / United States / General; History of the Americas; Religion & beliefs; Church history; Kritische Ausgabe; Amerikanisches Christentum; Thomas Jefferson; Textkritik; Thomas Jefferson; American Christianity; Textual Criticism; Critical Edition
    Umfang: VIII, 141 Seiten, 24 cm
  22. Chi boy
    native sons and Chicago reckonings
    Autor*in: Norris, Keenan
    Erschienen: [2022]
    Verlag:  Mad Creek Books, an imprint of The Ohio State University Press, Columbus

    "Personal essays about the author's family woven together with cultural history and critique about the Great Migration to Chicago, Northern segregation, the life and work of Richard Wright and other Black Chicago intellectuals, Black masculinity, and... mehr

     

    "Personal essays about the author's family woven together with cultural history and critique about the Great Migration to Chicago, Northern segregation, the life and work of Richard Wright and other Black Chicago intellectuals, Black masculinity, and the specter of violence in Chicago"--

     

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  23. Mein Bruder Che
    Erschienen: 2017
    Verlag:  Tropen, Stuttgart

    Als die Guevaras aus den Schlagzeilen der Tageszeitungen vom Tod Ches erfahren, beschließen sie, sich in Schweigen zu hüllen. Jetzt, fünfzig Jahre später, ist für seinen jüngeren Bruder Juan Martín der Augenblick gekommen, der Welt seine Erinnerungen... mehr

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    Als die Guevaras aus den Schlagzeilen der Tageszeitungen vom Tod Ches erfahren, beschließen sie, sich in Schweigen zu hüllen. Jetzt, fünfzig Jahre später, ist für seinen jüngeren Bruder Juan Martín der Augenblick gekommen, der Welt seine Erinnerungen mitzuteilen und zu enthüllen, wie Che wirklich war. Wer war Che Guevara? Arzt, Rebell, Revolutionär, Freund und Kampfgefährte von Fidel Castro. Charismatisch und grausam war er, Menschenfreund und Frauenheld, der den Kongo, Bolivien und ganz Lateinamerika befreien wollte. Doch der begnadete Guerillaführer gerät in einen Hinterhalt und wird am 9. Oktober 1967 erschossen. Seine Kritiker atmen auf, als sich die Nachricht von seinem Tod wie ein Lauffeuer um die Welt verbreitet. Aber sie freuen sich zu früh: Che Guevara wird jetzt erst wirklich populär. In dieser Autobiographie lässt Juan Martín seinen Bruder wieder aufleben, berichtet von der unvergleichlichen Zeit, die er 1959 inmitten der kubanischen Revolution an seiner Seite erlebte, und erinnert sich an den idealistischen Abenteurer ebenso wie an den engagierten Intellektuellen. Eine der umstrittensten Gestalten des 20. Jahrhunderts erscheint damit in ganz neuem Licht. »Seien wir realistisch – versuchen wir das Unmögliche.« Che Guevara

     

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  24. Alexander von Humboldt: Tagebücher der Amerikanischen Reise: Von Spanien nach Cumaná (1799/1800)
    Beteiligt: Götz, Carmen (Herausgeber)
    Erschienen: 2022
    Verlag:  J.B. Metzler, Berlin, Heidelberg

    Der erste Tagebuchband der amerikanischen Reise Alexander von Humboldts gibt Einblicke in die Überfahrt von Europa nach Amerika, den Aufenthalt auf Teneriffa und in das Leben und Arbeiten in Cumaná. In seinem Tagebuch beschreibt Humboldt, wie Klima... mehr

    Landesbibliothekszentrum Rheinland-Pfalz / Pfälzische Landesbibliothek

     

    Der erste Tagebuchband der amerikanischen Reise Alexander von Humboldts gibt Einblicke in die Überfahrt von Europa nach Amerika, den Aufenthalt auf Teneriffa und in das Leben und Arbeiten in Cumaná. In seinem Tagebuch beschreibt Humboldt, wie Klima und Vegetation die Kulturgeschichte des Menschen prägen, und bringt seinen Abscheu gegenüber der Sklaverei zum Ausdruck. Sein Interesse gilt ebenso der tropischen Pflanzen- und Tierwelt wie der Lebensweise der indigenen Bevölkerung. Im Herbst 1799 wird er zudem Zeuge einer Sonnenfinsternis, eines Erdbebens und eines beeindruckenden Meteorschauers. Besonders zu faszinieren vermag sein beständiges Ringen um eine Optimierung der Messmethoden. Sein Ziel ist die Kartierung eines noch weitgehend unerschlossenen Kontinents, und er weiß, dass die enormen Anstrengungen, die er und sein Forschungspartner Aimé Bonpland auf sich nehmen, nur dann gerechtfertigt wären, wenn die erhobenen Daten valide sind. – Der durchgängig kommentierte Text ist in neun Kapitel unterteilt, denen jeweils kleine Einführungen vorangestellt sind.

     

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    Quelle: Verbundkataloge
    Beteiligt: Götz, Carmen (Herausgeber)
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    ISBN: 9783662642733
    Weitere Identifier:
    9783662642733
    Schriftenreihe: edition humboldt print ; 1
    Reihe I: Die Tagebücher der amerikanischen Reise
    Weitere Schlagworte: Wissenschafts- und Universitätsgeschichte; B; History of Science; J.B. Metzler Humanities; History of Science; Amerikanische Geschichte; History of the Americas; History of the Americas; Physische Geographie und Topographie; Physical Geography; Physical Geography; Literaturwissenschaft; World Literature; Literature, general; Botanik; Plant Sciences; Plant Science; Humangeographie; Human Geography; Human Geography; Hardcover, Softcover / Naturwissenschaften allgemein; America—History; Physical geography; Literature; Botany; Human geography; Science—History; Lateinamerika;Südamerika;Teneriffa;Cumaná;Venezuela;Aimé Bonpland;Forschungsreise;Atlantiküberquerung
    Umfang: 235 mm.
    Bemerkung(en):

    Der erste Tagebuchband der amerikanischen Reise Alexander von Humboldts gibt Einblicke in die Überfahrt von Europa nach Amerika, den Aufenthalt auf Teneriffa und in das Leben und Arbeiten in Cumaná. Humboldt beschreibt, wie Klima und Vegetation die Kulturgeschichte des Menschen prägen, und bringt seinen Abscheu gegenüber der Sklaverei zum Ausdruck. Sein Interesse gilt ebenso der tropischen Pflanzen- und Tierwelt wie der Lebensweise der indigenen Bevölkerung. Besonders zu faszinieren vermag sein beständiges Ringen um eine Optimierung der Messmethoden. Sein Ziel ist die Kartierung eines noch weitgehend unerschlossenen Kontinents, und er weiß, dass die Anstrengungen, die er und sein Forschungspartner Aimé Bonpland auf sich nehmen, nur dann gerechtfertigt wären, wenn die erhobenen Daten valide sind.

    Vorwort Cécile Wajsbrot.- Vorwort Ottmar Ette.- Einleitung.- "Ich habe es mir zur Pflicht gemacht, alle angestellten Beobachtungen ohne Auswahl in mein Tagebuch einzutragen". Über die digitale Neuausgabe der amerikanischen Reisejournale, 1. Band (September 2018).- Linnés Normen, Willdenows Lehren und Bonplands Feldtagebuch. Die Pflanzenbeschreibungen in Alexander von Humboldts erstem Amerikanischen Reisetagebuch.- Der erste Tagebuchband der amerikanischen Reise Alexander von Humboldts/Voyage d’Espagne aux Canaries et à Cumaná. Observations astronomiques de Juin à Octobre 1799.- I. Die Seereise von Europa nach Amerika (5.6. bis 16.7. 1799).- II. Der erste Aufenthalt in Cumaná (16.7. bis 3.9.1799).- III. Spuren der Reise nach Caripe vom September 1799 im ersten Tagebuchband.- IV. Der zweite Aufenthalt in Cumaná (25.9. bis 18.11.1799).- V. Abhandlungen zur Landeskunde und Kulturgeschichte (1799).- VI. Messdatenreihen zur Meteorologie.- VII. Kleinere undatierte Texte (vor allem 1799).- VIII. Der dritte und letzte Aufenthalt in Cumaná (26.8. bis 16.11.1800).- Daten erheben.- Daten auswerten.- Zusätze aus der Zeit nach der Reise (Exzerpte). Register

  25. Writing revolution
    Hispanic anarchism in the United States
    Beteiligt: Castaneda, Christopher James (Herausgeber); Feu López, M. Montserrat (Herausgeber)
    Erschienen: [2019]; © 2019
    Verlag:  University of Illinois Press, Urbana ; Chicago ; Springfield