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  1. Günter Grass and the genders of German memory
    from The tin drum to Peeling the onion
    Autor*in: Malchow, Timothy
    Erschienen: 2021
    Verlag:  Camden House, Rochester, NY

    The first book to examine the connection between gender and memory in Grass's oeuvre, which is especially timely in light of current concerns about male privilege mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The first book to examine the connection between gender and memory in Grass's oeuvre, which is especially timely in light of current concerns about male privilege

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781800100404
    Weitere Identifier:
    Schlagworte: Sex role in literature; Memory in literature; Kollektives Gedächtnis <Motiv>; Geschlechterrolle <Motiv>
    Weitere Schlagworte: Grass, Günter / 1927-2015 / Criticism and interpretation; Grass, Günter (1927-2015)
    Umfang: 1 Online-Ressource (x, 246 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 04 Mar 2021)
  2. Günter Grass and the genders of German memory
    from The tin drum to Peeling the onion
    Autor*in: Malchow, Timothy
    Erschienen: 2021
    Verlag:  Camden House, Rochester, New York

    "Günter Grass (1927-2015) was a fixture at the heart of German cultural life, a self-styled spokesman of the Kulturnation (cultural nation) who imagined it linking him to canonical male literary figures and their authority. He was also the object of... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Günter Grass (1927-2015) was a fixture at the heart of German cultural life, a self-styled spokesman of the Kulturnation (cultural nation) who imagined it linking him to canonical male literary figures and their authority. He was also the object of valid feminist criticism: a rigid conception of gender permeates his works, belying his professed skepticism toward ideologies. A heterosexual male, Grass lent his representative persona a natural veneer by appropriating his era's gendered discursive constructs, including Heimat, the Bildungsroman, and narratives about German wartime victims and perpetrators. Such appropriation elevated his remembering artist's masculinity above that of the status quo's defenders and exploiters of memory. This book is the first to evaluate the connection between gender and memory in Grass's oeuvre and its legacy in light of current concerns about male privilege. It highlights his breakthrough novel The Tin Drum (1959) and his memoir Peeling the Onion (2006). The former establishes the gendered persona that Grass would develop in subsequent decades to relate contemporary issues to Nazi-era memories. The latter reclaims the novel's autobiographical material but fails to account for his decades-long silence about having served in the Nazi Waffen-SS. Instead, it foregrounds his mourning for his mother, allowing for a more personal reading of his oeuvre and its gendered imagery." --

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781640140851
    Schriftenreihe: Culture and power in German-speaking Europe, 1918-1989
    Schlagworte: Kollektives Gedächtnis <Motiv>; Geschlechterrolle <Motiv>
    Weitere Schlagworte: Grass, Günter (1927-2015); Grass, Günter / 1927-2015 / Criticism and interpretation; Grass, Günter / 1927-2015 / Blechtrommel / Criticism and interpretation; Grass, Günter / 1927-2015 / Beim Häuten der Zwiebel / Criticism and interpretation; Sex role in literature; Memory in literature; Grass, Günter / 1927-2015; Memory in literature; Sex role in literature; Literary criticism; Criticism, interpretation, etc
    Umfang: x, 246 Seiten, 24 cm
    Bemerkung(en):

    Introduction -- Grass's Biography in Context: 1927-1959 -- Corporeal Memory, Trauma, and Art in The Tin Drum -- Bildung, Heimat, and Gendered Modes of German Memory in The Tin Drum -- A Patriarchal Arbiter of German Cultural Memory and His Feminized Others: Leveling Bildung, Opening Heimat, and Championing Art from the 1960s to the New Millennium -- Grass's Early Life Once Again: Broken Silence, Mourning, and Gendered Approaches to Memory in Peeling the Onion -- Epilogue -- Works Cited
  3. Aging and Old-Age Style in Günter Grass, Ruth Klüger, Christa Wolf, and Martin Walser
    the mannerism of a late period
    Autor*in: Taberner, Stuart
    Erschienen: 2013
    Verlag:  Boydell & Brewer, Suffolk

    Demographers say that by the year 2060, every seventh person in Germany will be aged eighty or older, and every third person over sixty-five. The prediction for other Western countries is scarcely different. Indeed, the aging society is seen by some... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Demographers say that by the year 2060, every seventh person in Germany will be aged eighty or older, and every third person over sixty-five. The prediction for other Western countries is scarcely different. Indeed, the aging society is seen by some as a graver threat than even global warming, with potentially unmanageable tensions relating to intergenerational relationships, work and benefits, and flows of people. This book explores the representation and performance of aging in recent "late-style" German-language fiction. It situates the authors chosen as case studies -- Günter Grass, Ruth Klüger, Christa Wolf, and Martin Walser -- in their biographical and social contexts and explores the significance of their aesthetic figuring of aging for debates raging both in Germany and internationally. In particular, the book looks at gender, generations, and trauma and their impact on how writers "narrativize" aging. Finally, it examines the "timeliness" of these different representations and late-style performances of aging in the context of the shift of social, political, and economic power away from the declining societies of the West to the ascendant societies of the East. Stuart Taberner is Professor of Contemporary German Literature, Culture, and Society at the University of Leeds

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138767
    RVK Klassifikation: GN 1235 ; GN 5052 ; GN 9560 ; GN 9932
    Schlagworte: German literature / 20th century / History and criticism; Old age in literature; Aging in literature; Erzähltechnik; Erzähltheorie; Deutsch; Stil; Alter <Motiv>; Manierismus; Spätwerk; Altern <Motiv>; Roman
    Weitere Schlagworte: Grass, Günter / 1927-2015 / Criticism and interpretation; Klüger, Ruth / 1931- / Criticism and interpretation; Wolf, Christa / Criticism and interpretation; Walser, Martin / 1927- / Criticism and interpretation; Walser, Martin (1927-2023); Klüger, Ruth (1931-2020); Grass, Günter (1927-2015); Wolf, Christa (1929-2011)
    Umfang: 1 online resource (viii, 258 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Introduction: Old-age societies-old-age style -- Old-age style and self-monumentalization in Günter Grass -- Old-age style and self-healing in Ruth Kluger and Christa Wolf -- Old-age style and self-transcendence in Martin Walser -- Conclusion: Old-age style as late style?
  4. Günter Grass and his critics
    from the tin drum to Crabwalk
    Autor*in: Mews, Siegfried
    Erschienen: 2008
    Verlag:  Boydell & Brewer, Suffolk

    When the Swedish Academy announced that Günter Grass had been awarded the 1999 Nobel Prize for Literature, it singled out his first novel 'The Tin Drum' (1959, English translation 1963) as a seminal work that had signaled the postwar rebirth of... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    When the Swedish Academy announced that Günter Grass had been awarded the 1999 Nobel Prize for Literature, it singled out his first novel 'The Tin Drum' (1959, English translation 1963) as a seminal work that had signaled the postwar rebirth of German letters, auguring 'a new beginning after decades of linguistic and moral destruction.' Nearly fifty years after its publication, the novel's significance has been generally acknowledged: it is the uncontested favorite among Grass's works of fiction on the part of reading public and critics alike, yet its canonical status tends to obscure the decidedly mixed and even hostile reactions it initially elicited. Along with 'The Tin Drum,' Grass's impressive body of literary work since the 1950s has spawned a cottage industry of Grass criticism, making a reliable guide through the thicket of sometimes contradictory readings a definite desideratum. Siegfried Mews fills this lacuna in Grass scholarship by way of a detailed but succinct, descriptive as well as analytical and evaluative overview of the scholarship from 1959 to 2005. Grass's politically motivated interventions in public discourse have kept him highly visible, blurring the boundaries between politics and aesthetics. Mews therefore examines not only academic criticism but also the daily and weekly press (and other news media), providing additional insight into the reception of Grass's works. Siegfried Mews is Professor of German at the University of North Carolina at Chapel Hill. Winner, CHOICE Outstanding Academic Title Award, 2008

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571137968
    RVK Klassifikation: GN 5052
    Schlagworte: Geschichte; Criticism / Germany / History / 20th century; Literaturkritik
    Weitere Schlagworte: Grass, Günter / 1927-2015 / Criticism and interpretation; Grass, Günter / 1927-2015 / Appreciation; Grass, Günter (1927-2015)
    Umfang: 1 online resource (viii, 426 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Danzig, center of the universe -- Die Blechtrommel / The tin drum -- Katz und Maus / Cat and mouse -- Hundejahre / Dog years -- Danziger Trilogie / The Danzig trilogy -- From Danzig to the global stage: Grass's fiction of the 1970s and 1980s -- Örtlich betäubt / Local anaesthetic -- Aus dem Tagebuch einer Schnecke / From the diary of a snail -- Der Butt / The flounder -- Das Treffen in Telgte / The meeting at Telgte -- Kopfgeburten oder Die Deutshen sterben aus / Headbirths or The Germans are dying out -- Die Rättin / The rat -- Zunge zeigen / Show your tongue -- After reunification: old problems and new beginnings -- Unkenrufe / The call of the toad -- Ein weites Feld / Too far afield -- Mein Jahrhundert / My century -- Im Krebsgang / Crabwalk
  5. Aging and Old-Age Style in Günter Grass, Ruth Klüger, Christa Wolf, and Martin Walser
    the mannerism of a late period
    Autor*in: Taberner, Stuart
    Erschienen: 2013
    Verlag:  Boydell & Brewer, Suffolk

    Demographers say that by the year 2060, every seventh person in Germany will be aged eighty or older, and every third person over sixty-five. The prediction for other Western countries is scarcely different. Indeed, the aging society is seen by some... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Demographers say that by the year 2060, every seventh person in Germany will be aged eighty or older, and every third person over sixty-five. The prediction for other Western countries is scarcely different. Indeed, the aging society is seen by some as a graver threat than even global warming, with potentially unmanageable tensions relating to intergenerational relationships, work and benefits, and flows of people. This book explores the representation and performance of aging in recent "late-style" German-language fiction. It situates the authors chosen as case studies -- Günter Grass, Ruth Klüger, Christa Wolf, and Martin Walser -- in their biographical and social contexts and explores the significance of their aesthetic figuring of aging for debates raging both in Germany and internationally. In particular, the book looks at gender, generations, and trauma and their impact on how writers "narrativize" aging. Finally, it examines the "timeliness" of these different representations and late-style performances of aging in the context of the shift of social, political, and economic power away from the declining societies of the West to the ascendant societies of the East. Stuart Taberner is Professor of Contemporary German Literature, Culture, and Society at the University of Leeds

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138767
    RVK Klassifikation: GN 1235 ; GN 5052 ; GN 9560 ; GN 9932
    Schlagworte: German literature / 20th century / History and criticism; Old age in literature; Aging in literature; Stil; Altern <Motiv>; Deutsch; Roman; Erzähltheorie; Manierismus; Alter <Motiv>; Erzähltechnik; Spätwerk
    Weitere Schlagworte: Grass, Günter / 1927-2015 / Criticism and interpretation; Klüger, Ruth / 1931- / Criticism and interpretation; Wolf, Christa / Criticism and interpretation; Walser, Martin / 1927- / Criticism and interpretation; Grass, Günter (1927-2015); Klüger, Ruth (1931-2020); Walser, Martin (1927-2023); Wolf, Christa (1929-2011)
    Umfang: 1 online resource (viii, 258 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Introduction: Old-age societies-old-age style -- Old-age style and self-monumentalization in Günter Grass -- Old-age style and self-healing in Ruth Kluger and Christa Wolf -- Old-age style and self-transcendence in Martin Walser -- Conclusion: Old-age style as late style?
  6. Günter Grass and his critics
    from the tin drum to Crabwalk
    Autor*in: Mews, Siegfried
    Erschienen: 2008
    Verlag:  Boydell & Brewer, Suffolk

    When the Swedish Academy announced that Günter Grass had been awarded the 1999 Nobel Prize for Literature, it singled out his first novel 'The Tin Drum' (1959, English translation 1963) as a seminal work that had signaled the postwar rebirth of... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    When the Swedish Academy announced that Günter Grass had been awarded the 1999 Nobel Prize for Literature, it singled out his first novel 'The Tin Drum' (1959, English translation 1963) as a seminal work that had signaled the postwar rebirth of German letters, auguring 'a new beginning after decades of linguistic and moral destruction.' Nearly fifty years after its publication, the novel's significance has been generally acknowledged: it is the uncontested favorite among Grass's works of fiction on the part of reading public and critics alike, yet its canonical status tends to obscure the decidedly mixed and even hostile reactions it initially elicited. Along with 'The Tin Drum,' Grass's impressive body of literary work since the 1950s has spawned a cottage industry of Grass criticism, making a reliable guide through the thicket of sometimes contradictory readings a definite desideratum. Siegfried Mews fills this lacuna in Grass scholarship by way of a detailed but succinct, descriptive as well as analytical and evaluative overview of the scholarship from 1959 to 2005. Grass's politically motivated interventions in public discourse have kept him highly visible, blurring the boundaries between politics and aesthetics. Mews therefore examines not only academic criticism but also the daily and weekly press (and other news media), providing additional insight into the reception of Grass's works. Siegfried Mews is Professor of German at the University of North Carolina at Chapel Hill. Winner, CHOICE Outstanding Academic Title Award, 2008

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571137968
    RVK Klassifikation: GN 5052
    Schlagworte: Geschichte; Criticism / Germany / History / 20th century; Literaturkritik
    Weitere Schlagworte: Grass, Günter / 1927-2015 / Criticism and interpretation; Grass, Günter / 1927-2015 / Appreciation; Grass, Günter (1927-2015)
    Umfang: 1 online resource (viii, 426 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Danzig, center of the universe -- Die Blechtrommel / The tin drum -- Katz und Maus / Cat and mouse -- Hundejahre / Dog years -- Danziger Trilogie / The Danzig trilogy -- From Danzig to the global stage: Grass's fiction of the 1970s and 1980s -- Örtlich betäubt / Local anaesthetic -- Aus dem Tagebuch einer Schnecke / From the diary of a snail -- Der Butt / The flounder -- Das Treffen in Telgte / The meeting at Telgte -- Kopfgeburten oder Die Deutshen sterben aus / Headbirths or The Germans are dying out -- Die Rättin / The rat -- Zunge zeigen / Show your tongue -- After reunification: old problems and new beginnings -- Unkenrufe / The call of the toad -- Ein weites Feld / Too far afield -- Mein Jahrhundert / My century -- Im Krebsgang / Crabwalk
  7. The politics of remembrance in the novels of Günter Grass
    Autor*in: Cole, Alex Donovan
    Erschienen: 2023
    Verlag:  Routledge, New York ; London

    "This manuscript argues for the importance of Günter Grass as a political thinker in addition to his status as a novelist and public intellectual, capable of forming ethical responses to contemporary issues like neoliberalism and place of the petit... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This manuscript argues for the importance of Günter Grass as a political thinker in addition to his status as a novelist and public intellectual, capable of forming ethical responses to contemporary issues like neoliberalism and place of the petit bourgeoisie in social life. I define Grass's trajectory as a thinker through his novels and speeches. Primarily, I draw attention to the role memory plays in Grass's thought: that his work represented an intellectual and aesthetic response to the role Nazism continued to play in West German politics in the post war era. To Grass, Nazism represented a resurgent threat unaddressed following the end of World War II. Later, Grass amended his concept of memory politics to address neoliberal capitalism, reiterating his radicalism and affirming the need for German society to resist the rise of extreme ideologies"--

     
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  8. Günter Grass and the genders of German memory
    from The tin drum to Peeling the onion
    Autor*in: Malchow, Timothy
    Erschienen: 2021
    Verlag:  Camden House, Rochester, New York

    "Günter Grass (1927-2015) was a fixture at the heart of German cultural life, a self-styled spokesman of the Kulturnation (cultural nation) who imagined it linking him to canonical male literary figures and their authority. He was also the object of... mehr

    Standort:
    Archiv der Akademie der Künste, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Günter Grass (1927-2015) was a fixture at the heart of German cultural life, a self-styled spokesman of the Kulturnation (cultural nation) who imagined it linking him to canonical male literary figures and their authority. He was also the object of valid feminist criticism: a rigid conception of gender permeates his works, belying his professed skepticism toward ideologies. A heterosexual male, Grass lent his representative persona a natural veneer by appropriating his era's gendered discursive constructs, including Heimat, the Bildungsroman, and narratives about German wartime victims and perpetrators. Such appropriation elevated his remembering artist's masculinity above that of the status quo's defenders and exploiters of memory. This book is the first to evaluate the connection between gender and memory in Grass's oeuvre and its legacy in light of current concerns about male privilege. It highlights his breakthrough novel The Tin Drum (1959) and his memoir Peeling the Onion (2006). The former establishes the gendered persona that Grass would develop in subsequent decades to relate contemporary issues to Nazi-era memories. The latter reclaims the novel's autobiographical material but fails to account for his decades-long silence about having served in the Nazi Waffen-SS. Instead, it foregrounds his mourning for his mother, allowing for a more personal reading of his oeuvre and its gendered imagery." --

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781640140851
    Schriftenreihe: Culture and power in German-speaking Europe, 1918-1989
    Schlagworte: Kollektives Gedächtnis <Motiv>; Geschlechterrolle <Motiv>
    Weitere Schlagworte: Grass, Günter (1927-2015); Grass, Günter / 1927-2015 / Criticism and interpretation; Grass, Günter / 1927-2015 / Blechtrommel / Criticism and interpretation; Grass, Günter / 1927-2015 / Beim Häuten der Zwiebel / Criticism and interpretation; Sex role in literature; Memory in literature; Grass, Günter / 1927-2015; Memory in literature; Sex role in literature; Literary criticism; Criticism, interpretation, etc
    Umfang: x, 246 Seiten, 24 cm
    Bemerkung(en):

    Introduction -- Grass's Biography in Context: 1927-1959 -- Corporeal Memory, Trauma, and Art in The Tin Drum -- Bildung, Heimat, and Gendered Modes of German Memory in The Tin Drum -- A Patriarchal Arbiter of German Cultural Memory and His Feminized Others: Leveling Bildung, Opening Heimat, and Championing Art from the 1960s to the New Millennium -- Grass's Early Life Once Again: Broken Silence, Mourning, and Gendered Approaches to Memory in Peeling the Onion -- Epilogue -- Works Cited