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  1. Last words
    the public self and the social author in late Medieval England
    Erschienen: 2019
    Verlag:  Oxford University Press, Oxford

    No medieval text was designed to be read hundreds of years later by an audience unfamiliar with its language, situation, and author. By ascribing to these texts intentional anonymity, we romanticise them and misjudge the social character of their... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    No medieval text was designed to be read hundreds of years later by an audience unfamiliar with its language, situation, and author. By ascribing to these texts intentional anonymity, we romanticise them and misjudge the social character of their authors. Instead, most medieval poems and manuscripts presuppose familiarity with their authorial or scribal maker. 'Last Words: The Public Self and the Social Author in Late Medieval England' attempts to recover this familiarity and understand the literary motivation behind some of most important fifteenth-century texts and authors.0Last Words captures the public selves of such social authors when they attempt to extract themselves from the context of a lived life. Driven by archival research and literary inquiry, this book reveals where John Gower kept the Trentham manuscript in his final years, how John Lydgate wished to be remembered, and why Thomas Hoccleve wrote his best-known work, the Series. It includes documentary breakthroughs and archival discoveries, and introduces a new life record for Hoccleve, identifies the author of a significant political poem, and reveals the handwriting of John Gower and George Ashby.0Through its investments in archival study, book history, and literary criticism, Last Words charts the extent to which medieval English literature was shaped by the social selves of their authors

     

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  2. Chaucer, Gower, Hoccleve and the commercial practices of late fourteenth-century London
    Erschienen: c2012
    Verlag:  Ashgate, Burlington, VT

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781409448433; 1409448436; 9781409448426; 1409448428
    Schlagworte: POETRY / English, Irish, Scottish, Welsh; Commerce; Commerce in literature; Literature; Literature and society; Geschichte; Literatur; Literature and society; Commerce in literature; Handel <Motiv>
    Weitere Schlagworte: Chaucer, Geoffrey / -1400; Gower, John / 1325?-1408; Hoccleve, Thomas / 1370?-1450?; Chaucer, Geoffrey / d. 1400; Gower, John / 1325?-1408; Hoccleve, Thomas / 1370?-1450?; Chaucer, Geoffrey (-1400); Gower, John (1325?-1408); Hoccleve, Thomas (1370?-1450?); Chaucer, Geoffrey (1343-1400); Occleve, Thomas (1368-1430); Gower, John (1330-1408)
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction: The anxiety of commerce -- The commercial polity -- Buying and markets -- Debts and credit -- Shopkeeping -- Innkeepers and the hospitality trade

  3. Idleness working
    the discourse of love's labor from Ovid through Chaucer and Gower
    Erschienen: ©2004
    Verlag:  Catholic University of America Press, Washington, D.C.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0813213738; 0813216524; 9780813213736; 9780813216522
    Schlagworte: Littérature médiévale / Histoire et critique; Littérature médiévale / Influence romaine; Amour dans la littérature; Paresse dans la littérature; Travail dans la littérature; BIOGRAPHY & AUTOBIOGRAPHY / Literary; LITERARY CRITICISM / European / General; Liefde; Arbeid; Letterkunde; De amore et de amoris remedio; Confessio amantis; De planctu naturae; Roman de la rose; Rezeption; Literatur; Literature, Medieval; Literature, Medieval; Love in literature; Work in literature; Rezeption
    Weitere Schlagworte: Chaucer, Geoffrey / m. 1400 / Critique et interprétation; Guillaume / de Lorris / époque 1230 / Roman de la Rose; Alain / de Lille / m. 1202 / De planctu naturae; André / le chapelain / De amore et amoris remedio; Gower, John / 1325?-1408 / Confessio amantis; Ovide / 43 av. J.-C.-17 ou 18 / Ars amatoria; Ovide / 43 av. J.-C.-17 ou 18 / Influence; Alanus <ab Insulis>; Andreas <Capellanus>; Ovidius Naso, Publius; Gower, John; Guillaume <de Lorris>; Chaucer, Geoffrey / d. 1400 / Criticism and interpretation; Guillaume / de Lorris / fl. 1230; Alanus / de Insulis / d. 1202; Andre / le chapelain; Gower, John / 1325?-1408; Ovid / 43 B.C.-17 or 18 A.D.; Ovid / 43 B.C.-17 or 18 A.D. / Influence; Chaucer, Geoffrey (-1400); Guillaume de Lorris (active 1230): Roman de la rose; Alanus de Insulis (-1202): De planctu naturae; Andreas Capellanus: De amore et amoris remedio; Gower, John (1325?-1408): Confessio amantis; Ovid (43 B.C.-17 A.D. or 18 A.D.): Ars amatoria; Ovid (43 B.C.-17 A.D. or 18 A.D.); Ovidius Naso, Publius (v43-17); Andreas Capellanus (1150-1220): De amore et de amoris remedio; Jean de Meung (-1305): Roman de la rose; Gower, John (1330-1408): Confessio amantis; Alanus ab Insulis (1120-1202): De planctu naturae
    Umfang: 1 Online-Ressource (xii, 298 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 267-281) and indexes

    The discourse of love's labor and its cultural contexts -- Labor omnia vincit: Roman attitudes toward work and leisure and the discourse of love's labor in Ovid's Ars amatoria -- Noble servitium: aspects of labor ideology in the Christian middle ages and love's labor in the De amore of Andreas Capellanus -- Homo artifex: monastic labor ideologies, urban labor, and love's labor in Alan of Lille's De planctu naturae -- Repose travaillant: the discourse of love's labor in the Roman de la rose -- The vice of Acedia and the gentil occupacion in Gower's Confessio amantis -- Love's bysynesse in Chaucer's amatory fiction

    "Inspired by the critical theories of M.M. Bakhtin, Idleness Working is a groundbreaking study of key works in the Western literature of love from Classical Rome to the late Middle Ages. The study focuses on the evolution of the ideologically-saturated discourse of love's labor contained in these works and thus explores them in context of ancient and medieval theories of labor and leisure, which themselves are seen to evolve through the course of Western history. What emerges from this study is a fresh appreciation and deepened understanding of such well-known classics of love literature as Ovid's Ars amatoria, Andreas Capellanus' De amore, Alan of Lille's Complaint of Nature, Guillaume de Lorris and Jean de Meun's Roman de la rose. John Gower's Confessio Amantis, and Geoffrey Chaucer's Troilus and Criseyde."--Jacket

  4. Lies, slander, and obscenity in medieval English literature
    pastoral rhetoric and the deviant speaker
    Autor*in: Craun, Edwin D.
    Erschienen: 1997
    Verlag:  Cambridge University Press, Cambridge

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  5. Last words
    the public self and the social author in late Medieval England
    Erschienen: 2019
    Verlag:  Oxford University Press, Oxford

    No medieval text was designed to be read hundreds of years later by an audience unfamiliar with its language, situation, and author. By ascribing to these texts intentional anonymity, we romanticise them and misjudge the social character of their... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    No medieval text was designed to be read hundreds of years later by an audience unfamiliar with its language, situation, and author. By ascribing to these texts intentional anonymity, we romanticise them and misjudge the social character of their authors. Instead, most medieval poems and manuscripts presuppose familiarity with their authorial or scribal maker. 'Last Words: The Public Self and the Social Author in Late Medieval England' attempts to recover this familiarity and understand the literary motivation behind some of most important fifteenth-century texts and authors.0Last Words captures the public selves of such social authors when they attempt to extract themselves from the context of a lived life. Driven by archival research and literary inquiry, this book reveals where John Gower kept the Trentham manuscript in his final years, how John Lydgate wished to be remembered, and why Thomas Hoccleve wrote his best-known work, the Series. It includes documentary breakthroughs and archival discoveries, and introduces a new life record for Hoccleve, identifies the author of a significant political poem, and reveals the handwriting of John Gower and George Ashby.0Through its investments in archival study, book history, and literary criticism, Last Words charts the extent to which medieval English literature was shaped by the social selves of their authors

     

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  6. Gower and Anglo-Latin verse
    Erschienen: 2021
    Verlag:  Pontifical Institute of Mediaeval Studies, Toronto

    "This volume offers a novel paradigm for explaining late-medieval Anglo-Latin poetry, showing how the verse of the English poet John Gower (ca. 1330-1408), the pre-eminent Latin poet of the "Age of Chaucer," developed over the decades from 1370 to... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Monumenta Germaniae Historica, Deutsches Institut für Erforschung des Mittelalters, Bibliothek
    keine Fernleihe

     

    "This volume offers a novel paradigm for explaining late-medieval Anglo-Latin poetry, showing how the verse of the English poet John Gower (ca. 1330-1408), the pre-eminent Latin poet of the "Age of Chaucer," developed over the decades from 1370 to 1400. In addition to writing poetry in and translating amongst English, French, and Latin, Gower invented a plain style for Latin "public poetry" that was emulated by other Anglo-Latin poets. However, at the end of his career he rejected his own Latin-verse invention to take up the late scholastic style at the moment of its decadence."

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780888442260
    Schriftenreihe: Studies and texts / Pontifical Institute of Mediaeval Studies ; 226
    Schlagworte: Versdichtung; Latein
    Weitere Schlagworte: Gower, John (1330-1408); Gower, John / 1325?-1408 / Criticism and interpretation; Gower, John / 1325?-1408 / Literary style; Gower, John / 1325?-1408 / Translations into English; Latin poetry, Medieval and modern / England / History and criticism; Gower, John / 1325?-1408; Latin poetry, Medieval and modern; Literary style; England; Criticism, interpretation, etc; Translations
    Umfang: 345 Seiten
    Bemerkung(en):

    Gower’s Earliest Latin Poetry -- Gower and the Invention of Anglo-Latin Public Poetry -- Gower and Estates Satire before Chaucer -- Gower’s Historiography of 1381 and Prosody -- Gower’s Late Latin Style -- Appendix 1: Texts and Translations -- 1.1 Epitaphium Edwardi tercii (1377) -- 1.2 The John Ball Verses (ca. 1395) -- 1.3 The Blackfriars Council Verses (1382) -- 1.4 "Ecce dolet Anglia" (ca. 1360-1375) -- 1.5 Epilogus Apocalipsium (ca. 1376-1378) -- Appendix 2: Versification -- 2.1 Some Features of Gower’s Latin Verse -- 2.2 Couplet Formations, Pentameter Distribution, and Polyrhyme