Filtern nach
Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 4 von 4.

  1. Origin and ellipsis in the writing of Hilary Mantel
    an elliptical dialogue with the thinking of Jacques Derrida
    Autor*in: Pollard, Eileen
    Erschienen: 2019
    Verlag:  Routledge, New York ; London

    Origin and Ellipsis in the Writing of Hilary Mantel provokes a re-engagement with Derrida’s thinking in contemporary literature, with particular emphasis on the philosopher’s preoccupation with the process of writing. This is the first book-length... mehr

    Universitätsbibliothek Bielefeld
    WL450.55 P771
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Paderborn
    EDLM1221
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Origin and Ellipsis in the Writing of Hilary Mantel provokes a re-engagement with Derrida’s thinking in contemporary literature, with particular emphasis on the philosopher’s preoccupation with the process of writing. This is the first book-length study of Mantel’s writing, not just in terms of Derrida’s thought, but through any critical perspective or lens to date.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  2. Origin and ellipsis in the writing of Hilary Mantel
    an elliptical dialogue with the thinking of Jacques Derrida
    Autor*in: Pollard, Eileen
    Erschienen: 2019
    Verlag:  Taylor & Francis, New York

    Origin and Ellipsis in the Writing of Hilary Mantel provokes a re-engagement with Derridas thinking in contemporary literature, with particular emphasis on the philosophers preoccupation with the process of writing. This is the first book-length... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Origin and Ellipsis in the Writing of Hilary Mantel provokes a re-engagement with Derridas thinking in contemporary literature, with particular emphasis on the philosophers preoccupation with the process of writing. This is the first book-length study of Mantels writing, not just in terms of Derridas thought, but through any critical perspective or lens to date.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780367202125
    Weitere Identifier:
    9780367202125
    RVK Klassifikation: HN 9990 ; CI 5603
    Schriftenreihe: Routledge studies in contemporary literature
    Weitere Schlagworte: Literarische Strömungen & Epochen; Moderne (1500 -; Englische Literatur; Irland; Vergleichende Literaturwissenschaft; Vereinigtes Königreich, Großbritannien; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; LITERARY CRITICISM / Comparative Literature; Autobiography; Avril Horner; A Change of Climate; Beyond Black; Booker Prize; Bring up the Bodies; body; Catherine Spooner; climate change; Derrida; Eight Months on Ghazzah Street; Fludd; Gayatri Chakravorty Spivak; Ghost Dance; Gryphaea; gender; ghosts; giving flesh; gothic literature; Hamlet; hysteria; In Other Worlds; Jacques Derrida; James Joyce; Joyce; Joycean; jacques lacan; Ken McMullen; London Gothic; laughter; Mantelian; narrative; Pierre Macherey; priviledge; Releasing Spirit from Matter; race; Sara L. Knox; Specters of Marx; Spivak; Sue Zlosnik; space; Theory of Literature Production; Vacancy
    Umfang: 195 Seiten
    Bemerkung(en):

    Introduction Understanding Ellipsis as a Burst Full Stop; 1. ‘She is no writer of the Gothic: Exploding the criticism as origin; 2. Fludd: Exploding the gothic as origin; 3. Beyond Black: Exploding the body as origin; 4. Giving Up the Ghost: Exploding the autobiography as origin; 5. Eight Months on Ghazzah Street and A Change of Climate: Tracing the silence in Mantels corpus; 6. Wolf Hall and Bring Up the Bodies: An Elliptical Reading; 7. ‘There are no endings. They are all beginnings: Giving up as gift; Bibliography

  3. Origin and ellipsis in the writing of Hilary Mantel
    an elliptical dialogue with the thinking of Jacques Derrida
    Autor*in: Pollard, Eileen
    Erschienen: 2019
    Verlag:  Routledge, New York

    Origin and Ellipsis in the Writing of Hilary Mantel provokes a re-engagement with Derrida’s thinking in contemporary literature, with particular emphasis on the philosopher’s preoccupation with the process of writing. This is the first book-length... mehr

    Universitätsbibliothek Bielefeld
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Paderborn
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Origin and Ellipsis in the Writing of Hilary Mantel provokes a re-engagement with Derrida’s thinking in contemporary literature, with particular emphasis on the philosopher’s preoccupation with the process of writing. This is the first book-length study of Mantel’s writing, not just in terms of Derrida’s thought, but through any critical perspective or lens to date

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  4. Realist Ecstasy
    Religion, Race, and Performance in American Literature
    Erschienen: [2020]; ©2020
    Verlag:  New York University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    Explores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late nineteenth- and early twentieth-century American realism, Realist Ecstasy... mehr

    Zugang:
    Universitätsbibliothek Gießen
    keine Fernleihe
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    keine Fernleihe
    Universität Mainz, Zentralbibliothek
    keine Fernleihe
    Universität Marburg, Universitätsbibliothek
    keine Fernleihe

     

    Explores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late nineteenth- and early twentieth-century American realism, Realist Ecstasy travels from camp meetings to Native American ghost dances to storefront church revivals to explore realism’s relationship to spiritual experience. In her approach to realism as both an unruly archive of performance and a wide-ranging repertoire of media practices—including literature, photography, audio recording, and early film—Lindsay V. Reckson argues that the real was repetitively enacted and reenacted through bodily practice. Realist Ecstasy demonstrates how the realist imagining of possessed bodies helped construct and naturalize racial difference, while excavating the complex, shifting, and dynamic possibilities embedded in ecstatic performance: its production of new and immanent forms of being beside. Across her readings of Stephen Crane, James Weldon Johnson, and Nella Larsen, among others, Reckson triangulates secularism, realism, and racial formation in the post-Reconstruction moment. Realist Ecstasy shows how post-Reconstruction realist texts mobilized gestures—especially the gestures associated with religious ecstasy—to racialize secularism itself. Reckson offers us a distinctly new vision of American realism as a performative practice, a sustained account of how performance lives in and through literary archives, and a rich sense of how closely secularization and racialization were linked in Jim Crow America.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781479842452
    Weitere Identifier:
    Schriftenreihe: Performance and American Cultures ; 2
    Schlagworte: American literature; Performance in literature; Race in literature; Realism in literature; Religion in literature; SOCIAL SCIENCE / Discrimination & Race Relations
    Weitere Schlagworte: Anna Julia Cooper; Frances E. W. Harper; Ghost Dance; Hamlin Garland; James Mooney; James Weldon Johnson; Jim Crow; Nella Larsen; Pentecostalism; Reconstruction; W. E. B. Du Bois; William Dean Howells; William Van der Weyde; affect; body; capital punishment; conversion; electricity; ethnography; gesture; haunting; intersectionality; lynching; messiah craze; performance; photography; queerness; realism; recording; reenactment; secularism; secularization; settler colonialism; sexuality; storefront church; temporality; whiteness
    Umfang: 1 Online-Ressource, 22 black and white illustrations
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021)