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'Black but Human'
slavery and visual arts in Hapsburg Spain, 1480-1700 -
Geoffrey Chaucer
a very short introduction -
Textual transformations
purposing and repurposing books from Richard Baxter to Samuel Taylor Coleridge : essays in honour of Isabel Rivers -
Achtzehntes Jahrhundert digital: zentraleuropäische Perspektiven
= Digital Eighteenth Century: Central European perspectives = Dix-huitième siècle numérique: perspectives de l'Europe centrale -
Why history matters
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Construyendo espacios: la ciudad iberoamericana virreinal
teoría y estudios de caso -
Textual transformations
purposing and repurposing books from Richard Baxter to Samuel Taylor Coleridge : essays in honour of Isabel Rivers -
History, disrupted
how social media and the world wide web have changed the past -
The Women of Mexico's Cultural Renaissance
Intrepid Twentieth-Century Artists and Writers -
"Heutiger Nachbar – gestriger Untertan"
Impressionen osmanischer und türkischer Südosteuropa-Reisender (1890–1940) -
To Chester and beyond
meaning, text and context in early English drama ; shifting paradigms in early English drama studies -
Burning the books
a history of the deliberate destruction of knowledge -
Gescheiterte Kolonien – erträumte Imperien
eine andere Geschichte der europäischen Expansion 1492-1615 -
The Russian cold
histories of ice, frost, and snow -
Poetic canons, cultural memory and Russian national identity after 1991
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Hygini liber gromaticus de limitibus constituendis
historisch-kritische Edition und Erläuterungen -
What is digital history?
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Medieval monstrosity
imagining the monstrous in medieval Europe -
Traumatisme et mémoire culturelle
France et espaces francophones -
Women across Asian art
selected essays in art and material culture -
Gescheiterte Kolonien – erträumte Imperien
eine andere Geschichte der europäischen Expansion 1492-1615 -
Geoffrey Chaucer
a very short introduction -
'Black but Human'
slavery and visual arts in Hapsburg Spain, 1480-1700 -
Why history matters
-
What is digital history?