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  1. Patrick White's fiction
    Autor*in: Walsh, William
    Erschienen: 1977
    Verlag:  George Allen & Unwin, Sydney

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0868610402; 0868610488
    RVK Klassifikation: HQ 2931
    Weitere Schlagworte: Fiction in English; Australian writers; White, Patrick Critical studies; White, Patrick / 1912-1990 / Criticism and interpretation; Fiction / Technique; White, Patrick / 1912-1990; Fiction / Technique; Criticism, interpretation, etc
    Umfang: 136 Seiten, 23 cm
  2. George Eliot & the Novel of Vocation
    Autor*in: Mintz, Alan
    Erschienen: [1978]
    Verlag:  Harvard University Press, Cambridge, Mass.

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674428560; 9780674428553
    Weitere Identifier:
    Schlagworte: Fiction / Technique; Literatur; Englische Literatur; Vocation in literature; Vocation dans la littérature; Literature; Vocation; Berufung <Motiv>; Roman
    Weitere Schlagworte: Eliot, George (1819-1880)
    Umfang: 1 Online-Ressource (xi,193p.)
    Bemerkung(en):

    In the nineteenth century, Mintz maintains, work ceased to be merely what one did for a living or out of a sense of duty and became a vehicle for self-definition and self-realization. He shows how George Eliot, in particular, linked these new social possibilities to the older Puritan doctrine of calling or vocation, achieving in her late novels a fictional structure that could encompass the conflicting energies of the age

    Mintz has discovered a new sub-genre of fiction: the novel of vocation. In the nineteenth century, he maintains, work ceased to be merely what one did for a living or out of a sense of duty and became a vehicle for self-definition and self-realization. The change was prepared for by the growth of professions and the increase in middle-class career opportunities, He shows how George Eliot, in particular, linked these new social possibilities to the older Puritan doctrine of calling or vocation, achieving in her late novels a fictional structure that could encompass the conflicting energies of the age. In the idea of vocation she found a way to explore how far it is possible to be ambitious both for oneself and for a large cause, and a way to probe the contradictions between ambitious, self-defining work and the older institutions; of family, community, and religion. The book is solidly grounded in cultural and historical reality. Although Mintz concentrate on George Eliot and especially Middlemarch, he also examines the conceptions of self and work in Victorian biographies and autobiographies and the emergence in late-nineteenth-century fiction of the idea of the vocation of art
  3. Junshi-ticai-xiaoshuo-chuangzuo-tan
    Beteiligt: Xiaoxi (Hrsg.)
    Erschienen: 1982
    Verlag:  Jiefangjun Wenyishe, Beijing

    Standort:
    Universitätsbibliothek Trier
    Signatur:
    HO/od2064
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    Quelle: Verbundkataloge
    Beteiligt: Xiaoxi (Hrsg.)
    Sprache: Chinesisch
    Medientyp: Buch (Monographie)
    Auflage/Ausgabe: 1 ban, 1 yinshua
    Schlagworte: War stories / Technique; Fiction / Technique; Literaturtheorie; Chinesisch; Kriegsprosa
    Umfang: 407 S.
    Bemerkung(en):

    Xiao Xi bian

    Übers. d. Hauptsacht.: Über das Schreiben von Militärprosa
  4. The science of writing characters
    using psychology to create compelling fictional characters
    Autor*in: Pelican, Kira-Anne
    Erschienen: 2021
    Verlag:  Bloomsbury Academic, New York

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    Hochschulbibliothek der Fachhochschule Aachen
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    Universitätsbibliothek der RWTH Aachen
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    Fachhochschule Bielefeld, Hochschulbibliothek
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    Universitätsbibliothek Bielefeld
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    Hochschule Bochum, Hochschulbibliothek
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    Ruhr-Universität Bochum, Universitätsbibliothek
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    Standort:
    Universitäts- und Landesbibliothek Bonn
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    Fachhochschule Dortmund, Hochschulbibliothek
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    Universitätsbibliothek Dortmund
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    Universitäts- und Landesbibliothek Düsseldorf
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    Universitätsbibliothek Duisburg-Essen
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    Fachhochschule Südwestfalen, Elektronische Ressourcen
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    Universitätsbibliothek der Fernuniversität
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    Katholische Hochschule Nordrhein-Westfalen (katho), Hochschulbibliothek
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    Technische Hochschule Köln, Hochschulbibliothek
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Zentralbibliothek der Sportwissenschaften der Deutschen Sporthochschule Köln
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    Hochschule Niederrhein, Bibliothek
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    Hochschule Ruhr West, Hochschulbibliothek, Zweigbibliothek Bottrop
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    Hochschule Ruhr West, Hochschulbibliothek
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    Universitäts- und Landesbibliothek Münster
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    Universitätsbibliothek Paderborn
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    Hochschul- und Kreisbibliothek Bonn-Rhein-Sieg
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    Standort:
    Universitätsbibliothek Siegen
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    Universitätsbibliothek Wuppertal
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    Weitere Schlagworte: Fiction / Technique; Motion picture authorship; Creative writing / Authorship; Typology (Psychology); Fictitious characters / Psychological aspects; Characters and characteristics in literature; Fiction / Psychological aspects; Electronic books
    Umfang: 1 online resource (xiv, 186 pages), illustrations
    Bemerkung(en):

    Includes bibliographical references and index

    Also issued in print
  5. Why fiction?
    Autor*in: Schaeffer, Jean-Marie
    Erschienen: [2010]
    Verlag:  University of Nebraska Press, Lincoln

    Standort:
    Universitätsbibliothek der RWTH Aachen
    Signatur:
    22:EC 4660 0001
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    Quelle: Verbundkataloge
    Beteiligt: Cohn, Dorrit (Übersetzer)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780803217584
    Schriftenreihe: Stages
    Schlagworte: Poetik
    Weitere Schlagworte: Mimesis in literature; Imitation in literature; Fiction / History and criticism; Fiction / Technique
    Umfang: xviii, 364 Seiten
    Bemerkung(en):

    Includes bibliographical references and index.

    Who is afraid of imitation? -- Mimesis: to imitate, to feign, to represent, and to know -- Fiction -- Some fictional device.
  6. The science of storytelling
    Autor*in: Storr, Will
    Erschienen: 2019
    Verlag:  William Collins, London

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780008276935; 0008276935; 9780008276942; 9780008276973; 0008276943
    RVK Klassifikation: EC 1620 ; ET 790 ; EC 4500 ; HG 505
    Schlagworte: Erzähltechnik
    Weitere Schlagworte: Fiction / Technique; Narration (Rhetoric) / Psychological aspects
    Umfang: 297 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  7. Stylistic manipulation of the reader in contemporary fiction
    Beteiligt: Sorin, Sandrine (Hrsg.)
    Erschienen: 2020
    Verlag:  Bloomsbury Academic, London, UK

    "This book focuses on how readers can be 'manipulated' during their experience of reading fictional texts and how they are incited to perceive, process and interpret certain textual patterns. Offering fine-grained stylistic analysis of diverse... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    "This book focuses on how readers can be 'manipulated' during their experience of reading fictional texts and how they are incited to perceive, process and interpret certain textual patterns. Offering fine-grained stylistic analysis of diverse genres, including crime fiction, short stories, poetry and novels, the book deciphers various linguistic, pragmatic and multimodal techniques. These are skilfully used by authors to achieve specific effects through a subtle manipulation of deixis, metalepsis, dialogue, metaphors, endings, inferences or rhetorical, narratorial and typographical control. Exploring contemporary texts such as The French Lieutenant's Woman, The Remains of the Day and We Need to Talk About Kevin, chapters delve into how readers are pragmatically positioned or cognitively (mis)directed as the author guides their attention and influences their judgment. They also show how readers' responses can, conversely, bring about a certain form of manipulation as readers challenge the positions the texts invite them to occupy."--

     
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    Quelle: Verbundkataloge
    Beteiligt: Sorin, Sandrine (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350062993; 9781350062986; 9781350062979
    Weitere Identifier:
    RVK Klassifikation: EC 1840
    Auflage/Ausgabe: First edition
    Schriftenreihe: Advances in stylistics
    Weitere Schlagworte: Fiction / Technique; Fiction / History and criticism / Theory, etc; Electronic books
    Umfang: 1 Online-Ressource (viii, 253 Seiten)
    Bemerkung(en):

    1. Introduction: Manipulation in Fiction, Sandrine Sorlin (University Paul Valéry Montpellier 3, France) -- Part I. Manipulating Positions, Representations and Viewpoints -- 2. Metalepsis, Counterfactuality and the Forked Path in The French Lieutenant's Woman, Marina Lambrou (Kingston University, UK) -- 3. Social Deixis in Literature, Andrea Macrae (Oxford Brookes University, UK) -- 4. 'The Novel of the Future': Author's Manipulation in Henry Green's Nothing (1950) and Doting (1952), RocƯo Montoro (University of Granada, Spain) -- 5. Building a World from the Day's Remains: Showing, Telling, Re-presenting, Jeremy Scott (University of Kent, UK) -- Part II. Readers' Responses to Stylistic Manipulation -- 6. Manipulating Inferences: Interpretative Problems and their Effects on Readers, Billy Clark (Northumbria University, UK) -- 7. Readers' Textual Processing and Emotional Responses to a Story Ending: An Experimental Study of a Short Story by J.D. Salinger, Laura Hidalgo Downing (Universidad Autđnoma de Madrid, Spain) -- 8. Manipulating Metaphors: Interactions Between Readers and 'Upon Opening the Chest Freezer', Sara Whiteley (University of Sheffield, UK) -- III. Multimodal and Genre-Specific Manipulation -- 9. Manipulation in Agatha Christie's Detective Stories: Rhetorical Control and Cognitive Misdirection in Creating and Solving Crime Puzzles, Catherine Emmott (University of Glasgow, UK) and Marc Alexander (University of Glasgow, UK) -- 10. Untranslatable Clues: Reader Manipulation and the Challenge of Crime Fiction Translation, Christiana Gregoriou (University of Leeds, UK) -- 11. Multimodal Manipulation of the Reader in Abrams and Dorst's S., Nina Nırgaard (University of Southern Denmark, Denmark) -- Index
  8. Writing a novel
    bring your ideas to life the Faber Academy way
    Autor*in: Skinner, Richard
    Erschienen: 2018
    Verlag:  Faber & Faber, London

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780571340460
    RVK Klassifikation: EC 2260
    Weitere Schlagworte: Fiction / Authorship; Fiction / Technique
    Umfang: ix, 205 Seiten, 20 cm
  9. Petronius and the anatomy of fiction
    Autor*in: Rimell, Victoria
    Erschienen: 2002
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Petronius' Satyricon, long regarded as the first 'novel' of the Western tradition, has always sparked controversy. It has been puzzled over as a strikingly modernist riddle, elevated as a work of exemplary comic realism, condemned as obscene and... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Petronius' Satyricon, long regarded as the first 'novel' of the Western tradition, has always sparked controversy. It has been puzzled over as a strikingly modernist riddle, elevated as a work of exemplary comic realism, condemned as obscene and repackaged as a morality tale. This reading of the surviving portions of the work shows how the Satyricon fuses the anarchic and the classic, the comic and the disturbing, and presents readers with a labyrinth of narratorial viewpoints. Dr Rimell argues that the surviving fragments are connected by an imagery of disintegration, focused on the pervasive Neronian metaphor of the literary text as a human or animal body. Throughout, she discusses the limits of dominant twentieth-century views of the Satyricon as bawdy pantomime, and challenges prevailing restrictions of Petronian corporeality to material or non-metaphorical realms. This 'novel' emerges as both very Roman and very satirical in its 'intestinal' view of reality

     
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    Volltext (lizenzpflichtig)
    Quelle: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511482359
    Weitere Identifier:
    RVK Klassifikation: FX 215505
    Schlagworte: Geschichte; Satire, Latin / History and criticism; Narration (Rhetoric) / History / To 1500; Fiction / Technique; Rhetoric, Ancient
    Weitere Schlagworte: Petronius Arbiter / Satyricon; Petronius Arbiter / Technique; Petronius Arbiter (-66): Satyrica
    Umfang: 1 Online-Ressource (X, 239 S.)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Erscheinungsjahr des E-Books: 2009
  10. Reading Frames in Modern Fiction
    Autor*in: Caws, Mary Anne
    Erschienen: [1985]
    Verlag:  Princeton University Press, Princeton, N.J.

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400854783
    Weitere Identifier:
    Schlagworte: Literatur, Rhetorik, Literaturwissenschaft; Fiction / Technique; Discourse analysis, Narrative; Prosa; Textkohärenz; Erzähltechnik; Herausstellung
    Umfang: 1 Online-Ressource (327p.)
    Bemerkung(en):

    Mary Ann Caws presents in detail an important feature of modern literary narrative--the setting apart of passages that stand out from the flow of the prose, larger-than-life scenes that seem to hold the essence of the work.Originally published in 1985.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  11. Self-Imitation in the Eighteenth-Century Novel
    Autor*in: Laden, Marie-Paule
    Erschienen: [1987]
    Verlag:  Princeton University Press, Princeton, N.J.

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400858453
    Weitere Identifier:
    Schlagworte: Französische Literatur; French fiction / 18th century / History and criticism; First person narrative; Self in literature; Imitation in literature; English fiction / 18th century / History and criticism; Comparative literature / French and English; Comparative literature / English and French; Fiction / Technique; LITERARY CRITICISM / General; English fiction; French fiction; Französisch; Roman; Nachahmung <Motiv>; Englisch; Ich-Form
    Weitere Schlagworte: Le Sage, Alain René (1668-1747): Histoire de Gil Blas de Santillane; Richardson, Samuel (1689-1761): Clarissa; Sterne, Laurence (1713-1768): The life and opinions of Tristram Shandy, gentleman; Defoe, Daniel (1661-1731): The fortunes and misfortunes of the famous Moll Flanders; Marivaux, Pierre Carlet de Chamblain de (1688-1763)
    Umfang: 1 Online-Ressource (205p.)
    Bemerkung(en):

    To the linguistic inquiry associated with Benveniste and to the current preoccupation with the nature of writing. Professor Laden joins a more philosophical probing of the nature of the self. At issue is how language serves the self and whether its role is one of presentation, representation, or generation. The author argues that the self in the works she analyzes comes to appear'' either as a void or as a series of related verbal constructs never wholly adequate or unified.Originally published in 1987.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  12. The Imposition of Form
    Studies in Narrative Representation and Knowledge
    Autor*in: Brodsky, Claudia J.
    Erschienen: [1987]
    Verlag:  Princeton University Press, Princeton, N.J.

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400858743
    Weitere Identifier:
    Schlagworte: Literatur, Rhetorik, Literaturwissenschaft; Narration (Rhetoric); Knowledge, Theory of; Fiction / Technique; Fiction / History and criticism; PHILOSOPHY / General; Fiction; Erzähltechnik; Literarische Form; Erkenntnistheorie; Erzähltheorie; Roman
    Weitere Schlagworte: Kant, Immanuel (1724-1804)
    Umfang: 1 Online-Ressource (345p.)
    Bemerkung(en):

    Claudia Brodsky skillfully combines close readings of narrative works by Goethe, Austen, Balzac, Stendhal, Melville, and Proust with a detailed analysis of the relation between Kant's critical epistemology and narrative theory.Originally published in 1987.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  13. Neverending Stories
    Toward a Critical Narratology
    Erschienen: [1991]
    Verlag:  Princeton University Press, Princeton, N.J.

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400862221
    Weitere Identifier:
    Schlagworte: Literatur, Rhetorik, Literaturwissenschaft; Narration (Rhetoric); Fiction / Technique; LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; Erzähltheorie
    Umfang: 1 Online-Ressource (292p.)
    Bemerkung(en):

    In these compelling new essays, leading critics sharpen our understanding of the narrative structures that convey meaning in fiction, taking as their point of departure the narratological positions of Dorrit Cohn, Grard Genette, and Franz Stanzel. This collection demonstrates how narratology, with its attention to the modalities of presenting consciousness, offers a point of entry for scholars investigating the socio-cultural dimensions of literary representations. Drawing from a wide range of literary texts, the essays explore the borderline between fiction and history; explain how characters are constructed by both author and reader through the narration of consciousness; show how gender shapes narrative strategies ranging from the depiction of consciousness through intertextuality to the representation of the body; address issues of contingency in narrative; and present a debate on the crucial function of person in the literary text. The contributors are Stanley Corngold, Gail Finney, Kte Hamburger, Paul Michael Ltzeler, David Mickelsen, John Neubauer, Thomas Pavel, Jens Rieckmann, Shlomith Rimmon-Kenan, Judith Ryan, Franz Stanzel, Susan Suleiman, Maria Tatar, David Wellbery, and Larry Wolff.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  14. Practicing Romance
    Narrative Form and Cultural Engagement in Hawthorne's Fiction
    Autor*in: Millington, Richard H.
    Erschienen: [1992]
    Verlag:  Princeton University Press, Princeton, N.J.

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400862252
    Weitere Identifier:
    Schlagworte: Englische Literatur Amerikas; Literature and society / United States / History / 19th century; Narration (Rhetoric) / History / 19th century; Social problems in literature; Romanticism / United States; Fiction / Technique; LITERARY CRITICISM / General; Literature and society; Political and social views; Romanticism; Geschichte; Engagement; Zivilisation; Erzähltechnik; Soziale Einstellung; Politische Einstellung; Kultur; Roman; Romanze; Gesellschaft
    Weitere Schlagworte: Hawthorne, Nathaniel (1804-1864)
    Umfang: 1 Online-Ressource (248p.)
    Bemerkung(en):

    Practicing Romance sets out to re-tell the story of Hawthorne's career, arguing that he is best understood as a cultural analyst of extraordinary acuity, ambitious to reshape--in a sense to cure--the community he addresses. Through readings attentive to narrative strategy and alert to the emerging middle-class culture that was his audience, the book defines and describes Hawthornian Romance in a new way: not, in customary fashion, as the definitive instance of a peculiarly American genre, but as a narrative practice designed to expose and restage the covert drama that affiliates us to our community. Hawthorne's fiction thus recovers for its readers, through the interpretive independence it teaches, a freer, more lucid, more critical relation to the community we inhabit, and the cultural engagement romance enacts in turn rescues Hawthorne from the confining marginality that the writer's career had threatened to confer. From the book's distinctive account of his narrative tactics, especially his deployment of the voices and attitudes--authoritarian or democratic, entrapping or freeing--that give shape to his ideological terrain, Hawthorne emerges as a daring reinventor of the novel's cultural role.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  15. Fitzgerald's craft of short fiction
    the collected stories, 1920-1935
    Autor*in: Petry, Alice Hall
    Erschienen: ©1989
    Verlag:  University of Alabama Press, Tuscaloosa

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585270678; 0817305475; 9780585270678
    Schlagworte: LITERARY CRITICISM / American / General; Fiction / Technique; Short story; Korte verhalen; Fiction; Short story; Kurzgeschichte
    Weitere Schlagworte: Fitzgerald, F. Scott / (Francis Scott) / 1896-1940; Fitzgerald, F. Scott / (Francis Scott) / 1896-1940; Fitzgerald, F. Scott (1896-1940); Fitzgerald, F. Scott (1896-1940)
    Umfang: 1 Online-Ressource (xiv, 235 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 221-230) and index
  16. Revision & self-editing
    techniques for transforming your first draft into a finished novel
    Autor*in: Bell, James Scott
    Erschienen: c2008
    Verlag:  Writer's Digest Books, Cincinnati, Ohio

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    ISBN: 1582975086; 1582975094; 1582976260; 9781582975085; 9781582975092; 9781582976266
    Auflage/Ausgabe: 1st ed
    Schriftenreihe: Write great fiction
    Schlagworte: LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; LANGUAGE ARTS & DISCIPLINES / Rhetoric; REFERENCE / Writing Skills; Fiction / Technique; Manuscripts / Editing; Fiction; Manuscripts
    Umfang: 1 Online-Ressource (266 p.)
    Bemerkung(en):

    Includes index

    Introduction: On becoming a writer -- A philosophy of self-editing -- Characters -- Plot & structure -- Point of view -- Scenes -- Dialogue -- Beginnings, middles & ends -- Show vs. tell -- Voice & style -- Setting & description -- Exposition -- Theme -- Revision -- A philosophy of revision -- Before you revise -- The first read-through -- The ultimate revision checklist -- Epilogue: The trick that cannot be explained -- Appendix: Exercise answers
  17. Detecting detection
    international perspectives on the uses of a plot
    Erschienen: 2012
    Verlag:  Continuum, New York

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    ISBN: 9781441128126; 1441128123
    Schlagworte: LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; LANGUAGE ARTS & DISCIPLINES / Rhetoric; REFERENCE / Writing Skills; Detective and mystery stories / Authorship; Fiction / Authorship; Fiction / Technique; Plots (Drama, novel, etc.); Detective and mystery stories; Plots (Drama, novel, etc.); Fiction; Fiction; Kriminalgeschichte; Prosa; Ermittlung <Motiv>
    Umfang: 1 Online-Ressource (xvi, 184 pages)
    Bemerkung(en):

    We indulge our fascination with detection in many ways, only some of which occur in the detective story. In fact, modern fiction regularly uses elements of a detective narrative to tell another story altogether, to engage characters, narrators, and readers with questions of identity, with examinations of moral and ethical reasoning, with critiques of social and political injustices, and with the metaphysics of meaning itself. Detective plots cross cultural and national boundaries and occur in different ways and different genres. Taken together, they suggest important contemporary understanding

    Includes bibliographical references and index
  18. Fear of fiction
    narrative strategies in the works of Isaac Bashevis Singer
    Autor*in: Miller, David Neal
    Erschienen: ©1985
    Verlag:  State University of New York Press, Albany

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    ISBN: 0585076340; 0887060099; 0887060102; 9780585076348; 9780887060090; 9780887060106
    Schriftenreihe: SUNY series in modern Jewish literature and culture
    Schlagworte: LITERARY CRITICISM / European / German; Fiction / Technique; Jews in literature; Narration (Rhetoric); Technique; Narration (Rhetoric); Jews in literature; Fiction; Erzähltechnik
    Weitere Schlagworte: Singer, Isaac Bashevis / 1904-1991 / Technique; Singer, Isaac Bashevis / 1904-1991; Singer, Isaac Bashevis (1904-1991); Singer, Isaac Bashevis (1902-1991)
    Umfang: 1 Online-Ressource (x, 173 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 155-167) and index
  19. The drama in the text
    Beckett's late fiction
    Autor*in: Brater, Enoch
    Erschienen: 1994
    Verlag:  Oxford University Press, New York

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    ISBN: 1280527358; 1429405902; 9780195088922; 9781280527357; 9781429405904
    RVK Klassifikation: IH 15721
    Schlagworte: LITERARY CRITICISM / European / French; Criticism and interpretation; Fiction / Technique; Oral interpretation; Oral interpretation; Fiction; Laut; Prosa; Mündliche Kommunikation; Klang; Roman
    Weitere Schlagworte: Beckett, Samuel / 1906-1989; Beckett, Samuel / 1906-1989; Beckett, Samuel (1906-1989); Beckett, Samuel (1906-1989)
    Umfang: 1 Online-Ressource (x, 233 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 209-233) and index

    The Drama in the Text argues that Beckett's late fiction, like his radio plays, demands to be read aloud, since much of the emotional meaning lodges in its tonality. In Beckett's haunting prose work the reader turns listener, collaborating with the sound of words to elucidate meaning from the silence of the universe. Enoch Brater ranges across all of Beckett's work, quoting from it liberally, and makes connections mainly with other writers, but also with details drawn from the entire Western cultural heritage. Brater serves as an authoritative and persuasive guide to the rich texture of such a difficult but compelling vocabulary, providing recognition, insight, and accessibility
  20. James Joyce's techno-poetics
    Autor*in: Theall, Donald F.
    Erschienen: 1997
    Verlag:  University of Toronto Press, Toronto, Ont.

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    ISBN: 0802009689; 144267637X; 9780802009685; 9781442676374
    Schlagworte: Littérature et technologie / Irlande / Histoire / 20e siècle; Modernisme (Littérature) / Irlande; Roman / Technique; Technologie; Finnegans wake (Joyce); Modernisme (littérature) / Irlande; Maschine (Motiv); Romantheorie; Technik; Finnegans wake (Joyce); Modernisme (littérature) - Irlande; Technologie; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Finnegans wake (Joyce, James); Ulysses (Joyce, James); Fiction / Technique; Literature and technology; Modernism (Literature); Technique; Geschichte; Literature and technology; Modernism (Literature); Fiction; Romantheorie; Technik; Maschine <Motiv>; Maschine
    Weitere Schlagworte: Joyce, James / 1882-1941 / Technique; Joyce, James / 1882-1941 / Finnegans Wake; Joyce, James / 1882-1941 / Ulysses; Joyce, James / (1882-1941) / Style; Joyce, James; Joyce, James <1882-1941> - Style; Joyce, James / 1882-1941; Joyce, James (1882-1941); Joyce, James (1882-1941): Finnegans wake; Joyce, James (1882-1941): Ulysses; Joyce, James (1882-1941)
    Umfang: 1 Online-Ressource (246 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    "James Joyce's Techno-Poetics is on the cutting edge of an original and exciting new trend in Joycean studies, as it combines the study of literature, technology, and communication to reveal James Joyce as 'a key figure in the history of cyberculture.'" "Donald Theall examines for the first time how Joyce conceived of the artist as an engineer and the artist's works as constructions, and reveals the importance of Joyce's understanding of the direction of a developing technoculture. Theall explores the interrelationships between the machinic and the processes of encoding, decoding, reading, writing, and interpreting in Joyce's self-reflexive treatment of the book in Finnegans Wake. By situating this project in relation to memory and cultural production, Theall argues that Joyce's radical paramodern poetic practice has important implications for a wide variety of subsequent cultural and theoretical movements: dramatism, poststructuralism, semiology, and hypertextuality. Theall places Joyce in the context of other modern thinkers, such as Benjamin and Bataille, and draws a direct line of influence from Joyce to Marshall McLuhan and Neuromancer author William Gibson." "This is a remarkable and innovative work that makes an important contribution not only to Joycean studies, but to literary theory, modernism, cultural analysis, the history of ideas, and the relationship between literature, science, and technology."--Jacket

    1 - James Joyce and the 'Modern': Machines, Media and the Mimetic -- - 2 - Art as Vivisection: The Encyclopaedic Mechanics and Menippean Satire -- - 3 - Electro-Mechanization, Communication, and the Poet as Engineer -- - 4 - Singing the Electro-Mechano-Chemical Body -- - 5 - Books, Machines, and Processes of Production and Consumption -- - 6 - The Machinic Maze of Mimesis: The Labyrinthine Dance of Mind and Machine -- - 7 - Mimicry, Memory, Mummery, and the Multiplying of Media -- - 8 - Secularizing the Sacred: The Art of Profane Illumination -- - 9 - Assembling and Tailoring a Modern Hermetic Techno-Cultural Allegory -- - 10 - The Rhythmatick of Our Eternal Geomater -- - 11 - The New Techno-Culture of Space-Time
  21. The dramaturgy of style
    voice in short fiction
    Autor*in: Stephens, Michael Gregory
    Erschienen: ©1986
    Verlag:  Southern Illinois University Press, Carbondale, Ill.

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    Format: Online
    ISBN: 0585178763; 080931231X; 9780585178769; 9780809312313
    Schriftenreihe: Crosscurrents/modern critiques
    Schlagworte: TRAVEL / Special Interest / Literary; LITERARY CRITICISM / General; Fiction / Technique; Style, Literary; Kurzgeschichte; Erzähltechnik; Kurzepik; Geschichte (1940-1980); Geschichte (1950-1985); Fiction; Style, Literary; Erzähltechnik; Kurzepik; Kurzgeschichte
    Umfang: 1 Online-Ressource (xvi, 281 pages)
    Bemerkung(en):

    Includes index. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    The dramaturgy of style -- Exemplary voices: Samuel Beckett, Franz Kafka, Jorge Luis Borges, Isaac babel -- Voices of the new muse: Paul Blackburn -- Joel Oppenheimer -- Gilbert Sorrentino -- Hubert Selby, Jr. -- Vietnam: the American Ronin -- Korea: Theresa Hak Kyung Cha -- Stephen Dixon -- Harold Pinter -- Envoi: the act of darkness
  22. The Language of Fiction
    a Writer's Stylebook
    Autor*in: Shawver, Brian
    Erschienen: 2012
    Verlag:  University Press of New England, Lebanon

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  23. Mark Twain in the Margins
    the Quarry Farm Marginalia and a Connecticut Yankee in King Arthur's Court
    Autor*in: Fulton, Joe B.
    Erschienen: 2013
    Verlag:  University of Alabama Press, Tuscaloosa

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    ISBN: 0817380191; 9780817380199
    Schriftenreihe: American Literary Realism and Naturalism
    Schlagworte: Fiction / Technique; Realism in literature; Twain, Mark, 1835-1910 / Books and reading; Twain, Mark, 1835-1910 / Technique; Twain, Mark, 1835-1910. Connecticut Yankee in King Arthur's court / Criticism, Textual; LITERARY CRITICISM / American / General; Connecticut Yankee in King Arthur's court (Twain, Mark); Fiction / Technique; Realism in literature; Realism in literature; Fiction
    Weitere Schlagworte: Twain, Mark (1835-1910): Connecticut Yankee in King Arthur's court; Twain, Mark (1835-1910): A Connecticut Yankee in King Arthur's court
    Umfang: 1 online resource (224 pages)
    Bemerkung(en):

    Print version record

    List of Illustrations; Acknowledgments; Method of Transcription; List of Abbreviations; 1. Following the "Compass of Fact": Rethinking Mark Twain's Composing Process; 2. Twain's "Cloud of Witnesses": The 1885 and 1887 Marginalia in Lecky's Spirit of Rationalism; 3. Macaulay's "Stately Sentences": Twain's 1885 and 1887 Marginalia in The History of England; 4. "The Men of Old Ideas Must Die Off": Mark Twain and Lecky's England in the Eighteenth Century; 5. Thomas Carlyle's "Bucket of Blood": Twain's Rereading of The French Revolution; Conclusion; Appendixes; Notes; Bibliography; Index

    "Through a mixture of careful research and imaginative analysis, Fulton creates a compelling re-vision of Twain as an artist."--American Literary Realism "With the skill of Sherlock Holmes at his best, Fulton deduces from seemingly trivial scribblings Twain's practice as a writer and his use of sources to form both incidents and his hero's social vision ... An important accomplishment in Twain studies." -Choice "Fulton has provided a store of potential future scholarship, and he has certainly raised t
  24. Playing the text, performing the future
    future narratives in print and digiture
    Autor*in: Meifert-Menhard, Felicitas
    Erschienen: 2013
    Verlag:  De Gruyter, Berlin

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Format: Online
    ISBN: 3110272393; 9783110272390
    Schlagworte: LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; LANGUAGE ARTS & DISCIPLINES / Rhetoric; REFERENCE / Writing Skills; Authorship / Computer network resources; Fiction / Technique; Narration (Rhetoric); Authorship; Fiction; Narration (Rhetoric); Handlung <Literatur>; Entscheidung; Literatur; Erzähltechnik; Interaktives Lesen; Leser
    Umfang: 1 online resource (248 pages)
    Bemerkung(en):

    5.4 Prose as Path: Jacques Roubaud's The Great Fire of London (1991)

    Print version record

    1 Introduction: Narrating the Future in Text; 2 The Tellability of the Future; 2.1 The Shape of Narrative -- The Shape of Experience; 2.2 The Shape of the Future; 2.3 What If ...? Thinking Beyond Actuality; 2.4 Pre-Text and Prototype: Cybertext and Ergodics; 2.5 Shaping and Experiencing the Storyworld: Agency and Immersion; 3 Textual Future Narratives -- Form and Structure; 3.1 Narrating the 'Not-Yet': Issues of Mediality; 3.1.1 Tempting Teleology; 3.1.2 Problematical Presence; 3.1.3 Imagining Optionality; 3.2 Nodes and Bifurcation: The Essence of Future Narratives

    3.3 Architecture, Run, Protocol: A Three-Level Narratological Model for FNs3.4 The Responsiveness of the System: Activity vs. Interactivity; 3.5 A Word on the Reader or: The Reader as Player; 3.6 The Necessity of Possibility: Do We Have to Play?; 3.7 A Typology of Textual Nodal Situations; 3.8 Transitions Between Nodal Situations; 3.8.1 Internal Page Transitions; 3.8.2 Page-to-Page Transitions; 3.8.3 Shuffling; 3.8.4 Link-to-Link Transitions; 3.8.5 Dynamic Input; 3.9 The Visibility of Nodes: Indication; 3.10 How to Choose? Information; 3.11 Narrative Negotiation of Possibility: Mediation

    3.12 Nodal Power3.13 Nodal Structures in Textual Future Narratives; 3.13.1 Directedness: The Arborescent Structure; 3.13.2 Circulation: The Network Structure; 3.13.3 Exploring and Returning: The Axial Structure; 3.14 Issues of Navigation and Space; 3.14.1 The Spatial Topology of Future Narratives; 3.14.2 Spatiality in Textual FNs; 4 A Typology of Future Narratives in Print and Digiture; 4.1 Imaginative Explorations of the Future: Chance, Choice, and the Resistance to Closure; 4.2 What Next? Open-Ended Narrative; 4.3 Testing the Boundaries of the Printed Format: Multi-Linearity, Multifurcation

    4.3.1 Non-linearity vs. Multi-linearity4.3.2 Problematical Presence: Multiple Endings; 4.3.3 Crucial Junctures: Forking Paths; 4.3.4 Choose-Your-Own-Adventure Stories; 4.4 Text as Play: Games, Combinatorics, Multimodality; 4.4.1 Game Novels and Combinatorics; 4.4.2 The Multimodal Novel; 4.5 Moving Into the Electronic Medium: Digital Multiplicity; 4.5.1 Interactive Fiction; 4.5.2 Hypertext Fiction; 4.5.3 The Visual Novel; 4.6 Approaching the Boundaries of Textuality: Narrative as Collaborative Performance; 4.6.1 Pen-and-Paper Role Playing; 4.6.2 Alternate Reality Gaming

    4.6.3 Forecasting Games4.7 Where Will We Go From Here?; 5 Selected Readings of Future Narratives: From Print to Digiture; 5.1 The Imaginative Exploration of Chance and Possibility: Paul Auster's The Music of Chance (1990); 5.2 Pick Your Own Path, Then and Now: An Inside Look at Choose-Your-Own-Adventure; 5.2.1 Edward Packard, The Cave of Time (1979); 5.2.2 Anson Montgomery, The Golden Path Volume One: Into the Hollow Earth (2008); 5.3 The Novel as Branching Structure: Svend Åge Madsen's Days With Diam or Life at Night (1994)

    This volume examines the structure of text-based Future Narratives in the widest sense, including choose-your-own-adventure books, forking-path novels, combinatorial literature, hypertexts, interactive fiction, and alternate reality games. How 'radical' can printed Future Narratives really be, given the constraints of their media? When exactly do they not only play with the mere idea of multiple continuations, but actually stage genuine openness and potentiality? Process-rather than product-oriented, text-based Future Narratives are seen as performative and contingent systems, simulating their
  25. Future narratives
    theory, poetics, and media-historical moment
    Autor*in: Bode, Christoph; Dietrich, Rainer
    Erschienen: 2013
    Verlag:  De Gruyter, Berlin, Boston

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    Format: Online
    ISBN: 3110272121; 3110272377; 9783110272123; 9783110272376
    Schriftenreihe: Narrating futures ; 1
    Schlagworte: LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; LANGUAGE ARTS & DISCIPLINES / Rhetoric; REFERENCE / Writing Skills; Fiction / Technique; Narration (Rhetoric); Zukunft; Möglichkeit; Literatur; Film; Erzähltheorie; Narration (Rhetoric); Fiction; Literatur; Film; Erzähltheorie; Zukunft; Möglichkeit
    Umfang: 1 online resource
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    Print version record

    This head volume of the 'Narrating Futures' series defines and identifies Future Narratives. It parses their characteristic features and aims at an abstract classification of the whole corpus, irrespective of its concrete manifestations across the media. Drawing on different theorems and approaches, it offers a unified theory and a poetics of Future Narratives. Locating the media-historical moment of their emergence, this volume paves the way for the following volumes, which deal with how Future Narratives are refracted through different media

    Preface and Acknowledgements; 1 The Theory and Poetics of Future Narratives: A Narrative; 1.1 Future Narratives: A New Kind of Narrative; 1.2 What Narratives Do for You; 1.3 Approaching the Future I: Great Shock -- Utopian Tales No Future Narratives!; 1.4 Approaching the Future II: The Unbearable Gravity of the Present; 1.5 Capturing the Openness of the Moment: Some Basics About Nodes as Building Blocks of Future Narratives; 1.6 Run Lola Run -- Only a Pre-Cursor?; 1.7 The Road Not Taken; 1.8 Doing the Shuffle: Lola Runs Again, Books in Boxes, and Slatted Pages

    1.9 Decision (Choice) Theory and Game Theory, in Relation to FNs1.10 Into the Heart of the Matter: A Node's Interior Life -- Character, Space, Time; 1.11 Nodal Power; 1.12 Varieties of Nodes; 1.13 Interactivity; 1.14 Simulation; 1.15 As Node Leads on to Node: Nodal Structures and Their Representations; 1.16 Why 'Narrative' Anyway?; 1.17 Stranger than Fiction: The Failure of Prediction, the Virtue of Scenarios, and Why FNs Are the Key to Our Future; 1.18 The Human Brain as an 'Anticipation Machine'; 1.19 The Way Ahead; 2 Formal Models for Future Narratives; 2.1 Introduction

    2.2 Representations of FNs2.2.1 Nodal Graphs; 2.2.2 Aspects; 2.2.3 Consequences; 2.2.4 Reaching the same Situation in two different Ways; 2.3 Quantification of Openness; 2.3.1 The Spectrum of Consequences; 2.3.2 The Spectrum of the Agent; 2.3.3 The Degree of Openness of a Situation: Nodal Power; 2.4 Advanced Models for Similarities; 2.4.1 Similarity; 2.4.2 Formal Definition for Models of Type II; 2.4.3 Models of Type II without underlying Subtractive Aspects; 2.4.4 Path Dependency of External Aspects; 2.4.5 Computing Nodal Power in the Presence of External Aspects; 2.5 Reversibility

    2.5.1 Undoing Choices2.5.2 Degree of Reversibility; 2.6 Topological Classification of Future Narratives; 2.6.1 The Topology of the Nodal Graph; 2.6.2 Geometrical Classification: Homology Groups; 2.6.3 Classification including Aspects: Cohomology Groups; 2.6.4 Conclusion; 2.7 Appendix: Basic Mathematical Concepts; 2.7.1 Sets and Functions; 2.7.2 Basic Graph Theory; 2.7.3 Integration; 3 Future Narratives: The Media-Historical Moment; 3.1 The Historicity of 'Future'; 3.2 The Probability Calculus; 3.3 Insurances; 3.4 Projects and the Stock Market: Great Expectations

    3.5 The Coffeehouse and the Idea of Truth-as-Process3.6 The Plot Thickens: The Modern Realist Novel; 3.7 Future Narratives and Historical Mediality; Works Cited