AngloMania
tradition and transgression in British fashion
Standort:
Bayerische Staatsbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Fashioning society, or, the mode of modernity
observing fashion in eighteenth century Britain
Standort:
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Universität Potsdam, Universitätsbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Textile Metamorphosen als Ausdruck gesellschaftlichen Wandels
Das Bekleidungsverhalten junger Männer und Frauen als Phänomen der Grenzverschiebung von Sex- und Gender-Identitäten
Standort:
Universität Potsdam, Universitätsbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Ist Mode queer?
Neue Perspektiven der Modeforschung
Can Fashion Be Queer? The combination of clothing, accessories and styles has long since become standard in fashion, along with unisex as a trend of urban fashion design. Can the concept of queerness then be applied to fashion in any way? If it is...
mehr
Standort:
Universität Potsdam, Universitätsbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
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Can Fashion Be Queer? The combination of clothing, accessories and styles has long since become standard in fashion, along with unisex as a trend of urban fashion design. Can the concept of queerness then be applied to fashion in any way? If it is possible to use objects and styles to constantly shift and re-constitute meaning in a fashion context, do such acts then also have the potential to make codes such as gender ambiguous and to set them in motion? This volume presents systematic reflections and exemplary analyses on the relationship between queerness and fashion in a German-language context for the first time, in the process, opening up fashion, gender and queer studies to new perspectives. Kann Mode queer sein? Das Kombinieren von Kleidern, Accessoires und Stilen ist längst zur modischen Norm geworden und Unisex zum Trend urbanen Mode-Designs. Lässt sich das Konzept von Queerness angesichts der unentwegten Normierungen des Modesystems also
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Guiding the Eye
Visual Literacy in Art Museums
This book addresses the link between visual literacy – people’s ability to interpret and skillfully use images – and art museums. Art museums invite you to look at objects in different ways. They stimulate your visual curiosity, give you visual...
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Standort:
Universität Potsdam, Universitätsbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
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This book addresses the link between visual literacy – people’s ability to interpret and skillfully use images – and art museums. Art museums invite you to look at objects in different ways. They stimulate your visual curiosity, give you visual satisfaction, and allow the visual to merge with other sensory experiences. All of this makes art museums potentially the ideal learning environments for acquiring visual literacy skills. But how should an art museum stimulate visual literacy in practice? How can it actually become such an ideal learning place? How can it spark visitors’ visual literacy and increase their knowledge about it? In this book a wide range of authors from different parts of the world offer their answers. As researchers, curators and educators they provide crucial theoretical insights and reflect on real-life examples.
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Kleider wie Kunstwerke
Marcel Proust und die Mode
Standort:
Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
TU Berlin, Universitätsbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Wearing propaganda
textiles on the home front in Japan, Britain, and the United States, 1931 - 1945 ; [this catalogue is published in conjunction with the Exhibition Wearing Propaganda: Textiles on the Home Front in Japan, Britain, and the United States, 1931 - 1945 held at the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture from November 18, 2005, through February 5, 2006 ; exhibition tour: Allentown Art Museum, Allentown, Penn., October 8, 2006, through January 7, 2007]
Director's preface / Susan Weber Soros -- Foreword / Jacqueline M. Atkins -- Introduction / J.M. Atkins -- Maps -- Time line 1895-1945: The Asia Pacific War and its precedents, 1895-1945 / Yumiko Yamamori. -- Part I. Setting the context: Ch.1....
mehr
Standort:
Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
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Director's preface / Susan Weber Soros -- Foreword / Jacqueline M. Atkins -- Introduction / J.M. Atkins -- Maps -- Time line 1895-1945: The Asia Pacific War and its precedents, 1895-1945 / Yumiko Yamamori. -- Part I. Setting the context: Ch.1. Setting the context / J.M. Atkins -- Ch.2. Propaganda on the home fronts: clothing and textiles as message / J.M. Atkins -- Ch.3. Propaganda precedents: pre-1930 propaganda textiles / J.M. Atkins and Miyuki Otaka. -- Part II. The visual culture of war: Ch.4. Japan's beautiful modern war / John W. Dower -- Ch.5. Potatoes are protective, too: cultural icons of Britain at war -- Ch.6. An American vision: progaganda on the home front during World War II / Marianne Lamonaca. -- Part III. Wearing propaganda: fashion, textiles, and morale on the home front: Ch.7. "Extravagance is the Enemy": fashion and textiles in wartime Japan / J.M. Atkins -- Ch.8. Design and war: kimono as "parlor-performance" propaganda / Kashiwagi Hiroshi -- Ch.9. War-promoting kimono (1931-45) / Wakakuwa Midori -- Ch.10. Keeping up home front morale: "Beauty and duty" in wartime Britain / Pat Kirkham -- Ch.11. Showing the colors: America / Beverly Gordon -- Part IV. The propaganda textile motifs of the Asia-Pacific War: Ch.13. An arsenal of design: themes, motifs and metaphors in propaganda textiles/ J.M. Atkins
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Textile Metamorphosen als Ausdruck gesellschaftlichen Wandels
das Bekleidungsverhalten junger Männer und Frauen als Phänomen der Grenzverschiebung von Sex- und Gender-Identitäten
Standort:
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Wann ist Mode?
Strukturen, Strategien und Innovationen
Standort:
Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Universität Potsdam, Universitätsbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Mode und Moderne
Kleidung als Spiegel des Zeitgeistes in der deutschsprachigen Literatur (1770 - 1945)
Standort:
Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Universität Potsdam, Universitätsbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Images on the page
a fashion iconography
Introduction: (A new tool for the fashion image: iconography) -- Renaissance books of clothes -- The seventeenth century: A new profession: the gentleman journalist writing for Le Mercure galant -- The eighteenth century: from the fashion doll to the...
mehr
Standort:
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Universität Potsdam, Universitätsbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
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Introduction: (A new tool for the fashion image: iconography) -- Renaissance books of clothes -- The seventeenth century: A new profession: the gentleman journalist writing for Le Mercure galant -- The eighteenth century: from the fashion doll to the fashion plate -- Capturing modernity in nineteenth century France and England -- Modernism. Fashion and art; is fashion art? -- The photographed image on the page -- The fashion show: fashion as 'spectacle'. "This book is a guide to using Art History's theory of iconography to interpret fashion imagery, thereby uncovering meanings related to society, class, culture and the history of dress"--
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Style and satire
fashion in print 1777 - 1927
From the sky-high coiffures of Marie Antoinette to Victorian hoop skirts, from the sheer gowns of Pride and Prejudice era to the flat-chested 1920s flapper, Style and Satire tells the story of European fashion and its most extreme trends through...
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From the sky-high coiffures of Marie Antoinette to Victorian hoop skirts, from the sheer gowns of Pride and Prejudice era to the flat-chested 1920s flapper, Style and Satire tells the story of European fashion and its most extreme trends through lavish fashion plates and the glorious satirical prints they inspired. Beautifully printed, hand-colored fashion plates first appeared in magazines and for sale individually in the late 18th century. At the same time (and often by the same artists), satirical prints gloried in the absurdities of fashion, presenting an alternative, often humorously exaggerated, vision of the fashionable ideal. Both forms were a product of the same print market, and both documented modern life. Lavishly illustrated, 'Style and Satire' presents a witty and original history of fashion trends. Most prints are from the collection of the Victoria and Albert Museum
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Bally - A History of Footwear in the Interwar Period
Carl Franz Bally founded a shoe factory in Switzerland in 1851. Within decades, the Bally name had achieved worldwide recognition for its high-quality footwear. The history of modern footwear can be traced through the lens of Bally's corporate...
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Carl Franz Bally founded a shoe factory in Switzerland in 1851. Within decades, the Bally name had achieved worldwide recognition for its high-quality footwear. The history of modern footwear can be traced through the lens of Bally's corporate evolution. This book brings together the results of research on such topics as the economic importance of fashion, Bally's fortunes in the US, the career of shoe design, the sourcing and use of materials, and the rise of strategic product display. The research focuses on the 1930s and 1940s: years of economic crisis and war, characterized by a wide diversity of designs and increasing variety in product range. Shortages also led to experiments with materials and technical innovations. Featuring numerous points of contact with adjacent fields of historical study, this publication marks a contribution to the history of fashion as the history of industrially manufactured products.
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Diversity and Otherness : Transcultural Insights into Norms, Practices, Negotiations
This book critically examines multiple ways in which cultural diversity is, and has been represented and handled. It questions the construction of differences in doing culture while emphasizing the fluidity of cultural entanglements. It is an...
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This book critically examines multiple ways in which cultural diversity is, and has been represented and handled. It questions the construction of differences in doing culture while emphasizing the fluidity of cultural entanglements. It is an invitation to re-think norms, practices and negotiations of diversity and otherness, to distinguish emancipatory from standardizing approaches and to “transculturalize” the study and the politics of culture.
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Fashion Myths : A Cultural Critique (translated by John Irons)
Besides products and services multinational corporations also sell myths, values and immaterial goods. Such 'meta-goods' (e.g. prestige, beauty, strength) are major selling points in the context of successful marketing and advertising. Fashion...
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Besides products and services multinational corporations also sell myths, values and immaterial goods. Such 'meta-goods' (e.g. prestige, beauty, strength) are major selling points in the context of successful marketing and advertising. Fashion adverts draw on deeply rooted human values, ideals and desires such as values and symbols of social recognition, beautification and rejuvenation. Although the reference to such meta-goods is obvious to some consumers, their rootedness in philosophical theories of human nature is less apparent, even for the marketers and advertisers themselves. This book is of special interest for researchers and students in the fields of Cultural Studies, Media Studies, Marketing, Advertising, Fashion, Cultural Critique, Philosophy, Sociology, Anthropology and Psychology, and for anyone interested in the ways in which fashion operates.
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60s fashion
vintage fashion and beauty ads
Screen style
fashion and feminity in 1930s Hollywood
Fashion at the edge
spectacle, modernity and deathliness
