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  1. Musik als kommunikative Handlung
    musikalische Hermeneutik versus kognitive Anthropologie ; Entwurf einer dramatologischen Musikanthropologie
    Autor*in: Brandl, Rudolf Maria
    Erschienen: 2006
    Verlag:  Cuvillier, Göttingen

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 3865378862
    RVK Klassifikation: LR 56600 ; LR 56500
    Auflage/Ausgabe: 1. Aufl.
    Schriftenreihe: Orbis musicarum ; 60
    Schlagworte: Dramatic music; Ethnomusicology; Music and anthropology; Music
    Umfang: 133 S., graph. Darst., 21 cm
    Bemerkung(en):

    Literaturverz. S. 126 - 133
  2. Musikethnographien im 21. Jahrhundert
    Beteiligt: Alge, Barbara (HerausgeberIn)
    Erschienen: 2021
    Verlag:  Rombach Wissenschaft, Baden-Baden

    Der Band Musikethnographien im 21. Jahrhundert versammelt zehn Beiträge von MusikethnologInnen aus dem deutschsprachigen Raum, die aktuelle methodische Paradigmen wie multisituierte Feldforschung, Reflexivität, Dialogizität, Feedback,... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Der Band Musikethnographien im 21. Jahrhundert versammelt zehn Beiträge von MusikethnologInnen aus dem deutschsprachigen Raum, die aktuelle methodische Paradigmen wie multisituierte Feldforschung, Reflexivität, Dialogizität, Feedback, Autoethnographie, Aktivismus und Intervention durch Performance Ethnography und kollaboratives Arbeiten sowie Fragen nach Repatriierung, dem ethischen Umgang mit Forschungsdaten und der Rolle digitaler sozialer Medien diskutieren. Neben Theorien und methodischen Überlegungen spielen auch Fragen nach der Zeitlichkeit von ethnographischem Material sowie ethnographisches Arbeiten mit Vergangenheit und Erinnerung eine Rolle. Angewandt werden die Überlegungen auf den Gegenstand Musik und Sound. Mit Beiträgen von Barbara Alge, Stefanie Alisch, Linda Cimardi, Cornelia Gruber, Matthias Lewy, Julio Mendívil, Stefanie Kiwi Menrath, Monika Schoop, Helena Simonett und Britta Sweers. The volume Musikethnographien im 21. Jahrhundert brings together ten contributions by ethnomusicologists from the German-speaking world, who discuss current paradigms of fieldwork such as multi-situated fieldwork, reflexivity, dialogicity, feedback, auto-ethnography, activism and intervention through performance ethnography and collaborative research, as well as questions of repatriation, ethical handling of research data and the role of digital social media. In addition to theories and methodological reflections, the volume also includes reflections on the temporality of ethnographic material as well as ethnographical fieldwork on memory and the past. These reflections are applied to the subject of music and sound. With contributions by Barbara Alge, Stefanie Alisch, Linda Cimardi, Cornelia Gruber, Matthias Lewy, Julio Mendívil, Stefanie Kiwi Menrath, Monika Schoop, Helena Simonett and Britta Sweers.

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Alge, Barbara (HerausgeberIn)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783968218182
    Weitere Identifier:
    RVK Klassifikation: LC 16000 ; LS 12100 ; LC 87000
    Auflage/Ausgabe: 1. Auflage
    Schriftenreihe: Array ; Band 1
    Musikethnologie im 21. Jahrhundert | Ethnomusicology in the 21st Century ; Band 1
    Schlagworte: Erinnerung; Ethik; Erfahrung; Kulturanthropologie; Nationalsozialismus; Postkolonialismus; Wissensproduktion; Feldforschung; ethnography; Parafiktion; Retrodiktion; Musikaufnahme; Feedbackmethoden; Forschungsdatenmanagement; Performance Ethnography; Wissensakquisition; Ethnomusicology; Fieldwork
    Umfang: 1 Online-Ressource (296 Seiten)
  3. A Language of Song : Journeys in the Musical World of the African Diaspora
    Autor*in: duCille, Ann; Charters, Samuel
    Erschienen: 2009
    Verlag:  Duke University Press

    In A Language of Song, Samuel Charters—one of the pioneering collectors of African American music—writes of a trip to West Africa where he found “a gathering of cultures and a continuing history that lay behind the flood of musical expression [he]... mehr

     

    In A Language of Song, Samuel Charters—one of the pioneering collectors of African American music—writes of a trip to West Africa where he found “a gathering of cultures and a continuing history that lay behind the flood of musical expression [he] encountered everywhere . . . from Brazil to Cuba, to Trinidad, to New Orleans, to the Bahamas, to dance halls of west Louisiana and the great churches of Harlem.” In this book, Charters takes readers along to those and other places, including Jamaica and the Georgia Sea Islands, as he recounts experiences from a half-century spent following, documenting, recording, and writing about the Africa-influenced music of the United States, Brazil, and the Caribbean.

    Each of the book’s fourteen chapters is a vivid rendering of a particular location that Charters visited. While music is always his focus, the book is filled with details about individuals, history, landscape, and culture. In first-person narratives, Charters relates voyages including a trip to the St. Louis home of the legendary ragtime composer Scott Joplin and the journey to West Africa, where he met a man who performed an hours-long song about the Europeans’ first colonial conquests in Gambia. Throughout the book, Charters traces the persistence of African musical culture despite slavery, as well as the influence of slaves’ songs on subsequent musical forms. In evocative prose, he relates a lifetime of travel and research, listening to brass bands in New Orleans; investigating the emergence of reggae, ska, and rock-steady music in Jamaica’s dancehalls; and exploring the history of Afro-Cuban music through the life of the jazz musician Bebo Valdés. A Language of Song is a unique expedition led by one of music’s most observant and well-traveled explorers.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Theory of music & musicology; Light orchestral & big band music
    Weitere Schlagworte: Music; Ethnomusicology; Music; Genres & Styles; Blues
  4. Music of a Thousand Years : A New History of Persian Musical Traditions
    Autor*in: Lucas, Ann E.
    Erschienen: 2019
    Verlag:  University of California Press, Oakland

    "Iran’s particular system of traditional Persian art music has been long treated as the product of an ever-evolving, ancient Persian culture. In Music of a Thousand Years, Ann E. Lucas argues that this music is a modern phenomenon indelibly tied to... mehr

     

    "Iran’s particular system of traditional Persian art music has been long treated as the product of an ever-evolving, ancient Persian culture. In Music of a Thousand Years, Ann E. Lucas argues that this music is a modern phenomenon indelibly tied to changing notions of Iran’s national history. Rather than considering a single Persian music history, Lucas demonstrates cultural dissimilarity and discontinuity over time, bringing to light two different notions of music-making in relation to premodern and modern musical norms. An important corrective to the history of Persian music, Music of a Thousand Years is the first work to align understandings of Middle Eastern music history with current understandings of the region’s political history.

    “Ann E. Lucas very effectively combines historical analysis, ethnomusicology, and musicology to provide a broad, holistic explanation for complex, nuanced processes of change. Well written and highly original in its approach, this is a major contribution to the field.” KAMRAN SCOT AGHAIE, Associate Professor of Iranian History, University of Texas

    “Music of a Thousand Years presents an innovative narrative of Persian music history and also provides important new perspectives on how to analyze the meaning of music and culture in historical perspective.” MOHSEN MOHAMMADI, Lecturer in Ethnomusicology, University of California, Los Angeles

    “Lucas turns the standard history of Persian music on its head, proving it is not a story of the survival of an ancient tradition, but rather the story of the invention of tradition. Revisionist in the best sense of the word.” JAMES L. GELVIN, author of The Modern Middle East: A History

    ANN E. LUCAS is Assistant Professor of ethnomusicology in the Department of Music at Boston College, where she also teaches in the Islamic Civilizations and Societies Program. She is recognized for her work on music historiography of the Middle East."

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780520300804
    Weitere Identifier:
    Schlagworte: Theory of music & musicology
    Weitere Schlagworte: Ethnomusicology; Middle Eastern Studies
    Umfang: 1 electronic resource (288 p.)
  5. Ethnomusicology Matters : Influencing Social and Political Realities (Edition 1)
    Beteiligt: Kölbl, Marko (Hrsg.); Saglam, Hande (Hrsg.); Hemetek, Ursula (Hrsg.)
    Erschienen: 2019
    Verlag:  Böhlau

    This book gathers international voices from the field of ethnomusicology discussing the socio-political relevance of the discipline. The articles draw from contemporary discourses that take into account the role of music and dance in shaping social... mehr

     

    This book gathers international voices from the field of ethnomusicology discussing the socio-political relevance of the discipline. The articles draw from contemporary discourses that take into account the role of music and dance in shaping social and political realities. An important field connected to political relevance is heritage, either in connection with the UNESCO or with archives. Ontologies of indigenous groups and their relevance in knowledge production is discussed in ethnomusicology nowadays as well as the possibilities of decolonising the discipline. Two articles from ethno-choreology explore dance from the gender perspective and in the post-socialist political structures. Different approaches from applied ethnomusicology deal with social justice, participatory dialogical practice, and the socio-political relevance of performance. Forced migration is seen as comprehensive topic for future ethnomusicology. The contents of the book mirror influential discourses of ethnomusicology today that will definitely shape the future development of the discipline.

     
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    Beteiligt: Kölbl, Marko (Hrsg.); Saglam, Hande (Hrsg.); Hemetek, Ursula (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783205232872
    Weitere Identifier:
    Schlagworte: Theory of music & musicology
    Weitere Schlagworte: Music; Ethnomusicology
  6. Sounds of the Underground : A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music
    Autor*in: Graham, Stephen
    Erschienen: 2016
    Verlag:  University of Michigan Press

    In basements, dingy backrooms, warehouses, and other neglected places around the world music is being made that doesn't fit neatly into popular or classical categories and genres, whose often extreme sounds and tiny concerts hover on the fringes of... mehr

     

    In basements, dingy backrooms, warehouses, and other neglected places around the world music is being made that doesn't fit neatly into popular or classical categories and genres, whose often extreme sounds and tiny concerts hover on the fringes of these commercial and cultural mainstreams.

     

    The term “underground music” as it’s being used here connects various forms of music-making that exist outside or on the fringes of mainstream institutions and culture, such as noise, free improvisation, and extreme metal. This is music that makes little money, that’s noisy and exploratory in sound and that’s largely independent from both the market and from traditional high art institutions. It sometimes exists at the fringes of these commercial and cultural institutions, as for example with experimental metal or improv, but for the most part it’s removed from the mainstream, “underground,” as we see with noise artists such as Werewolf Jerusalem or Ramleh, obscure black metal artists such as Lord Foul, and improvisers such as Maggie Nicols. In response to a lack of previous scholarly discussion, Graham provides a cultural, political, and aesthetic mapping of this broad territory. By outlining the historical background but focusing on the digital age, the underground and its fringes can be seen as based in radical anti-capitalist politics or radical aesthetics while also being tied to the political contexts and structures of late capitalism. The book explores these various ideas of separation and captures, through interviews and analysis, a critical account of both the music and the political and cultural economy of the scene.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Theory of music & musicology
    Weitere Schlagworte: Music; Ethnomusicology
  7. Brought to Life by the Voice : Playback Singing and Cultural Politics in South India
    Autor*in: Weidman, Amanda
    Erschienen: 2021
    Verlag:  University of California Press, Oakland

    To produce the song sequences that are central to Indian popular cinema, singers’ voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the... mehr

     

    To produce the song sequences that are central to Indian popular cinema, singers’ voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman’s historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India. “This book is a major contribution to South Asian Studies, sound and music studies, anthropology, and film and media studies, offering original research and new theoretical insights to each of these disciplines. There is no other scholarly work that approaches voice and technology in a way that is both as theoretically wide-ranging and as locally specific.” NEEPA MAJUMDAR, author of Wanted Cultured Ladies Only! Female Stardom and Cinema in India, 1930s–1950s “Brought to Life by the Voice provides a detailed and highly convincing exploration of the varying links between the singing voice and the body in the Tamil film industry since the mid-twentieth century. The historical and ethnographic analysis the book presents is meticulous and excellent.” PATRICK EISENLOHR, author of Sounding Islam: Voice, Media, and Sonic Atmospheres in an Indian Ocean World

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780520976399; 9780520377066
    Weitere Identifier:
    Schlagworte: Anthropology; Black & Asian studies; Social & cultural anthropology, ethnography
    Weitere Schlagworte: Anthropology; Asian Studies; Ethnomusicology
    Umfang: 1 electronic resource (272 p.)
  8. Brought to Life by the Voice : Playback Singing and Cultural Politics in South India
    Autor*in: Weidman, Amanda
    Erschienen: 2021
    Verlag:  University of California Press

    To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the... mehr

     

    To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman's historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India.

     
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  9. The Jazz Republic : Music, Race, and American Culture in Weimar Germany
    Autor*in: Wipplinger, Jonathan O.
    Erschienen: 2017
    Verlag:  University of Michigan Press

    The Jazz Republic examines jazz music and the jazz artists who shaped Germany’s exposure to this African American art form from 1919 through 1933. Jonathan O. Wipplinger explores the history of jazz in Germany as well as the roles that music, race... mehr

     

    The Jazz Republic examines jazz music and the jazz artists who shaped Germany’s exposure to this African American art form from 1919 through 1933. Jonathan O. Wipplinger explores the history of jazz in Germany as well as the roles that music, race (especially Blackness), and America played in German culture and follows the debate over jazz through the fourteen years of Germany’s first democracy. He explores visiting jazz musicians including the African American Sam Wooding and the white American Paul Whiteman and how their performances were received by German critics and artists. The Jazz Republic also engages with the meaning of jazz in debates over changing gender norms and jazz’s status between paradigms of high and low culture.  By looking at German translations of Langston Hughes’s poetry, as well as Theodor W. Adorno’s controversial rejection of jazz in light of racial persecution, Wipplinger examines how jazz came to be part of German cultural production more broadly in both the US and Germany, in the early 1930s.

     

    Using a wide array of sources from newspapers, modernist and popular journals, as well as items from the music press, this work intervenes in the debate over the German encounter with jazz by arguing that the music was no mere “symbol” of Weimar’s modernism and modernity. Rather than reflecting intra-German and/or European debates, it suggests that jazz and its practitioners, African American, white American, Afro-European, German and otherwise, shaped Weimar culture in a central way.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Theory of music & musicology; Humanities
    Weitere Schlagworte: Music; Ethnomusicology; History
  10. Musikethnographien im 21. Jahrhundert
    Beteiligt: Alge, Barbara (Herausgeber)
    Erschienen: 2021
    Verlag:  Rombach Wissenschaft, Baden-Baden

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    Quelle: Verbundkataloge
    Beteiligt: Alge, Barbara (Herausgeber)
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783968218175; 3968218175
    Weitere Identifier:
    9783968218175
    Auflage/Ausgabe: 1. Auflage
    Schriftenreihe: Rombach Wissenschaft : [...], Musikethnologie im 21. Jahrhundert ; Band 1
    Schlagworte: Musikethnologie; Forschungsmethode; Feldforschung
    Weitere Schlagworte: (Produktform)Paperback / softback; Parafiktion; Retrodiktion; Musikaufnahme; Ethik; Nationalsozialismus; Erinnerung; Feldforschung; Feedbackmethoden; Forschungsdatenmanagement; Erfahrung; Kulturanthropologie; Wissensproduktion; Performance Ethnography; Postkolonialismus; Wissensakquisition; Ethnomusicology; Fieldwork; Ethnography; (Produktrabattgruppe)N3: N3-Rabatt; (VLB-WN)1590: Hardcover, Softcover / Musik; (BISAC Subject Heading)MUS000000
    Umfang: 296 Seiten, Illustrationen, 23 cm, 464 g
  11. Ethnomusicology
    a very short introduction
    Autor*in: Rice, Timothy
    Erschienen: [2014]; © 2014
    Verlag:  Oxford University Press, New York, NY

    Defining ethnomusicology -- A bit of history -- Conducting research -- The nature of music -- Music and culture -- Individual musicians -- Writing music history -- Ethnomusicology in the modern world -- Ethnomusicologists at work mehr

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    Standort:
    Hochschule Aalen, Bibliothek
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    E-Book EBSCO
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    Standort:
    Hochschule Esslingen, Bibliothek
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    E-Book Ebsco
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    Universitätsbibliothek Heidelberg
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Defining ethnomusicology -- A bit of history -- Conducting research -- The nature of music -- Music and culture -- Individual musicians -- Writing music history -- Ethnomusicology in the modern world -- Ethnomusicologists at work

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0199794588; 0199397546; 9780199794584; 9780199397549
    RVK Klassifikation: EC 2440 ; LC 87000 ; LS 16000 ; LC 86000
    Schriftenreihe: Very short introductions
    Schlagworte: Ethnomusicology; MUSIC ; Genres & Styles ; Classical; MUSIC ; Reference; Ethnomusicology
    Umfang: 1 Online-Ressource (xvi, 151 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index
  12. Theorizing sound writing
    Beteiligt: Kapchan, Deborah A. (HerausgeberIn)
    Erschienen: [2017]; © 2017
    Verlag:  Wesleyan University Press, Middletown, Connecticut

    An eclectic and experimental exploration of sound from the vantage point of writing The splash of Icarus : theorizing sound writing/Writing sound theory mehr

    Standort:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    2019/897
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Universitätsbibliothek Leipzig
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    Popakademie Baden-Württemberg, Bibliothek
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    An eclectic and experimental exploration of sound from the vantage point of writing The splash of Icarus : theorizing sound writing/Writing sound theory

     
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    Beteiligt: Kapchan, Deborah A. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780819576644; 9780819576651
    RVK Klassifikation: LR 56660
    Schriftenreihe: Music/culture
    Schlagworte: Musicology; Ethnomusicology; Sound (Philosophy); Musicology; Ethnomusicology; Sound (Philosophy); Ethnomusicology; Musicology; Sound (Philosophy)
    Umfang: viii, 319 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Literaturangaben
  13. Regional literature and the transmission of culture
    Chinese drum ballads, 1800-1937
    Autor*in: Wan, Margaret B.
    Erschienen: 2020
    Verlag:  Published by the Harvard University Asia Center, Cambridge, Massachusetts

    Drum ballads as regional literature -- Audiences and reading practices: the eye and the ear -- Imagining region: space in the ballads -- Court case ballads: popular ideals of justice -- Legends, media and the transmission of ideas -- Drum ballads in... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Universität Freiburg, Orientalisches Seminar, Bibliothek
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    Standort:
    Centre for Asian and Transcultural Studies (CATS), Abteilung Ostasien
    Signatur:
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    Drum ballads as regional literature -- Audiences and reading practices: the eye and the ear -- Imagining region: space in the ballads -- Court case ballads: popular ideals of justice -- Legends, media and the transmission of ideas -- Drum ballads in Shanghai: the shift to national culture. "Provides a richly textured picture of cultural transmission in China during the Qing and early Republican eras. Drum ballad texts (guci) evoke one of the most popular performance traditions of their day, opening up surprising new perspectives on vital topics in Chinese literature and history"--Provided by publisher

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780674241183
    Schriftenreihe: Harvard East Asian monographs ; 426
    Schlagworte: Folklore; Ethnomusicology; Drum; Ballads, Chinese; Acculturation; Popular literature
    Umfang: XXII, 434 Seiten, Illustrationen, Karten
    Bemerkung(en):

    Includes bibliographical references and index
  14. Becoming Palestine
    toward an archival imagination of the future
    Autor*in: Hochberg, Gil Z.
    Erschienen: 2021
    Verlag:  Duke University Press, Durham

    Archival Imagination of/for the Future -- Revisiting the Orientalist Archive: Jumana Manna's Re-Mapped Musical Archive of Palestine -- Lost and Found in Israeli Footage: Kamal Aljafari's "Jaffa Trilogy" and the Productive Violation of the Colonial... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    10 A 142988
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    Archival Imagination of/for the Future -- Revisiting the Orientalist Archive: Jumana Manna's Re-Mapped Musical Archive of Palestine -- Lost and Found in Israeli Footage: Kamal Aljafari's "Jaffa Trilogy" and the Productive Violation of the Colonial Visual Archive -- "Suspended between Past and Future": Larissa Sansour's Sci-Fi Archaeological Archive in the Past-Future Tense -- "Face to Face with the Ancestors of Civilization": Ruanne Abou-Rahme and Basel Abbas's Archive of the Copy -- Gesturing toward Resistance: Farah Saleh's Archive of Gestures. "In Becoming Palestine, Gil Z. Hochberg examines how contemporary Palestinian artists, filmmakers, dancers, and activists use the archive in order to radically imagine Palestine's future. She shows how artists such as Jumana Manna, Kamal Aljafari, Larissa Sansour, Farah Saleh, Basel Abbas, and Ruanna Abou-Rahme reimagine the archive, approaching it not through the desire to unearth hidden knowledge, but to sever the identification of the archive with the past. In their use of archaeology, musical traditions, and archival film and cinematic footage, these artists imagine a Palestinian future unbounded from colonial space and time. By urging readers to think about archives as a break from history rather than as history's repository, Hochberg presents a fundamental reconceptualization of the archive's liberatory potential"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781478014829; 9781478013884
    Schlagworte: Visual communication; Archival materials; Ethnomusicology; Arab-Israeli conflict; ART / Middle Eastern; ART / History / Contemporary (1945-)
    Umfang: xiv, 192 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  15. Theorizing sound writing
    Beteiligt: Kapchan, Deborah A. (HerausgeberIn)
    Erschienen: [2017]; © 2017
    Verlag:  Wesleyan University Press, Middletown, CT

    An eclectic and experimental exploration of sound from the vantage point of writing The splash of Icarus : theorizing sound writing/Writing sound theory mehr

    Standort:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    An eclectic and experimental exploration of sound from the vantage point of writing The splash of Icarus : theorizing sound writing/Writing sound theory

     
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    Quelle: Verbundkataloge
    Beteiligt: Kapchan, Deborah A. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780819576644; 9780819576651
    Schriftenreihe: Music/culture
    Schlagworte: Musicology; Ethnomusicology; Sound (Philosophy); Ethnomusicology; Musicology; Sound (Philosophy)
    Umfang: viii, 319 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Literaturangaben
  16. Queering the field
    sounding out ethnomusicology
    Beteiligt: Barz, Gregory F. (Herausgeber, Verfasser); Cheng, William (Herausgeber, Verfasser)
    Erschienen: [2020]; © 2020
    Verlag:  Oxford University Press, New York

    Standort:
    Universitäts- und Landesbibliothek Münster
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    Quelle: Verbundkataloge
    Beteiligt: Barz, Gregory F. (Herausgeber, Verfasser); Cheng, William (Herausgeber, Verfasser)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780190458058
    Schlagworte: Queer-Theorie; Musikethnologie
    Weitere Schlagworte: Ethnomusicology; Homosexuality and music; Gender identity in music
    Umfang: 1 Online-Ressource (xx, 442 Seiten)
  17. A feminist ethnomusicology
    writings on music and gender
    Autor*in: Koskoff, Ellen
    Erschienen: [2014]; © 2014
    Verlag:  University of Illinois Press, Urbana ; Chicago ; Springfield

    Standort:
    Folkwang Universität der Künste | Bibliothek
    Signatur:
    Sbc 77 / Kos
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    Quelle: Verbundkataloge
    Beteiligt: Cusick, Suzanne G. (Verfasser eines Vorworts)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780252038495; 9780252080074; 9780252096402
    RVK Klassifikation: LR 56610
    Schriftenreihe: New perspectives on gender in music
    Schlagworte: Ethnomusicology; Feminism and music; Sex role in music; Musikethnologie; Geschlechterforschung; Feminismus
    Umfang: xvi, 237 Seiten, Notenbeispiele
    Bemerkung(en):

    Includes bibliographical references and index
  18. Music scenes and migrations
    space and transnationalism in Brazil, Portugal and the Atlantic
    Beteiligt: Treece, David (Hrsg.)
    Erschienen: 2020
    Verlag:  Anthem Press, London

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Quelle: Verbundkataloge
    Beteiligt: Treece, David (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781785273841
    RVK Klassifikation: LS 19000
    Schriftenreihe: Anthem Brazilian studies
    Schlagworte: Interkulturalität; Postkolonialismus; Migration; Musik
    Weitere Schlagworte: Music and transnationalism; Ethnomusicology; Music and race; Postcolonialism and music; Music / Portuguese-speaking countries; Musicians / Portuguese-speaking countries; Music; Portuguese-speaking countries; Criticism, interpretation, etc
    Umfang: vi, 241 Seiten, Illustrationen, Portraits
  19. Die Frau als Mitte in traditionellen Kulturen
    Beiträge zu Musik und Gender ; [Beiträge des interdisziplinären Symposiums "Die Frau als Mitte in traditionellen Kulturen" ... 10. und 11. April 2003 in Wien]
    Erschienen: 2005

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 3902153024
    RVK Klassifikation: LR 56600
    Schriftenreihe: Klanglese ; 3
    Schlagworte: Ethnomusicology; Gender identity in music; Women musicians
    Umfang: 152 S., Ill., Notenbeisp.
    Bemerkung(en):

    Literaturangaben
  20. Parole chantée et communication sociale chez les Wolof du Sénégal
    Autor*in: Cissé, Momar
    Erschienen: 2010
    Verlag:  Harmattan, [Paris] [u.a.]

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9782296104853
    RVK Klassifikation: LB 48526
    Schriftenreihe: Études africaines
    Schlagworte: Ethnomusicology; Oral tradition; Songs, Wolof; Wolof (African people); Wolof language
    Umfang: 488 S.
    Bemerkung(en):

    Literaturverz. S. [467] - 482
  21. Dear far-voiced veteran
    essays in honour of Tom Munnelly
    Beteiligt: Munnelly, Tom (GefeierteR)
    Erschienen: 2007
    Verlag:  Old Kilfarboy Soc., Miltown Malbay, County Clare

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Munnelly, Tom (GefeierteR)
    Sprache: Englisch; Irisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780955603709
    Schlagworte: Folk songs, Irish; Ethnomusicology
    Weitere Schlagworte: Munnelly, Tom
    Umfang: [11], 404 S., Ill., Kt., Notenbeisp.
    Bemerkung(en):

    Literaturverz. S. 387 - 403
  22. Ethnomusicology
    a very short introduction
    Autor*in: Rice, Timothy
    Erschienen: [2014]; © 2014
    Verlag:  Oxford University Press, Oxford

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780199794379
    RVK Klassifikation: EC 2440 ; LC 87000 ; LS 16000 ; LC 86000
    Schriftenreihe: Very short introductions
    Schlagworte: Ethnomusicology
    Umfang: xvi, 151 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 123-139

    Defining ethnomusicologyA bit of history -- Conducting research -- The nature of music -- Music and culture -- Individual musicians -- Writing music history -- Ethnomusicology in the modern world -- Ethnomusicologists at work.
  23. (un)Common sounds
    songs of peace and reconciliation among Muslims and Christians
    Erschienen: 2014
    Verlag:  Cascade Books, Eugene, Or.

    Standort:
    Bayerische Staatsbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781625644886
    Schriftenreihe: Art for faith's sake series
    Schlagworte: Ethnomusicology; Religions / Relations; Peace / Songs and music; Ethnomusicology; Peace; Religions / Relations; Araber; Religion; Friede <Motiv>; Musik; Versöhnung <Motiv>
    Umfang: xviii, 330 p., ill., 23 cm
    Bemerkung(en):

    Includes glossaries of Arabic terms and of Indonesian terms

    Includes bibliographical references and indexes
  24. A feminist ethnomusicology
    writings on music and gender
    Autor*in: Koskoff, Ellen
    Erschienen: [2014]
    Verlag:  University of Illinois Press, Urbana

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0252038495; 0252080076; 0252096401; 1306980852; 9780252038495; 9780252080074; 9780252096402; 9781306980852
    Schriftenreihe: New perspectives on gender in music
    Schlagworte: MUSIC / Genres & Styles / Classical; MUSIC / Reference; SOCIAL SCIENCE / Women's Studies; Ethnomusicology; Feminism and music; Sex role in music; Ethnomusicology; Feminism and music; Sex role in music; Feminismus; Musikethnologie; Geschlechterforschung
    Umfang: 1 online resource (xvi, 237 pages), illustrations
    Bemerkung(en):

    Print version record
  25. Regional literature and the transmission of culture
    Chinese drum ballads, 1800-1937
    Autor*in: Wan, Margaret B.
    Erschienen: [2020]
    Verlag:  Harvard University Asia Center, Cambridge (Massachusetts)

    "Provides a richly textured picture of cultural transmission in China during the Qing and early Republican eras. Drum ballad texts (guci) evoke one of the most popular performance traditions of their day, opening up surprising new perspectives on... mehr

    Standort:
    Bayerische Staatsbibliothek
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    Standort:
    Universitätsbibliothek Würzburg
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    "Provides a richly textured picture of cultural transmission in China during the Qing and early Republican eras. Drum ballad texts (guci) evoke one of the most popular performance traditions of their day, opening up surprising new perspectives on vital topics in Chinese literature and history"--Provided by publisher

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780674241183
    Schriftenreihe: Harvard East Asian monographs ; 426
    Schlagworte: Regionalliteratur; Shuochang
    Weitere Schlagworte: Folklore / China; Ethnomusicology / China; Drum / Performance / China; Ballads, Chinese / History; Acculturation / China / History; Popular literature / China / History; China / Civilization; Acculturation; Ballads, Chinese; Civilization; Drum / Performance; Ethnomusicology; Folklore; Popular literature; China; History
    Umfang: xxii, 434 Seiten, Illustrationen, Karten, 24 cm
    Bemerkung(en):

    Drum ballads as regional literature -- Audiences and reading practices: the eye and the ear -- Imagining region: space in the ballads -- Court case ballads: popular ideals of justice -- Legends, media and the transmission of ideas -- Drum ballads in Shanghai: the shift to national culture